{"title":"Sub Rosa","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSub Rosa is a Belgian label that was created by two individuals. It has three sub-labels, Quantum, Audiosphere, and Quatermass, all of which are currently shut down. The label also has a DVD sub-label called Ome. Sub Rosa is known for its 10 series, including Aural Documents, Early Electronic Music, Concrete Electronics Noise, Anthologies, Unclassical, Soundworks, Le Coeur Du Monde, Fundamental, Music In The Margins, and Utopian Diaries. Some of these series have sub-sections such as L'innomé and Framework.\u003c\/p\u003e\n\u003cp\u003eThe label was founded by [a511877] and [a511875], with [l399853] serving as the publisher. They have made significant contributions to the music industry over the years.\u003c\/p\u003e\n\u003cp\u003eIf you're looking for unique and diverse music experiences across various genres and styles, Sub Rosa is the perfect choice. With their extensive catalog of releases under different series and sub-sections like Aptagon Years and Subsonic within specific series like Aural Documents or Concrete Electronics Noise; there's something for everyone here.\u003c\/p\u003e","products":[{"product_id":"stolen-symphony-volume-1","title":"Stolen Symphony (Volume 1)","description":"\u003cp\u003eAll in all, there are more than 50 pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and\nclassical, solos and pieces for ensemble, using classical and special instruments.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"Black LP","offer_id":50383586951499,"sku":"2020923","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fluxus_neofluxus_SRV539_a3c82792_thumbnail_4096.jpg?v=1726273494"},{"product_id":"high-tide-in-the-lowlands","title":"High Tide In The Lowlands","description":"\u003cp\u003eHailing from the Agouza district of Cairo, Egypt, this brilliant trio consists of Alan Bishop (Acoustic Bass, Vocals \u0026amp; Alto Sax) Maurice Louca (Keyboards \u0026amp; Drum Machine) Sam Shalabi (Electric Guitar).\u003c\/p\u003e\u003cp\u003e Born in 2012 when the three were living in the same apartment building in Cairo's Agouza district, the trio's instrumental improvisation-based explorations are propelled by Louca's North African percussion loops and shimmering keys, Shalabi's West African tinged free jazz guitar and grounded by Bishop's driving Krautrock-style acoustic bass.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"LP","offer_id":50383742796107,"sku":"2020961","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The_Dwarfs_Of_East_Agouza__high_tide_SRV533_4cbd9fc0_thumbnail_4096.jpg?v=1726277110"},{"product_id":"something-about-this-landscape","title":"Something About This Landscape..","description":"\u003cp\u003eFrom his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. 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Focusing on funeral's ceremonies, those hypnotics pieces are intense and haunting harmonics sonic experiments.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"Black LP","offer_id":50399661457739,"sku":"2176644","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/funeral_gongs_ceremonies_cambodia_94e8575b_thumbnail_4096.jpg?v=1726507137"},{"product_id":"spectra-ex-machinaa-sound-anthology-of-occult-phenomena-1920-2017-vol2-2","title":"Spectra Ex Machina\/A Sound Anthology of Occult Phenomena 1920-2017 Vol.2","description":"\u003cp\u003eThe Anthology Spectra Ex Machina brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. 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The documents gathered here are, by their extravagance and far-fetched aspects, more than the mere objects of belief one would be tempted to reduce them to. They are vestiges of aberrant phenomena, fossils of an unknown civilization buried in the depths of the unconscious that are revived, in a way, when we listen to them. They can be understood as \"works,\" in the full artistic sense of the word, and constitute a kind of \"cabinet of sound curiosities\" that is worthy of aesthetic interest. Sometimes imbued with a disconcerting dramatic intensity, these documents bear the features of an authentic time machine, placing the listener in the position of a witness of the time immersed in the dim darkness of the experimental hall.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"CD","offer_id":50405435670859,"sku":"2176645","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Spectra_Ex_Machina_A_Sound_Anthology_vol_1_9ecce29d_thumbnail_4096.jpg?v=1726577263"},{"product_id":"moonshine-7","title":"Moonshine","description":"\u003cp\u003eMaurice Louca \u0026amp; his band Elephantine announce Moonshine, shining brightly with a live, raw, collective sound.Maurice Louca's band is incredible: double drummers Tommaso Cappellato \u0026amp; Özün Usta Piero Bittolo Bon on alto, Daniel Gahrton on baritone and Isak Hedtjärn on clarinet; Rasmus Svale Kjærgård Lund on tuba; Rosa Brunello on bass; Els Vandeweyer on vibraphone; Louca on guitar\/lap steel\/synth. As Asher Gamedze puts it in his essay: \"Abstract territories of freedom, always grounded, expansive, multiple, internally differentiated, and elephantine.\" All music composed, arranged and produced by Maurice Louca.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"LP","offer_id":50414635057483,"sku":"2051322","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/MAURICE_LOUCA_ELEPHANTINE_BAND_SRV551_8d49b89f_thumbnail_4096.jpg?v=1726684349"},{"product_id":"miragique","title":"Miragique","description":"\u003cp\u003ePerformed by Kaoru Tashiro. 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Lueur is the fruit of two years' work and reflection, the foundations of which were laid by Daniel Denis (keyboards, drums, percussion...), then enriched by the contributions of Nicolas Dechêne (guitars), Kurt Budé (clarinet \/ bass clarinet) and Nicolas Denis (bass, percussion, vocals), all three present on Phosphorescent Dreams. With this reduced line-up, Lueur offers a dense journey, rooted in the balance between power and calm, raging and serene sound. A balance, too, between complex arrangements and more contemplative moments. \u003c\/p\u003e\u003cp\u003eWhile this album continues the avant-rock tradition of Univers Zero, it also features some very short pieces, more electronic, tribal and haunting sounds, and voice work that is new to the U.Z. universe. Between tradition and subtle evolution, Lueur is a major new contribution to the discography of this band, which will be celebrating its fiftieth anniversary in 2024. Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. 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Their radical renditions of works by Larry Polansky and Christopher Trapanido not distort the more upbeat rhythm and tradition of folk songs, but rather reveal and highlight the essence of hard lives, imposed choices - choices that were illusions in the first place - and the difficult times and conditions they have always depicted. Christopher Trapani arranged two classics from the U.S. South, reimagining folk songs with microtones, improvisation, and electronic effects. The work, developed in collaboration with Tom Pauwels and Liesa Van der Aa, was originally made and featured on ICTUS' American Lament programme. The duo was given considerable room for improvisation and interpretation in the process. The first song, 'Wayfaring Stranger', is a well-known folk\/gospel melody in A minor. The lyrics contrast an aimless journey through a harsh, hostile world, with the Christian promise of heaven as a 'home' and reunion with lost loved ones. The second song, 'Freight Train', was written by Elizabeth Cotten, a left-handed guitarist who held her guitar upside down, resulting in a very recognisable strumming style. Sweet Betsy from Pike and Eskimo Lullaby are taken from Larry Polansky's 2005 'Songs and Toads', a five-section piece that consists of three settings of American folk songs and two computer-composed pieces. The work was originally written for guitar, more specifically for the national steel guitar, refretted in a specific intonation designed by Lou Harrison. Each piece explores a different guitar tuning. A significant intervention to the original work is made to accommodate Liesa Van der Aa's violin with effect pedals, opening to an epic re-reading of the work as conceived by the American composer Larry Polansky. What this set-up enables is a melancholy, slow-paced approach that quite radically opposes the more upbeat and joyful nature of the folk songs.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"Black LP","offer_id":50415287238987,"sku":"2178178","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50415287796043,"sku":"2178187","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/SR538LP_CU_a1f9ae2e_thumbnail_4096.jpg?v=1726688807"},{"product_id":"1-6","title":"#1","description":"\u003cp\u003eIn 1995 the self-titled full-length debut of Die Anarchistische Abendunterhaltung (DAAU) was released. The band consisted of four young, 'classically derailed' musicians who played their own compositions exclusively with their acoustic instruments such as violin, cello, clarinet and accordion. Their work contained influences from Roma music, Eastern European folk, klezmer and jazz, but was performed with the energy, rebellious spirit and Sturm und Drang of a bona fide punk band. DAAU was part of the fertile Antwerp scene, which also produced dEUS, Zita Swoon and Kiss My Jazz, and soon signed an international record deal with Sony Classical. The group's influential first record, which has been out of print for a while, is now finally being released again and is available on vinyl for the very first time.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"LP","offer_id":50415317156171,"sku":"2051307","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50415318008139,"sku":"2051317","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/DIE_ANARCHISTISCHE_ABENDUNTERHALTUNG_DAAU_SRV550_3ba0430e_thumbnail_4096.jpg?v=1726689034"},{"product_id":"performing-brian-eno-discreet-music-music-for-airports-thursday-afternoon","title":"Performing Brian Eno: Discreet Music \/ Music for Airports \/ Thursday Afternoon","description":"\u003cp\u003eWith Discreet Music (1975), Music for Airports (1978) and Thursday Afternoon (1985), Brian Eno invented a new music genre, Ambient Music, which he defined as \"able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.\" These versions performed and arranged by Dedalus Ensemble, according to the musicians and the critics who listened to it, goes beyond what we expect from it. A mental base that takes us far away. One of the only music without beginning or end in which we want to stay as long as possible. Inspired by Erik Satie's furniture music, Cage's indeterminacy and La Monte Young's drones, Eno's series of compositions were based on strict formal protocols bringing the listener into an enthralling world of sounds. 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Recorded during the bizarre pandemic summer of 2020, the six slow- burning tracks take drone-rock-noise as rhythm to new hazy territories by stripping down the essence of acoustic\/electronic sound into dry husks and organizing them into strangely harmonic and hypnotic structures. A radical collision of instrument manipulations, heady electronics, field recordings, and heartfelt ambient soundscapes forms part of a puzzling, lo-fi dissonant movement that seems to seep out of the concrete walls. Tracklisting: 1. Dynamic Field 4'02 2. Sun Riser 7'30 3. Pulse Random Fix 4'31 4. Flicker Day 6'50 5. Monogram 8'26 6. Hot Noise Circle 6'49 All music composed and mixed by Mazza Vision (Pailliot - Collet): electronics, drums, synthesizer, sampler, organ, bass, accordion, guitar, field recordings, contact mic, minidisk. Genre: Experimental, Ambient, Drone, Rock. 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It encompasses various styles, ranging from purely formal music to innovative electronica, incorporating remnants of Turkish harmonies, as well as pieces with conceptual or political undertones, varying in intensity from subtle to overt.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"CD.","offer_id":50417308041547,"sku":"2207219","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/varous_woman_in_turkish_electronic_music_SR565_85e9fd91_thumbnail_4096.jpg?v=1726725578"},{"product_id":"la-memoire-des-orages","title":"La Mmoire des Orages","description":"\u003cp\u003eAt the border of genres, Ogives is an ambitious musical project, initiated and led by composer and musician Pavel Tchikov. This large ensemble leads us onto a path to a sacred universe, to a cathedral of sounds, whose foundations are rock and classical music. Born in Liège (Belgium), Ogives offers a resolutely intense personal and poetic work, dominated by layers of melodious, polyphonic, shouted or lyrical voices. \u003c\/p\u003e\u003cp\u003eThis first album from Ogives, 'La mémoire des orages' (The Memory of Storms), is build and orchestrated around poems written by two members of the group. These texts revolve around the themes of the perception of time and the perspective of death. We find here all the group's influences, ranging from post-rock, prog' to contemporary music, baroque and medieval music, through electronic music and noise, all exploited to forge a homogeneous and singular material. From the first choral notes to the last sharp riff, it is a dense and melancholic epic, carried by inhabited and versatile musicians. 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For this record he relied on his favorite combination, a mix of various effects pedals and noise generators.Nicolas Horvath is a pianist of exceptional sensibility. More than well-versed in the classical Repertoire, he also is fundamentally curious and multifaceted, as evidenced by his rescuing works and composers from oblivion, championing them on stage and patiently, carefully recording them. Nicolas Horvath also improvises and composes electronic music. Since the early 2000s, he has been active in the experimental and underground scene under many different names, especially Dapnom. In 2020 he released a dark ambient album under his real name, in collaboration with Lustmord : The Fall (Sub Rosa - SR \/ SRV 502), a duet for piano and electronic music that rewrites\/deconstructs one of the first minimal works in history, Dennis Johnson's November. A collaboration with Merzbow had already been considered some fifteen years ago. In the midst of forced isolation, it was all the more tempting to meet symbolically, following the ways of the World Wide Web. PiaNoise is actually a project born from the health crisis and lockdowns, carried out from different homes in days of anguish and uncertainty. 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The first sonic moves of this eclectic quartet, made in a bunker studio somewhere between Paris and Berlin, urgently took the form of a quest, that of a neo-folklore for troubled times, a music seeping with many kinds of atavism and experimenting in all directions. A fertile no-man’s-land where trance and contem[1]plation, jazz and electronica, acoustics and electricity would merge in a stimulating mystical magma. From the possible emergence of a Babelian language to the shared desire to rediscover mu[1]sic as a ceremonial act, this encounter took place over three days of improvised sound bacchanalia, the phases of which were all recorded by Benoit Bel (Zombie Zombie, Thurston Moore Group, Oi[1]seaux-Tempête). 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Post-spectral works that definitively position Fafchamps as one of the important European composers. And it also weaves subtle links between him and Jean-Paul Dessy, him and Musiques Nouvelles, once created by Henri Pousseur. This disc is undoubtedly the best introduction to his work. Performed by Musiques Nouvelles Conducted by Jean-Paul Dessy.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"CD","offer_id":50446279835979,"sku":"2207215","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/JEAN-LUC_FAFCHAMPS__Ensembles_SR547_86ae443d_thumbnail_4096.jpg?v=1727056116"},{"product_id":"dr-boogie-presents-shim-sham-shimmy","title":"Dr Boogie Presents Shim Sham Shimmy","description":"\u003cp\u003eA collection devoted to rare and lost recordings from '20 to '60's. Is it really possible to imagine what modern music would sound like if a few pioneering geniuses had not had the idea of electrifying their instruments, especially guitar and harmonica, between 1945 and 1950? Some purist will regret this evolution, but, in the '50s, the new sound will be heard in all the studios and night clubs of the United States; it will become a staple on the radio, in stores, at weddings, and private parties. It will radically transform the music scene and allow hundreds of artists to express themselves, create, hope, and innovate.This collection pays tribute to about thirty artists, some of which later became known, like Albert Collins, Jack Dupree, Homesick James, Sam Myers, Dr. Ross, and Joe Hill Louis. However, the real treat is having an opportunity to hear fabulous unknowns who all, one day, had the chance to be recorded, either in a studio, on the street, or on a back porch, before going back to anonymity shortly after. Almost all of the artists presented here hailed from the south of the USA. 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It is truly the ultimate grail, developed by musicologist Miguel Álvarez-Fernández, he is its curator, editor and commentator. this undoubtedly marks a major step in the approach and understanding of this music which had to fight to exist before the death of Franco in 1975.Miguel Álvarez-Fernández (Madrid, 1979) is a writer. He hosts the weekly radio broadcast Ars Sonora - dedicated to sound art and experimental music and offering hundreds of freely available podcasts on Radio Clásica (Spanish National Radio). Five Spanish Pioneers of Eletronic and Experimental Music. This LP aims to present five composers who most often work outside the rules and without the possibility of help from their own country. Jose Val del Omar (1904-1982) is essentially a creator, a filmmaker developing a dreamlike art – not without links with Federico Garcia Lorca or Luis Buñuel. Eduardo Polonio (1941- ) between 1966 and 1970 at the Institute of Psychoacoustics and Electronic MusicIPEM of the University of Ghent, Belgium. Eduardo Polonio, has published, in forty years, more than a hundred works. Josep Maria Mestres Quadreny (1929-2011) in 1952 he joined the Manuel de Falla Circle and in 1974 he founded the Laboratori de Música Electroacústica Phonos. During his life he collaborated with Joan Miró and Antoni Tàpies. Juan Hidalgo (1927-2018) in 1957 he participated in the music festival XII Internationale Ferienkurse Fur Neue Musik in Darmstadt. The following year he met the American composers John Cage and David Tudor. Member of Fluxus, in 1966 he participated with Gustav Metzger, Otto Muehl, Wolf Vostell and Hermann Nitsch in the Destruction in Art Symposium in London. Cristóbal Halffter (1930-2021) was soon considered one of the most important composers of his generation. 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Communal and collaborative, its form is hypnotically repetitious, melodies and rhythms spread out among the players using the technique of hocketing in which a flowing line is distributed among all the musicians. \u003c\/p\u003e\u003cp\u003eThe effect is mesmerising, immediately intoxicating to anybody who loves Chicago footwork, free improvisation, Sun Ra or young hip hop producer Jetsonmade. The music is simple yet mysterious and enveloping, a sound world in which to disappear. A theory exists but this is not explained.\" David Toop (extracts from the liner notes).\u003c\/p\u003e\u003cp\u003eThis project, Massif and Archipelago, is a field recording project initiated by Japanese sound artist Yasuhiro Morinaga, documenting traditional gong music by different Southeast Asian ethnic groups. The project aimed to examine the impact of the natural and social environment on the gong music culture of Southeast Asia. During the project, he visited over 50 different ethnic groups and made hundreds of recordings. This album presents a selection of the unique gong music from different ethnic minorities. The selected music has been divided into two broad sections: one focussing on the music from the Massif, i.e. mainland Southeast Asia (Central Highland of Vietnam and Northeast Cambodia), the other on music from the Archipelago, maritime Southeast Asia (the Luzon Islands of the Philippines, Borneo, Sulawesi, and the Flores Islands of Indonesia).\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"Black | LP","offer_id":50458623082827,"sku":"1153103","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/06da74fb-e4d4-4e4c-95e8-8cdd55f1b384_thumbnail_4096.jpg?v=1727212370"},{"product_id":"three-extended-pieces-for-four-pianos","title":"Three Extended Pieces For Four Pianos","description":"\u003cp\u003eIt is recognized today that these tutelary pieces for four pianos are among the most powerful in contemporary music,their impact is almost unparalleled. After the historical version recorded forty years ago, this one, featuring four of the greatest European performers, is now regaining its full power. High level recordings too. Julius Eastman There was some for John Cage, then came Christian Wolff, and finally Morton Feldman, from this school in New York. Only Julius Eastman remained outside the game, the last figure, the most solitary and enigmatic - undoubtedly also one of the most powerful, and it is this power that is revealed through these recordings. \u003c\/p\u003e\u003cp\u003eIn the 1970s and 1980s, Eastman was one of the very few African-Americans to gain recognition in the New York avant-garde music scene. He was politically committed, a figure of queer culture and a solar and solitary poet whose melancholy influenced his genius as well as his tragic destiny : suffering from various addictions, declared missing, actually homeless. 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Through this late remixing, we wanted to deliver this woman from her agony, her eyes turned to the milkish Lotharingia sky and beyond, trying to illustrate this Catholic France of yesterday, as vain and terrifying as a month of November in this cold and humid garden, within reach of the incessant song of the A31 highway.\" \u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"Black | LP","offer_id":50466292007243,"sku":"1120113","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5dd5b858-e26c-4491-ba3b-d709565321b6_thumbnail_4096.jpg?v=1727310642"},{"product_id":"pieces-for-sixth-tone-harmonium","title":"Pieces For Sixth-Tone Harmonium","description":"\u003cp\u003eThe only example of a working sixth-tone harmonium in the world belongs to the collections of the National Museum and is permanently exhibited in the Czech Museum of Music in Prague. We present here new compositions were written by Phill Niblock, Klaus Lang, Bernhard Lang, Milan Gustar, Judith Berkson, Idin Samimi Mofakham and Ian Mikyska. The premiere of these compositions took place in August 2023 as part of the Ostrava Days contemporary music festival. Performed by pianist Miroslav Beinhauer (*1993) who is recently the only musician in the world who can play this unique instrument. The first model of the sixth-tone harmonium was created in the 1920s on the basis of a commission from the pioneer of microtonal music, Alois Hába, whose visions for its construction convinced 10 the company August Förster. The improved model of the harmonium dates from 1936 by the same company. The first Czechoslovak president Masaryk supported the purchase of the new instrument by contributing ten thousand crowns, and the same amount was added by the Ministry of Education and National Enlightenment at the time. 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While it may appear an anachronism in his catalog, fans of Bill Laswell will find \u003ci\u003eCity of Light\u003c\/i\u003e an extension of ideas he has explored throughout his career. His strong interest in Eastern music and religion resultedi n this 1997 collaboration with Janet Rienstra. \u003c\/p\u003e\u003cp\u003ePart sacred, spoken word, part meditative soundscape,\u003ci\u003e City of Light \u003c\/i\u003etakes as its inspiration the holy region of Banaras, India. Said to belong to Shiva, Banarasalso contains the Ganges river: a place sought by Hindus for their cremation. Surrounding the texts is some of the most compelling music this genre has produced featuring Trilok Gurtu on tablas, Coil (Peter Christopherson and John Balance) on electronic, Tetsu Inoueat sound collages and Lori Carson on vocals.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"Green | LP","offer_id":50469174018379,"sku":"1060424","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/28a5ee34-b2dc-4cf2-b37a-f1b4eb0d6522_thumbnail_4096.jpg?v=1727357737"},{"product_id":"complete-electronic-phonetic-works-1968-1974","title":"Complete Electronic \u0026 Phonetic Works 1968-1974","description":"\u003cp\u003eReinhold Weber, born in 1927, was known as a pioneer of electronic music.In his compositions, Weber placed a focus on twelve-tone music, he became increasingly fascinated in the field of computer music since the 1970s. 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Somewhere between the old-school electronica culture, the soundscaping, the experimental paths of Lee Perry and Adrian Sherwood, ghostly clubbing anthems, minimalism, pop, jazz, without being influenced, Vladislav Delay is building a drifting and coherent sound enigma. Vladislav Delay met Sly Dunbar and Robbie Shakespeare (the most prolific Jamaican rhythm section and production duo) thanks to a series of jam sessions. Trumpet player Nils-Petter Molvaer had been asked by the Jamaicans to join them and he invited Delay alongside guitar player Eivind Aarset to tag along, which eventually turned into the Nordub project. The result of these jam sessions turned into an album, mixed and mostly produced by Vladislav Delay, released on the label Okeh. It was also followed by an extensive series of live dates. This one-shot reunion was the beginning of another story: a trio composed by Delay, Dunbar and Shakespeare. In January 2019, Vladislav Delay went to Kingston and spent some days at The Anchor studios, to record drums and bass with S\u0026amp;R, some voice takes and a series of atmospheric field recordings. Back to Finland, Delay started to experiment with this precious material, mixing and overdubbing, in the comfort and quiet of his studio, based on the island of Hailuoto, Baltic Sea, Northern Finland, giving another feeling to the Jamaican trip. This became a tribute to the 'dub spirit', but in a very personal way, far beyond any influence or \"the obvious\". \u003ci\u003e500 Push Up\u003c\/i\u003e is two worlds collapsing, merging, also showing some intriguing approach of the Jamaican groove, used as a filigree, like the echo or the ghost of reggae, converging and conversing with a post-industrial and experimental approach. 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Nourished by metal and baroque music, multidisciplinary theatre and African-American culture, they continue to trace a unique path by defending a radical discourse that is aware of its contradictions. They play across the world in clubs, galleries and churches, music that is minimal, dark, political and abrasive, between magic, chaos and melancholy. Winter Family also create documentary theatre performances produced by major European theatres. Sometimes their daughter Saralei plays with them. 'On Beautiful Days' is Winter Family's 4th album. It tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, ‘witches’, conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too. We hear layers of pump organs and harmoniums, an old piano, distortions and celestial white noise, sirens - the sound of marching boots - breathing during sleep - stun grenades at checkpoint 56 in Hebron recorded by Xavier, the flows of Saralei's flutes, beats played on an iPhone and Ruth's voice. 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This extraordinarily intimate audio archive of over 1,000 cassettes now sits with the International Anthony Burgess Foundation and artist Alan Dunn has been granted access to select excerpts from it and curate sonic conversations from others. Disc 1 contains the very first and last known recordings of Burgess's voice alongside domestic incidents, rehearsals and answering machine messages, while Disc 2 invites 23 artists and musicians to remix the rare material into a unique Burgess portrait far beyond\u003ci\u003e A Clockwork Orange\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eAnthony Burgess: Born in Manchester in 1917, Anthony Burgess was educated at Xaverian College in that city and at Manchester University. He served in the army from 1940 to 1946 andas an education officer in Malaya and Brunei from 1954 to 1959. 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As with their first two albums this record continues to explore themes of communication and com unication breakdown. Is communication possible? What is the message? What is sound? What is on the surface of a record? What is beneath the surface of a record? 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In the first piece, Aktual University, Milan Knízak reads his own text, with Opening Performance Orchestra providing the musical accompaniment. It was performed live in October 2019 at the MovementSound-Space festival in Opava, where this recording was made. The second track, titled Broken Suite, is a studio remix, in which Opening Performance Orchestra used fragments and quotations from Milan Knizák's compositions, conceived over the past fifty years, applying the \"broken\" method. 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The lyrics (in French, English, Japanese) are very short poems by or quotations from e.e. cummings, Thelonious Monk, John Cage, Basho, cult tennis player John McEnroe, Carla Demierre, Aram Saroyan, Joseph Guglielmi, and painter Philip Guston. From this common material, each of the two composers has built his own edifice, choosing the elements he keeps, the ones he abandons, adding little by little his own instruments, structures and ideas. 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Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature. \u003c\/p\u003e\u003cp\u003eThe making of this album was intentionally a very personal process, going into self therapy territory at times interpreting the composer's contemplating mind dealing with tolerance, destruction, compassion, misery, grace and tyranny in an auditory manner. 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Keiko \u0026amp; Olga - Keiko Higuchi is above all a pianist and performer, linked to jazz and improvisation. She was revealed by Love Hotel (2008), her concerts are like real performances, she is considered as one of the most singular and impressive performing artists of her generation. Olga Magieres - Russian pianist living in Denmark, specializes in improvised music and the syntactic relationship of languages. 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But the music created within the seminal Murder Ballads (Drift) by Martyn Bates (Eyeless in Gaza, \u0026amp; parallel solo career) and Mick Harris (Napalm Death, Lull, Painkiller, Scorn) creates just such a world. \u003ci\u003eMurder Ballads (Drift)\u003c\/i\u003e evolves Martyn Bates vocalisations \/ storytelling song-voices, by turns expressed as labyrinthine layers, calls and responses, muted and distant echoes, sung whispers and counter-melodies, ultimately resulting in a mesmeric conversation of musical inferences and correspondences. \u003ci\u003eMurder Ballads (Drift)\u003c\/i\u003e created the post-isolationist frame of reference, innovating and extemporising into a truly original dazzlingly unique form. \u003c\/p\u003e\u003cp\u003eMick Harris traffics in the isolationist ambience of Lull, while Martyn Bates is the emotive voice of literate cult-pop duo Eyeless in Gaza.The unlikely pair - one given to terminally frigid drone, the other to impassioned, bittersweet voicings - finds common ground in folk music's most macabre tradition, the murder ballad. These ghoulish parables are awash in blood and tears, the strands of love, hate, birth, death, sin, and salvation entwined within like the roots of an ancient tree. Mothers callously kill their children; suitors slay their maidens without remorse; and fate exacts its cruel price from all. The archaic murder ballads that leak from Bates' vocal cords are intensely sad and carnal. They tend to leap off cliffs of hollow effects or drone darkly, offering neither a robust delivery nor an element of irony to take the edge off. The archetypal characters that live and die in them give life's full tragedy back to Harris' electronically numbed \"post-isolationist\" dreaming. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDrift (originally released in 1994) plays out an unbreakable and timeless cycle of bloody folklore (people) and hypnotic soundscapes (the god who watches). The effect is chilling yet engrossing. Where most ambient music has barely enough courage to ring the doorbelland run, Murder Ballads slips through the cracks of the unconscious and does its work with remarkable ease.All the more reason to listen thoughtfully.In 2021 - re-emerging nearly twenty years after its initial inception - somewhat surprisingly, \u003ci\u003eMurder Ballads (Drift) \u003c\/i\u003estill remains\/exists in an area overlooked by other artists, an area that truly still remains the sole province of M.J. 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Sometimes the starting point was a play on words or a random chord sequence, sometimes a specific atmosphere, but the playing field was always kept deliberately limited. Hence, the musicians were forced to build a musical structure with minimal means. The result was cut on cassette, after which the Antwerp enfant terrible - Rudy Trouvé-, known from his work with dEUS, Kiss My Jazz, Gore Slut and I H8 Camera among others, happily hit the tracks with a virtual sledgehammer. DAAU's pieces were cut up, sampled, drastically restructured and pasted together again, a method that had been applies earlier on the retrospective album 'Hineininterpretierung' (2017). On top of that audio collage, the musicians added new electronic layers, using a digital accordion, synths, digital bass and marimba. DAAU says: 'On the soundtrack, like on the older record, we were looking for a symbiosis between an acoustic and electronic sound. 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He worked on the texture of sound, using static harmony with minimal fluctuations in timbre and microtonal inflection. Kaija Saariaho (1952-2023) studied composition in Helsinki, Freiburg and Paris, where she has lived since 1982. She has had a major influence on her music and her characteristically luxuriant and mysterious textures are often created by combining live music and electronics. Erika Vega (1987) young Mexican composer, she has received several grants and prizes including the Eighth International Jurgenson Competition for Young Composers at the Moscow Tchaikovsky Conservatory (Russia), The Henfrey Prize for Composition 2019 and 2021 at the University of Oxford, and the Fellowship for young artist from the National Fund for Culture and Arts 2020 (Mexico). Eva-Maria Houben (1955) is a German composer, organist, pianist, musicologist and university lecturer. Listening to delicate dynamics up to silence, the sensitization for sound processes and perceptual processes play a central role in Houben's musical thinking. She also plays pieces by John Cage as a pianist. Clara Levy (1991) is a French violinist and improviser living in Brussels whose career is mainly focused on new music performance. She has been developing solo project addressing different topics at the core of contemporary music practice: the blurred lines between interpretation and composition (13 Visions) or the listening experience and dramaturgy of the concert (Outre-Nuit).\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"CD","offer_id":50920125628747,"sku":"2234784","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/clara_levy_outre_nuit_SR570_HD_a71b0620_thumbnail_4096.jpg?v=1734588814"},{"product_id":"late-night-show","title":"Late Night Show","description":"\u003cp\u003eAll my music is night music, says the composer Petr Bakla. Three pieces featured on the new album \u003ci\u003eLate Night Show\u003c\/i\u003e span almost a decade and provide varied examples of his style, 'so specific and personal, so allergic to fashion or aesthetic trend', as Eric Wubbels puts it in the insightful liner note. The central instrument is the piano, operated by Bakla´s longtime collaborator Miroslav Beinhauer, accompanied by the musicians of Brno Contemporary Orchestra. Petr Bakla (born 1980) composes orchestral, chamber and solo pieces. In his compositions, he often employs basic material, typically chromatic and whole-tone scales. He is interested in constructing situations and structural contexts in which these frugal musical elements can acquire a unique expressiveness and energy. A frequent feature of Bakla's work is a simultaneous course of two musical\/sound layers which, although usually markedly differing in dynamics to allow for a sense of \"figure and background\", are not mutually subordinating - they are of equal importance, their \"friction\" creating specific tension and ambiguity. \u003c\/p\u003e\u003cp\u003ePetr Bakla's music has been played in Europe and the USA, in many cases commissioned and\/or performed by distinguished ensembles, soloists and conductors. Of particular importance for him has been his collaboration with the Ostrava Days festival, which has made possible the performance of numerous works of his for large ensemble or symphony orchestra.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"CD","offer_id":50990410334539,"sku":"2050432","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2987241302_10_bc04b096_thumbnail_4096.jpg?v=1734559396"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_717b5f94_thumbnail_4096_e85c354d-dbb3-482a-af10-d04477b05c5b.jpg?v=1726273475","url":"https:\/\/shop.roughtrade.com\/de\/collections\/sub-rosa.oembed","provider":"Rough Trade","version":"1.0","type":"link"}