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One of the most endearing and delicious soft rock records from its era, this unique mono mix was previously only available as a radio station promo! Margo Guryan's honeyed voice and gorgeously sweet songwriting has become a favorite of the soft-pop set. As a successful songwriter, her compositions have been recorded by the likes of Jackie DeShannon, Spanky \u0026amp; Our Gang, Astrid Gilberto, Claudine Longet, Oliver, Cass Elliot, Glen Campbell, Saint Etienne and Harry Belafonte. Her only solo album, the magnificent Take A Picture (featuring the hit \"Sunday Morning\"), has become a cult classic since its release in 1968, and no wonder: its combination of marvelously funky sunshine arrangements and Margo's delicious melodies are a heady combo. She's influenced everyone from the Wondermints to Belle and Sebastian to Oscar-winning screenwriter Diablo Cody (who listened to \u003ci\u003eTake A Picture\u003c\/i\u003e while writing Juno). At last we can hear this masterpiece in it's true mono mix, once you hear it, you'll never hear the stereo version the same again' it's that good.\u003c\/p\u003e","brand":"Sundazed","offers":[{"title":"Brown LP","offer_id":50417013457227,"sku":"2219257","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50417013096779,"sku":"135912","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f24eed17-bcb8-4d26-b995-d9cf8999b35d_thumbnail_4096.jpg?v=1726714177"},{"product_id":"the-best-of-the-trashmen","title":"The Best Of The Trashmen","description":"\u003cp\u003eThe Trashmen's defining moment, 1963's \"Surfin' Bird,\" is perhaps the ultimate lightning-in-a-bottle record. Their first true studio recording, it captures the group's interminable energy and mastery of live performance. 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When his contemporaries were still in high school, he was hitting the charts with a tune he wrote himself, playing on an Alan Freed package tour, and making multiple appearances on American Bandstand. And before the San Francisco singer\/guitarist was out of his teens, he’d already been screwed over by a shifty manager and sworn off the music business. Along the way, Quinteros cut a handful of jumping singles showing that if he’d had the right breaks, he could have altered history. Ritchie Valens wouldn’t have been the era’s only Chicano rock ‘n’ roll hero. Quinteros’ Southern rockabilly influences are audible in his early singles, but they’re filtered through the more citified point of view of a San Francisco teen. And in the mid ‘60s, he reinvented himself as the frontman for the Au Go-Go’s, turning out a chiming, folk-rock flavored sound more in line with labelmates and fellow S.F.’ers the Beau Brummels. 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These newly discovered unheard compositions of solar euphony are highlighted by Boettcher's angelic vocals and Salisbury's catchy, confectionary melodies.\u003c\/p\u003e\u003cp\u003e A showcase of premium West Coast sunshine pop! During the summer of 1966, Sandy Salisbury arrived on the Sunset Strip in his VW Bug. Knowing little of the mainland from his childhood home of Kailua- Kona, Hawai'i, he became friends with his next door neighbor, who invited him to a party. At that very same time, Curt Boettcher was an up and coming producer, who the Association chose to produce their first album. Introduced by a mutual friend, and Sandy's neighbor, Boettcher and Salisbury went on to form the Ballroom, and later on, the Millennium. Salisbury and Boettcher saved all of their publishing demos - demos that were to become future material for the Millennium and\/or Ballroom. 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Known for their bombastic, ritualistic shows at Studio 57 on NYC’s Lower East Side featuring jungle style rhythms, dual basses, and an all out assault of percussive perfection, this album captures that energy in what’s oddly a 1983 French radio broadcast recorded live in a studio in NYC!?! 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