{"title":"Textile Records","description":null,"products":[{"product_id":"peel-sessions","title":"Peel Sessions","description":"\u003cp\u003eRecorded for the BBC Radio 1 John Peel show 1994-1997 at Maida Vale Studios, London. Movietone were part of the Bristol scene in the 1990's that contained Flying Saucer Attack, Third Eye Foundation and Crescent. Band members from all three of these bands played in Movietone, with Kate Wright being the main songwriter. Signed to Planet Records, Movietone did their first John Peel Session a few weeks after the release if their debut single 'She Smiled Mandarine like' in 1994. They went on to do three Peel Sessions in total between 1994-1997 and moved to Domino Records and Drag City in 1997. These sessions do not exist online and have never previously been heard by anyone other than those who listened to the original broadcasts! \u003c\/p\u003e","brand":"Textile Records","offers":[{"title":"Black | LP","offer_id":50452639875403,"sku":"1140628","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50452640137547,"sku":"1140627","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e30f5ec2-1f95-4510-8930-dc38e1791f57_thumbnail_4096.jpg?v=1727159304"},{"product_id":"all-kinds-of-days","title":"All Kinds of Days","description":"\u003cp\u003eGood Sad Happy Bad is CJ Calderwood, Marc Pell, Mica Levi and Raisa Khan. With their sophomore album ‘All Kinds of Days’ (debut ‘Shades’ 2020 Textile Records) Good Sad Happy Bad further develop their collective approach to songwriting and composition. Taking improvised instrumental sessions and carving into them with solo vocals from each of the four members appearing at some point across the record as well as the band frequently coming together in supporting chorus. The album navigates themes of loss, grief, recovery, healing, home building and parenthood with an unsettling sonic palette of spidery guitar riffs, haunted woodwind and hoarse electronics in disguise as pop songs and held together by a core of driving drums and deceptively complex melody.\u003c\/p\u003e","brand":"Textile Records","offers":[{"title":"Black LP","offer_id":50496463307083,"sku":"2225347","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50496464126283,"sku":"2225349","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/205758-good-sad-happy-bad-all-kinds-of-days_94518e20_thumbnail_4096.webp?v=1731120543"},{"product_id":"hello-sorrow-hello-joy","title":"Hello Sorrow Hello Joy","description":"\u003cp\u003eThree Queens in Mourning first gathered in summit to sing celebration of the publication of Will Oldham’s book of collected lyrics, \u003ci\u003eSongs of Love and Horror.\u003c\/i\u003e Alasdair Roberts (Appendix Out), Jill O' Sullivan (Jill Lorean), and Alex Neilson (Trembling Bells, Alex Rex) each arrived provisioned with a small armful of selections nearest and dearest from Bonnie Prince Oldham’s far-reaching catalogue. Three Queens in Mourning’s takes on these tunes follow naturally from the fit between Will’s words and their threedistinctive voices. Alasdair Roberts’ sweet, guileless delivery of \u003ci\u003eChristmas Time in the Mountains\u003c\/i\u003e amplifiesthe lacerating quality of the lyric “we need an enemy \/ I’m saving all my rage for you”; even if at the outset of the song we’re told that “time is the enemy,” the abiding sentiment—the red-hot word that organizes my memory of the song—is rage. Ali’s and Jill’s trading of verses on \u003ci\u003eNew Partner\u003c\/i\u003e puts a different spin on what had previously registered as an especially mercurial first-person narrative voice, one that swoops between tenderness (“lay back, rest your head on my thighs”) and ecstatic self-absorption (breaking it to the ex to whom the song is addressed that “I’ve got a new partner riding with me”). Add Alex’s voice, not only for his madcap \u003ci\u003eLost Blues\u003c\/i\u003e, but as part of the choir on “Ohio River Boat Song” (a song with origins in the traditional \u003ci\u003eLoch Tay Boat Song\u003c\/i\u003e), and these three Scottish accents singing about the muddy Ohio, Smoketown, Oldham County, and Floyds Knobs, I mean, there’s not much else this Kentuckian—these are all deeply familiar landmarks—can say. \u003cbr\u003e\u003cbr\u003eType through tears. On this back to back records, The Bonnie 'Prince' Billy LP is a collection of three cover versions from Ali, Jill and Alex directory and one original track. Three Queens in Mourning \/ Bonnie 'Prince' Billy is a collaboration between Will Oldham (Bonnie Prince Billy), Alasdair Roberts (Appendix out \/ Drag City), Jill O Sullivan (Jill Lorean) and Alex Neilson (Trembling Bells, Alex Rex) Sleeve notes by David Grubbs\u003c\/p\u003e","brand":"Textile Records","offers":[{"title":"LP","offer_id":50498778267979,"sku":"1094243","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50498778530123,"sku":"1094242","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0e0be3ad-54b3-4f0a-937d-835a7991da86_thumbnail_4096.jpg?v=1727757144"}],"url":"https:\/\/shop.roughtrade.com\/de\/collections\/textile-records.oembed","provider":"Rough Trade","version":"1.0","type":"link"}