{"title":"Touch and Go","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTouch And Go Records was started in Lansing, Michigan, by Tesco Vee and Dave Stimson in 1981 as an outgrowth of Touch And Go Zine, a fanzine the duo published. Their intent was to document their local hardcore punk scene.\u003c\/p\u003e\n\n\u003cp\u003eNecros bassist Corey Rusk hooked up with Tesco to help run the label soon after it started and assumed full control after Vee moved to Washington, DC, in 1983. In 1987, Rusk moved the label to Chicago, Illinois, where the label still resides.\u003c\/p\u003e\n\n\u003cp\u003eOver the years, Touch And Go has issued records by influential bands like *The Jesus Lizard*, *Slint*, *Shellac*, and *Big Black*. However, in 2008, Rusk announced that the label would be cutting back on its activity and ending its distribution services due to the economic climate of the times.\u003c\/p\u003e","products":[{"product_id":"exploded-drawing-2","title":"Exploded Drawing","description":"\u003cp\u003e“It’s not only Polvo’s masterpiece. \u003ci\u003eExploded Drawing\u003c\/i\u003e is a masterpiece”. Louder Than War, 2020. \u003c\/p\u003e\u003cp\u003eOriginally released in April 1996, \u003ci\u003eExploded Drawing\u003c\/i\u003e was generally received as Polvo’s White Album, the moment when the band finally kicked off its shoes, cracked the studio windows, and unleashed a long suite of songs showcasing the band’s true range. This double LP gives it all up: paranoid blues rants, Delhi-via-the-Ozarks hoedowns, spaghetti western lopers, carnivalesque boogie, a blazing, frustrated finale, and as always, that guitar sound. It’s just a little off, twisted, tweaked, coming at us from some pangaeic realm we still haven’t located so many years later, and probably never will.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"Turquoise LP","offer_id":50383999238475,"sku":"2053947","price":44.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Polvo_-_Exploded_Drawing_51cb4c87_thumbnail_4096.jpg?v=1726282292"},{"product_id":"systems-layers","title":"Systems \/ Layers","description":"\u003cp\u003e\u003ci\u003eSystems \/ Layers\u003c\/i\u003e is the fifth release and final LP of the instrumental group Rachel's. It was released October 7, 2003 on Quarterstick Records. The album is a collaborative dance\/theater piece with the New York ensemble SITI Company. A modern soundtrack to city life - an aural survival pack that pulls out moments of delicate beauty from all the shit and cacophony. Sonic layers, classical elements, pieces that seem unfinished, no guitars - and somehow it all works.\u003c\/p\u003e\u003cp\u003e2LP - Originally released only as a CD (in 2003), this double vinyl LP issue of \u003ci\u003eSystems \/ Layers\u003c\/i\u003e also includes the vinyl debut of the Rachel's 2005 CD EP, \u003ci\u003eTechnology Is Killing Music\u003c\/i\u003e. Packaged in a Gatefold album jacket with printed inner sleeves, designed and layed out by Louisville native Jeremy deVine (of Temporary Residence fame).\u003c\/p\u003e\u003cp\u003eCD - Comes with a 28 page booklet.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"LP | x2","offer_id":50389285372235,"sku":"1002896","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2c208ef6-a721-4660-8794-1610a6c7a331_thumbnail_4096.jpg?v=1726356875"},{"product_id":"spiderland-1","title":"Spiderland","description":"Tension hangs heavy across \u003ci\u003eSpiderland\u003c\/i\u003e’s whispered vocals and jagged dynamics. 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There's a more evident melodic lead role for his work as well, as the just plain great riff that fires up \"\u003cem\u003eMouth Breather\u003c\/em\u003e\" and his near-countryish twang on \"\u003cem\u003eKarpis\u003c\/em\u003e\" makes perfectly clear.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eYow\u003c\/strong\u003e, meanwhile, steps ever more into his own persona, his lyrics now downright comprehensible and his singing levels a touch less doom- (and bass) heavy, if no less aggrieved. The staggered vocal overdubs on \"\u003cem\u003eMonkey Trick\u003c\/em\u003e\" are a standout, especially when \u003cstrong\u003eDenison\u003c\/strong\u003e suddenly serves up another one of his surprisingly sweet passages as a bed.\u003c\/p\u003e\n\n\u003cp\u003eOther treats on the album include the opening \"\u003cem\u003eHere Comes Dudley\u003c\/em\u003e\" - in context one of the more non-welcoming greetings around - and the Morricone-tinged freakout of \"\u003cem\u003eLady Shoes\u003c\/em\u003e,\" assuming Morricone scored movies about doctors dealing with some freaky female patients.\u003c\/p\u003e\n\n\u003cp\u003eThe whole album seems like a party in hell, not to mention demonstrative proof that there's still plenty of fun to be had with a basic rock lineup; it's all in the matter of how it's handled.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"Black LP","offer_id":50394127302987,"sku":"318239","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"White LP","offer_id":50394128548171,"sku":"2052103","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50394127008075,"sku":"318240","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Reissue_fa6a2a48_thumbnail_4096.jpg?v=1726433026"},{"product_id":"return-to-cookie-mountain-1","title":"Return To Cookie Mountain","description":"Surely something in the Brooklyn water when \u003cb\u003eTVOTR\u003c\/b\u003e cooked this bad boy up. 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It opens with the attempted start of an automobile engine, then knocks you with the song, \"Enemy Insects.\" The band typically used non-western instrumentation, and with this album, they stretch even that.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"Purple LP","offer_id":50394415530315,"sku":"2053939","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Polvo__Shapes_ecaae8b5_thumbnail_4096.jpg?v=1726438837"},{"product_id":"no-matter-how-long-the-line-is-at-the-cafeteria-theres-always-a-seat-2","title":"No Matter How Long The Line Is At The Cafeteria, There's Always A Seat!","description":"\u003cdiv style=\"margin-top: 20px; font-size: 14px; color: rgb(51, 51, 51);\"\u003e\n\u003cp\u003eThe final album originally released in 1985 from Austin, TX, punk icons, Big Boys,\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-top: 20px; font-size: 14px; color: rgb(51, 51, 51);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eThe Big Boys got their start in the late 1970’s Austin punk scene. The band was fronted by the occasionally cross-dressing Randy \"Biscuit\" Turner, with Tim Kerr on guitar, Chris Gates playing bass, and a series of drummers - the best known of which is Rey Washam (Scratch Acid). Unlike the rest of the early hardcore scene of the day, they weren't afraid to stray away from superfast tempos in favor of some nice white boy skate funk.\u003c\/p\u003e\n\u003cp\u003eBeyond the funk tendencies, the band at times played an early brand of post-punk not unlike their contemporaries The Minutemen. Thanks to their inclusion on some of Thrasher magazine's first \"skate comps,\" the Big Boys were hugely popular amongst the new 80's skate punk crowd. They were also known for the encouragement of crowd participation, breaking down the barriers between performer and audience. They even covered Kool and the Gang, never wavering when venturing into uncharted musical territory.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"LP - Purple","offer_id":50402091467083,"sku":"2180870","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":52684088705355,"sku":"R3402-7884","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-02-15_at_08.02.45_b99c014e_thumbnail_4096.png?v=1726531788"},{"product_id":"wheres-my-towel-industry-standard-2","title":"Where's My Towel \/ Industry Standard","description":"\u003cp\u003eDebut album originally released in 1981 from Austin, TX, punk visionaries, Big Boys\u003c\/p\u003e\n\u003cp\u003eThe Big Boys got their start in the late 1970’s Austin punk scene. The band was fronted by the occasionally cross-dressing Randy \"Biscuit\" Turner, with Tim Kerr on guitar, Chris Gates playing bass, and a series of drummers - the best known of which is Rey Washam (Scratch Acid). Unlike the rest of the early hardcore scene of the day, they weren't afraid to stray away from superfast tempos in favour of some nice white boy skate funk.\u003c\/p\u003e\n\u003cp\u003eBeyond the funk tendencies, the band at times played an early brand of post-punk not unlike their contemporaries The Minutemen. Thanks to their inclusion on some of Thrasher magazine's first \"skate comps,\" the Big Boys were hugely popular amongst the new 80's skate punk crowd. They were also known for the encouragement of crowd participation, breaking down the barriers between performer and audience. 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An exceptional album! \u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"LP","offer_id":50411345609035,"sku":"287277","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1000_Hurts_b1ab9bf1_thumbnail_4096.jpg?v=1726656576"},{"product_id":"quasi-3","title":"When the Going Gets Dark","description":"\u003cp\u003e\u003ci\u003eWhen the Going Gets Dark\u003c\/i\u003e was tracked in a local Portland studio called Audible Alchemy. Our hope was that without the stresses and logistical difficulties of being musicians and engineers simultaneously, we would be liberated enough to propel our playing to a new level. This did in fact happen. Our takes were some of the most daring and expansive of our career. We captured sounds that were powerful, unrepeatable, and unmistakably psychedelic. Images began to emerge, centered on dreams, memories, and defiance, and it seemed our record was coming together. But problems and frustrations with the studio slowed us down, and by mix down, the sessions 7 came to a halt. We let sleeping dogs lie for a while, and then I had the bright idea to call Dave Fridmann, the genius who produced The Woods for my other band Sleater kinney. He agreed to take the tapes to his studio in Fredonia, NY (Tarbox Road Studios). It was like winning the lottery. He understood the intensity and beautiful chaos we had captured. He made the mixes powerful and unpredictable. He enhanced the swirling, layered, psyche feel, and I swear, sprinkled fairy dust on our record. I am proud of this music. Most of the bands that started when Quasi did are broken up or playing reunion shows. Tastes have changed, and fans have moved onto other things. But in the end, it's the indescribable, soulful connection between Sam and me that compels us to continue writing and recording our songs. \u003ci\u003eWhen the Going Gets Dark\u003c\/i\u003e proves that all the blood, sweat and tears were worthwhile. Janet Weiss, drummer. \u003cbr\u003e\u003c\/p\u003e","brand":"Touch and Go Records","offers":[{"title":"Gold LP","offer_id":50417111793995,"sku":"2194175","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Quasi_-_When_the_Going_Gets_Dark_3e2d058a_thumbnail_4096.jpg?v=1726717059"},{"product_id":"believo","title":"Believo","description":"\u003cp\u003eOriginally released in 2000 as Enon burst on the scene to wide acclaim +++ Pitchfork called Enon lyricist \/ guitarist John Schmersal “one of indie rock’s most consistently compelling songwriters.” Long, long ago, at the beginning of the new millennium, the world begot Enon. It was before Willliamsburg was, like, totally over, before beards made you cool, and just at the cusp of all this modern computer recording tomfoolery. What a time, before innocence lost. From all this came a much beloved and oftoverlooked record – one Touch and go is damn proud to re-issue on vinyl today – Believo! This record makes a bridge between the 20th and 21st centuries – full of effects, samples, pop sensibilities, and a complete respect for and disregard of The Rules. In 2000, Enon was all Brooklyn style, comprised of John Schmersal of Brainiac and Rick Lee and Steve Calhoon of Skeleton Key. John and Rick bonded over a penchant for suitcases full of electronics and battery powered trickery – portable musical distractions capable of making tracks on the fly. That’s what this era was all about for Enon – the suitcases, and being in the moment wherever they were. Though the band would later evolve to 2007’s lineup of Schmersal, Toko Yasuda and Matt Schulz, you’ve got to know where you’re coming from to see how you got to where you are today. So, come along with us, please, to the re-birth of Believo!\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"LP","offer_id":50420399472971,"sku":"2148334","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ENON_-_Believo_Bonus_Track_Version_LP_beeb44fc_thumbnail_4096.jpg?v=1726752513"},{"product_id":"songs-about-fucking","title":"Songs About Fucking","description":"\u003cp\u003eThe final studio album from Albini and gang. Blistering and burning till the end, this is utterly essential. Features their cover of Kraftwerk's \u003ci\u003eThe Model\u003c\/i\u003e. It's the sound of a band hurtling towards its own destruction and relishing every second. 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The stringed and wind instruments (viola, cello, mandolin, accordion, bowed saw, acoustic and electric guitars) reach up out of the songs into rarefied territory. Little stories of Peeping Toms and the police lights they bring with them, grave- yards and impolite family, epigrams against disaster, depression, simple forgetfulness, all delivered so effortlessly that the precision of the delivery registers long after its substance has left its mark. When she sings “I’m not hiding anything \/ I’m not trying to fool you at all,” in a song titled “That’s All There Is,” it is all the truth.\u003c\/p\u003e\u003cp\u003eA generation-plus of young troubadours pine for things they never has to lose, as if sadness and depression were inevitable consequences of being alive. Nina Nastasia’s music is an antidote to all of that. The Blackened Air is a darkish record not just in title, but by examining everything without caving in to decadence or solipsism, it is a rejuvenating experience. 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The Ted Niceley \/ Eli Janney partnership once again took charge with no worries, and every last drum hit or aggro bass roar makes its considerable mark. As with the previous albums, some tracks were the unquestioned high points, in this case the opening roar of \"Super-Fire,\" with some of Scott McCloud's best guitar work ever, a controlled blast of riffs, and \"TheKindaMzkYouLike,\" which gives everyone the chance to break out the funky fresh beats in their own style — feedback and all.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e2LP: Packaged in a full-colour gatefold jacket, side A and B are the original album remastered by Bob Weston (Shellac). 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Between two musicians, Pinback lays out beautiful melodies that are deceptively complex, layering sounds and instruments upon one another and trading contrasting vocal parts with ease.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"CD","offer_id":50490908967243,"sku":"197325","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d1bc2e87-5989-455a-bc89-f6ba1b70ded8_thumbnail_4096.jpg?v=1727679175"},{"product_id":"1000-hurts","title":"1000 Hurts","description":"\u003cp\u003eBack in stock. Shellac is back for another aural attack with 1000 Hurts, a more accessible album than previous fare such as At Action Park. 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Cage-rattling aces Todd Trainer and Bob Weston are given gonzo airlift by the big-room sound Albini loves to champion—it's helium light and lead heavy at the same time.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"CD","offer_id":50491227537739,"sku":"364214","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b776a1a5-3e48-4b47-b946-ac8a321d76f2_thumbnail_4096.jpg?v=1727683469"},{"product_id":"strictly-dynamite-rsd-2024-2","title":"Strictly Dynamite - RSD 2024","description":"\u003cp\u003e\u003cb\u003eThis product is a Record Store Day exclusive title\u003c\/b\u003e and is not available to pre-order.\u003c\/p\u003e\u003cp\u003eTo buy in-store: 8am, 20\/04\/2024 (Record Store Day).\u003c\/p\u003e\u003cp\u003eTo buy online: 8pm, 22\/04\/2024. (Subject to availability).\u003c\/p\u003e\u003cp\u003eDon’t forget: Click 'Notify Me' to be the first to know about its availability online. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003c\/p\u003e\u003cp\u003eLimited Edition of 1500 green 180 gram 2xLP includes a full bonus LP of Rarities and unseen photos and memorabilia, curated by Rick Sims and David Landis. The recklessness and abandon that got me into punk in the first place... a teetering train about to off the rails. I couldn't wait to hear what was next. - Dexter Holland (The Offspring) The best Rock and Roll band of the 80s. - Steve Albini (Shellac, Big Black) Kick Ass Rock and Roll... I'm in love! - Jello Biafra (Dead Kennedys). Didjits began in Champaign-Urbana in 1985. Rick Sims (vocals\/guitar) and brother, Brad Sims (drums) recruited bassist Doug Evans to complete the three-piece. They recorded two albums before Touch and Go picked them up in 1988. By this time Rick Sims had transformed into the notorious frontman, Rick Didjit, whose on-stage antics were only as famous as his frequently hilarious wardrobe of unconventional suits. The band's straight-up fast brand of rock didn't sound like much else the label was putting out at the time, but nonetheless, they attracted a large cult following.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"Green LP","offer_id":50498015953227,"sku":"2184401","price":44.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/418467268376-800_20a70b25_thumbnail_4096_3e4c290e_thumbnail_4096.webp?v=1727736793"},{"product_id":"the-end-of-radio","title":"The End of Radio","description":"\u003cp\u003eShellac release a double LP featuring two previously unreleased BBC Radio Peel Sessions. 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The delicate and intricate guitar work still played an integral part on this record, but these songs were more concise, more experimental rhythmically, and deliberately more immediate\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"Black LP","offer_id":50506301997387,"sku":"2020951","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The-New-Year-Newness-Ends_8e9c92e6_thumbnail_4096.jpg?v=1727821457"},{"product_id":"fake-can-be-just-as-good-2","title":"Fake Can Be Just as Good","description":"\u003cp\u003eIt seems like New York trio Blonde Redhead have been dogged with Sonic Youth comparisons since the day they formed years ago, taking their name from an old song by No New York faves DNA. Such yakking only grew louder when the group, then a quartet, signed with Steve Shelley's Smells Like label in 1994 for a pair of LPs, and then let the Sonic Youth drummer produce them. Three years down the road, it's a resemblance still firmly in place on Fake Can Be Just as Good, despite the group employing producer John Goodmanson and switching labels to Chicago's venerable, powerful Touch \u0026amp; Go.\u003c\/p\u003e","brand":"Touch and Go","offers":[{"title":"Black LP","offer_id":50506755178827,"sku":"2020915","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51529364111691,"sku":"R6511-4311","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a3477895941_16_aa25af27_thumbnail_4096.jpg?v=1727829291"},{"product_id":"2-71","title":"2","description":"\u003cp\u003e“2” is the second studio album by the American indie rock band The Black Heart Procession, originally released in 1999. The band was formed in 1997 by Pall Jenkins (Mr. Tube and the Flying Objects, Palllap, Ugly Casanova and Three Mile Pilot) and Tobias Nathaniel (Three Mile Pilot). Their second album only has one song with the word “heart” in it, but in every other way it is an extension of the themes Jenkins and Nathaniel established with 1. Lyrically it is beyond bleak, yet the duo’s performances inject enough earnestness into the melodrama so that the album gets under the skin in a way pure theater cannot. It is a hallucinated midnight transmission from the harsh end of the American frontier. 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