{"title":"Touch","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTouch is a UK label that was founded in 1982. They have a diverse range of sub labels such as Touch Tone, T33, and Spire, which are reflected in the catalogue numbers of their releases. It's important to note that Ash International, OR, The Tapeworm, and others are not sub labels of Touch but rather administered by the organization with their own stand-alone identity. Additionally, TouchRadio is not a label but a streaming platform.\u003c\/p\u003e","products":[{"product_id":"senzatempo-2","title":"Senzatempo","description":"\u003cp\u003eThe music of \u003ci\u003eSenzatempo\u003c\/i\u003e moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.\u003c\/p\u003e\u003cp\u003eAustrian guitarist, composer, and electronic musician Christian Fennesz is recognized as the key figure and one of the most distinctive voices of electronic music today. His wide international reputation has been consolidated through his substantial overall contribution to new musical expression.\u003c\/p\u003e\u003cp\u003eOZmotic creates world sounds characterized by an intense tonal variety and refined rhythmic research. The interaction between electronic music and digital visual art in real time is an essential trait of OZmotic's aesthetic.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"Black LP","offer_id":50383645409611,"sku":"2021733","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_d017d288_thumbnail_4096.jpg?v=1726274775"},{"product_id":"spring-bloom-in-the-marginal-ice-zone","title":"Spring Bloom in the Marginal Ice Zone","description":"\u003cp\u003eThe listener experiences the bloom of plankton, the shifting and crackling sea ice in the Barents Sea around Spitsbergen, towards the North Pole, and the underwater sounds made by bearded seals, migrating species such as humpbacks and orcas, and the sound made by hunting saithe and spawning cod, all depending on the spring bloom.\u003c\/p\u003e\u003cp\u003eJana Winderen is a renowned artist from Norway who has worked closely with Touch for many years and performs throughout the world.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD.","offer_id":50402280964427,"sku":"1050688","price":14.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"cendre","title":"Cendre","description":"\u003cp\u003eRyuichi Sakamoto and Christian Fennesz blend the unstructured and imaginative qualities of improvisation with the satisfying sculpture of composition. Sakamoto's piano, his style reminiscent of Debussy and Satie, perfectly complements Fennesz with his powerful blend of shimmering guitar and passionate electronics. \u003ci\u003eCendre\u003c\/i\u003e was recorded between 2004 and 2006, Fennesz would send Sakamoto a guitar or electronic track and Sakamoto would compose his piano piece. Vice versa - Sakamoto initiating a track with a piano composition and Fennesz responding. Meanwhile they met for live shows, or communicated via digital means to compare notes, swap ideas and develop themes.. the cyclical process continued right up until they met up for the final mix in New York City February of 2006. Together they have combined to create 11 tracks of satisfying and challenging possibilities...\u003c\/p\u003e","brand":"Touch","offers":[{"title":"Black | 10\" | x2 - 1130653","offer_id":50402329198923,"sku":"1130653","price":29.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"natur","title":"Natur","description":"\u003cp\u003ekmru's debut album for Touch.\nArmed with a handheld recorder and a reverence for environmental sounds, the Kenyan artist is carving out a unique place in electronic music.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD.","offer_id":50404329161035,"sku":"2200257","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_96c10afa_thumbnail_4096.jpg?v=1726568274"},{"product_id":"the-future-is-a-forward-escape-into-the-past","title":"The Future Is A Forward Escape Into The Past","description":"\u003cp\u003eThe Future is a Forward Escape Into the Past is the latest album by Los Angeles-based multidisciplinary artist and composer Yann Novak, and his second for Touch. It considers the relationships between memory, time, and context through four vibrantly constructed tracks that push Novak's work in a new direction while simultaneously exploring his sonic past. The Future is a Forward Escape Into the Past is composed as a sonata – a single gesture broken into four parts – that meditates on the inevitable progression of time, our relationship to the past, and our distortion of the past through the imperfections of memory. Available digitally and on CD, the physical version will be packaged in a gatefold sleeve as a limited edition of 500.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50413823918411,"sku":"1029360","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cdb9ecc0-05c4-45b5-8dff-1f0e6b90b2a6_thumbnail_4096.jpg?v=1726677772"},{"product_id":"touch-five","title":"Touch Five","description":"\u003cp\u003eIn October 2013 Phill Niblock will be 80 - the grand old man of minimalism. These CDs include pieces made in two different ways. Traditionally (since 1968), I recorded tones played by an instrument (by an instrumentalist), arranging these single tones into mutli-layered settings, making thick textured drones, with many microtones. In the early days, I prescribed the microtones, tuning the instrumentalist, when I was using audio tape. \n\nLater, I used the software ProTools, and made the microtones as I made the pieces.\n\n\nFeedCorn Ear and A Cage of Stars were made this way.\n\n\nIn 1998, Petr Kotik asked me to make a piece for orchestra, so, I began to make scores for the musicians to play from. The form of that piece, and the subsequent six scored works, were patterned after a piece in 1992-94, where the musicians were tuned by hearing tones played from a tape through headphones.\n\n\nThese are the instructions for the scored piece on the second CD, Two Lips. The score was prepared by Bob Gilmore, from specific directions by me.\n\n\nTWO LIPS, aka Nameless, is conceived as two scores, A and B, to be played simultaneously, lasting 23 minutes. Each score consists of ten instrumental parts. The twenty separate parts should be distributed randomly amongst the musicians of the ensemble; the 'A group' and the 'B group' are not separated spatially.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50416691609931,"sku":"368605","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b49d89ca-1251-461c-92ea-736d7dc137c8_thumbnail_4096.jpg?v=1726708696"},{"product_id":"on-leaving","title":"On Leaving","description":"\u003cp\u003eFor over a quarter of a century, sound artist and composer Richard Chartier has interrogated an ever deepening thread of minimalist sound that meshes questions of stasis, pulse and timbre. The results of this work is some of the most quietly intense compositions of this century. His is a music of subtle variation, unwavering concentration, and also patience. This five-part work created between 2020 and 2022 is dedicated to his friend and fellow sound artist Steve Roden.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50418156798283,"sku":"2190770","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_da768ee4_thumbnail_4096.jpg?v=1726739246"},{"product_id":"gardenia-2","title":"Gardenia","description":"\u003cp\u003eGardenia is an existing land located at the Limpopo province of South Africa, right at the border with Botswana. The place's real name is Mmabolela and it's a private nature reserve covering 6500ha of subtropical savanna and part of Limpopo River. \n\nIn November 2019 I had a chance to visit the location and participate in an annual residency for composers and sound artists called 'Sonic Mmabolela', initiated and curated by Francisco López. \n\nWe lived in an isolated property in the middle of savanna having a unique opportunity to exist in undisturbed touch with the African wilderness. \n\nFor the past decade or so, Polish musician Michal Jacaszek has been exploring a new, resolutely modern chapter in Eastern Europe's long, storied love affair with classical music. His creations are painstakingly crafted collages of electronic textures and baroque instrumentation.\nAll the natural sounds later used to create Gardenia were captured there — during longtime recording sessions over the virgin interior of Mmabolela Reserve.\n\nThe album's field recording content was selected from several hours of birdsong, calls of frogs, insect noises, sounds of trees, bushes, grass as well as non-living natural elements like stones or shells. \n\nThese field recordings were later digitally processed and used as part of 9 musical arrangements. \n\nHowever the recording sources and the location of Gardenia is defined, it was not my intention to document a South African natural soundscape nor create any other kind of strict concept album. \n\nAll I do in my work is an affirmation of beauty hidden in various aspects of the Creation. 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We have had numerous problems with vinyl releases in recent times, this one especially, which went through three test pressings and a re-cut. There was an especial problem with the modulating tones on the title track. There was a processing error between the cutting studio and the pressing plant at the final stage. We had already printed the covers, which were delivered shrink-wrapped, and we only discovered the problem after the edition had gone out to our distributors, Kudos and Forced Exposure. It's not a perfect world, but anyone who has bought the LP and not the CD, we will happily provide a digital file of \"Lo, Fr Ega\"\u003c\/p\u003e","brand":"Touch","offers":[{"title":"LP","offer_id":50432402129227,"sku":"2165228","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_3dd0a744_thumbnail_4096.jpg?v=1726868203"},{"product_id":"wishah","title":"Wishah","description":"\u003cp\u003e\u003cem\u003eWishah\u003c\/em\u003e (veil in Arabic) is a composition in five stages, written by Youmna Saba between 2021 and 2022, for voice, oud and electronics. Following her previous solo works \u003cem\u003eNjoum\u003c\/em\u003e (2014) and \u003cem\u003eArb'een (40) \u003c\/em\u003e(2017), this album marks a significant turning point in Saba's journey. Created after leaving Beirut and settling in Paris, Wishah reveals a profound shift in her musical expression, informed by rigorous research in the sonic properties of sung Arabic phonemes and their role in shaping synthesised electronic sounds.\u003c\/p\u003e","brand":"Ruptured","offers":[{"title":"CD","offer_id":50434848063819,"sku":"2054987","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":53739141759307,"sku":"R1844-4782","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5618c76d_thumbnail_4096.jpg?v=1726895816"},{"product_id":"genera-live-at-ab-salon-brussels","title":"Genera - Live at AB Salon, Brussels","description":"\u003cp\u003eRecorded by Mike Harding, 3rd May 2019 at AB Salon, Brussels\nA lifelong expatriate, Bana Haffar was born in Saudi Arabia in 1987 and spent much of her childhood in the GCC. Through her switch from 10 years of electric bass, preceded by classical violin, to modular synthesizers in 2014, Bana is attempting to dismantle years of institutional conditioning in traditional systems of music theory and performance. She is interested in exploring sonic disintegration and coalescence into new forms and synthesized experiences. Bana lives in Asheville, North Carolina.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50435127279947,"sku":"2056066","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_45e954ee_thumbnail_4096.jpg?v=1726900187"},{"product_id":"still-life-requiem","title":"Still Life - Requiem","description":"\u003cp\u003eConceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden. \u003ci\u003eStill Life - Requiem\u003c\/i\u003e consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it's contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called 'emission spectroscopy' whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording. A requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings - it's a piece dedicated to promote and insert tranquility and transcendence. This requiem also provides the listener with a certain feeling of connection - perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"LP","offer_id":50435461284171,"sku":"1019201","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/873112f4-3ad9-44b2-a035-f39360f3f852_thumbnail_4096.jpg?v=1726903938"},{"product_id":"trian","title":"Trian","description":"\u003cp\u003eClaire M Singer is a composer, producer and performer of acoustic and electronic music, film and installations. Recipient of an Oram Award for her innovation in sound and music recent projects include a solo work for violinist Galya Bisengalieva and music for \u003ci\u003eTell It To The Bees\u003c\/i\u003e, a film by Annabel Jankel which premiered at TIFF 2018 and won the Festival Castell de Peralada Award for best music in 2019. \u003c\/p\u003e","brand":"Touch","offers":[{"title":"Black | LP","offer_id":50435500179787,"sku":"1077931","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1b212a1b-75b2-41a9-b96c-313ed1686f70_thumbnail_4096.jpg?v=1726904527"},{"product_id":"ecce-homo","title":"Ecce Homo","description":"\u003cp\u003eTurkish composer's first album for Touch, Ecce Homo explores the lighter and darker shades of the human psyche, behaviour and existence, and humanity's ability to create beauty and destruction. What lies in the essence of such complexity has become a core idea for the album, while Gorgun seeks to figure out if there is a true meaning to being human, and human being.\u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F464188035\u0026amp;show_artwork=true\u0026amp;color=f2667e\u0026amp;buying=false\u0026amp;theme_color=232323\u0026amp;font=Helvetica+Neue\u0026amp;show_user=false\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50435732308299,"sku":"1045290","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/401b3f69-e3f3-4e48-83aa-a48a4bc8bb91_thumbnail_4096.jpg?v=1726906898"},{"product_id":"the-bird-was-stolen","title":"The Bird Was Stolen","description":"\u003cp\u003eBased in Düsseldorf, Germany, Strafe F.R. is a long-term collaboration between the artists Bernd Kastner and S. M. Syniuga, which started in 1979. After a long period of hibernation, The Bird Was Stolen marks their return to Touch following four previous releases in the 80s and early 90s. From their early connection with the local scene, centred around the Ratinger Hof in Düsseldorf, Strafe went on to develop a unique and influential form of sound sculpture that pioneered the use of field recordings alongside home-made instruments and the use of the studio as a performance space. A new track, 'Virgin', which appeared on the recent Touch Movements CD\/book, gave an early indication that they are back at the peak of their powers. The Bird Was Stolen presents 14 new compositions that push the signature sound of Strafe F.R. Strafe Für Rebellion is Bernd Kastner and Siegfried M. Syniuga All songs recorded by Strafe F.R. in 2017 at STRAFE Studio, Düsseldorf, Germany. Thanks to Detlef Klepsch for technical support and for helping with the mix down. CD - 14 tracks - 63 minutes Limited edition of 500. Mastered by Denis Blackham. Artwork \u0026amp; photography: Jon Wozencroft Dada\/video image: Strafe F.R. Female vocal: Caterina De Re. Male vocals: Strafe F.R. The bird was stolen because the donkey was sleepy. \u003cbr\u003e\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50435756556619,"sku":"1034350","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/59be3f7d-e0ac-4a27-9675-7f0a77ea84ca_thumbnail_4096.jpg?v=1726907294"},{"product_id":"faith-3","title":"Faith","description":"\u003cp\u003e'​Faith' is the first full-length sound release by media researcher and curator Heitor Alvelos under his own name. Heitor Alvelos has been a long-time on\/off collaborator of Touch, having on occasion provided photography and stage visuals for Biosphere, Fennesz, BJNilsen, Rafael Toral and Philip Jeck, as well as releasing sound pieces under the aliases Autodigest, Antifluffy and Before Surgery, on Ash International, TouchRadio and The Tapeworm. \"The essence of the present piece is autobiographical: therefore the use of my own name\", the author clarifies. \"And yet it aims at being resonant to others\": in this context, resonance may be regarded as both semantic and visceral, as the sound frequencies on Faith are often of the kind that \"rearrange one's organs\", to quote the recently departed Bernadette Martou. A necessity in order to carry the gravitas inherent to the subject, a confessional confrontation with the zeitgeist. All sources have been gathered, recorded and produced throughout five decades, all the way back to a recording by Francisco Alvelos in 1972 that closes the release. Elsewhere, sounds have been processed to various degrees, the bookends retaining their original contexts, others mutating into deep abstraction. Overall, they flow as one single composition, evocative and foreboding in equal measures.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50435772776779,"sku":"390092","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/11f05779-1ba1-4f39-9c7a-958fe0045e51_thumbnail_4096.jpg?v=1726907573"},{"product_id":"movement-1","title":"Movement","description":"\u003cp\u003eIn a 24\/7 world there is no greater challenge than \"to be in command of one's own time\". Is it true that the ability to download anything, at any moment, constitutes freedom? Has the 'Value' of music, art and design been stripped bare? \"I Google, therefore I am\"... touchMOVEMENTS has been compiled over the course of 3 years. It is a response to many requests for Touch to publish a fuller account of Jon Wozencroft's photography for the cover art of the project. The book follows the music, which was compiled step-by- step, like a jigsaw – there was not an \"open call\" to the artists, rather a sequential development which gives the CD a special narrative quality. And since our lastTouch 30compilation in 2012, the accuracy of the music has grown and rises to the challenge of what sound can do to transform perceptions about the immediate emotion of musical work and its more dif cult, longer term evolution. Following Touch Folio 001 in 2015, this series is a dedication to nding new ways of audiovisual publishing, somewhere between the twin peaks of a jewel-cased CD and a lavish box-set. The two elements of sound and the visual work in parallel to create the idea of an \"Ear-book\", whose interdependency reveals itself over time, and allows the richest of listening and viewing experiences. The music and the photography is fully annotated, alongside a rarely-seen manifesto by the Surrealist lm-maker Jan Švankmajer which celebrates the spirit of the creative act.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50435956539723,"sku":"1022843","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d004acf1-6af9-49c5-b495-098ba6bd5167_thumbnail_4096.jpg?v=1726910201"},{"product_id":"transpandorem-ft-stephen-thrower-david-knight","title":"Transpandorem ft Stephen Thrower \u0026 David Knight","description":"\u003cp\u003eUnicaZurn build their long, ceaselessly evolving musical compositions through a process of improvisation followed by careful editing and processing. Their music, drawn from subconscious associations while recording, is frequently aquatic or oceanic in overall mood and texture. Knight has spent most of his life living on the banks of the Thames while Thrower resides on the East Sussex coast, and their musical flights of imagination tend toward rolling river dynamics and the open seas of synthesised sound. For UnicaZürn, tidal imagery, oceanic forms and the slow rhythms of coastal water are a recurring structural presence, with strong associations of rootlessness, of being far away from home, a stranger in a strange land. The inability of human lungs to breathe water endows rivers and seas with a special poetics: a boundary between two different but inter-related states. On the one hand, solidity, clarity, definition; on the other, fluidity, uncertainty, dissolution. The sense of a threshold between opposites gives rise to an elusive otherness, suggesting a portal through which the everyday world can be escaped. Death under the water, the survivors of a lost kingdom clinging to the rocks of an unfamiliar island, a coastal boat ride into deepest abstraction, a deserted beach expressing a world outside reality. A sexual frisson too: a hovering at the brink, poised at the turbulent edge of pleasure, swept away into oblivion. Do we head toward the sea when we want to escape? And at the coastline, do we walk to the edge because we want to jump, or be swept away by an unexpected wave? There's a darkness in the sea, even if illuminated by the most dazzling sunshine. Open horizons shows the clutter of our lives to be transient, and as we look to the sea we feel a dizzying sense of the eternal. Aquatic sensibility, oceanic timescales: the action of the salt sea beating on the shore. Each grain of sand a rock smashed to dust. Beaches are cosmic, elemental. They are images of time. UnicaZürn's core instrumentation blends analogue synthesiser, mellotron and electric piano with electric guitar and clarinet. Both Thrower and Knight draw upon their love and wide experience of of electronic music, from the outer shores of Stockhausen to the outer spaceways of Tangerine Dream. In addition, Knight is reknowned for his pioneering multi-textured fretwork with Danielle Dax and his ambient guitar settings for Lydia Lunch, while Thrower's reed playing provided a distinctive melancholy in Coil and emerged as electro-acoustic texture in Cyclobe. The title \"Pale Salt Seam\" is drawn from the poem \"Night-Song of the Andalusian Sailors\" by Federico García Lorca. Parts of \"Pale Salt Seam\" were recorded live at the Ironmongers Row Baths on 2nd March 2013.\u003cbr\u003e\u003c\/p\u003e","brand":"Touch","offers":[{"title":"LP","offer_id":50435964698955,"sku":"1004529","price":5.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/eea2ea85-1d8c-46e4-b4dd-345971ef3e20_thumbnail_4096.jpg?v=1726910309"},{"product_id":"saor","title":"Saor","description":"\u003cp\u003e\u003ci\u003eSaor\u003c\/i\u003e [pronounced Sieur: meaning “free” in Scottish Gaelic] is the first release in a triptych of albums, inspired by escapes to the peaks of Claire’s homeland of Scotland. Saor perfectly encapsulates Claire’s experimental approach to the pipe organ, exploring rich harmonic textures and complex overtones creating ever-shifting melodic and rhythmic patterns, which conjure visions of the Scottish dramatic landscapes she is inspired by.  “Saor follows two narratives: my trekking across the Cairngorm mountains in Aberdeenshire through the granite plateaux, corries, glens and straths, and my exploration of the 1872 organ built by Peter Conacher \u0026amp; Coy, Huddersfield in Forgue Kirk Aberdeenshire where many of my ancestors lie”.  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I had not played live at dates in such a dense cluster for many years, and the exposure to so much great music and the artists was inspiring. Other Touch artists were also an influence here - Claire M Singer, Jana Winderen and as ever Chris Watson (who has been an enduring influence from the moment I first heard Cabaret Voltaire in 1979)… along with my project 'drøne' with Mike Harding… the collaborative aspect of drøne brought up a few new paths in itself. During the time I was recording the album I was editing audio and sound design for films - this too went some way to defining the structure and sound of 'Invisible Threads'. At the time of recording several of the titles on the album, I had re-read 'The Conversation of Eiros and Charmion', a short story by Edgar Allen Poe… and in some ways this record is a soundtrack to that.\u003c\/p\u003e\u003cp\u003eInstrumentation\/sound sources\u003c\/p\u003e\u003cp\u003eModular synthesizer notably using modules manufactured by Make Noise, The Harvestman \u0026amp; Mutable Audio\u003cbr\u003eSoftware - Ableton Live, Pro Tools and many plugins - heavily used were Max, Soundhack and Native Instruments' Reaktor \u0026amp; Kontakt\u003cbr\u003eSound libraries from Spitfire Audio.\u003cbr\u003eFender Rhodes piano, Fender Jaguar guitar. 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The Key was assembled and mixed by Vallera at home in the winter of 2019-2020. Chicago's pale, uncertain winter light, which renders objects with a kind of clarity, shorn of glamour or pretense, may have lent something to the album's aura of lucidity. Meditative and purposeful, Cleared display a preternatural ability to hover on a suspended moment, at the edge of what is yet to come - a liminal space between anxiety and calm.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD.","offer_id":50462792352075,"sku":"1106252","price":7.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"intimaa","title":"intimaa'","description":"\u003cp\u003e\u003ci\u003eIntimaa'\u003c\/i\u003e (belonging in Arabic) is a documentation of pieces composed for Touch's 40th anniversary celebrations in Los Angeles and Santa Cruz in the Spring of 2022.\nPulling from ongoing research in weaving and textiles, the pieces are informed by the interchangeability of the weaver's process with the sequencing of sound – from sourcing and preparing materials to be woven (recording, editing, and formatting samples), preparing the loom (programming the sequencer), and finally, weaving the cloth (playing back, manipulating, and recording the sequence).\u003c\/p\u003e","brand":"Touch","offers":[{"title":"LP","offer_id":50469129879883,"sku":"2016250","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_6818b444_thumbnail_4096.jpg?v=1727356794"},{"product_id":"the-blue-beyond","title":"The Blue Beyond","description":"\u003cp\u003e\u003ci\u003eThe Blue Beyond\u003c\/i\u003e is produced by Touch and Audemars Piguet following Audemars Piguet Contemporary's commission of two new compositions by Jana Winderen in 2019. The record offers edits of two sound compositions \"Du Petit Risoud aux profondeurs du Lac de Joux\" (2019) and \"The Art of Listening: Under Water\" (2019).\u003c\/p\u003e\u003cp\u003e\"Du Petit Risoud aux profondeurs du Lac de Joux\" was first presented at Art Basel in Basel from 13 to 16 June 2019. 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Beginning with some of Fennesz' trademark neo-industrial gurgles, it folds in bits of guitar and strings rather beautifully, creating a cluster of sound that trembles, seeming to wait for something. And that something moves in gradually in the form of a massive cloud of distortion, a fine white mist of harmonics mixed with a dark undercurrent of rumbling bass. The tension between these elements is so well balanced, each individual element remaining in the mix even as the sound field becomes impossibly dense, that it's no surprise that it takes a while to get it just right. His lush and luminant compositions are anything but sterile computer experiments. They resemble sensitive, telescopic recordings of rainforest insect life or natural atmospheric occurrences, an inherent naturalism permeating each piece.\u003c\/p\u003e\u003cp\u003e\" Fennesz uses guitar and computer to create shimmering, swirling electronic sound of enormous range and complex musicality. \"Imagine the electric guitar severed from cliche and all of its physical limitations, shaping a bold new musical language.\" - (City Newspaper, USA). \u003c\/p\u003e","brand":"Touch","offers":[{"title":"Black | 10\" | x2","offer_id":50479344058699,"sku":"1163921","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/de23cee7-55f4-4bae-ba95-9e357ece4256_thumbnail_4096.jpg?v=1727507540"},{"product_id":"migrations","title":"Migrations","description":"\u003cp\u003e1- Red Square: Field recordings captured during a day under Moscow's Red Square in the underground metro in 2015. It has a narrative of motion as my microphones move with me through a vast sounding environment. The space reveals the aural diversity of the people moving beneath the Russian city of Moscow, the complex acoustics, and complex rhythms mixed together in a subterranean space. These communitive sonic events transformed my perception of space and time as reverberant boundaries led my ear into unknown acoustic destinations. \u003c\/p\u003e\u003cp\u003e2- Murmurations: Recorded in March 2018 at RSPB Strumpshaw Fen in, Norfolk, UK using DPA 4061 microphones. I was showing Australian sound artist Lawrence English around the Fens of East Anglia, when he requested we head to Buckenham to find a flock of crows roosting. I recorded the spectacular murmurations of thousands of crows, rooks and jackdaws, as the spring sun slowly set at dusk, and deer ran across the marshes. The field recordings are accompanied by a gradually shifting modular synth tone, that musically represents the slow change colours, until the light fell off the horizon.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"Black | LP","offer_id":50479521268043,"sku":"1095919","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/364bbc40-b17e-4214-850e-f7271e27aaac_thumbnail_4096.jpg?v=1727510113"},{"product_id":"oxmardyke","title":"Oxmardyke","description":"\u003cp\u003ePhilip Jeck sadly passed away at the end of March 2022. But before he died, he was able to work on some audio files sent to him by Chris Watson, who writes:\u003c\/p\u003e\u003cp\u003e\"In 2017 I was recording along the north bank of the Humber estuary and one morning driving back from Faxfleet I was stopped at the Oxmardyke rail crossing. The gates were down. After setting up a microphone array by the tracks for a passing freight train the signalman shouted an invitation to climb up into the gate box to make some more recordings.\u003c\/p\u003e\u003cp\u003eOver the following weeks I made several return trips to Oxmardyke and gathered a broad palette of recordings. I discussed the sounds, stories and history of the site with Philip after a show and we were both excited by the potential of making a work together.\u003c\/p\u003e\u003cp\u003ePhilip was drawn to the ancient history of the area from 6th century Anglo Saxon times to the Knights Templar and how the sounds, rhythms and textures from those periods may still inhabit the contemporary landscape. My thoughts took inspiration from 'The Signalman' by Charles Dickens and the painting 'Rain, Steam and Speed' by Joseph Turner. We agreed to share ideas and exchange tracks.\u003c\/p\u003e\u003cp\u003eOxmardyke gate box has now passed into history.\u003c\/p\u003e\u003cp\u003eI sincerely hope that my contributions may frame Philip's exceptional work.\"\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50483047104843,"sku":"2026484","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-1_9673fccf_thumbnail_4096.jpg?v=1727560383"},{"product_id":"hexa","title":"Hexa","description":"\u003cp\u003eCleared, the duo of Steven Hess and Michael Vallera has re-emerged with Hexa, their sixth release and third for the Touch label. Steven Hess recorded sessions in the group's practice space, handing them over to Vallera, who in turn added his home recordings, mixing and manipulating them. The final product provides only the barest of hints to any instrumental points of origin, such is the extent of their intermixture.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50498396586315,"sku":"2218041","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_a776f44c_thumbnail_4096.jpg?v=1727746896"},{"product_id":"venice-20","title":"Venice 20","description":"\u003cp\u003eThe 20th anniversary re-issue of Fennesz's best-selling \u003ci\u003eVenice\u003c\/i\u003e, originally released in 2004, is now available as a deluxe version remastered by Denis Blackham, with new and extra tracks not on the previous CD or vinyl versions. Included in the DVD-format edition is a booklet with texts by Fennesz himself, Denis Blackham \u0026amp; Jon Wozencroft, with unseen photographs from the original 2004 sessions. The booklet also reproduces David Sylvian's original handwritten lyrics for 'Transit'. This \"stunning collaboration with David Sylvian continues where their fantastic duo track on Sylvian's album Blemish left off. Situated directly in the middle of a mostly subdued listening experience, 'Transit' literally bursts out of the speakers accentuating the album's more pop-like characteristics as well as its more restrained moments.\"\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50507290444107,"sku":"2212410","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_9ddfc9c8_thumbnail_4096.jpg?v=1727845883"},{"product_id":"in-st-cuthbert-s-time","title":"In St Cuthbert's Time","description":"\u003cp\u003eThe Sound of Lindisfarne and the Gospels To celebrate the exhibition of the Lindisfarne Gospels at Durham Cathedral in July 2013, award-winning wildlife sound recordist Chris Watson has researched the sonic environment of the Holy Island as it might have been experienced by St. Cuthbert in 700 A.D.The Sound of Lindisfarne and the Gospels To celebrate the exhibition of the Lindisfarne Gospels at Durham Cathedral in July 2013, award-winning wildlife sound recordist Chris Watson has researched the sonic environment of the Holy Island as it might have been experienced by St. Cuthbert in 700 A.D. Track listing: 1. Winter2. Lencten3. Sumor4. Haerfest \"A 7th Century Soundscape of Lindisfarne Throughout human history artists have been influenced by their surroundings and the sounds of the landscape they inhabit. When Eadfrith, the Bishop of Lindisfarne, was writing and illustrating the Lindisfarne Gospels on that island during the late 7th C. and early 8th C. he would have been immersed in the sounds of Holy Island whilst he created this remarkable work. This production aims to reflect upon the daily and seasonal aspects of the evolving variety of ambient sounds that accompanied life and work during that period of exceptional thought and creativity.\" Chris Watson - sound recordist - www.chriswatson.net With thanks to Professor Veronica Strang, Executive Director, Institute of Advanced Study, Durham University Notes: St Cuthbert Cuthbert was an Anglo Saxon monk, bishop and hermit who became prior of Lindisfarne in c. 665. In later life Cuthbert felt called to be a hermit and moved to the nearby island of Inner Farne to begin fighting the spiritual forces of evil in solitude. Cuthbert became associated with the birds and other animals on the island and gave special protection to the Eider duck which is still known locally as Cuddy's duck.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50509763117387,"sku":"365993","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/acdbe788-0e1c-4a7c-b023-1d0d1d703076_thumbnail_4096.jpg?v=1727868074"},{"product_id":"mosaic-14","title":"Mosaic","description":"\u003cp\u003e\u003cstrong\u003eFennesz's\u003c\/strong\u003e most reflective album to date is \u003cem\u003eMosaic\u003c\/em\u003e. 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Unlike his previous albums, which had breaks in between, '\u003cem\u003eMosaic\u003c\/em\u003e' was completed from start to finish without interruption.\u003c\/p\u003e\n\n\u003cp\u003ePresented in a DVD-style case with artwork and photography by Jon Wozencroft, '\u003cem\u003eMosaic\u003c\/em\u003e' bears an echo to '\u003cem\u003eVenice\u003c\/em\u003e' but with a more extreme contrast between the land, horizon, and deep blue sea, twenty years later. \u003cem\u003eMosaic\u003c\/em\u003e sees \u003cstrong\u003eFennesz\u003c\/strong\u003e experimenting with unusual time signatures. For example, '\"Love and the Framed Insects\"' features a 7\/4 time signature, while '\"Personare\"' draws influence from West African pop music of the 1980s.\u003c\/p\u003e\n\n\u003cp\u003e'Goniorizon' initially consisted of six hard rock guitar riffs layered on top of one another, eventually morphing into something that opened up new possibilities. The result is a filmic, highly engaging, and beautiful score that encompasses diverse influences and offers multiple possibilities for the listener to explore.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"Black LP","offer_id":50830847410507,"sku":"2232651","price":44.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50830846427467,"sku":"2229169","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_d06733a9_thumbnail_4096.jpg?v=1731553747"},{"product_id":"rpm","title":"rpm","description":"\u003cp\u003eWith rpm, we wanted to join some of the dots of Philip's life and involve many other collaborators, early and more recent. Fennesz was a friend and kindred spirit on the same label. Claire M Singer formed a new chemistry and partnership and although their plans must now take a different form, Mary found some sketches Philip had laid out using Claire's organ recordings, for further development. Faith Coloccia \u0026amp; Philip had already released Stardust on Touch in 2021. Their live performance together at 2220arts + archives, Los Angeles in March 2022 celebrating Touch's 40th anniversary had to be shelved. And in September of that year Iklectik hosted a memorable tribute night with live work from Chris Watson, Liverpool Improvisation Collective, Claire M Singer and others – most of all a dedicated audience who knew and felt that this was a future event and not the end of the story.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":50840402690379,"sku":"2227537","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_755420c4_thumbnail_4096.jpg?v=1731652035"},{"product_id":"travelogue-bali","title":"Travelogue: Bali","description":"\u003cp\u003eTravelogue [Bali] is the second in an ongoing series of collected international audio diaries. The premise is quite simple: the two meet at a mutually agreed upon destination along with the facilitation of something to record audio of these experiences on. The intent is to capture and augment these sonic documentaries of their travels  which then are sculpted into soundtracks. This is done by sourcing the culture, environment, persons or events that make their voices available.\nIn February 2020, CM von Hausswolff and Chandra Shukla met in Bali, Indonesia, over the course of 9 days. Recordings were made at Pandawa Beach, Green Bowl Beach, Melasti Beach Ungasan, Uluwatu Temple, Pasar Senggol Gianyar, Pengosekan Kaja Ubud, Badung  Market, Kintamani and Mt. Batur, Puri Saren Agung Ubud, Mandala Suci Wenara Wana (Sacred Monkey Forest Sanctuary) Ubud, Pura Tirta Empul Tampaksiring, Pandan Beach and Kelingking Beach Nusa Penida.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":51246151237963,"sku":"2014751","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_890fab0a_thumbnail_4096.jpg?v=1739232695"},{"product_id":"idylla","title":"Idylla","description":"\u003cp\u003e\u003cem\u003eIdylla\u003c\/em\u003e is the third of part of a trilogy of nature-based recordings that Polish composer Michał Jacaszek has recorded for Touch. The first, \u003cem\u003eCatalogue des Arbres\u003c\/em\u003e (Touch TO:94), was a collaboration with Kwartludium that celebrated the earlier inspiration of French composer Olivier Messiaen's Catalogue des Oiseaux (1958). \u003cem\u003eGardenia\u003c\/em\u003e (Touch TO:117) was a response to a field recording workshop organised by Francisco Lopez in Limpopo province in South Africa, on the border with Botswana, the participants living in a subtropical nature reserve in the middle of nowhere.\u003c\/p\u003e\n\u003cp\u003eIdylla takes Jacaszek's unique approach to field recording a step further. Faced with the spectre of AI and the progressive blur between digital simulation and the natural world, Jacaszek has made a series of source recordings and then used MIDI technology to isolate key sounds before scoring them for classical instruments and the vocal treatments performed by the 441Hz Choir from Gdańsk, under the direction of Anna Borkowicz.\u003c\/p\u003e\n\u003cp\u003eIt is said that there is nothing new under the sun. Here is a collection of recordings that are poised between a lamentation for a disappearing world and a joyous reflection upon the beauty of being sat by a river, listening to birdsong amidst the movement of trees in a soft wind. \u003cem\u003eIdylla\u003c\/em\u003e consolidates Jacaszek's work as being amongst the most essential of any contemporary composer, its symphonic quality matched by its beauty and detail above and beneath.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":51872668057931,"sku":"R0817-0186","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-4_54ca8593-6b4a-4245-aa42-a12a6c9d6c90.jpg?v=1748022265"},{"product_id":"gleann-ciuin","title":"Gleann Ciùin","description":"\u003cp\u003eOrgan, cello and electronics performed by Claire M Singer. 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Through a tapestry of evocative melodies and stirring harmonies, the music transports listeners to these majestic mountain peaks, evoking the solitude, the natural wonder, and the transformative power of traversing such terrain.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":53380075159883,"sku":"R2924-9592","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-10_00ef8793-6c07-4b57-a463-3ac7edad48cd.jpg?v=1757794732"},{"product_id":"earthbound-2","title":"Earthbound","description":"\u003cp\u003eTouch with \u003cem\u003eEarthbound\u003c\/em\u003e, the third solo album by Istanbul-based composer Ipek Gorgun.\u003c\/p\u003e\n\u003cp\u003eFrom 2019 to 2022, Gorgun drafted the record twice, then deleted most of her sketches. By the time she opened a new session, she had gone through an accidental electrocution, a cancer diagnosis, and an allergic collapse that nearly suffocated her.\u003c\/p\u003e\n\u003cp\u003eDuring treatment, chemotherapy left her in a cognitive fog known as \"chemo-brain,\" forcing her to relearn the craft of composition from scratch. While rebuilding her own focus, she watched her friends, relatives, and musical heroes battle illness, recover, or slip away.\u003c\/p\u003e\n\u003cp\u003eThe result is \u003cem\u003eEarthbound\u003c\/em\u003e: a final, third iteration recorded in the quiet intervals between sunshine afternoons in the park, surgeries, funerals, long walks by the sea, emergency rooms, and snow-lit nights — above all, between days spent searching for sound and music. Yet, rather than foregrounding those ordeals, Gorgun surrendered to them, composing as a witness to the post-COVID world limping back to life in Janus; to the wavedrops rejoining the sea in Cloudbreak Swell; to a joyful stargazing experience in Moonbeams, to the attention-seeking power-drunk swagger in Edgelord; to memory dissolving at the doorway — the doorway effect — in Olvido; or to the way Middle-Eastern artists are ever more exotically consumed while their homelands splinter in Exocannibalism and Bon Pour L'Orient.\u003c\/p\u003e","brand":"Touch","offers":[{"title":"CD","offer_id":53486511915339,"sku":"R9875-0772","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-1_e05e32f7-cc84-4635-b232-381eaa574f62.jpg?v=1758971297"},{"product_id":"travelogue-thailand","title":"Travelogue: Thailand","description":"\u003cp\u003eThe third in the Travelogue project on Touch finds von Hausswolff and Shukla rounding off another whirlwind 9 days in Southeast Asia in the unusual setting of the Lanna Kingdom (Kingdom of a million rice fields) of Northern Thailand. A multifaceted location where Thailand shares borders with Myanmar, Laos and China in what is known as The Golden Triangle, a commercial trade zone between the nations. This frontier region is home to hill tribes, countless Buddhist monasteries, stupas, the Mekong River, mountains and forests. All of which can be heard on this recording. Always finding themselves in the most untypical of off the beaten tourist destinations and settings, CM von Hausswolff and Chandra Shukla use the Northern Thai backdrop for more sonic tapestries and meditational sound weaving. 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