{"title":"Tower","description":null,"products":[{"product_id":"afro-brazil-oba-2","title":"Afro Brazil Oba!","description":"\u003cp\u003eA sublime blend of Latin, soul, and vocal styles. The record's a fair bit more sophisticated than most other efforts like this from the 60s – thanks to a strong batch of talents that includes Gil Fuller on arrangements, Phil Moore III on piano, Leni Groves on vocals – and a host of small combo players who include Joe Pass on guitar, Hadley Caliman on tenor and flute, and Francisco Aquabella on percussion. There's a warmly soulful west coast jazz sound here that's perhaps the strongest aspect of the record – a style that steps off nicely from the hipper side of LA, but throws in a few Latin influences – making for a really great sound that's totally fresh, and which really makes this record stand out from the pack! Titles include a great version of \"What Is Wrong With Groovin\", plus \"Midnight Blue\", \"Batucada\", \"I Want Your Kiss\", \"Lavender Lady\", and \"The 8th Day\".\u003c\/p\u003e","brand":"Tower","offers":[{"title":"Black LP","offer_id":50486410379595,"sku":"2027929","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/moore_philm_afrobrazi_101b_77f9afac_thumbnail_4096.jpg?v=1727609029"},{"product_id":"one-step-beyond-3","title":"No Way Out","description":"\u003cp\u003e\u003cem\u003eNo Way Out\u003c\/em\u003e, released on the Tower label in September of 1967, was the debut album by the American garage rock band The Chocolate Watchband. Blending garage and psychedelic rock, its distorted guitar instrumentals were early examples of protopunk. It was their most heavily Rolling Stone- influenced LP. While No Way Out failed to reach the Billboard 200, it established the group as a popular live act. Largely overlooked at the time of its release, the album had gone out of print by the early 1970s and its reputation has continued to expand over the years.\u003c\/p\u003e","brand":"Elemental","offers":[{"title":"LP","offer_id":50490475348299,"sku":"2047528","price":15.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":56474534609227,"sku":"R2147-4617","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0602488524773.jpg?v=1772124262"},{"product_id":"time-out-time-in-for-them-2","title":"Time Out! Time In For Them","description":"\u003cp\u003eThem's second post-Van Morrison album, even more than their first such effort (\u003ci\u003eNow \u0026amp; Them\u003c\/i\u003e), grew further away from their mid-'60s style, to the point where there were few audible links to how Them sounded in the British Invasion era. And like \u003ci\u003eNow \u0026amp; Them\u003c\/i\u003e, it was an intermittently worthwhile but somewhat characterless record, reflecting late-'60s trends in album-oriented rock without adding much to them or innovating paths of their own. It was even more Los Angeles-psychedelia-influenced than their prior LP, taking the lead of Now \u0026amp; Them's strongest cut (\"Square Room\") to explore sitar-laden raga-rock on several songs. \"Time Out for Time In\" adds a nice waltz overlay to the raga-rock sound, but \"Black Widow Spider\" and \"Just on Conception\" frankly live up to the stereotypes of \"oh wow!\" hippie-trippy word soups from the era. So does \"The Moth,\" but at least there some Roger McGuinn-like vocals and dreamy orchestration add spice.\u003c\/p\u003e","brand":"Tower","offers":[{"title":"LP","offer_id":50490593476939,"sku":"2049993","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Time_Out_Time_In_for_Them_Remastered_452aa868_thumbnail_4096.jpg?v=1727667535"}],"url":"https:\/\/shop.roughtrade.com\/de\/collections\/tower.oembed","provider":"Rough Trade","version":"1.0","type":"link"}