{"title":"Trending Titles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe hottest titles to hit our site over the past two weeks. We add dozens of new titles to our site every day - even we struggle to keep track - so we put together a collection that shows you the cream of the crop. Make sure to check regularly as the most popular titles are gone quicker than a Minor Threat song.\u003c\/p\u003e","products":[{"product_id":"songs-to-learn-and-sing","title":"Songs To Learn And Sing","description":"\u003cp\u003eEcho and The Bunnymen’s first best-of compilation \u003ci\u003eSongs To Learn And Sing \u003c\/i\u003eis back on vinyl for the first time since its original release in 1985. The album is a comprehensive collection of the band’s first four albums, from their second single \u003ci\u003eRescue,\u003c\/i\u003e to \u003ci\u003eThe Cutter\u003c\/i\u003e and the anthemic \u003ci\u003eThe Killing Moon\u003c\/i\u003e. 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The LA-based, French-Korean songwriter and producer,has spent the past five years as spill tab honing a sound that is as raw-edged as it is refined, channelling low-slung guitar-strumming confessionals as well as the earworming melodic hooks of anthemic pop to produce a heady and distinctive mix.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the 2019 release of her intimate and infectious debut single “Decompose”, Spill Tab has evolved her spill tab project through three EPs: 2020’s synth-pop influenced \u003ci\u003eOatmilk, \u003c\/i\u003e2021’s playful, uptempo \u003ci\u003eBonnie, \u003c\/i\u003efeaturing Gus Dapperton and Tommy Genesis, and 2023’s co-produced, sonically-intricate \u003ci\u003eKlepto\u003c\/i\u003e, which gleefully meanders from the Hiatus Kaiyote-influenced jazz freakouts of “Creme Brûlée!” to the guitar-chugging thump of “Splinter”. 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Day-Glo, Light Sticks, Baggy T-Shirts and Hedonism on the Dance Floors - welcome to Strobes in Space!\u003c\/p\u003e\n\u003cp\u003eWhen the Indie Dance \/ Nu Rave scene crashed onto the dancefloors and ignited the youth of the time it seemed like uber cool and incredible new bands were appearing from all corners of the globe almost every day. An explosion of creativity and excitement flooded the clubs and airwaves. From the UK you had bands like Bloc Party, Klaxons, Test Icicles, Playgroup, Simian Mobile Disco. Coming out of NYC you had the likes of LCD Soundsystem, Yeah Yeah Yeahs, Fischerspooner. From France you had Phoenix from Versailles and Black Strobe coming out of Paris. DJ \/ Producer Tiga from Canada, Digitalism from Hamburg Germany, Cut Copy from Melbourne Australia, and from Belgium Soulwax and Goose, and even spreading to South America with CSS coming out of Sao Paolo, Brazil. It really was a global scene.\u003c\/p\u003e\n\u003cp\u003eTwo-Piers Records brings you a snapshot of that scene at the time on their latest compilation \u003cem\u003eStrobes in Space.\u003c\/em\u003e Spanning across 3 x LPs, 30 tracks and artists. Hopefully it has captured a slice of the excitement and creativity of the time, and this compilation makes you feel joyful, happy and you just want to get Up, Dance and have Fun!\u003c\/p\u003e\n\u003cp\u003eA1) New Young Pony Club – Ice Cream\u003c\/p\u003e\n\u003cp\u003eA2) Bloc Party – Banquet (Phones Disco Remix)\u003c\/p\u003e\n\u003cp\u003eA3) Datarock – Fa-Fa-Fa\u003c\/p\u003e\n\u003cp\u003eA4) LCD Soundsystem – Tribulations\u003c\/p\u003e\n\u003cp\u003eA5) TokTok \u0026amp; Soffy O – Missy Queen’s Gonna Die\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eB1) Justice v Simian – We are Your Friends\u003c\/p\u003e\n\u003cp\u003eB2) Digitalism – Zdarlight\u003c\/p\u003e\n\u003cp\u003eB3) Soulwax – NY Excuse\u003c\/p\u003e\n\u003cp\u003eB4) Yeah Yeah Yeahs – Heads Will Roll (A-Trak Remix Radio Edit)\u003c\/p\u003e\n\u003cp\u003eB5) Klaxons – Two Receivers\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eC1) The Rapture – Sister Saviour (DFA Vocal Remix)\u003c\/p\u003e\n\u003cp\u003eC2) Goose – Black Gloves\u003c\/p\u003e\n\u003cp\u003eC3) Simian Mobile Disco – Hustler\u003c\/p\u003e\n\u003cp\u003eC4) Test Icicles – What’s Your Damage (Alan Braxe \u0026amp; Fred Falke Remix)\u003c\/p\u003e\n\u003cp\u003eC5) CSS – Let’s Make Love and Listen to Death From Above\u003c\/p\u003e\n\u003cp\u003eC6) We Have Band – Hear It in the Cans\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eD1) Fujiya \u0026amp; Miyagi – Knickerbocker\u003c\/p\u003e\n\u003cp\u003eD2) Friendly Fires – Jump In the Pool\u003c\/p\u003e\n\u003cp\u003eD3) Playgroup – Make It Happen\u003c\/p\u003e\n\u003cp\u003eD4) Tiga – You Gonna Want Me\u003c\/p\u003e\n\u003cp\u003eD5) Tom Vek – I Ain’t Saying My Goodbyes\u003c\/p\u003e\n\u003cp\u003eD6) Shit Disco – OK\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBONUS VINYL – LIMITED EDITION DELUXE\u003c\/p\u003e\n\u003cp\u003eE1) Zongamin – Bongo Song\u003c\/p\u003e\n\u003cp\u003eE2) Black Strobe – Italian Fireflies\u003c\/p\u003e\n\u003cp\u003eE3) Fischerspooner – Emerge\u003c\/p\u003e\n\u003cp\u003eE4) Clap Your Hands Say Yeah – Satan Said Dance\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eF1) Phoenix – 1901\u003c\/p\u003e\n\u003cp\u003eF2) The Killers – Mr Brightside (Jacques Lu Cont’s Thin White Duke Radio Remix)\u003c\/p\u003e\n\u003cp\u003eF3) Cut Copy – Going Nowhere\u003c\/p\u003e\n\u003cp\u003eF4) !!! – Me and Guiliani Down by the School Yard – A True Story\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2CD TRACKLIST\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCD1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1) New Young Pony Club – Ice Cream\u003c\/p\u003e\n\u003cp\u003e2) Bloc Party – Banquet (Phones Disco Remix)\u003c\/p\u003e\n\u003cp\u003e3) Datarock – Fa-Fa-Fa\u003c\/p\u003e\n\u003cp\u003e4) LCD Soundsystem – Tribulations\u003c\/p\u003e\n\u003cp\u003e5) TokTok \u0026amp; Soffy O – Missy Queen’s Gonna Die\u003c\/p\u003e\n\u003cp\u003e6) Justice v Simian – We are Your Friends\u003c\/p\u003e\n\u003cp\u003e7) Digitalism – Zdarlight\u003c\/p\u003e\n\u003cp\u003e8) Soulwax – NY Excuse\u003c\/p\u003e\n\u003cp\u003e9) Yeah Yeah Yeahs – Heads Will Roll (A-Trak Remix Radio Edit)\u003c\/p\u003e\n\u003cp\u003e10) Klaxons – Two Receivers\u003c\/p\u003e\n\u003cp\u003e11) The Rapture – Sister Saviour (DFA Vocal Remix)\u003c\/p\u003e\n\u003cp\u003e12) Goose – Black Gloves\u003c\/p\u003e\n\u003cp\u003e13) Simian Mobile Disco – Hustler\u003c\/p\u003e\n\u003cp\u003e14) Test Icicles – What’s Your Damage (Alan Braxe \u0026amp; Fred Falke Remix)\u003c\/p\u003e\n\u003cp\u003e15) CSS – Let’s Make Love and Listen to Death From Above\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCD2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1) We Have Band – Hear It in the Cans\u003c\/p\u003e\n\u003cp\u003e2) Fujiya \u0026amp; Miyagi – Knickerbocker\u003c\/p\u003e\n\u003cp\u003e3) Friendly Fires – Jump In the Pool\u003c\/p\u003e\n\u003cp\u003e4) Playgroup – Make It Happen (Full Length Version) **\u003c\/p\u003e\n\u003cp\u003e5) Tiga – You Gonna Want Me\u003c\/p\u003e\n\u003cp\u003e6) Tom Vek – I Ain’t Saying My Goodbyes\u003c\/p\u003e\n\u003cp\u003e7) Shit Disco – OK\u003c\/p\u003e\n\u003cp\u003e8) Zongamin – Bongo Song\u003c\/p\u003e\n\u003cp\u003e9) Black Strobe – Italian Fireflies\u003c\/p\u003e\n\u003cp\u003e10) Fischerspooner – Emerge\u003c\/p\u003e\n\u003cp\u003e11) Clap Your Hands Say Yeah – Satan Said Dance\u003c\/p\u003e\n\u003cp\u003e12) Phoenix – 1901\u003c\/p\u003e\n\u003cp\u003e13) The Killers – Mr Brightside (Jacques Lu Cont’s Thin White Duke Radio Remix)\u003c\/p\u003e\n\u003cp\u003e14) Cut Copy – Going Nowhere\u003c\/p\u003e\n\u003cp\u003e15) !!! – Me and Guiliani Down by the School Yard – A True Story\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e** Exclusive Version to CD Format\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Two-Piers Records","offers":[{"title":"CD","offer_id":51309296910667,"sku":"R7665-6682","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"3LP - Silver","offer_id":51309296943435,"sku":"R7665-6653","price":44.99,"currency_code":"GBP","in_stock":true},{"title":"3LP - Tri Colour","offer_id":51322734182731,"sku":"R7665-3878","price":44.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VariousArtists-StrobesinSpace_IndieSleaze_NuRave_FutureDisco2000-2009_-BN13LPX-Packshot.jpg?v=1740149853"},{"product_id":"another-place-1","title":"Another Place","description":"\u003cdiv class=\"\"\u003eOver four albums, Pachyman has proven himself a dedicated craftsman working in the lineage of dub reggae while mastering the methodology of masters like King Tubby and Scientist, using vintage gear, constructing glorious walls of sound, and developing an intuitive understanding of the power of repetition. With \u003cem\u003eAnother Place,\u003c\/em\u003e he synthesizes the myriad scenes that have recontextualized dub, from the synth-pop of William Onyeabor and Yellow Magic Orchestra to Basic Channel’s amniotic dub techno.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ATO Records","offers":[{"title":"LP - White \/ Blue","offer_id":51314082545995,"sku":"R2842-6251","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Blue","offer_id":51326471209291,"sku":"R2842-7481","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1500x1500_AnotherPlace.jpg?v=1740180983"},{"product_id":"strategic-living-a-brief-history-of-planets-space-and-shit","title":"Strategic Living \/ A Brief History of Planets, Space and Shit","description":"\u003cp\u003e\u003cspan class=\"outlook-search-highlight\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eMedia\u003c\/span\u003e\u003cspan class=\"apple-converted-space\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"background-color: white;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"outlook-search-highlight\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003ePuzzle\u003c\/span\u003e\u003cspan class=\"apple-converted-space\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"background-color: white;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; background-color: white;\"\u003eis a mysterious figure in Lismore’s nightlife, named after the Irish horse that claimed victory in the 2002 Melbourne Cup (naturally). The band delivers a blistering mix of scuzzy, down-the-barrel Aussie egg-punk, that thrashes through its 90-second songs without a second wasted. In just one year,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"outlook-search-highlight\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eMedia\u003c\/span\u003e\u003cspan class=\"apple-converted-space\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"background-color: white;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"outlook-search-highlight\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003ePuzzle\u003c\/span\u003e\u003cspan class=\"apple-converted-space\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"background-color: white;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; background-color: white;\"\u003ehas released one EP and three albums, with the latest, \u003cem\u003eStrategic Living\u003c\/em\u003e, offering a tongue-in-cheek critique of Australia’s current political climate. Praised by Rage, Triple R, FBI Radio, and other national and international outlets,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"outlook-search-highlight\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eMedia\u003c\/span\u003e\u003cspan class=\"apple-converted-space\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"background-color: white;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"outlook-search-highlight\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003ePuzzle\u003c\/span\u003e\u003cspan class=\"apple-converted-space\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"background-color: white;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Aptos, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; background-color: white;\"\u003ehas now released what may be their best release yet. But there’s more! Why stop at one album when you can have two? Alongside \u003cem\u003eStrategic Living\u003c\/em\u003e, we’ve included their second album, \u003cem\u003eA Brief History of Planets, Space and Shit\u003c\/em\u003e, as the B-side, creating a double LP for a full-throttle listening experience just for you. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Impressed","offers":[{"title":"LP - White","offer_id":51333295210827,"sku":"R9140-4016","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/image002_e551d4ec-19d1-41f9-8a56-3feeb9f50b92.png?v=1740479119"},{"product_id":"fuck-shit-up","title":"Fuck Shit Up","description":"\u003cp\u003eA timeless slice of garage soul punk, the \u003cem\u003e“Fuck Shit Up”\u003c\/em\u003e 7\" was released in 1994, the second volume in \u003cstrong\u003eDub Narcotic Sound System's\u003c\/strong\u003e Dub Narcotic Disco Plate series. Immediately recognized as a unique bending of disco bleed towards the teeming masses, \u003cem\u003e“Fuck Shit Up”\u003c\/em\u003e was championed by the likes of Chemical Brothers, Beck, The Jon Spencer's Blues Explosion (who covered the song on their 1996 \u003cem\u003eNow I Got Worry\u003c\/em\u003e LP) and Make-Up.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“Fuck Shit Up”\u003c\/em\u003e is still a must-play at every down-in-the-basement dance stomp the world over. Now available for the first time, the original \u003cem\u003e“Fuck Shit Up”\u003c\/em\u003e is reimagined as a 7\" 45rpm phonograph record with a new remix version on the flip by \u003cstrong\u003eHifi Sean\u003c\/strong\u003e (aka Sean Dickson of Soup Dragons).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eHifi Sean’s\u003c\/strong\u003e most recent album, in collaboration with David McAlmont, is \u003cem\u003eTwilight\u003c\/em\u003e (Plastique Recordings), a twelve-song night drive, dancing from dusk ‘til dawn, with all the moments in-between (out February 14). \u003cstrong\u003eHifi Sean\u003c\/strong\u003e has also directed a video for the \u003cem\u003e“Fuck Shit Up Hifi Sean Mix.”\u003c\/em\u003e\u003c\/p\u003e","brand":"K Records","offers":[{"title":"7\" - Black","offer_id":51333622595915,"sku":"R6694-1473","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cd57d0dc-f47c-d965-861d-49a0f3f63b12_699832aa-a797-4474-853d-9a4036d09b9c.jpg?v=1752286890"},{"product_id":"sounds-made-by-humans","title":"Sounds Made By Humans","description":"\u003cp\u003eBritain’s Favourite Poet Collaborates With Indie Icons To Create Literate Pop Album. The Catenary Wires are a group comprising \u003cstrong\u003eAmelia Fletcher\u003c\/strong\u003e, \u003cstrong\u003eRob Pursey\u003c\/strong\u003e, and \u003cstrong\u003eIan Button\u003c\/strong\u003e. Their critically acclaimed third album \u003cem\u003eBirling Gap\u003c\/em\u003e was released in 2021. Since then, they have been focusing on their other bands, playing around the world with Heavenly (stars of the 90s indiepop scene) and Swansea Sound.\u003c\/p\u003e\n\n\u003cp\u003eA couple of years ago, word reached Rob and Amelia that Brian had been spotted wearing a Heavenly t-shirt at one of his shows and was a big fan of their music. Given that they, in turn, were fans of Brian’s poetry, introductions were made, friendships were formed, and \u003cem\u003eSounds Made By Humans\u003c\/em\u003e took shape.\u003c\/p\u003e\n\n\u003cp\u003eThe album isn’t a set of readings with musical backdrops: it’s a collection of songs, where words and music have become completely intertwined. There are verses, and there are choruses. There is no ‘riffing’, no improvisation. In many ways, Brian’s poems are already like pop songs: brief, direct, and witty; sometimes poignant, sometimes biting and political; but always economical, and always accessible.\u003c\/p\u003e\n\n\u003cp\u003eRob took thirteen of Brian’s poems and created melodies and arrangements, which are then played by a full band, with Ian Button on drums and Fay Hallam on keyboard. Sometimes the words of the poems are sung by Amelia or Rob. Sometimes they are spoken by Brian. Sometimes both these things happen at once. 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From the radiant opener, ‘\u003cem\u003eDown to Joy\u003c\/em\u003e’, to the joyously resilient ‘\u003cem\u003eHaven’t Lost My Sense of Wonder\u003c\/em\u003e’, \u003cstrong\u003eVan Morrison\u003c\/strong\u003e's voice, guitar, and saxophone continue to mesmerize.\u003c\/p\u003e\n\n\u003cp\u003eHe is surrounded, as always, by a fabulous band - Richard Dunn (Hammond organ), Stuart McIlroy (piano), Pete Hurley (bass), and Colin Griffin (drums and percussion) - who have worked with him since ‘\u003cem\u003eThree Chords and the Truth\u003c\/em\u003e’ in 2019.\u003c\/p\u003e\n\n\u003cp\u003eThe single ‘\u003cem\u003eDown To Joy\u003c\/em\u003e’ feels like he has gone back to his soul and gospel roots, its strong emphasis on an uplifting big band arrangement with evocative strings providing fans with a taste of timeless sounds which represents the rest of the album.\u003c\/p\u003e\n\n\u003cp\u003eBeyond his key band members, \u003cem\u003eRemembering Now\u003c\/em\u003e features an array of accomplished collaborators. Its strings were arranged and directed by Fiachra Trench (Paul McCartney, Elvis Costello), whose association with \u003cstrong\u003eVan Morrison\u003c\/strong\u003e goes back to ‘\u003cem\u003eAvalon Sunset\u003c\/em\u003e’ in 1989.\u003c\/p\u003e\n\n\u003cp\u003eThose strings were performed by the Fews Ensemble led by Joanne Quigley. 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Taking cues from the incantatory chanting found in middle English poetry such as ‘The Names of the Hare’, as well as the prescient imagery in contemporary works like ‘The Hearing Trumpet’ by Leonora Carrington (1974). “To a larger extent, this became an experiment in placing my voice in a more narrative way, while remaining oblique,” Gooch explains. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWhile her previous work could be compared to drawn-out landscapes punctuated with moments of romance and radiance, this album feels grounded in materiality and the everyday. Gooch’s voice is at times strident, while elsewhere restrained and broken. “I lost connection to my voice and then had to rediscover it, which was exhilarating. There were these bursts of energy where I’d be messing around and occasionally stumble upon something”. There are hushed melodies and exhausted squalls, creating dissonance and space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe result is an atmospheric balance between Kate Bush and Cocteau Twins harmonies, Vangelis major chords, and a juxtaposition of folk ambience reminiscent of the offset madrigals of The Third Ear Band and Italian cult film composers Goblin. 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The album showcases some of their most effortlessly groove-filled music in their career.\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(96, 96, 96); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eDistraction, depression, and heartbreak reign supreme in 2025. “Making art in this day and age for me is a battle for focus; we’re in an age of interruption,” says Garbus of Tune-Yards’ sixth album \u003cem\u003eBetter Dreaming\u003c\/em\u003e. Proudly waving an anti-fascist, liberation, freak flag, \u003cem\u003eBetter Dreaming\u003c\/em\u003e contains some of Tune-Yards smoothest, funkiest, and most direct pop music to date, and yes, you can dance to it. And when you do dance to it, be prepared to sweat out something that’s been long stuck inside, and pretty deep down.\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(96, 96, 96); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eThe songs of \u003cem\u003eBetter Dreaming\u003c\/em\u003e came to Garbus and Brenner with unusual ease. They asked themselves what would happen if they simply let the songs come out, following any trail they wished - first thought, best thought style. There was a strong desire to move, to make music that would enter the ear and immediately loosen up the joints, get the whole body wiggling. After covid-isolation, and time away from touring and live shows, the desire to be moved by music was undeniable. The insane experience of growing an actual human being influenced this as well.\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(96, 96, 96); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eThe rhythms throughout the record carry a certain freshness, with deep pockets full of subtle idiosyncrasies that stem from Tune-Yards’ return to making an album primarily as a duo. All but one of these songs are built around Garbus’ drum looping and rhythm building, as they were on some of the early albums like Bird-Brains and W H O K I L L – no full kit drummer here, and the songs love it.\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(96, 96, 96); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cem\u003eBetter Dreaming\u003c\/em\u003e is ferocious in its invocation of self-love, of collective action, of dance floor liberation, ego-death deliverance, and a future we could all thrive in. When diving into the present darkness of the world, Tune-Yards asks themselves how much literal energy and joy can be conjured and pumped through the music. In its life-affirming art-pop of the apocalypse, \u003cem\u003eBetter Dreaming\u003c\/em\u003e comes true.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"LP - Blue","offer_id":51378189992267,"sku":"R5301-5958","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black","offer_id":51378189959499,"sku":"R5301-7457","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51378189926731,"sku":"R5301-6243","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7a66ad4a-8aa6-58da-d45f-505dfd455bab.jpg?v=1741023813"},{"product_id":"the-scholars","title":"The Scholars","description":"\u003cp\u003eSet at the fictional college campus Parnassus University, the songs on \u003cem\u003eThe Scholars\u003c\/em\u003e are populated with students and staff whose travails illuminate a loose narrative of life, death, and rebirth. Inspired by an apocryphal poem by \"Archbishop Guillermo Guadalupe del Toledo,\" and featuring character designs from Toledo’s friend, the cartoonist Cate Wurtz, the first half of the album focuses on the deep yearning and spiritual crisis of the titular Scholars. They range from the tortured and doubt-filled young playwright Beolco to Devereaux, a person born to religious conservatives who finds themselves desperate for higher guidance. The second part features a series of epics detailing the clash between the defenders of the classic texts “and the young person who doesn't care about the canon, who is going to tear all of that up, basically,” Toledo says. “And so within this one campus, there becomes a war.” From Shakespeare to Mozart to classical opera, Toledo pulled from the classics when devising the lyrics and story arc of \u003cem\u003eThe Scholars\u003c\/em\u003e, while the music draws, carefully, from classic rock story song cycles such as The Who’s Tommy and David Bowie’s Ziggy Stardust.  “One thing that can be a struggle with rock operas is that the individual songs kind of get sacrificed for the flow of the plot,” Toledo notes. “I didn't want to sacrifice that to make a very fluid narrative. And so this is sort of a middle ground where each song can be a character and it's like each one is coming out on center stage and they have their song and dance.” Self-produced by Toledo and recorded, for a change, mostly in analog, \u003cem\u003eThe Scholars\u003c\/em\u003e is “definitely the most bottom up of any project that we've done,” says Ives, who was urged by Toledo to take ownership of the guitar work and sound design for the album. “I've started nerding out a lot more in the last couple of years about designing sounds more deliberately, rather than just using your lucky gear and hoping for the best. It was really rewarding, being able to sculpt things a lot more specifically, and being able to layer things in more of a dense way and have more of an active design role in how things come across more than any previous album.”\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eWhile \u003cem\u003eThe Scholars\u003c\/em\u003e has some of the most expansive Car Seat Headrest songs to date, including the nearly 19-minute long ‘Planet Desperation’, and opener ‘CCF (I’m Gonna Stay With You)’, they know how to make each part of the journey compelling, filling the runtimes with unexpected turns and enervating hooks. And moments like the jaunty ‘The Catastrophe (Good Luck With That Man)’ show they haven’t lost their ability to write a short-and-sweet single that chimes like classic ‘60s folk pop, updated for the present. Having gone through their trials, Car Seat Headrest are now ready for the next chapter in their career. It will astonish both longtime supporters and new fans. 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More than an hour of music is included across the two discs, with fan-favourite songs as the main theme “Journey of a Lifetime” and the electrifying “Zoltraak” featuring Alina Lesnik rounding out the track list. \u003cbr\u003e \u003cbr\u003e \u003c\/p\u003e","brand":"Milan","offers":[{"title":"2LP - Green \/ Blue","offer_id":51822579876171,"sku":"R7392-3289","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Frieren_LP_Cover_RGB72_4000px1.jpg?v=1747317929"},{"product_id":"grinderman","title":"Grinderman","description":"\u003cp\u003eGrinderman formed in 2005 when Nick Cave was writing material for the Nick Cave \u0026amp; The Bad Seeds album \u003cem\u003eAbattoir Blues\/The Lyre of Orpheus\u003c\/em\u003e. Featuring Martyn Casey on bass, Warren Ellis on violin and guitar, and Jim Sclavunos on drums, the band crafted songs together. 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