{"title":"Tresor \/ BMG","description":null,"products":[{"product_id":"memoirs-of-hi-tech-jazz","title":"Memoirs of Hi-Tech Jazz","description":"\u003cp\u003eInspired by revolutionary efforts against oppressive hegemonies in Detroit, and in Black locales around the world, Memoirs of Hi-Tech Jazz is a sound score evocative of that resistance. It is also a reminder that although violence and injustice looms, it is not the only story: we are much more than what oppresses us. The album celebrates Black leisure and play; the mundane joys that persist in spite of the depleting realities of the world.\u003c\/p\u003e\u003cp\u003eMovement, and the very mobility of the car specifically is integral to Memoirs of Hi Tech Jazz. 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Techno is music that sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting an audio virus into the cultural matrix.\u003c\/p\u003e\n\n\u003cp\u003eTechno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world into the future.\u003c\/p\u003e\n\n\u003cp\u003eThe cover of their debut album \u003cem\u003eEnter\u003c\/em\u003e (1983) transmitted a fragmented view of a body in motion being digitized mid-stride, dissolving physical and virtual reality into sonic fiction. Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired.\u003c\/p\u003e\n\n\u003cp\u003eThe latest data disk marks a new chapter that reflects a techgnostic musical expression of the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500 formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno music is self-aware.\u003c\/p\u003e\n\n\u003cp\u003eCybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision out of sync with our current rave new world. 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The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”\u003c\/p\u003e\u003cp\u003eR\u0026amp;D methods, rhythm analytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. 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