{"title":"Where Its At Is Where You Are","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBased in London, UK, Where Its At Is Where You Are (WIAIWYA) is a renowned music label that has made a significant impact on the industry. With its wiaiwya-7777777 singles clubs, WIAIWYA released seven 7\" singles every year for an impressive span of seven years from 2012 to 2018. The label's dedication to promoting talented artists and delivering exceptional music experiences is evident in their extensive catalog.\u003c\/p\u003e\n\n\u003cp\u003eOne notable milestone in WIAIWYA's journey is the release of A Where It's At Is Where You Are Quadranscentennial. This special project showcases the label's commitment to celebrating their achievements and marking important anniversaries.\u003c\/p\u003e\n\n\u003cp\u003eWith an informative and authoritative tone, WIAIWYA continues to captivate music enthusiasts with their diverse range of releases and unwavering passion for supporting emerging talent.\u003c\/p\u003e","products":[{"product_id":"this-candle-is-for-you","title":"This Candle Is For You","description":"\u003cp\u003eSpearmint re-unite with producer Rhodri Marsden (Scritti Politti) to follow-up 2021's highly acclaimed \u003ci\u003eHolland Park\u003c\/i\u003e, with the superb \u003ci\u003eThis Candle Is For You\u003c\/i\u003e, their tenth album proper.     Missed out so far? This new album provides the perfect place to start! The dizzying multiverse of an album covers a wide array of themes, including the search for a missing sister, the ways we remember lost loved ones, Prince's encounters with Joni Mitchell, the story of John Gavin, the James Bond star who never got to make a film, late-night drinking in Soho, the joys of B-movies and video nasties, changing attitudes to mental health, the plight and wonder of older cats, the reaction to the death of Sarah Everard, and the afterlife.\u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Black LP","offer_id":50393615139147,"sku":"2128838","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50393614811467,"sku":"2049412","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_467ba86e_thumbnail_4096.jpg?v=1726422266"},{"product_id":"structures-4","title":"Structures","description":"\u003cp\u003eSpaceship is Mark S. Williamson, a musician, sound artist, film maker and educator based in Todmorden, West Yorkshire. His work is often made in response to his environment, working on location, combining field recordings with electronic and acoustic instrumentation, usually recorded outside, amid the landscape and weather. Mark has recorded for wiaiwya, Apollolaan, the Dark Outside and his own Forged River Recordings. His work has been reviewed by The Wire, Electronic Sound, Shindig and The Quietus and he was one of the fourteen artists featured in Electronic Sound Magazine’s ‘field recording special’. Following 2019’s Outcrops and 2022’s Ravines, Structures is the third album in Mark’s trilogy of releases describing the geological history of the Upper Calder Valley. Where Outcrops explored the formation of the Millstone Grit bedrock 330 million years ago and its subsequent glacial scouring, and Ravines delved into the steep sided cloughs that lead down to the Calder, Structures looks at how the geology shaped the culture of the valley. A sociogeological journal of sorts, Structures looks at the exploitation of the Millstone Grit as a building stone though time. Beginning with a hillside sheep farm at Mercie Field the journey continues to the industrial revolution and to Staups Mill, a small scale cotton mill tucked high up Jumble Hole Clough. Gaddings Dam was built to provide water to Lumbutts Mill in the days before steam. In summer it is a popular tourist destination but in winter its waters are cold and forbidding to all but the hardiest swimmers. Finally, at the ruins of Shore Baptist church the nonconformist spirit of the valley’s Victorian religion is evoked. To compliment the human influence of the recording locations, the album features collaborations with local musicians Dan Bridgwood-Hill (dbh, Plank, Jim Ghedi etc.) on the violin, Sophie Cooper (The Slowest Lift) on trombone and Sam Mcloughlin (Sam and the Plants, Folklore Tapes, The Universal Veil) on Harmonium. All three gamely lugged their instruments to the remote locations where the album was recorded. The sleeve is by Maxim Peter Griffin, an artist, illustrator and writer based in Lincolnshire. A fine art graduate and former stonemason, over the past few years he has been building a body of work that echo his experiences on foot between the North Sea and the hills.\u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Black LP.","offer_id":50400134725963,"sku":"2180381","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Spaceship__Structures_LP_fdfeb7cb_thumbnail_4096.jpg?v=1726510637"},{"product_id":"holland-park","title":"Holland Park","description":"\u003cp\u003eLondon-based Spearmint return this year with the follow-up their acclaimed 2019 album \u003ci\u003eAre You From The Future?\u003c\/i\u003e: the ambitious, uplifting new album \u003ci\u003eHolland Park\u003c\/i\u003e. Often referred to as ‘Britain’s best kept secret’, Spearmint have been making great albums for a couple of decades now: this will be their ninth album proper. Still the same line-up: Shirley Lee (singing, guitar), Simon Calnan (singing, keyboards), James Parsons (guitar, bass) and Ronan Larvor (drums). This album will be the 57th release on their own hitBACK label. \u003ci\u003eHolland Park\u003c\/i\u003e explores what it’s like to be in a band, what it’s like to have walked away from being in a band, what music means to all of us, and how it feels to lose your heroes. The spirit of Bowie hangs over the album. Singer Shirley says “What would the other members of the Spiders From Mars say now about their lives if we tracked them down? I don’t mean Bowie’s band, I mean Ziggy’s band.” Re-united with producer Rhodri Marsden (Scritti Politti), and with contributions from Rhodri and Andy Lewis (Paul Weller), the band feel that this record is their best yet. The album tells the story of Shirley’s father’s prog band in the early 70s: “They never made it, and there’s nothing online about them, so it’s down to us to tell the story.” \u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Black | 10\" | x2","offer_id":50421825536331,"sku":"1130263","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50421823635787,"sku":"1131883","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3a305a74-c9a4-4138-8ca1-1d48b962aae5_thumbnail_4096.jpg?v=1726760801"},{"product_id":"sno","title":"Sno","description":"\u003cp\u003e30 ambient, acoustic and electronic tracks, all called snow, for escaping the stress of the holiday season. sometimes you just don't need Noddy Holder shouting in your ear, and that's exactly why London indie label wiaiwya has put together 30 ambient, acoustic and electronic tracks, all called snow, for escaping the stress of the holiday season \"I’m imagining cancelling Christmas parties to turn the lights down, put on your slippers and have a listen over a sherry, or getting back from town after doing your shopping, running a bath and putting it on\" The 30 acts involved are: Spaceship is a Todmorden based producer of geologically inspired drones and scrapes, often recorded on location Pulselovers: Northern Minimalism from the heart of South Yorkshire inspired by memory and location. Sweet Juice make utsider music from the inside. Old gear given new life Lo Five is the electronic project of Wirral-based producer Neil Grant. The Heartwood Institute deliver hauntronica from the heart of the English Lake District Beneather is obsessively crafting sad, lo-fi, ambient scandi-dreampop submerged in gently fuzzy tape loops. Sunken broadcasts of half recalled memories. Distant, partial and obscured. Keith Seatman delivers Musical Oddness \u0026amp; Wistful Tootling. Odd Electronics, Psych Radiophonics some quirky melodies and always confused. Polypores (aka Stephen James Buckley) paints music with a modular synthesizer, drawing influence from ambient, new age, and experimental electronics. It soars, bubbles, crackles, and soothes, in ever-shifting, immersive cosmic landscapes. Dream environments and sonic sculptures The Great Electric make motorik psychedelia and have a shared love of sound collage, improvisation and cut-and-paste recording techniques Band of Cloud - Hypnotic ambience, fragile and fleeting, through space and time. It drifts away and floats back down. Soniclouds and brittle stars. Field Glass blend found sounds, vintage electronic equipment and antique acoustic instruments to create folk tinged electronic music. Twenty-Three Hanging Trees: twilit modular synth tales from Cambridge based Xavier Watkins D Rothon - unusual instrument combinations create cinematic textures with an undercurrent of mystery Jack Hayter supplies moderately accurate reportage with vaguely relevant soundscapes Isnaj Dui makes awkwardly familiar but unsettling noises using flutes, stringed things and electronics. Textile Ranch is the nom-de-plume of former Piano Magician, Glen Johnson, providing an outlet for his more playful experiments with electronic music. Jonathan Sharp is a composer and sound designer based in Cumbria. The Nameless Book makes wildly inconsistent and exceedingly selfish music and has done for a while now. For some reason they keep being asked to contribute to compilations like this, so the logical thing to do is to keep submitting noise until label bosses the world over learn their lesson. The quest continues... Basic Design is usually Matt Ashton from The Leaf Library playing machines and guitars Subphotic provide analogue folktronica wrapped around haunting vocals, found sounds and field recordings from the stones, and the fields, and the forests. Field Lines Cartographer is \"The sound of big, strange worlds\" - Electronic Sound Magazine numün : NYC-based group emits ambient psychedelic episodes that unfurl to East and West Andrew Tuttle dwells in a between world where five-string banjo and six-string acoustic guitar sit serenely and purposefully with shimmering waves of decay, reverberation and processed electronics. Holding a space that is abundant and generous, Tuttle makes outsider music that turns its listeners into insiders — beckoning a journey which unfolds many heartopening moments. the Autobahn of Life sounds as if Felt and Saint Etienne had recorded the lift music for the Sapporo Winter Olympics in 1972. The June Carriers provide aural still lifes through expressionist guitar loops. Hilary Robinson: Composed and improvised music for instruments, often acoustic, sometimes with voice and other sounds. Various genres. The French were an electronic band born out of the ashes of the critically lauded group 'Hefner'. Darren Hayman and John F Morrison have produced their first music by The French in over 20 years. The British Stereo Collective provides the soundtrack for an imagined or half-remembered past. Pelydron is your go-to for post-rock dreampop filled with robo-drums, melty melodies and fuzzy feels. World Of Fox enjoys crossgenre sonic meddling, formerly from the industrial heart of Britain, now ringing out across the mountains of North Wales\u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"CD","offer_id":50430653890891,"sku":"2166170","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Sno_59ee0628_thumbnail_4096.jpg?v=1726850400"},{"product_id":"ten-years","title":"Ten Years","description":"\u003cp\u003eBlack vinyl 10\" in reverse board sleeve with download. Dan Willson, aka Withered Hand, releases four string-backed re-recordings of tunes from his first album, \u003ci\u003eGood News\u003c\/i\u003e, on London labels wiaiwya and Fika Recordings. The Springsteen of self-deprecation celebrates the tenth anniversary of his debut long player by re-working four of the album’s finest tunes. They were handed over to Pete Harvey (who was involved in the genesis of the original recordings) to re-arrange, lovely new melancholic string sections were recorded, and Willson re-sang his vocals –effortlessly moving the anti-folk classics towards anti-chamber pop. \u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Black | 10\"","offer_id":50448584606027,"sku":"1082441","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4fc548fe-5539-40ca-a6ad-1e12fd6a3e8f_thumbnail_4096.jpg?v=1727093492"},{"product_id":"we-love-the-city-1","title":"We Love The City","description":"\u003cp\u003e\u003ci\u003eWe Love the City\u003c\/i\u003e was Hefner's commercial and creative peak. Having cleared a large backlog of songs on the band's first two albums and various b-sides, for their third Darren Hayman wrote a new set of loosely themed songs about love in the capital city. \u003ci\u003eWe Love the City\u003c\/i\u003e eschews the band's former broken indie-folk sound in favour of a bouncy, urban, blue-eyed soul and an expanded line up including hammond organs, wurlitzer pianos and brass sections. Songs like 'Greedy Ugly People', 'Good Fruit', 'Painting and Kissing' and 'The Day that Thatcher Dies' are typical examples of the direct, infectious, intelligent style that endeared Hefner to so many. The album's narrative is conceptual and played out by a retinue of vividly drawn characters, but at heart this is Hayman's most personal and focussed work. Always championed by John Peel, promotion for this album culminated in a full, real time performance show session, broadcast live from BBC Maida Vale.\u003c\/p\u003e\u003cp\u003e2CD - This two-disc set expands the original album set to a mighty 39 songs including all of the relevant b-sides, substantially different alternate versions and surprising remixes from Electric Sound of Joy, Piano Magic and the Wisdom of harry.\u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Yellow | LP","offer_id":50452681687371,"sku":"1141349","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4f13ab9d-51c4-437b-b71d-e499d8898b1f_thumbnail_4096.jpg?v=1727160527"},{"product_id":"maida-vale","title":"Maida Vale","description":"\u003cp\u003eHefner’s \u003ci\u003eMaida Vale\u003c\/i\u003e is released on vinyl for the first time for Record Store day 2022 as a part of wiaiwya’s Hefner album reissue campaign. On the 23rd August 2000 Hefner played a very special show from BBC’s Maida Vale studios to an invited audience for the John Peel show. This was the highlight of a relationship between the band and the greatly revered DJ which saw 5 Peel sessions and four live concerts broadcast on his Radio 1 show. The concert on this album features an 8 piece version of the band with includes a brass section, pedal steels, ukuleles and violin alongside their own guitars bass and drums. It also features several contributions from Amelia Fletcher, (Talulah Gosh, Heavenly, Catenary Wires, Swansea Sound). The songs have been newly remixed from the original master tapes. This record captures an exceptional performance of many songs rarely played live during Hefner’s short career. \u003c\/p\u003e\u003cp\u003eTracks : 1 Your Head to Your Toes 2 The Greater London Radio 3 Don't Flake Out on Me 4 Good Fruit 5 The Greedy Ugly People 6 The Cure for Evil 7 Don't Go 8 She Can't Sleep No More 9 The Day that Thatcher Dies 10 The Sad Witch\u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Red | LP","offer_id":50452781498699,"sku":"1145212","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/742c3ffe-d748-4c0c-a020-cdd792b5146d_thumbnail_4096.jpg?v=1727163813"},{"product_id":"dead-media","title":"Dead Media","description":"\u003cp\u003e\u003cstrong\u003eHefner\u003c\/strong\u003e enjoyed a productive four-album, multi-EP career between 1996 and 2002. Their beautiful, concise, intelligent songs earned a loyal, cult audience and the support of legendary DJ John Peel.\u003c\/p\u003e\n\n\u003cp\u003eTheir final album, \u003cem\u003eDead Media\u003c\/em\u003e, released in 2001, found \u003cstrong\u003eHefner\u003c\/strong\u003e taking risks to break free of their indie-folk roots. The band cocooned themselves in a home studio with broken analogue synthesizers, antique drum machines, and battery-powered amplifiers.\u003c\/p\u003e\n\n\u003cp\u003eFrontman Darren Hayman's precise, poetic dissections of romance draped over awkward, fuzzy beats created curiously engaging music, reminiscent of Cat Stevens covering \u003cem\u003eWarm Leatherette\u003c\/em\u003e. While \u003cem\u003eDead Media\u003c\/em\u003e initially caused confusion and led to the band's breakup, songs like \"\u003cem\u003eJunk\u003c\/em\u003e\", \"\u003cem\u003eThe Night's Are Long\u003c\/em\u003e\", and \"\u003cem\u003eWhen The Angels Play Their Drum Machines\u003c\/em\u003e\" are among Hayman's most adult and affecting works, standing out as some of \u003cstrong\u003eHefner\u003c\/strong\u003e's finest achievements.\u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Green | LP","offer_id":50466861842763,"sku":"340487","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50466861809995,"sku":"1162104","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/978fb535-d21d-46e2-a67a-c537f3f571b0_thumbnail_4096.jpg?v=1727326422"},{"product_id":"lido-2","title":"Lido","description":"\u003cp\u003e14 track album on transparent vinyl, with 16 page 12x12” book of Darren’s Lido artwork. Darren Hayman’s 2012 classic LP \u003ci\u003eLido\u003c\/i\u003e gets the deluxe reissue treatment this record store day – an all-new 12” transparent vinyl with a 16 page 12x12” book of Darren’s Lido artwork. As was the original, this is a joint release between Clay Pipe and wiaiwya. I was thinking about instrumental music and whether it could truly be about something. I was thinking about how classical, jazz and the avant-garde often group music together under conceptual titles and themes. Isn’t a lot of this music about music itself? Isn’t instrumental music literally about the unspeakable, the indescribable? My friend Dave says that he see no reason why wordless music should be any less about ‘something’ then lyrics or prose. I think he’s right, but I also know that some music that is titled and thematically labelled is nothing more than the beautiful sound of a musician trying to reach out; to evoke; to remember.\n My name is Darren Hayman and I have made an instrumental album about Britain’s open air swimming pools; it’s called ‘Lido’. If I am known or liked for anything at all in my career then it is for my lyrics. I see words as incisive, accurate tools, when used correctly. I don’t want my words to paint vague canvasses; I want them to make detailed, forensic technical drawings. I am interested in specifics; my songs thus far have very much been about stuff. In my own listening, however, I have moved more and more towards instrumental music. I enjoy the heavenly fog of the ECM label. I love following the unpredictability of John Coltrane’s reckless career. I adore roots dub reggae – it makes me feel safe and calm. Instrumental music has given me something that has been missing from my listening for a few years. It confuses, frustrates and excites me, and in no way do I feel it a less erudite companion to lyrical music. The opposite is true, in fact: this music can often say more, I just love not being able to define what it is. Cautiously, over the last few years, I started to amass recordings of my instrumental compositions. When I had five that I thought were good, I needed a title that might pull these sunny, open tunes together; I thought of ‘Lido’. From that point onwards I tried to think about what it would be to write music with a specific setting in mind. I tried to write the tunes in my head, while visiting the individual pools. I collected field recordings and buried them inside the songs. Some were audible but I wanted to link the music to the place in some way. When it came to writing tunes about closed or destroyed lidos, I thought about absence and nothingness. I thought about disconnected music; tunes without formal structure or time signatures. I have not re-invented the wheel but this was a truly experimental record for me in that I devised routines and procedures that produced music alien to me. I thought hard about Brentwood Lido, in my hometown. It closed in 1976, when I was just five. It is one of those places that have slipped past the internet. I can find only two grey, fuzzy pictures online. Do you have any pictures of it? I’d love to see them. My own memory of the place is also fuzzy: one of those early childhood memories that seems to be projected onto sunlight. If you think hard or try to grasp it in any way then it just melts. I can see a towel; there is a low wall or steps maybe? My mother is there… some other people... It’s sunny but then there’s nothing… there’s no focus or clarity to the memory. If instrumental music can be about anything then surely it can be about this feeling; the sensation of fumbling, desperately, in the back of your mind. Looking for something beautiful that you know was there once. I wanted to make music that sounded half remembered but purposeful. I went to the road where the pool used to be. I recorded nothing but the faint rumble of traffic and put in my tune. My album 'Lido' is about open air swimming pools and something else as well. It's just impossible to say what it is exactly. - Darren Hayman February 2012. Track Listing: 1. London Fields 2. Black Rock Baths 3. Brockwell Park 4. Parliament Hill 5. Saltdean 6. The Knap 7. Super Swimming Stadium 8. Brentwood 9. Tinside 10. Stonehaven 11. King’s Meadow 12. Jubilee Pool 13. Purley Way 14. 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So save yourself time, start treasuring it again now. \u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Black | LP","offer_id":50470265422155,"sku":"1039511","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cb07a7fb-e206-4b8c-84cc-646e8250f2f2_thumbnail_4096.jpg?v=1727375053"},{"product_id":"12-astronauts","title":"12 Astronauts","description":"\u003cp\u003eAlways perfectly capturing the zeitgeist, Darren Hayman releases his 18th solo album, \u003ci\u003e12 Astronauts\u003c\/i\u003e, on the 50th anniversary of the Apollo 11 moon landing 12 men have walked on the moon, and \u003ci\u003e12 Astronauts\u003c\/i\u003e includes a song for each of them, from Neil Armstrong to Harrison Schmitt and Gene Cernan (the Apollo 17 astronauts who quibble about who was the last man on the moon, was it the last person to set foot on the moon (Schmitt) or the last person to take his foot off the moon (Cernan)?). \u003c\/p\u003e","brand":"Where Its At Is Where You Are","offers":[{"title":"Black | LP","offer_id":50486834299211,"sku":"1067097","price":15.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50486833938763,"sku":"1067095","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/00caa63e-571f-4cc0-b699-ff29956e4030_thumbnail_4096.jpg?v=1727616338"},{"product_id":"on-the-sunny-side-of-the-ocean","title":"On The Sunny Side Of The Ocean","description":"\u003cp\u003eDavid Tattersall, the Wave Pictures guitarist and frontman releases a solo album of interpretations of John Fahey tunes, recorded live in the studio. \"I have been a fan of John Fahey's music since I was very young; it has always been with me and I can't remember a time when I wasn't affected by it. It is weird music, and very good. Of course, Fahey is an important cult figure in the history of music: as the first man to find a language for steel string guitar that can stand proudly alongside the established tradition of nylon string classical guitar; as one of many men who rediscovered obscure old blues musicians and recorded them for a new generation in the 1960s; as one uniquely able to reconcile 20th century avant-garde music with folk tradition; as an early indie-label DIY pioneer. For me personally, Fahey went beyond technique, and to some extent beyond historical or intellectual justifications for his work. He explored his emotions through his instrument of choice, and in so doing made the case for the guitar as the ultimate conduit for emotional expression. While there are many imitators who try to play ''like Fahey'', I avoided using his fingerpicking style or sense of rhythm, and tried instead to use his music to explore my own emotions, my own dreams and memories. I was more interested in the lyrical and expressive aspects of Fahey's music than in the techniques of it. I tried to find myself within his compositions and without composing anything I feel that I have managed to make a David Tattersall record that says as much about me as any of the many albums that I have written. John Fahey's beautiful discography shows that the guitar can carry as much mystery and soul as the human voice, and simply put, I wanted in on a little of this action. This is my second all-instrumental solo acoustic album, and where this differs from my first attempt, Little Martha, is that here I improvised freely. I used Fahey's originals only as guides. I'm not sure what I was looking for, perhaps something beyond explanation, but I tried to be as free as possible, and I am delighted by the spontaneous results. Hopefully, they will make the listener feel happy and dreamy, just like the effect that Fahey's many albums have on me. 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It includes synth pop, indie fuzz and moody motorik workouts, alongside pastoral folk sketches, dubby electronics and the occasional drone experiment. More immediate than their stretched out and slow-burning recent album tracks, the music here is taken from limited vinyl releases, album bonus tracks and music for compilations on labels as diverse as Bezirk Tapes, Second Language, Modern Aviation, and Concrete Tapes as well as the band’s current home, Where It’s At Is Where You Are.\u003c\/p\u003e\u003cp\u003eThe compilation is a happily cohesive document of an inventive band that rarely stand still for long. The band says, “We wanted to gather all our early, scattered work before we move on to our next album, to remind ourselves (and others) of some of the poppier and less characteristic things we’ve done. We’ve always felt a lot more relaxed and freer making one off things for people – it’s a chance to try things that might otherwise be daunting on a full record”. 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