{"product_id":"come-join-my-orchestra-the-british-baroque-pop-sound-1967-73","title":"Come Join My Orchestra - The British Baroque Pop Sound 1967 - 73","description":"\u003cp\u003eIn the immediate wake of ground-breaking albums like \u003cem\u003eRubber Soul\u003c\/em\u003e, \u003cem\u003eRevolver\u003c\/em\u003e, and \u003cem\u003ePet Sounds\u003c\/em\u003e, the British and American music scenes became increasingly ambitious and cerebral. As the major recording studios became ever more sophisticated, a new generation of musicians and producers sought to emulate the backroom auteur status of Brian Wilson or the symbiotic relationship between George Martin and The Beatles.\u003c\/p\u003e\n\n\u003cp\u003eA new, more melancholic strain was introduced into British pop: expansive orchestral arrangements merged with the burgeoning psychedelic mind-set to create such studio-bound masterpieces as \u003cem\u003eDays Of Future Passed\u003c\/em\u003e and (of course) \u003cem\u003eSgt Pepper\u003c\/em\u003e, with harpsichords, oboes, flutes, recorders, and French horns providing a moody, introverted chamber pop flourish. Wilson and \u003cstrong\u003eThe Left Banke\u003c\/strong\u003e led the way in the US, but Britain was also awash with acts mining the baroque pop seam. \u003cstrong\u003eHoneybus\u003c\/strong\u003e, \u003cstrong\u003eThe Zombies\u003c\/strong\u003e, \u003cstrong\u003eDonovan\u003c\/strong\u003e, \u003cstrong\u003eNirvana\u003c\/strong\u003e, and many others made significant recordings in that field, fusing mournful minor chord melodies with fey vocals, ornate arrangements, and what had previously been considered non-rock instrumentation.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eCome Join My Orchestra\u003c\/em\u003e covers British baroque pop’s formative years and its integration into a wide variety of genres, ranging from Johnny McEvoy’s exquisitely sculpted take on traditional pop balladry and a clutch of dyed-in-the-wool folkies (Ian Campbell, Bert Jansch etc) to McCartney acolytes (Fickle Pickle, Mike Batt, the Gerry Rafferty-led Humblebums) and symphonic \/ art rock bands like Procol Harum and Barclay James Harvest. With a lavish 40-page booklet, many recordings making their first appearance on CD and two tracks (by The Regime and The Mellow Yellow) gaining their first-ever release, \u003cem\u003eCome Join My Orchestra\u003c\/em\u003e is a fascinating overview of what was a major development in late Sixties pop music, and one that reverberates to this day.\u003c\/p\u003e","brand":"Grapefruit","offers":[{"title":"CD","offer_id":50486616359243,"sku":"1047173","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d0598c75-d0db-4538-b4f7-3d3953103307_thumbnail_4096.png?v=1727612458","url":"https:\/\/shop.roughtrade.com\/de\/products\/come-join-my-orchestra-the-british-baroque-pop-sound-1967-73","provider":"Rough Trade","version":"1.0","type":"link"}