{"product_id":"impressions-improvisations-and-compositions","title":"Impressions, Improvisations and Compositions","description":"\u003cp\u003eThis album could easily have turned top-heavy. After all, here's a record which, in just under 40 minutes, covers anything from arabic scales to Japanese sounds, from free jazz references to concepts by \u003cstrong\u003eKari Ikonen's\u003c\/strong\u003e favourite painter \u003cem\u003eVasiliy Kandinsky\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eTo realize his vision, Ikonen even personally developed a device allowing him to play micro-intervals on his piano. And yet, things turned out differently: If anything, the results sound dream-like and mesmerizing rather than stodgy and severe.\u003c\/p\u003e\n\n\u003cp\u003eThe album's genesis may serve to explain this paradox. In August of 2019, Ikonen suddenly found himself with a month of free time. Without thinking twice and as if in a premonition of the Covid lockdown, he recorded \u003cem\u003eImpressions, Improvisations and Compositions\u003c\/em\u003e at his own home. His only companion was his beloved Steinway, captured by a personal selection of high-end microphones.\u003c\/p\u003e\n\n\u003cp\u003eJust a few days after the final session, the pieces landed on the desk of ECM- and Blue-Note-engineer Johannes Lundberg who mixed the album at his Gothenburg Epideminstudios. Clearly then, the music on \u003cem\u003eImpressions, Improvisations and Compositions\u003c\/em\u003e is spontaneous. But it's also refined and deep.\u003c\/p\u003e\n\n\u003cp\u003eThe influence of Kandinsky inspired Ikonen to write some of his most complex and monumental pieces. Each of the three words of the album title refers to one of three distinct creative categories: For impressions like \"Koto,\" Ikonen tried to emulate the sonics of Japanese music. \"Three Chord Blues,\" \"Violet\" and \"Oppressive\" on the other hand are improvisations which welled up from his world of inner experiences.\u003c\/p\u003e\n\n\u003cp\u003eAnd then there were compositions like \"Trance Oriental,\" which he mulled over for much longer. In this particular instant, Ikonen even went back to a piece from his trio album \u003cem\u003eBright\u003c\/em\u003e, painstakingly shaping and developing its polyrhythmic patterns.\u003c\/p\u003e\n\n\u003cp\u003eTo be able to play the Arabic modi he had in mind, he came up with the Maqiano, a small yet spectacular device. After attaching it to the strings of the piano, it magically expands the interval range of the instrument, lending rich and surprising timbres to select tracks.\u003c\/p\u003e\n\n\u003cp\u003eAnd so, what could have turned into just another solo piano album has ended up an almost symphonic experience. The title of this album is made up of only three words. And yet, within them, they contain everything that \u003cstrong\u003eKari Ikonen's\u003c\/strong\u003e music is about.\u003c\/p\u003e","brand":"Ozella Music","offers":[{"title":"CD","offer_id":50473406857547,"sku":"1109508","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2ccc95e0-b3d0-43ac-bdf4-a65f4337c31d_thumbnail_4096.jpg?v=1727428789","url":"https:\/\/shop.roughtrade.com\/de\/products\/impressions-improvisations-and-compositions","provider":"Rough Trade","version":"1.0","type":"link"}