{"title":"Big Beat","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBig Beat is an American electronic and dance music record label based in New York City. Founded in 1987 by a 22-year-old DJ, Craig Kallman, the label initially focused on house music and later expanded to include hip hop. Originally run from Kallman's parents' apartment, Big Beat was acquired by Atlantic in 1992 and fully integrated into the parent company in 1998. In 2010, the label was relaunched with a renewed focus on electronic and dance music under the leadership of Kallman and other executives.\u003c\/p\u003e\n\n\u003cp\u003ePlease note that Big Beat should not be confused with the British reissue label \u003ci\u003eBig Beat Records\u003c\/i\u003e. For information about the company before July 26, 1991, please refer to \u003ci\u003eBig Beat Records (12)\u003c\/i\u003e. For information about the company after July 26, 1991, please refer to \u003ci\u003eBig Beat Records, Inc.\u003c\/i\u003e\u003c\/p\u003e","products":[{"product_id":"sing-and-play-20-rock-and-roll-hits","title":"Sing And Play 20 Rock And Roll Hits Of The 50's And 60's","description":"\u003cp\u003e1984's \u003ci\u003eSing And Play 20 Rock And Roll Hits Of The 50's And 60's\u003c\/i\u003e saw the Milkshakes update 20 rock and roll classics into primitive and raw garage rippers. They play \"Rip it Up\", \"Peggy Sue\", \"Something Else\" and much more with the subtlety of a sledgehammer.\u003c\/p\u003e","brand":"Big Beat","offers":[{"title":"Black LP","offer_id":50403587260747,"sku":"1020704","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50403586081099,"sku":"295786","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1b92afa2-d787-46c0-942f-1035ad9067c6_thumbnail_4096.jpg?v=1726562064"},{"product_id":"a-web-of-sound","title":"A Web Of Sound","description":"\u003cp\u003eBig Beat's second instalment in its much-anticipated upgrade of the catalogue of garage legends the Seeds continues with their second album, \u003ci\u003eA Web of Sound\u003c\/i\u003e, released in October 1966 just as their classic \u003ci\u003ePushin' Too Hard\u003c\/i\u003e 45 began to ascend the US hit parade. Written and recorded during the band's residencies at Hollywood's underground haven bido litos, alongside Love and the embryonic Doors in the summer of 1966, \u003ci\u003eA Web of Sound\u003c\/i\u003e showcased a more mature, developing Seeds sound. The record became notorious for the 14-minute showstopper \u003ci\u003eUp In Her Room\u003c\/i\u003e, but it also includes some of the group's signature tunes including \u003ci\u003eMr Farmer, Tripmaker\u003c\/i\u003e and \u003ci\u003eA Faded Picture\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003e2CD - The bulk of the contents of this deluxe two-disc set are new to compact disc, including the original stereo mix, which has not been available since the 1960s. Also featured is the album's mono incarnation, as well as an unused mono mix of the stop-gap 1967 lp \u003ci\u003eA Full Spoon of Seedy Blues,\u003c\/i\u003e made in late 1966. A selection of previously unreleased outtakes rounds out the package. As with all Big Beat's Seeds reissues, \u003ci\u003eA Web of Sound\u003c\/i\u003e comes as a trifold Digipak with extensive illustrations and fresh commentary from assorted participants on both its contents and the career of these garage rock avatars.\u003c\/p\u003e\u003cp\u003e2LP - This definitive 2LP edition features the original stereo mix of \u003ci\u003eA Web Of Sound\u003c\/i\u003e, unavailable on vinyl since the 1960s. The accompanying bonus album of rarities includes mono mixes and outtakes, such as the cryptic early demo of \u003ci\u003eThe Wind Blows Your Hair,\u003c\/i\u003e with its mildly controversial original lyric. Most are new to vinyl and one cut, an alternate take of \u003ci\u003eRollin’ Machine\u003c\/i\u003e, is completely unreleased. As before, the deluxe \u003ci\u003eA Web Of Sound\u003c\/i\u003e comes in a handsome tip-on style Gatefold sleeve, faithfully reproducing the record’s iconic original artwork. The extensively illustrated eight-page insert features detailed liner notes from compiler Alec Palao on the making of this psych-garage classic.\u003c\/p\u003e\u003cp\u003e· \u003c\/p\u003e","brand":"Big Beat","offers":[{"title":"Black LP","offer_id":50409742205259,"sku":"2191340","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD | x2","offer_id":50409741582667,"sku":"358709","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/efab9a0c-bf81-4d92-ad57-10c738f8de99_thumbnail_4096.jpg?v=1726625896"},{"product_id":"rockabilly-psychosis-and-the-garage-disease","title":"Rockabilly Psychosis And The Garage Disease","description":"\u003cp\u003eEverybody's heard about the bird - so say The Trashmen and a fitting opener for fourteen of the most deranged tracks that you can find. \u003c\/p\u003e\u003cp\u003eOne of the best selling Big Beat releases, this compilation is a tribute to the sheer insanity of rock and roll.\u003c\/p\u003e\u003cp\u003e The Sonics \u003ci\u003e\"Psycho\",\u003c\/i\u003e The Novas \"The Crusher\", Legendary Stardust Cowboy's \"Paralysed\"... Link Wray chewing the blues and spitting out Willie Dixon's \"Hidden Charms\" and our very own Milkshakes taking on the aforementioned Link Wray on \"Run Chicken Run\".\u003c\/p\u003e\u003cp\u003eApart from that, you still get The Cramps with Jimmy Dickinson ripping up Sonny Burgess's \"Red Headed Woman\", Britain's psychobilly kings The Meteors with a live \"My Daddy Is A Vampire\" and \"Radioactive Kid\" along with the late great Gun Club, Tav Falco's Panther Burns with their finest \u003ci\u003edestructobilly\u003c\/i\u003e and two other bands of this parish the Sting-Rays and The Guana Batz.\u003c\/p\u003e\u003cp\u003eAs it says - 'Not Suitable For Children' - some of this stuff should never have been let out of its box in the \u003ci\u003efirst\u003c\/i\u003e place - that's why we love it so!\u003c\/p\u003e","brand":"Big Beat","offers":[{"title":"Black LP","offer_id":50423552672075,"sku":"1020706","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6996b808-d17e-4f0c-96f8-b87c59fdb1ac_thumbnail_4096.jpg?v=1726769455"},{"product_id":"wonderland","title":"Wonderland","description":"\u003cp\u003eBig AC Records are proud to present \u003ci\u003eWonderland\u003c\/i\u003e, the astonishing debut LP from London-based soul ensemble, Wonder 45.The band have released a steady stream of singles over the last few months, receiving international airplay and strong support across the UK Radio network.\u003c\/p\u003e","brand":"Big AC Records","offers":[{"title":"Black LP","offer_id":50423610376523,"sku":"2192698","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50423609590091,"sku":"2192697","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Wonder45_WONDERLAND_album_DIGITAL_artwork_3000px_8d6cc833_thumbnail_4096.jpg?v=1726770074"},{"product_id":"bops-babes-booze-and-bovver","title":"Bops, Babes, Booze And Bovver","description":"\u003cp\u003eThe inimitable Shane McGowan's debut recordings made for Soho Records when he was a punk rockabilly. Also featuring future Men They Could't Hang bassist Shanne Bradley. This is an important piece of secondary punk history. It almost fully documents the first band Shane MacGowan recorded with, collecting both sides of the first three singles by the Nipple Erectors \/ Nips, as well as adding four outtakes: \u003ci\u003eSo Pissed Off \u003c\/i\u003eand \u003ci\u003eStavordale Rd, N5\u003c\/i\u003e (first issued on LP in 1987), and \u003ci\u003eVenus in Bother Boots\u003c\/i\u003e and \u003ci\u003eFuss and Bother\u003c\/i\u003e (which make their debut on this compilation).\u003c\/p\u003e","brand":"Big Beat","offers":[{"title":"Yellow LP | Rough Trade Exclusive","offer_id":50424800379211,"sku":"1117898","price":15.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50424804311371,"sku":"1020705","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dd3b2714-5348-440c-9c33-8bbbf7f95c54_thumbnail_4096.jpg?v=1726782823"},{"product_id":"stay-sick","title":"Stay Sick!","description":"\u003cp\u003eSex-classic \u003cem\u003eStay Sick! \u003c\/em\u003ewas originally released in 1990 and features more of the dark side of rockabilly in a jugular vein. The opener, a hopped-up cover of obscure Sun Records tune “Bop Pills,” proves that rumors of amphetamine usage by the original Memphis rockabilly cats was not exaggerated, and sets the pace for the rest of the album.\u003c\/p\u003e\n\u003cp\u003eHog-wild covers of “Shortninʼ Bread” and “Muleskinner Blues” probably have the original writers dancing on their graves, and The Cramps’ version of the perverse rarity “Her Love Rubbed Offʼ” shines a lurid spotlight on the only song that Carl Perkins was admittedly ashamed of writing. Plus, Stay Sick! delivers loads of action-packed originals celebrating kamikaze thrill-seeking and scary sexy she-creatures. This is pure jungle music—one half hillbilly and one half punk. If you canʼt dig this then you must have “Daisys Up Your Butterfly”! 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The problem the band faced was their pioneering work was undertaken in their first year without bringing success or visibility. Another - See more at: http:\/\/acerecords.co.uk\/singles-as-bs-1965-1970#sthash.atbFo6Ri.dpufA definitive anthology of their entire run of singles from 1965 to 1970, a collection that includes some of the band's best-known material including 'Can't Seem To Make You Mine', 'Mr Farmer' and their lone Top 40 hit, the garage rock touchstone that is 'Pushin' Too Hard'.  Singles such as 'Satisfy You', 'The Wind Blows Your Hair' and 'Bad Part Of Town' have become as equally renowned in the years since. And Seeds' B-sides are almost as popular - tracks such as 'Out Of The Question', 'The Other Place' and 'Wild Blood' are all fan favourites.  This exhaustive collection is drawn from the original singles masters, which in most cases have never been available since their first issue; most cuts feature unique mixes and different edits.  After leaving the GNP Crescendo label in 1969, the Seeds moved to MGM for two swansong 45s, both included here, never before on CD. Bonus tracks are 'Excuse Excuse' with a different vocal, issued on a French EP, and the original, unedited version of 'Pushin' Too Hard'.   In keeping with our deluxe reissues of the Seeds regular albums, Singles As \u0026amp; Bs 1965-1970 is presented in a digipak with an extensive and heavily illustrated booklet with full notes by Alec Palao.\u003c\/p\u003e","brand":"Big Beat","offers":[{"title":"CD","offer_id":50438199214411,"sku":"379567","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/29143a72-a4db-4364-a459-cc23c7167992_thumbnail_4096.jpg?v=1726939835"},{"product_id":"the-last-fourfathers","title":"The Last Fourfathers","description":"\u003cp\u003eAt this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings. The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl. After a further album in 1986, \u003ci\u003eIn From the Cold\u003c\/i\u003e, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. 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If second album A Web Of Sound was pop-art flash, and 1967’s \u003cem\u003eFuture\u003c\/em\u003e a florid take on psychedelia, then the July 1966 debut remains The Seeds’ grand statement; an all-original programme of rock and R\u0026amp;B-inflected garage punk that buzzed with a peculiar-yet-riveting energy that was the ensemble’s very own.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWhilst \u003cem\u003eThe Seeds \u003c\/em\u003econtains a pair of familiar classics in ‘Can’t Seem To Make You Mine’ and ‘Pushin’ Too Hard’,’ it is instructive to remember that it was recorded and released some time before either tune became a hit. Unlike so many albums of that era, the Seeds’ debut was not a quickie thrown to together to take advantage of singles chart success. Instead, the record constitutes a sharp definition of their unique and aberrant style, featuring several key items within their canon, be they the rough-hewn rockers ‘Girl I Want You’ and ‘No Escape’, the pot-boiling blues ‘Nobody Spoil My Fun’,’ or the lengthy and downright sinister ‘Evil Hoodoo’.’\u003c\/p\u003e\n\u003cp\u003eCD - This deluxe reissue boasts the superlative, punchy mono mix, along with ten bonus tracks - eight of which are previously unissued - doubling the length of the original album.\u003c\/p\u003e\n\u003cp\u003eLP - This is the first occasion that\u003cem\u003e The Seeds\u003c\/em\u003e has been reissued as a standalone album in its original mono format, and it has been carefully mastered for maximum impact, along with close reproduction of the original artwork. The package includes a 1,500 word essay by Seeds archivist Alec Palao detailing the whys and wherefores of the record’s creation. For anyone not familiar with its charms, prepared to make your turntable home to one of 1960s rock’n’roll’s most compelling artefacts.\u003c\/p\u003e","brand":"Big Beat","offers":[{"title":"CD","offer_id":50438257148235,"sku":"354845","price":11.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":57851334852939,"sku":"R3483-1215","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ce49495a-16fd-3858-f5cc-6d24580cd4a4_adeb7c0c-878f-4a84-991b-41183f58e004.jpg?v=1783950222"},{"product_id":"planet-mod-brit-soul-r-b-and-freakbeat-from-the-shel-talmy-vaults","title":"Planet Mod - Brit Soul, R\u0026B And Freakbeat From The Shel Talmy Vaults","description":"\u003cp\u003eIf only for his stewardship of the Who, Kinks and Creation, American Shel Talmy is revered as the producer responsible for distilling the cathartic, kinetic sound of mod rock to disc. 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It was on the suggestion of her brilliant backing band the Fleur De Lys, who had been recruited to play on and develop two songs for Rupert’s People, written by group leader Rod Lynton. The composition was developed by the band and the Fleurs’ bassist Gordon Haskell earned a writer credit, though he remembers their guitarist Bryn Haworth was the key contributor to the co-operative effort. Tandy’s own version with the band was tougher and accidentally re-written in parts, as the group couldn’t fully remember the song in the studio. It was only originally used as a B side to Sharon’s cover of Lorraine Ellison’s ‘Stay With Me Baby’ – Rupert’s People’s version had been similarly demoted to the flip of its coupling. \u003c\/p\u003e\u003cp\u003eThe single was also released in the USA, France, Germany and Italy. 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All were recorded in Hollywood or the San Francisco Bay Area for collectable labels like Mira and Era or maverick outfits such as producer Gary S Paxton and SF’s Trident Productions. The legendary Curt Boettcher appears not only as producer but also as backing vocalist on several cuts, as well as featured artist on a fascinating demo. Collectable obscurities such JP Rags, the Pretty People and A Thousand Faces are joined by sunshine pop staples The Forum, Primrose Circus and Filipino female quintet The Third Wave, who are represented by two rare early recordings. 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