{"title":"Dekmantel","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDekmantel is a Dutch label and event company based in Amsterdam. With a focus on electronic music, the label has gained a reputation for its innovative and diverse roster of artists. Established in [year], Dekmantel has become known for its forward-thinking approach to curating events and releasing music.\u003c\/p\u003e\n\n\u003cp\u003eAs a label, Dekmantel prides itself on discovering and nurturing emerging talent, as well as working with established artists who push boundaries within their respective genres. The label's releases span various sub-genres of electronic music, including techno, house, ambient, and experimental sounds.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to its record releases, Dekmantel also organizes events around the world that showcase both *local* talent and internationally renowned DJs and producers. These events are known for their immersive experiences and carefully curated lineups that reflect the label's commitment to quality music.\u003c\/p\u003e","products":[{"product_id":"light-cruel-and-vain","title":"Light, Cruel and Vain","description":"\u003cp\u003eParrish Smith is never one to let you breathe easy. As a globally renowned DJ, he’s become synonymous with high-velocity sets that cut and collide through his distinct array of obscure sounds. Meanwhile, however, the artist has been carefully constructing his own musical idiom. Manoeuvring his most delicate and most defiant feelings, Light Cruel \u0026amp; Vain (Dekmantel Records, 2022) is the first fruit of that painstaking process. A compilation of ‘imperfect music’, the record is shrouded in the artist’s characteristic veil of mystery. As always, his sound cuts and chokes – sometimes cruelly, sometimes soothingly – yet this record offers a new, longer, lighter gulp of air. Here, Parrish Smith bares his most private process so far: one of personal transformation and becoming a better version of oneself. Light Cruel \u0026amp; Vain was developed over the course of nearly three years, following nearly a decade of individual experimentation. Where on the one hand, LC\u0026amp;V reflects an inward pilgrimage (aka Parrish Smith facing the world and Parrish Smith facing Parrish Smith), the project simultaneously reflects the birth and growth of a band. Each track on the record is originally based on a solo idea, moulded and fine-tuned in conversation with contributing musicians Sofiane Brahmi and Javier Vivancos, then finalized by the producer. \u003c\/p\u003e\u003cp\u003eThe collaborative process brought together niches that wouldn’t typically share territory or sound, allowing music to emerge that transcends each of their boundaries. In the making of LC\u0026amp;V no conventional studio sessions occurred; due to covid-19, the full collaboration process was a remote affair of sharing snippets, (re)working recordings and, most of all, exchanging thoughts and feelings. Those who know Parrish Smith a little, know his long-standing mantra: ‘No elitism, no prejudices, no genre. Hypnotic, tense, comprehensible – a state of mind.’ It’s this dictum that best describes the LC\u0026amp;V sound(s). Tapping into all irreverent niches close to his heart – noise, punk, industrial, electronic, and even pop – Parrish Smith refuses to foreground one influence over another, instead layering and warping his personal interpretations of each. To categorize his seeking sound would be to limit the artist who, more than anything, thrives in limbo. ‘You could call it a concept album because the sounds are so far apart. But perhaps that’s not a concept, perhaps that’s just me…’ Parallel to his extensive musical experimentation, the past years have allowed Parrish Smith to zoom in on his writing. The resulting fragments form the foundation of LC\u0026amp;V’s collage-like, soul-searching lyrics. Never, however, does the artist take his words to the front of stage; instead treating his voice as a malleable instrument, just one of many shifting layers in a bigger picture. The distorted lyrics, as such, are an statement: ‘It’s alright to be insecure about some of your qualities. 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Formerly one-half of Syracuse, Isabelle Maitre depicts a vision of daring, yet euphoric vocal-led, dreamy electro that oscillates with sturdier, warehouse sounds full of heaving 808s, and experimental qualities.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black | 12\"","offer_id":50409844277579,"sku":"1079529","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7fcedc65-6131-4507-9a40-c4f43ec00032_thumbnail_4096.jpg?v=1726629814"},{"product_id":"lighthouse","title":"Lighthouse","description":"\u003cp\u003eTheo Kottis arrives on Dekmantel with an EP of snappy, melodically-charged house, techno and electro with a distinct 90s edge. Lighthouse marks a shift in focus for the London-based Scottish producer — the result of a self-imposed creative reset which has seen him honing a more mature sound both in the studio and on the decks. The EP’s title track has been on heavy rotation this summer from the likes of Ben UFO, Francesco Del Garda \u0026amp; Palms Trax, and it’s not hard to work out why. ‘Lighthouse’ draws on all the best elements of club music and moulds them into a deadly, effective whole. From the driving low-end of the Reese bassline to the razor-sharp attack of the 4\/4 drums, the swoon of the Motor City pads to the tweaked acid line, it’s a hybrid techno workout of the highest order. Following the inspirational flash point of ‘Lighthouse’ Kottis built out the rest of the EP in a similar vein of characterful, impactful club tracks driven by iconic 90s sounds wielded with precision. ‘Warp’ brings the 303 further to the forefront while ‘Take Control’ digs into deliciously dirty lead lines and ‘Distance’ takes a more explicit electro direction. He might be exploring a revitalised sound, but Kottis holds true to his flair for ear-snagging anthems evidenced on past releases for Permanent Vacation, Space Dust and DGTL amongst many others. As Kottis’ impact on the scene continues to grow, it’s a true pleasure to present some of his fiercest tracks to date on his continued upward trajectory.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black 12\"","offer_id":50424672911691,"sku":"2170309","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a1174264418_10_691a1971_thumbnail_4096.jpg?v=1726781301"},{"product_id":"natural-race","title":"Natural Race","description":"\u003cp\u003eStump Valley now pop up on Dekmantel. The committed Berlin based studio outfit head into new areas after their previous work on Uzuri, Off Minor, Dopeness Galore and No Label (that already had them jumping around styles and influences).\u003c\/p\u003e\u003cp\u003eStylistic, enigmatic, and effortless. Stump Valley’s Dekmantel debut EP is a smooth melange of glossy soul, jazz, and serene house. Produced by the mysterious, and ultimately under-the-radar duo, the extended EP breezes through tropes of balearic analogue, warm Chicago sounds, yet remaining ultimately Italian. The duo, originally from Turin, prove their skills as true alchemists, as their forge hypnotic house and tropical flare through their array of drum machines, synths, and informed artistry derived from their deep stockpile of assorted records.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black | 12\"","offer_id":50428807184715,"sku":"1075686","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/720498f1-5836-4a9a-97d4-d23d4caadaed_thumbnail_4096.jpg?v=1726835629"},{"product_id":"monty-roberts","title":"Monty Roberts","description":"\u003cp\u003eSlow things down into a full balearic groove with this latest ep on Dekmantel by the Dutch production duo. Barely breaking a sweat over 100bpm, these smooth sunset synth rhythms, full of muted 80s Italo funk, and breezy drum machines, syncopated with the warm, exotic blend of retro keys and ambience, set the ep's five tracks coastal, vibrant dynamic.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"12\"","offer_id":50442107781451,"sku":"1057796","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4e3faddb-3969-4238-b0c5-7f544852428f_thumbnail_4096.jpg?v=1726992343"},{"product_id":"brujas","title":"Brujas","description":"\u003cp\u003eThe Knife’s Olof Dreijer introduces Colombian - Swedish percussionist and DJ Diva Cruz with a new collaborative EP on Dekmantel Records. The 'Brujas' EP follows the debut of their exciting hybrid live show at Sonár Istanbul and ahead of upcoming performances at Sónar Barcelona, Dekmantel, and Øya Festival. Together, opposing patriarchy, racism, colonialism, capitalism, and immigrant challenges, they joined forces in Olof's studio, resulting in the creation of the ‘Brujas’ EP, where Diva debuts her voice. The 'Brujas' single and the entire EP, meaning \"Witches\" seeks to inspire us to find that powerful ancient energy within ourselves.\u003c\/p\u003e\u003cp\u003e\"I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone,\" says Diva Cruz.\u003c\/p\u003e\u003cp\u003eAs a percussionist Diva brings a combination of fierce live percussion together with a rhythmic blend of tunes from all over the world during her energetic DJ-sets. She has also been the lead percussionist for both Fever Ray and Robyn on their world tours.\u003c\/p\u003e\u003cp\u003eOlof quote: I’m very excited about sharing this music with the world especially since it’s been a few years in the making. I’m very grateful to work with Diva. She has shown me a new world of music and I feel like I keep evolving and learning new things all the time, especially with our new live show when playing percussion together.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black 12\"","offer_id":50442702094667,"sku":"2208685","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Brujas_-_Single_593da034_thumbnail_4096.jpg?v=1727003098"},{"product_id":"saturn-to-home","title":"Saturn To Home","description":"\u003cp\u003eAfter a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more.\u003c\/p\u003e\u003cp\u003eSlater is responsible for some of the most enduring electronic music of the past 30 years, including his grandiose ambient techno project The 7th Plain and the trailblazing machine funk of Planetary Assault Systems. He debuted the L.B. Dub Corp alias in 2006 as an outlet for a broader, looser kind of club music. His third LP the name, ‘Saturn To Home’ also marks his first appearance on Dekmantel.\u003c\/p\u003e\u003cp\u003eThe result of more than a year’s exacting work, here we find Slater reflecting on his formative influences and funnelling them into eight incisive tracks that range from the feverish passion of ‘Your Love’s infectious chord stabs to the star-scraping breakbeat techno of ‘Only The Good Times’ via the smoky soundsystem tendrils of ‘Golden Star’ and the elastic drums and mutant synth funk of ‘Krank’. As well as celebrating the intersectionality of club culture and the vibrant vocals of his invited guests, it’s also the first time Slater has committed his life-long love of playing drums onto a record — just listen to the sizzling rhythmic tension of ‘Cloak And Dagger’ and you’ll instantly understand where he’s coming from.\u003c\/p\u003e\u003cp\u003eFrom every syncopated groove to the spine-tingling rush of the melodic hooks, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black LPx2","offer_id":50444542476619,"sku":"2200506","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a3303976962_16_2d98087c_thumbnail_4096.jpg?v=1727028310"},{"product_id":"albumsi","title":"Albumsi","description":"\u003cp\u003eThe year is 2019, and Jan Schulte is spelling out his vision in simple terms. Within the first few of Albumsi’s hour-plus runtime, our host lays out the mat, and welcomes us to the \u003ci\u003eGalaxy\u003c\/i\u003e, just as he welcomed us to \u003ci\u003eZum Paradies\u003c\/i\u003e on Instrumentalmusik von der Mitte der World. There, he donned a Wolf Müller mask. Here it is nom de doof, Bufiman. The directive is clear: buckle up, as this trip advisor for countless left-of-the-dial dancers and deep thinkers alike is back in the hot seat.\u003c\/p\u003e\u003cp\u003eAlbumsi is the most accurate measure of the ‘man to date. Thick waves of bass lap up at an exotic shoreline of greenery and indistinct birdsong. Tunes swell, ebb, crest and recede over 6, 8, 13 minutes at a time. Are we in Goa or Grafenburg? Rasping synthesisers taking off on \u003ci\u003eWell, Traumhaft\u003c\/i\u003e and SFX like suction cups on \u003ci\u003eHoolock Rock\u003c\/i\u003e suggest the latter. But then, listen to the ecosystem of competing animal voices on \u003ci\u003eApo-Calypso\u003c\/i\u003e or the marriage of hand drums and wavering lead on \u003ci\u003ePantasy\u003c\/i\u003e, and it’s impossible to be sure.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black | LP | x2","offer_id":50448582443339,"sku":"1080184","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ee02e8b3-6eb9-4d7e-b861-c496829f877a_thumbnail_4096.jpg?v=1727093457"},{"product_id":"fear-of-programming","title":"Fear Of Programming","description":"\u003cp\u003eNearly 10 years on since his last solo LP, Berlin techno icon Marcel Dettmann arrives on Dekmantel with an expansive album captured in a flash of inspiration.\u003c\/p\u003e\u003cp\u003eIn many ways Fear Of Programming is a reflection on the artistic process – the critical hurdles one has to overcome, the constant strive for originality, the ability to capture inspiration in its pure moment of inception. Bar the closing title track (and we all know Marcel loves a surprise closing), these 13 tracks came together during a period in which our hirsute host was able to immerse himself in studio practice and set the intention to record an album’s worth of material every single day. From the resulting mass of work there were many options to choose from, and Fear Of Programming stood out as one of the most complete statements on Dettmann’s approach in the here and now.\u003c\/p\u003e\u003cp\u003eUnconcerned with an overarching concept, it was the work in the studio which drove the musical direction. No labouring over knotty arrangements, no painstaking mix downs – just honest expression, a moment caught, a groove locked, a stroke of synth sent pirouetting over a cavernous bed of texture. The results are varied, and while you might well hear plenty of bruising machinations in line with the techno Dettmann has made his name on, there are plenty of other shades expressed across the album.\u003c\/p\u003e\u003cp\u003eAmbient sojourns, beatless epics and angular electronica have equal footing with strident, floor-friendly workouts. Standout piece ‘Water’ offers an icy ballet of swinging minimal and drip-drop melodics fronted by Ryan Elliott on lesser-spotted vocal duties, urging, ‘give me a sign, just a little something to let me know that you’re mine’. It’s playful, but still underpinned with the sincerity that comes with Dettmann’s work.\u003c\/p\u003e\u003cp\u003eRunning on instinct, Dettmann presents an honest version of himself in the here and now, speaking through the sonics and not over-thinking the results. His decades of experience helming a thousand techno parties speak for themselves, while his evolution as a musical entity through collaboration and his own BAD MANNERS label demonstrate his appetite for change. Indeed, the working method which resulted in the album also spurred him on to create a live set beyond his well-established DJ practice. Without resorting to a conceited overhaul, Fear Of Programming opens up the idea of what Dettmann represents in the modern techno landscape.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"Black | LP","offer_id":50450193482059,"sku":"2001135","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/r7377_0_or_464e5596_thumbnail_4096.jpg?v=1727110056"},{"product_id":"little-princess-ft-maxwell-sterling-and-dj-plead","title":"Little Princess (ft. 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Cutting across the face of Italo disco’s leftfield musicians between the early and late ‘80s, Profondo Nero champions a multi-faceted sound that nods to the blueprint of Italo disco but tries to dig deeper. The music is unmistakably Italo disco but moves away from the familiar classic sound. Amsterdam based collector Cinema Royale stitches together eleven tracks from 1983 – 1989, celebrating a sound he fittingly describes as \u003ci\u003eleftfield Italo\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eThe compilation connects the dots between soulful disco (Louise Freeman – Mirage), synth-pop (Mark – Dreamland), electro-rap (Loukas Thanos – Jazzburger), breaks (Santoro – Lover Message), 80s dub disco (Jet Set – Love Break), Balearic (Isamar \u0026amp; Compañia ‎- No Estas), boogie (Tom Hooker – Talk With Your Body) and proto-house (International Music System - An English ’93).\u003c\/p\u003e\u003cp\u003eProfondo Nero’s title salutes the legendary oeuvre of Italian horror director Dario Argento. His Profondo Rosso (1975) is a classic example of exquisite cinematic storytelling, boasting courageous colors, expressionist camera angles and an unforgettable Goblin score forming the ingredients for an intriguing piece of art. Profondo Rosso’s music, created the spark for a new Dekmantel Records endeavor led by Amsterdam based experimental film score connoisseur, record collector and DJ Cinema Royale.\u003c\/p\u003e\u003cp\u003eFor those in the know of underground Amsterdam music culture, Arne Visser aka Cinema Royale is among the city’s longest standing record collectors. Born to an Italian mother and Dutch father, Arne was brought up on a diet of Italo disco in the 80s. Cinema Royale explains: ‘For Profondo Nero I took a plunge into the lesser known fringes of Italo disco. From there I tried to connect, among others, San Francisco boogie, Balearic, Japanese late era Italo-electro and synth-pop funk. I hope you can hear what I had in mind: an infectious showcase of my take on traditional Italo disco that will hopefully get a lot of listeners itching for a spin. It’s fair to say that lately this particular sound has seen a reappraisal and renewed interest.\u003c\/p\u003e\u003cp\u003eAs a party-starting collection for entry-level connoisseurs or suave but lazy types, I hope Profondo Nero can be an education. I’m not claiming I’m the first DJ or collector to do so, but I did try do present something special by digging deep.’ It wasn’t my goal to unearth the most obscure tracks, instead I wanted to compose a compilation that takes you on a journey.\u003cbr\u003e‘In my opinion the best DJs create something extraordinary out of illogical selections by combining music against all odds and showing different kind of moods along the way. There’s a certain amount of arrogance involved: you take the music out of its original context. But by doing so in a very conscious way, you might be able to enhance the power of the individual records. Hopefully each song on Profondo Nero provides an intimate and memorable experience.’\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black | LP","offer_id":50452627521867,"sku":"1110814","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4308865b-aa4e-40c8-997c-4b1f1b1d5462_thumbnail_4096.jpg?v=1727158773"},{"product_id":"grooveboxx","title":"Grooveboxx","description":"\u003cp\u003eWelcome to Dazion’s Grooveboxxx – a maxi-sized love letter to The Hague’s 80s and 90s club scene crafted with minimal tools and loaded with vibe. It’s no coincidence it arrives on Dekmantel, a label with its own roots in the same Dutch city’s electronic music culture.\u003c\/p\u003e\u003cp\u003eDazion is The Hague’s Cris Kuhlen, previously spotted releasing on Second Circle, Safe Trip and Animals Dancing. He cut his teeth clubbing and working at long-since closed clubs like Eau, described in Kuhlen’s own words as, “clubs with blocks to dance on, lazers, decorations, crazy extravert [sic] parties.”\u003c\/p\u003e\u003cp\u003eIn capturing the spirit of Eau and the other formative parties of his youth, Kuhlen limited himself to just one machine to make his longest work to date – the Roland MC-303 Groovebox. While these entry level units from the mid-90s had stripped down functionality in the wider spectrum of studio gear, they contained all the iconic Roland sounds in a Rompler style, giving the user access to everything necessary to make raw, immediate club tracks without requiring an entire studio’s worth of hardware.\u003c\/p\u003e\u003cp\u003eThe brash gear of choice set the tone for a record of rough, ready and playful jams which end up more sophisticated than you’d expect from such limited means. ‘La DS’ jacks with a freaky, bleep techno intensity, while ‘Kimberly \u0026amp; Nance Backstage Rehearsal’ rides an angular groove tooled to inspire the weirdest dance moves of the night. Every track is named in reference to a particular nightspot, a hazy memory or moment from Kuhlen’s formative raving years.\u003c\/p\u003e\u003cp\u003eThis is the sound of Dazion having the time of his life. You might well hear a nod to the odd rock totem being given a re-version in irreverent new beat style or some gnarly US acid breaks vibes riding underneath helium rap licks. But for all the cheekiness, the tracks stand up both as nods to halcyon days and relevant workouts for the sweatiest parties in the here and now. As MC Paul T says in dramatic style heralding the intro of Grooveboxxx, “This movement will live on forever.”\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black LP","offer_id":50482414092619,"sku":"2002461","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/193330-dazion-grooveboxx_5898c4f7_thumbnail_4096.jpg?v=1727551871"},{"product_id":"nosferatu","title":"Nosferatu","description":"\u003cp\u003eBarcelona’s Tunik follows up on last year’s A New Dawn with a distinct turn to the dark side as he pays tribute to the iconic, vampiric creature of the night, Nosferatu.\u003c\/p\u003e\u003cp\u003eThe horror theme on the title track is a natural fit with the Argentinian artist’s schlocky strain of EBM-styled electro-techno, but the music is no joke. Boxy drum machine jack and a suite of darkly seductive synth lines strike the perfect note between vintage flair and modernist impact, and the macabre mood lingers over the rest of this trip through gothic club music.\u003c\/p\u003e\u003cp\u003eWhether it’s the Twilight Zone creep around the edges of ‘Slave’, acid blood raining down on ‘W72’ or the undead getting busy with the grungy bass and dry snare hits on ‘Sorrow’, Tunik has got exactly what you need to send a shiver down the dance floor’s spine and raise the temperature in the room, all in the same heartbeat.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black 12\"","offer_id":50483270189387,"sku":"2190062","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0804412957_16_74412b1d_thumbnail_4096.jpg?v=1727563916"},{"product_id":"dekmantel-ten-a-decade-of-dekmantel-festival","title":"Dekmantel Ten: A Decade Of Dekmantel Festival","description":"\u003cp\u003eDekmantel Festival in box. 7x12” vinyl box with download code. Limited Edition.\u003c\/p\u003e\u003cp\u003e\"Dekmantel Ten is a mirror of Dekmantel Festival. The 7x12\" boxset includes seven records that mirror the seven stages to be found at the 2024 event, their 10th edition since 2013. The tracklisting isn't rigid — some of the musicians gathered here have in fact played at most of the available stages — but like a Möbius strip looping round, or a cat-and-mouse game, it's not hard to discern a symbiotic relationship. Split seven ways, DKMNTL100 is a testament to the art of curation and the importance of quality control.\u003c\/p\u003e\u003cp\u003eAt artist level, Dekmantel Ten finds room for several artists — including Karenn, Jeff Mills and Marcel Dettmann — who played at the very first Dekmantel Festival in 2013, and are by now impossible to detach. The Loop's disc contains names whose stories have dovetailed alongside the festival, concluding in memorable headline moments: Young Marco, Palms Trax and Alchemical Sisters, aka Eris Drew and Octo Octa.\u003c\/p\u003e\u003cp\u003eWiden the lens and you'll find history from across the landscape: the laboratories of professorial techno (Dasha Rush, Steve Rachmad, DJ Nobu) and gilded halls of house (Steffi, Luca Lozano, Bufiman); varied soundsystem icons (Kode9, Adrian Sherwood, DVS1) meeting limelights of contemporary Amsterdam (upsammy, Identified Patient, Zohar); as well as the modern conduits channelling decades of outernational vibrations (Nick León, BADSISTA, Animistic Beliefs, Veracco and a great many more).\u003c\/p\u003e\u003cp\u003eAll 44 artists presenting exclusive material are indispensable into the Dekmantel story to date, and no doubt make up future developments over the horizon. That goes for the areas, too: Because while the seven stages found at Dekmantel Festival are individually resonant enough that they could become splinter festivals in their own right, it's that union which lends the core festival its strength.\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"Black LPx7","offer_id":50532740268363,"sku":"2210126","price":104.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/r8687_0_or_e924b305_thumbnail_4096.jpg?v=1728128214"},{"product_id":"fear-of-programming-da","title":"Fear Of Programming","description":"\u003cp\u003eDiscover F\u003cem\u003eear Of Programming\u003c\/em\u003e by Marcel Dettmann on Dekmantel. Remix package featuring top artists. 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Jazz spirit, hood attitude and late-night club energy all locked into one heavy wax document for real groove addicts\u003c\/p\u003e","brand":"Dekmantel","offers":[{"title":"12\" - Black","offer_id":56924430958923,"sku":"R6110-8954","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2152934791_1x1_700.avif?v=1774965150"},{"product_id":"half-an-owl-and-a-full-moon-rising","title":"Half An Owl And A Full Moon Rising","description":"\u003cp\u003eWith her fifth solo studio album, Half An Owl And A Full Moon Rising, landing on Dekmantel Records, Steffi harnesses the energy of the dancefloor for a powerful, uplifting ride into the core of what makes this culture so transformative. From her years as a dedicated raver in the late 80s, through to her global tours, prolific production and ceaseless love for music in its many forms, Steffi's innate understanding of the dancefloor informs this new body of work. Key to all of this is the joy of the club experience: the high energy and the vibrational field that's created when the DJ, their musical selections and the dancers align on the same wavelength. The \"Feel Factor\" as she calls it. Even the title is a reference: half an owl meaning half a pill.\u003c\/p\u003e\n\u003cp\u003eEach track is imbued with pure, unfiltered club energy. Steffi's approach with her albums is to start from scratch, working up and out from a core idea rather than compiling music from an existing collection, and Half An Owl And A Full Moon Rising is comprised of eight cuts, whittled down from over 40. Opening with 'The Rolling Wave', the album immediately transports the listener into a world of emotionally and physically moving soundscapes. Across all eight tracks Steffi weaves together potent drum programming with ethereal pads, strings, heartrending melodies and straight up grooves: honest, no fluff productions that are designed for a very specific purpose. 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