{"title":"Discrepant","description":null,"products":[{"product_id":"sonic-folkways","title":"Sonic Folkways","description":"\u003cp\u003eBy now counting more than four decades of constant activity, Pierre Bastien erected such a towering and influential body of work that any blurb attempt regarding his music could easily fall into redundancy. Not that his revolving soundworld, deeply personal and unique, has ever stalled into gimmick or self mimicry, being Bastien the tireless explorer whose vision can never be complete, only continuously redefined in a process of discovery equally playful and challenging. So, completely in touch with Discrepant's ethos. \u003c\/p\u003e\u003cp\u003eReturning to the label after 2017 \u003ci\u003eThe Mecanocentric Worlds of Pierre Bastien\u003c\/i\u003e, the french musician, composer and instrument builder, brings an array of instruments from different cartographies and legacies with the appropriately titled \u003ci\u003eSonic Folkways\u003c\/i\u003e. Resorting to different types of horns, prepared trumpet, an army of percussion, from gongs and tambourine to castanets and maracas, violin and too many others to mention here, Bastien weaves together a highly textured and hypnotic mosaic that projects an exotica beamed from scraps of the future. 'Aha!' in the same interstellar wavelength as Sun Ra's cosmic tones, 'Moor's Room’ almost orchestral tapestry of small percussion and insects or the non-western strings and tunings salvaged from ancient alien ceremonies on 'Pan's Nap'. \u003c\/p\u003e\u003cp\u003eIn an era where so much ink has been shed about world building in experimental music, Bastien can actually claim that to himself. The otherworld is right here, indeed. \u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black | LP.","offer_id":50388494352715,"sku":"1153808","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5230561b-c7a6-4d83-8004-744e9fee37ab_thumbnail_4096.jpg?v=1726343245"},{"product_id":"malayeen-2","title":"Malayeen","description":"\u003cp\u003eDiscrepant proudly re-presents the Vinyl edition of Lebanese trio Malayeen.\nMalayeen is the project of Lebanese musicians Raed Yassin (Keyboards,\nTurntables and Electronics), Charbel Haber (Electric Guitar \u0026amp; Electronics) and\nKhaled Yassine (Darbouka, Percussion).\n\u003c\/p\u003e\u003cp\u003eBorn from Yassin and Haber's love for the music of quintessential Egyptian\nguitarist Omar Khorshid, Malayeen disassembles and re-configures the work\nand style of the iconic guitarist innovative take on Arabic music.\nThe final result makes for an original and unique update of Khorshid and belly\ndancing inspired songs from the past. Over the course of 7 compositions,\nappropriately named after Khorshid and famous belly dancers from the Arabic\ndiaspora, the three musicians' varied backgrounds and techniques collide and\ncoalesce in an experimental yet magical fashion, not actually playing\nKhorshid's music, but inspiring themselves from the cult guitarist's genius to\ncreate something completely new, modern and unexpected.\n\u003c\/p\u003e\u003cp\u003eA unique LP featuring the combined talents by key players of the Lebanese\navant-garde.\n\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50393523388747,"sku":"2048609","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_025ce0ad_thumbnail_4096.jpg?v=1726419864"},{"product_id":"tv-songs","title":"TV Songs","description":"\u003cp\u003eLisbon based keyboardist, João ‘Shela’ Pereira, a frequent collaborator with many local bands (Paus, Rinding Pânico, LAmA,Linda Martini and others) presents a new strangely haunting album, TV songs. A scrapbook of recordings from the heart... PianoTV is a compendium of spontaneous notes of ideas on the piano, to the rhythm of a television set in the background... these arescraps of expression in a form of dirty bucolic sketches aspiring to a hypothetical larger, washed, pristine composition... they livebest as an hypothesis, an aspiration, in infinity... Because life is dirty, imperfect and real, it is this reality that allows us to tastethe sublime, and the sublime can be found in these WhatsApp recordings.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50393615728971,"sku":"2048693","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP101_d8a9246e_thumbnail_4096.jpg?v=1726422285"},{"product_id":"tanzania-2","title":"Tanzania 2","description":"\u003cp\u003e8 years almost to the day after releasing his unique re-interpretation album of his field recordings made in the late 90's in Tanzania, \u003cstrong\u003eKink Gong\u003c\/strong\u003e is back with another volume of bushmen madness.\u003c\/p\u003e\n\n\u003cp\u003eHere’s what \u003cstrong\u003eKink Gong\u003c\/strong\u003e aka \u003cem\u003eLaurent Jeanneau\u003c\/em\u003e has to say about his end of millennium trip: ‘’My experience in Tanzania is now over 20 years and most of the so-called remix was started in Tanzania and left unfinished, then eventually retouched in Vienna, Paris, Shanghai, Kunming, Dali, or Vientiane. 20 years later, I searched my Tanzanian files and rediscovered unfinished tracks which are being now refreshed on this new record.\u003c\/p\u003e\n\n\u003cp\u003eBack to the early days of the XXI century when I lost my health trying to survive with the Hadza's, the last bushmen in northern Tanzania. In 1999, James Stephenson from NYC invited me to join his Hadza friends. I would leave the bush to rest in a place with enough food and electricity and start to edit, loop, and work on the original recordings to transform them into organic abstract compositions.\u003c\/p\u003e\n\n\u003cp\u003eThe only instrument I had recorded a lot with the Hadzas was the malimba, and I bought different malimbas in Arusha to take back with me to Europe. I used either the original recordings or me playing malimbas on some tracks and applied some electronic treatment to it. At that time, I used Roland synths for some tracks.\u003c\/p\u003e\n\n\u003cp\u003eThe original recordings are related to scenes at night by the fire with the Hadzas, but also 3 different types of celebrations. ‘’Epeme Men’’ was recorded on a moonless night with men and women singing and dancing in complete darkness in Mangola, an Hadza camp.\u003c\/p\u003e\n\n\u003cp\u003e‘’Irawk Drum Under the Rain’’ was recorded during daytime at a multi-ethnic gathering at the Franciscan Spanish Catholic mission with a crowd dancing and singing under heavy rain while an Irawk large (and wet) drum was being played in Northern Tanzania.\u003c\/p\u003e\n\n\u003cp\u003e‘’Makonde Island’’ was recorded in southern Tanzania at the border with Mozambique and is a pure scene of trance taking place on an island where the Makonde fishermen off the coast of Mtwara get wild, hitting plastic containers for the sound. Drunk and stoned men and women are hysterically jumping and falling on each other, ending up with a few wounded.\u003c\/p\u003e\n\n\u003cp\u003eOnce again, I'm responsible for this act of multicultural sabotage, but don’t forget that you can always listen to the original recordings on the \u003cem\u003eKink Gong\u003c\/em\u003e recs collection.’’ \u003cem\u003eLaurent Jeanneau\u003c\/em\u003e, Berlin 2023\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50434448621899,"sku":"2022743","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP98_d56d908b_thumbnail_4096.jpg?v=1726889165"},{"product_id":"panorama","title":"Panorama","description":"\u003cp\u003e.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50443977032011,"sku":"2175192","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP99_500x500_0191f7e0_thumbnail_4096.webp?v=1727022631"},{"product_id":"outerlands","title":"Outerlands","description":"\u003cp\u003e.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50446992408907,"sku":"2175195","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP109_540x_5ee2d15f_thumbnail_4096.webp?v=1727068386"},{"product_id":"dans-la-gorge-dun-monstre","title":"Dans la Gorge d’un Monstre","description":"\u003cp\u003eBy now a regular and esteemed presence among the Discrepant sprawling household via releases with\nprojects such as Alförjs or Jibóia, Mestre André \"resurrects\" his O Morto alias (bad pun somewhat intended)\nafter 2016 \u003ci\u003eThe Forest, The People And The Spirits\u003c\/i\u003e. With a diaristic approach where field recordings function\nas remnants of his surrounding reality and subsequent memories to be processed and recontextualized into\nan expressionist whole, O Morto expands that previous Discrepant release sonic palette unto uncharted\ncartographies.\n\u003c\/p\u003e\u003cp\u003eBased on a number of field recordings taken during a life-changing trip to Morocco that felt like a fever\ndream, \u003ci\u003eDans La Gorge D'un Monstre \u003c\/i\u003ereenacts that hazy and hallucinatory mindframe through five tracks\nwhere no vivid recollection persists, tainted by the extrasensory feeling of not being quite there. A sonic\nfiction that goes from the processed cymbals and pummelling drums of 'The Gorge' with Andrés' mates in\nJibóia, through moroccan Gimbri player Ayoub El Ayady and Khalid Boulhaman’s rattling Krakebs on 'Lila'\nand the slowed down Eccojams vibes of 'Out of the Atlas' to the dreamy aquatic soundscapes and arpeggios\nof the appropriately titled ‘Princesas Batráquio'. Comprising the whole of the B side, 'A Desert of Rain' is a\nslow evolving wonder where gong-like tones drift beneath scrambled transmissions of unknown origin,\neventually giving way to synapse inducing drone motifs and scraps of realities collapsing among themselves\n- fire into water, a jetstream into steps, maybe none of this.\n\u003c\/p\u003e\u003cp\u003eAlong with the LP, the release comes with a companion piece tape titled 'Iffrits Habitent', a more\nimpressionistic and unadulterated account of the same travel that could well be this side of the mirror. Then\nagain, maybe he never made it from the other side. Who's to know?\n\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50453507735883,"sku":"2007177","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP95_f12d7a0b_thumbnail_4096.jpg?v=1727172995"},{"product_id":"reluctant-swimmer-virtual-surfer","title":"Reluctant Swimmer \/ Virtual Surfer","description":"\u003cp\u003e The 'icon of post-everything', Mike Cooper, returns to Discrepant with a recording of a live set recorded at the Controindicazioni Festival of Improvised Music in Rome in 2003 .The music moves very slowly through four movements: \u003ci\u003eReluctant Swimmer,\u003c\/i\u003e \u003ci\u003eMovies is Magic\u003c\/i\u003e, \u003ci\u003eVirtual Swimmer\u003c\/i\u003e and \u003ci\u003eDolphins\u003c\/i\u003e. 'Floating in out of the exotic ether and disappearing like smoke, engulfed in the alien hugeness of nature... a very elegant set by a visionary artist.' 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Having mutually agreed upon a country and western theme, Vicki Bennett (PLU), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville's finest almost beyond recognition, and collectively restitching the mangled shreds in a kind of crazed digital quilting bee. Several tense rehearsals and strong pots of tea later, the foursome shuffled on stage and delivered the goods: from panoramic twangfests to offkilter waltzes to barn burning stompers. Flickering and tranquil one moment, and wildly slapstick the next, Wide Open Spaces hits the sweet spot between song forms and improvisation, and showcases the qualities that all three collaborating artists share: absurdist humour, baroque sample manipulation, and stuttering rhythmic frameworks that lurch and sway. While the presence of five samplers, four laptops, three CD players and a pedal steel guitar on one stage could have led to a tediously ego- driven \"jam\" or simply cacophony, the results feel lushly detailed but not cluttered, and swing naturally between structure and freedom. It's an international media magpie summit where country's chick-a-boom meets tech house's boom-tschak, and tearjerking sentiment and patriotic hokum are subjected to a dense shower of coughs, sputters and rude noises. Listening back to the recorded results, all three musical units agreed that this concert was mighty fine, and worth sharing. Originally released on Tigerbeat6 in 2003.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50471445233995,"sku":"1025474","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a45c330d-1e06-4a24-82fe-c163778ab7a4_thumbnail_4096.jpg?v=1727403596"},{"product_id":"welcome-abroad","title":"Welcome Abroad","description":"\u003cp\u003eWelcome Aboard – a strangely relevant 10-year-old album (originally released in May 2011) when People Like Us aka Vicki Bennett became stranded in the US after the Icelandic Eyjafjallajökull volcano eruption closed much of northern Europe’s airspace.\u003c\/p\u003e\u003cp\u003eVolcanically marooned in Baltimore and NYC, Bennett utilized some of her “free” time to work on the album and even gained audio contributions from fellow experimental musicians Jason Willett (of Half Japanese) and M.C. Schmidt (of Matmos) via her extended stay\u003c\/p\u003e\u003cp\u003eBennett derived thematic material of displacement, travel, and a longing for elsewhere from the natural disaster that caused her own predicament. Now strangely echoed by the Covid-19 outbreak and the various grounding of planes and stay at home policies worldwide.\u003c\/p\u003e\u003cp\u003eWhile the general mashup culture often centres on the instant gratification of seamlessly juxtaposing hooks, People Like Us tracks transform the source material into collages that are equal parts dissonance and pleasure, making artful commentaries on our culture and Bennett’s own existential amusement within such a wondrous world. No one could have predicted how relevant this album would have been 10 years later.\u003c\/p\u003e\u003cp\u003eVolcanoes or Viruses, \u003ci\u003eWelcome Abroad\u003c\/i\u003e is what happens when you’re stranded due to a freak natural occurrence trapping people all over the world and causing mass plane cancellations.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black | LP","offer_id":50475075010891,"sku":"1117439","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e44d9721-3acc-49ab-83f0-f19c0b51d20c_thumbnail_4096.jpg?v=1727442186"},{"product_id":"imaginary-island-music-vol-2-ascension","title":"Imaginary Island Music Vol. 2: Ascension","description":"\u003cp\u003eSophomore album from \u003cstrong\u003eLAGOSS\u003c\/strong\u003e, a Tenerife-based trio consisting of Gonçalo F. Cardoso, Mladen Kurajica, and Daniel García. Moving away from their megamix vignette-based first volume, the trio now experiments with a more song-based approach while still keeping their trademark jam-infused tropicalia and electronic freak outs with an offering to their 1970’s sci-fi masters – enter the lift to the stars. \u003c\/p\u003e\n\n\u003cp\u003eFirst proposed by Russian rocket scientist Konstantin Tsiolkovsky and taken to mystical literary heights by Arthur C. Clark in his 1979 book \u003cem\u003eFountains of Paradise\u003c\/em\u003e, the concept of a space lift takes a spiritual turn here, with LAGOSS chronicling its construction, right here and there on a near future version of their Island of Tenerife, in the Canary Archipelago. \u003c\/p\u003e\n\n\u003cp\u003eThe album moves freely through ideas and moods akin to the world imagined by Arthur C. Clarke. It conveys a new story by sonically imagining future civilizations in a faux ethnographical exercise while exploring current ideas of technology, religion, and alternative history by creating its own particular insular sound world. \u003c\/p\u003e\n\n\u003cp\u003eThe album counts with the participation of dear friends such as a synth solo by Spencer Clark (\u003cem\u003eMonopoly Child Star Searchers\u003c\/em\u003e et al.) and a punchy, full-blown remix by Muqata’a. Altogether creating a unique collection of eerie musical moments made of sub-tropical moods and cyber exotica jams from a band that keeps growing and evolving into their very own personal sound. Enter Tenerife in the late 21st Century, meet the Aquachachos and Guayechi, and ascend!\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50477630062923,"sku":"2012001","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ezgif-2-9c153983c6_538f4b81_thumbnail_4096.jpg?v=1727475625"},{"product_id":"a-thousand-strings","title":"A Thousand Strings","description":"\u003cp\u003eContinuing his fruitful relationship with Discrepant after the third volume of his ongoing Organic Music Tape Series on Sucata Tapes, Tiago Sousa returns with two long-form pieces for organ with . A self-explanatory title in itself, \u003ci\u003eA Thousand Strings\u003c\/i\u003e drifts fluidly into a celestial realm of cascading melodies and cycling patterns that never feel forced or strict throughout its two hypnotic tracks. Pulsating with life and ecstatic abandon.\u003c\/p\u003e\u003cp\u003eTaking cues from the tradition of American minimalists like Steve Reich and, particularly, Terry Riley, the Portuguese composer's work flows with a life of his own, that, while acknowledging those influences, transcends them into his own signature. On the A side, \u003ci\u003eA Thousand Strings\u003c\/i\u003e goes seamlessly from intertwining crepuscular harmonies to ascending keyboard runs in the manner of 'Persian Surgery Dervishes' finishing with a coda of rhythmic marimba-like pulses. On the flipside, 'The Things Passed' creates this maze-like tapestry of melodies that seem to drift apart only to converge back again into its internal process before setting on sustained tones infused with a sense of longing. For all things passed. For what is yet to come.\t\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50478146519371,"sku":"2217453","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CS1035682-01A-BIG_3a394042_thumbnail_4096.jpg?v=1727480948"},{"product_id":"tropical-gothic","title":"Tropical Gothic","description":"\u003cp\u003eCD version of Mike Cooper’s now classic 2018’s ‘Tropical Gothic’ – now released with a bonus live performance recorded at London’s Café Oto. \u003c\/p\u003e\u003cp\u003eCD1 Tropical Gothic Mike Cooper studies different approaches to his method of uniting guitar and field recordings into a constant stream of sound, where he delivers chaos and melody – not necessarily in that order. A series of shorter pieces open the album. Each of them offering a myriad of images and sensations, between the enigmatic and terror (“The Pit”), joy, happiness and freedom (“Running Naked”) or pure contemplation (“Onibaba”). The album closes with its 18th minute magical piece “Lelong \u0026amp; Gods Of Bali”. A mix of ambient exotica music, silent film soundtrack and distorted rhythms that dance around Mike’s guitar. It keeps reinventing and transforming itself throughout those eighteen minutes, summing up the dexterity and muscle of Mike Cooper’s music of the last two decades.\u003c\/p\u003e\u003cp\u003eCD2 Tropical Gothic: Live at Café Oto ‘Tropical Gothic - Live At Cafe Oto’ was performed as a live improvised version of Mike’s release of the same name. Joined on stage by Clive Bell and Sylvia Hallet and performed alongside three of Mike’s videos - Ko Lanta, Walking In Ubin and a mash up containing excerpts from some of Mike’s favorite ‘tropical gothic’ films ( Onibaba, Opera Jawa, Kwaidan, Tabu \u0026amp; White Shadows In The South Seas).\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"CD | x2","offer_id":50478992818507,"sku":"1088894","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e2e6c9d1-f596-448f-b7ab-2ae5e4e4150d_thumbnail_4096.jpg?v=1727497278"},{"product_id":"penghu-experimental-sound-studio-vol-1","title":"Penghu Experimental Sound Studio Vol 1","description":"\u003cp\u003eYannick Dauby is a sound artist based in Taiwan since 2007. He relentless explores the soundscapes of his adopted island through field recording, audio documentaries and community projects. He also composes electroacoustic music and his often found performing live using found objects, analogue devices and digital processing. He has created soundtracks and sound environments for contemporary dance, public art and films as well as being involved in various ecological and local traditional activities. Dauby stayed in Peng-Hu, an archipelago located in the Taiwan strait during several months in the first half of 2013. His daily activities included beachcombing, study and documentation of the reef animals, field recording, some teaching and also composing musique concrète in a temporary and probably the first experimental music studio, settled in Shili, a narrow village just between the inner and outer seas. From this old building he could hear the seashores and announcements of the itinerant sellers as well as the rituals from a temple nearby. Immersed in this natural and cultural environment, Yannick composed the two sides of this record, using the sounds of the underwater fauna, the omnipresent waves, soundscapes of harbours, music played during funerals, shortwave radio broadcasts, in-site or indoor improvisations using old artefacts collected on the beaches and various sessions using analog electronic instruments. This work is a kind of a aural sketchbook of his stay and wandering in these islands on the invitation of the Penghu Citizens Foundation.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50479019491659,"sku":"384444","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3fd397bf-f21c-4f94-997f-889b2d5c3c58_thumbnail_4096.jpg?v=1727497933"},{"product_id":"symbols-follow","title":"Symbols Follow","description":"\u003cp\u003e\"...uneasy...uncompromising...unapologetic\" Sam Davies, (The Wire) '\"Deftly manoeuvring the space between tradition and innovation, acoustic and digital, familiar and unexpected...\" (OKAY AFRICA) \"The headiness of the treated strings and clattering percussion sets her mixes apart from anyone culling beats.\" Oweb Strock (CMJ) \"From the jungles of Brooklyn to a cave in the mountains of Italy via Cairo; Mutamassik keeps relocating headquarters for immigrant punkjaw revolution.\" (Anna Gavanas) MELANQOL BAROQUE parq dunq ARABIFIED SWAMP MUSIC darq punq QUBTI BEATS in addition to transcendental sonic experiments. {from liner notes}: \"There born the excitement, from the loins of broken gear and deft midwife. Music for disinfection, in order to heal. To build a dream on. Because before we or they or us learned to ignite and harness fire existed. It only let us. Aggressive Atheists are being used to show how inevitable structured reverence is by inadvertently establishing their own religion by way of dogma, righteous conviction, intellectual punishment, headed by scientists as the new priests, technology as the ritual tool of salvation. with or without their knowing it Religious Zealots are being used to martyr their own religions on altars of utter faithlessness by carrying out just icing, consequentially projecting an image of a weak, untrustworthy god. with or without their knowing it\".\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50479020310859,"sku":"386640","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3a25a033-4a3a-436c-9dd1-5fecf27a661e_thumbnail_4096.jpg?v=1727497953"},{"product_id":"two-quartets","title":"Two Quartets","description":"\u003cp\u003eErgo Phizmiz returns with his first album since 2012's critically acclaimed \"Eleven Songs\".  Ergo is a true innovator, whose recent reviews have named him \"One of the most inventive composers around\" (BBC Radio 3), \"Mad, but mesmerising\" (The Times) and a hybrid between \"the new Viv Stanshall, a young Eno, a British Zappa, or a replacement for Frank Sidebottom\" (The Guardian).\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50479036531019,"sku":"377030","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ed8393b2-b71f-4ec4-9313-15167db5e5ce_thumbnail_4096.jpg?v=1727498363"},{"product_id":"new-kiribati","title":"New Kiribati","description":"\u003cp\u003eDiscrepant presents the first ever vinyl release of Kiribati, the very first instalment in the acclaimed Ambient Exotica Soundscapes by veteran English experimentalist Mike Cooper. ''This was the first release on my Hipshot c.d.r label in 1999. I wanted to create an album of imaginary soundscapes from imagined exotic places based on my travels in the Pacific Islands and South East Asia. Kiribati was the first in a series of three CDs of Ambient Exotica Soundscapes - played on lap steel, electronics, prepared guitar, sampler, live environmental recordings (from Bali, Malaysia, Australia and Italy) and acoustic and electronic percussion. (The other two are Globe Notes and my award winning Rayon Hula.) Kiribati was(and is) dedicated to the people and islands of Kiribati because they were slowly sinking into the Pacific Ocean. Although the palm trees are often 25 metres high, the islands themselves, made from gravel and sand, are only 4 or 5 metres above sea level and a rise in sea levels of just 15 centimetres, as has happened over the past 100 years due to global warming, is a disaster. Kiribati was recorded in my studio on a four track cassette, using a Casio SK1 sampling keyboard. A tool I used for many years both for recording and live sampling.'' Mike Cooper, Rome 2016 Reviews ''...musical environments as fragile and delicate as the atolls...a shimmering texture of grit and glitter...produced by careful physical activity rather than digitally manipulated deep inside the heart of a computer...'' Clive Bell on Resonance ''...Debussy's cathedral under the sea replayed as dyspeptic electro-acoustic improv. '' The Wire Vinyl pressing to 500 copies Artwork collage by Mike Cooper.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50479037219147,"sku":"397340","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/42dd94e4-618b-4b8d-a0c4-d9c3832b7d2a_thumbnail_4096.jpg?v=1727498382"},{"product_id":"atheistsaregods","title":"Atheistsaregods","description":"\u003cp\u003eMore than a decade after the release of \u003ci\u003eLand Lines\u003c\/i\u003e, the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with \u003ci\u003eAtheistsaregods\u003c\/i\u003e. With past releases on such cult-like labels as Root Strata, Weird Forest, Blackest Rainbow or Digitalis, Starving Weirdos were an indelible part of a sprawling and loose network of artists in Northern America whose DIY work ethic and extreme activity revolved around shoestring-budget constant touring, numerous limited editions on CDR, tape and vinyl and a relentless drive to push the boundaries of genre.\u003c\/p\u003e\u003cp\u003eOut of that cauldron, Starving Weirdos stood out as one of the most persistent and visionary acts, developing a mind altering body of work that went from warm soundscapes through droney digressions, freeform improvisation and raucous noise summoned from a myriad of instrumentation and low budget processing - vocals, keyboards, violin, flute, percussion and an assortment of less identifiable sound sources. 10 years on their legacy remains a timeless and wildly under-appreciated one, but hopefully this new album will shine a light on their idiosyncratic approach. As time itself was never a constraint. This is music suspended outside of it.\u003c\/p\u003e\u003cp\u003eRight from the start with the echoing percussion, dissonant keys and processed vocals of 'Haiku Nagasaki', \u003ci\u003eAtheistsaregods\u003c\/i\u003e draws a continuous flux of psychedelic elevation that goes from the gloomy electronic motifs not unlike the early Cluster vibes of 'Invocation' into the dank percussive maze of the appropriately titled 'Barulho do Samba'. The self titled track induces a sense of post-apocalyptic vertigo via hallucinatory scraps of voice, suspended synth tones and reverberating field recordings, connecting into the droney mystics of 'Dudukahar (Reed Prayer)'. Coming full circle, 'For Vinny' brings back the echoing percussion amidst hypnotic cello lines until it drifts off into the unknown. With the same palpable sense of urgency, Starving Weirdos feel as vital as ever. And even if we didn't realize it we were in need of them. Welcome back.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50483865223499,"sku":"2026645","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP94_26b83017_thumbnail_4096.jpg?v=1727574862"},{"product_id":"salar","title":"Salar","description":"\u003cp\u003eFour years after their Discrepant debut - \u003ci\u003eOOOO\u003c\/i\u003e -, Lisbon-based travelers Jibóia return to the fold with another offering of globetrotting psychedelia with \u003ci\u003eSalar\u003c\/i\u003e. With the core trio of Óscar Silva, Ricardo Martins and Mestre André augmented by a stellar parade of collaborators on various roles,\u003ci\u003e Salar\u003c\/i\u003e further expands on the transglobal visions by now pretty trademarked by the band. Intersped among shorter vignettes for drums, saxophone and bass, each of the more fully fleshed tracks casts a guest to elevate Jibóia's music to uncharted realms - both in a mystical and geographical sense.\u003c\/p\u003e\u003cp\u003eOpener 'Selar' summons the cello of songstress Joana Guerra for a skewed dialogue with Silva's guitar, propelled by Martins' drums and percussion and André's electronic textures into 4 minutes and 20 seconds that feel epic - if there was any psychedelic numerological symbolism needed. On 'Solar', Silva's non-western plucking rides on for Yaw Tembe's trumpet to veer in a multitude in directions, while the mysterious 'Sitar' conjures the voice of  Moroccan musician Ayoub El Ayadi for a contemplative nighttime prayer. Elsewhere, guitarist Rui Carvalho aka Filho da Mãe injects dissonant guitar lines unto 'Sarar's pummelling dance and Pedro Augusto's electronics hover below the shapeshifting dynamics of 'Sonar', among mesmerizing keyboard lines. 'Salir' featuring Daiyen Jone enchanted flute brings the album to a close at its most reflective, all crepuscular synth lines and reverbed handclaps. \u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50511103820107,"sku":"2218678","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP106_edab6be1_thumbnail_4096.jpg?v=1727884083"},{"product_id":"siklus-dan-doa","title":"Siklus Dan Doa","description":"\u003cp\u003eBorn in 1977, in Malang, East Java, Wukir Suryadi began playing music for theatre at the age of 12 with the Idiot Theater Studio, and later with the Rendra Theater Workshop. In his solo work, and as a member of Senyawa, Error Scream, Bendera Hitam Setengah, Potro Joyo and other groups, Wukir breaks the boundaries of traditional music, death metal and avant-garde performance. On this new release, “Cycle and Prayer,” recorded in 2023, he expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java. These recordings vibrate inwards, toward the microcosmic ecologies of forests and rivers; they distort outwards, resonating with global waves of apocalyptic change that are forcing all living beings to the edges of existence on earth. The result is a meditative poem that moves, as its titles announce, from phenomena to phenomena, praying that humans find a way out from the depths of the depths to the light that illuminates the soul. \u003c\/p\u003e\u003cp\u003e An essential mode of creative work for Wukir is the creation of unique instruments, using these sound sources as “bullets of expression.” In addition to the spear-like tube zither Bambu Wukir, he has created the Solet, Enthong, Garu, Luku, Arrows, and Industrial Mutant instruments, which in addition to being used in live performance, have been exhibited in the Instrument Builders Project and the 2017 Jakarta Biennale. In the past few years, Wukir has begun to collaborate with local guitar makers, carpenters, and suppliers of native endemic wood in the mountain region of Salatiga. Using earthen bricks along with local woods (suren, coconut, mindi, and waru lengis) as building materials, he constructed a new studio and workshop space in Tingkir, where this album was made. The trees, water and air of the local environment have exerted a powerful influence in Wukir’s documentations of instrumental sound. On this recording, he uses the simple Cetta guitar, an instrument designed in Bali and made for Indonesian children and local communities of folk and popular musicians, in order to explore the different sonic characteristics of a more “normal” instrument built from local wood. \u003c\/p\u003e\u003cp\u003eThe themes of the album -- cycle and prayer -- arise from a foreboding series of meta-events that shook Indonesia and the world over the past years, following one after the other: the COVID-19 pandemic, the Ukrainian-Russian war, the Kanjuruhan Stadium tragedy in which football supporters were gassed and killed by police, revelations of government failures and corruption, the rise of personal vehicles, the increasing disturbance of natural patterns of the rainy season and other ecological cycles. “In these waves of technology and narratives of truth made for certain interests, playing a sound at a certain frequency and repeating can try to bring images and feelings to a certain point of consciousness,” Wukir told me. “Sound is a prayer that creates a change, whether gradual or rapid, in the behaviour of living things, to face the demands of the time, as humans struggle to live according to what they believe.” The drawings and sketches used for the cover spontaneously emerged alongside the recordings, as an instinctive depiction of “time and sound, nature that is outside of oneself, and nature that is within.” \u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50513346888011,"sku":"2182508","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-02-20_at_12.27.25_af0a43fe_thumbnail_4096.png?v=1727927644"},{"product_id":"exotic-immensity","title":"Exotic Immensity","description":"\u003cp\u003eMore than two years after the release of\u003ci\u003e Impressões de Outra Ilha\u003c\/i\u003e, Discrepant's head honcho returns home under his birth name with the appropriately titled \u003ci\u003eExotic Immensity\u003c\/i\u003e. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you will -, Cardoso's approach here is more meticulously composed, with seamless transitions within his own personal soundworld giving way to this hallucinated landscape of field recordings, subtle electronic tweaks, cascading patterns, queasy ambiences and kösmiche-like synth harmonies.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LPx2","offer_id":50531295789387,"sku":"2205450","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP100_4c3b03d2_thumbnail_4096.jpg?v=1728103108"},{"product_id":"the-mirror","title":"The Mirror","description":"\u003cp\u003ePreviously released on CD accompanied by \u003ci\u003eGone, Gone Beyond, The Mirror\u003c\/i\u003e is the dreamy soundtrack of an a\/v project from collage artist extraordinaire Vicki Bennett aka People Like Us.\u003c\/p\u003e\u003cp\u003eWith \u003ci\u003eThe Mirror\u003c\/i\u003e Bennett continues her eternal disassembling of popular music by exploring how the narrative of familiar sounds \/ songs can change dramatically under a new context, with that context always changing, in a never-ending flow.\u003c\/p\u003e\u003cp\u003eEach song is singular. And each song is a collage of and undefined number of other songs from other artists. It sounds familiar because that has been the modus operandi of People Like Us since the early 1990s. But \u003ci\u003eThe Mirror \u003c\/i\u003eplays with the notion of familiar, driving around a collection of famous pop songs \/ artists, messing around with the memory of the listener and, of course, his unique comprehension of those specific songs applied in a new context.\u003c\/p\u003e\u003cp\u003eBecause of the use of familiar pop sounds,\u003ci\u003e The Mirror \u003c\/i\u003eis often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black | LP","offer_id":50868094107979,"sku":"1075989","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/31600489-1cc3-47ab-8c7b-0163eddfeffe_thumbnail_4096.jpg?v=1732123357"},{"product_id":"songs-from-the-aftermath","title":"Songs from the Aftermath","description":"\u003cp\u003eIntroducing Marc Codsi's new Arabic infused synth oriented album, \u003ci\u003eSongs from the Aftermath\u003c\/i\u003e. \nLebanese musician and composer Marc Codsi has released numerous albums with various projects such as Scrambled Eggs, Lumi, Zalfa and many others whilst maintaining a very active career as a solo artist and film composer. \u003ci\u003eSongs from the Aftermath\u003c\/i\u003e is his 5th album and presented as a natural continuation to his 2019 opus work, \u003ci\u003eA New World\u003c\/i\u003e (Annihaya Records).\n\nCodsi continues his personal exploration of Arabic music codes, mainly investigating quarter tones scales in an fully electronic environment in order to create new harmonies and textures that still convey a feeling of familiarity whilst keeping a certain aura of strangeness and mystery.\n\nThe album was recorded between during 2021 and 2022 and the music eventually comes as a very personal quest for transcendence. A sort of speculative answer to the world’s ongoing absurdity and what seems to be an incessant array of conflicts, disasters and tragedies.\n\nFrom these dark alleys may we still arise to proclaim a sense of beauty, poetry and elevation! \n\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":50905817055563,"sku":"2013512","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0917988362_10_e9fdf2e9_thumbnail_4096.jpg?v=1732855067"},{"product_id":"selected-ambient-and-asmr-works-2001-2003","title":"Selected Ambient and ASMR Works 2001-2003","description":"\u003cp\u003eAn extremely prolific artist, whose work encompasses composition, opera, theatre, radio plays, film or performance, Ergo Phizmiz returns in due time to the Discrepant fold long after his 'Two Quartets' and 'Disco Carousel' - under his given DW Robertson name - albums. A purveyor of the Creative Commons rights, Phizmiz has been deploying much of his work on the ever expanding Free Music Archive directed by WFMU since the early 2000's, creating a sprawling and defiant body of work that defies given and stale notions of sound hierarchies, history and copyright through a process that comprises collage, sampling, reappropriation, songwriting, covers and pretty much any available media with a playful and thoughtful approach.\u003c\/p\u003e\u003cp\u003eFor this new Discrepant entry, Phizmiz goes back in time to push into the future a number of pieces recorded more than two decades ago creating this perpetual motion outside a linear chronologic progression. Anticipating by almost 20 years the memefication of ASMR videos, \u003ci\u003eSelected Ambient and ASMR Works 2001-2003\u003c\/i\u003e - itself a pun on the AFX classics - embraces the ambient tag not at its functional face value, but instead as a means to the \"evocation of imaginary spaces, and correspondingly the invention of their sonic environments\". Collecting recordings from a myriad of instruments - violin, xylophone, banjo, kora, found percussion and so on...-, \u003c\/p\u003e\u003cp\u003eshortwave radio and field recordings to create loops with different lengths that play with and\/or against themselves continuously in a process \"(dis)conjunction\" not far removed from Feldman's 'Why Patterns?' or hip-hop's sampledelia. A free-floating temporal space that collapses the flashing images of Angelfire pages unto Web 2.0 sense of displacement.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":50943025938763,"sku":"2230303","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP105_92b59196_thumbnail_4096.jpg?v=1733509359"},{"product_id":"lava-love","title":"Lava Love","description":"\u003cp\u003eRecorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020 - amidst the pandemic, no less -, the duo of Carlos Godinho and Mestre André return after their \u003ci\u003eMãe D'Água\u003c\/i\u003e debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss. Mostly captured in performance through a quadraphonic system placed inside a huge disused fuel tank, with a few tracks recorded out in the open throughout the island, 'Lava Love' evokes the tectonic shifts and motions inherent in their title in 13 tracks.\u003c\/p\u003e\u003cp\u003eBased around Godinho's percussive arsenal, from found objects to instruments from all sorts of cartographies, and André's electronic processing, each of these expositions is a point in a map that is created between the island's concrete and fictional existence, discarding any superficial overdubs and crescendos, to focus on the balming and transporting properties of sound itself. From stripped down vignettes like 'Bajamar I' and 'II', 'Chacho' or 'Tangana I' to hypnotic tapestries that confuse the real and imagined like 'Haha No!' or 'La Gomera', Banha da Cobra conjure a collective dream of the island.\u003c\/p\u003e\u003cp\u003eAll tracks performed and recorded by Banha da Cobra in a quadraphonic system inside an enormous fuel tank (Espacio Cultural El Tanque, Santa Cruz de Tenerife),except Bajamar I and II (recorded outdoors at cantonera de Bajamar, with Lagoss), Taganana I and II (recorded outdoors at Playa de Almáciga) and El Guachinche de Los Realejos (recorded outdoors at Playa de Castro, with Lagoss).\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":51071534727499,"sku":"2238918","price":22.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"pruning","title":"Pruning","description":"\u003cp\u003eOn his Discrepant debut memotone aka Bristolian Will Yates collects some unreleased recordings under a most aptly titled name - \u003ci\u003ePruning\u003c\/i\u003e - following a healthy stream of releases for such esteemed labels as Black Acre, The Trilogy Tapes or Soda Gong. \u003c\/p\u003e\u003cp\u003eConsidering the process of pruning as a practice of selective removal, the album takes its name at face value never falling into a mere collection of tossed off material or random B-side assemblage, making it a cohesive listen throughout its disparate timeframe and evasions. \u003c\/p\u003e\u003cp\u003eA statement about memotone's vision itself, \u003ci\u003ePruning\u003c\/i\u003e veers closer to his Fourth World\/ECM\/Exotica meets Sci-fi transmutations in alignment with what would be expected from a memotone release on Discrepant. 'Moss Zone' briefly sets the tone with a warm but queasy synth bedsheet that flows into the 'Weird Figures' cyber-jungle, all small twinkling percussions and rainforest pads slowly rising. 'Riders' brings the synth-flute to an early Warp meets John Hassell's 'City: Works of Fiction' scenario that pops up again in more disrupted form on 'Wisdom [MOTHER]'. 'Not What I Thought's skewed tropical guitar gets going on lo-fi percussion and dissonant synth chords while 'Jim Starling and The Inverse Church' bring to mind 'Autoditacker' era Mouse on Mars going jazz-fusion. Or what we should expect from their Smalltown Supersound stint. 'Beach Scene' is exactly it, as the sun sets into 'Come In [Don't Mind the Ghost]' Summer night's stars with all the allure of Stereolab. Alluring, that's exactly it. Do come in.\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Black LP","offer_id":51188610629963,"sku":"2242650","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP93_f8761510_thumbnail_4096.jpg?v=1738364830"},{"product_id":"interior-music","title":"Interior Music","description":"\u003cp\u003eAfter a collage tape collab with Bardo Todol back in 2022, Robert Millis finally gets his Discrepant debut proper, a much overdue entry in a wonderful catalogue of lost musical oddities.\u003c\/p\u003e\n\u003cp\u003eThe not so self explanatory title Interior Music explores Millis obsession with hidden sounds and its anomalies. An hermetic rearrangement of emptiness could be another more big headed title. But I leave the man to talk about his thing:\u003c\/p\u003e\n\u003cp\u003e‘’The phrase interior music occurred to me a few years ago as a way to describe some recent work. It’s about the resonances inside of hollow wooden chambers (and hollow heads) like gramophones and talking machines, music boxes, instruments, metal containers, and resonant rooms. It’s about exploring tiny audio fragments—single notes, vinyl and shellac surface noise, recording mishaps and anomalies—and arranging them into something meaningful. It is about my own interior mishaps and anomalies and attempts to arrange them into something meaningful. It also references “interior design” with the placement of sounds in specific locations, layers or in juxtapositions.\u003c\/p\u003e\n\u003cp\u003eInspirations include Steve Roden’s lowercase work, Toshiya Tsunoda’s field recordings, Eliane Radique’s slowly shifting ambiances, and the musique concrete of Pierre Schaeffer, as well as the dhrupad and kayal traditions of Indian classical music—especially Kesarbai Kerkar and the Dagar family who have a sublime way of stretching out individual notes and exploring their endless permutations, combinations and connotations.’’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP - Black","offer_id":51450156613963,"sku":"R2016-4277","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CREP116.jpg?v=1741983066"},{"product_id":"copia-1","title":"Copia","description":"\u003cp\u003ePeople Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of Copia. This album marks the first new musical material since \"The Mirror\" in 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity. \u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eCopia,\u003c\/em\u003e meaning 'abundance' and 'copy,' reflects the essence of collage and sampling - art created not in isolation, but as a connective thread through time and space, linking ideas across generations in a seamless tapestry.\u003c\/p\u003e\n\u003cp\u003eBy reconfiguring preexisting sounds and images, Bennet highlights the non-dual nature of creation — where distinctions between past, present, and future possibilities blur, revealing a shared foundation beneath. The album marks a return to not just solo works but collaborations with notable artists. \u003c\/p\u003e\n\u003cp\u003eDrawing from the new People Like Us live AV performance, \"The Library of Babel,\" sampling and edited sound collage, electronic music, combined with Ergo Phizmiz's lyrics and melodies, \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCopia\u003c\/em\u003e weaves and recombines a timeless blend of diverse elements that transcends traditional musical boundaries. This creative process unfolded through the exchange of multitracks across both water and ether. Collaborating with the voices, instruments and editing timelines of Matmos, Hearty White, Gwilly Edmondez, Lotte Bowater, Buttress O’Kneel, Douglas Benford, Irene Moon, Jon Leidecker, and Matt Warwick, the work evolved exquisite corpse-style. \u003cbr\u003e\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP - Black","offer_id":51496553251147,"sku":"R0263-5177","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0799915588_10.jpg?v=1742586994"},{"product_id":"impressoes-de-varias-ilhas-recordings-from-macaronesia","title":"Impressões de Várias Ilhas (Recordings from Macaronésia)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter impressions of Unguja and Borneo islands, Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with \u003cem\u003eImpressões de Várias Ilhas\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLiterally translated as \"impressions from various islands\", this third tome dwells on recordings and inspirations from three archipelagos of Macaronésia. Soaking in the sounds and recollections from Azores, Cape Verde and Canary Islands these diaristic endeavours spread throughout a number of real environments, from water caves and black stone beaches and lagoons to small harbours and everyday life scenarios, to project them into this not quite imaginary but not quite real memory haze that goes from a deeply personal impression to a resonating one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMelding raw field recordings with processed ones and synthesized landscapes, Cardoso never falters into sonic tourism, conjuring small-ish takes both vivid and dreamy, infused with a sense of wonder that feels both bewildering, comforting and escapist. The breaking waves of 'Bufadeiros de São Vicente' soothing in their irregular pattern, mingling with the lone echoing tones not completely removed from Black Dice's 'Beaches \u0026amp; Canyon's most pensive passages, flow into the underwater ambience and suspended pads of 'La Cueva Scuba Livre', as reflections of the same sea crashing in on different lands, nature’s psychogeography. Further on, the queasy warm chord and scraping murmurs of 'Noite em Rabo de Peixe' mirror their nighttime framing while 'Rãs em Xoxo' veers closer to pure musique concréte, crossed by a subdued feeling of unease that lingers in the nostalgia of 'Cozido da Caldeira Velha', brimming within the haze of a Boards of Canada vignette. 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