{"title":"Eating Standing Recordings","description":null,"products":[{"product_id":"the-magnetic-atmospher","title":"The Magnetic Atmospher","description":"\u003cp\u003eDetails:\nBlack vinyl \/ 505mcn paper \/ Insert with extensive liner notes by Tony Higgins printed on 200 gram \"Shiro Eco\"paper and a special Manifesto with exclusive pictures printed on 90 gram Favini recycled paper.\nPersonnel:\nClarence Peter - Drum\nPatrick Gauthier - Piano\nJean-Jacques Avenel - Bass\nSteve Potts - Sax\n\nNotes:\nWe're delighted to announce the reissue one the most sought-after European private press spiritual jazz albums: The Magnetic Atmospher by Clarence Peters Quartet. Never reissued in its entirety before, The Magnetic Atmosphere is a solid album of deep, post modal spiritual jazz that will appeal to fans of the Strata East, Tribe, and Black Jazz labels.\nResident in France since the 1970s, drummer Peter recorded the album with a French rhythm section: Patrick Gauthier on piano, and Jean-Jacques Avenel on bass. On sax is American-born Steve Potts, resident in France since 1970 and, like bassist Jean-Jacques Avenel, alumni of Steve Lacy.\nThe Magnetic Atmospher features four killer tracks, all composed by Peter. This is an opportunity to hear a truly remarkable record and sells for hundreds of dollars on the collector circuit. Long thought to be missing in action, we tracked Clarence Peter down and secured the license, direct from the man himself. (Tony Higgins)\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245526942027,"sku":"2241445","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_e64f5b56_thumbnail_4096.jpg?v=1739224709"},{"product_id":"peace-3","title":"Peace","description":"\u003cp\u003eVinyl Details:\nBlack Vinyl \/ 350 mcn double white coated paper \/ Poster sleeve \/ PVC outers \/ Original artwork \/ Exclusive 30x30 cm insert with Q\u0026amp;A by Tony Higgins with Ole Matthiessen printed on on 250 gram Gardamat coated paper. Archive picture from original recording session printed on 350 gram Gardamat paper. Archive pictures printed on 375 gram Vintage Bindakote Monolucido. All papers are acid free an printed with food based inks.\nPersonnel: \u2028\nJesper Nehammer - tenor saxophone\nOle Mathiessen – piano\nJon Finsen – drums\nHenrik Hove - bass\n\nNotes:\nDanish jazz band founded in 1969. Band line up: Henrik Hove on bass, Ole Mathiessen on piano, Jesper Nehammer (later Thors Hammer, Alrune Rod and Entrance) on tenorsax, and Jon Finsen on drums. Played for a while every Monday in the famous Jazzhouse Montmatre in Copenhagen.\u2028Tordenskjolds Soldater only made this record (1970).\u2028The small record label Spectator Records was founded in 1969 by Jørgen Bornefeldt a former journalist from Danmarks Radio in coorporation with the jazz musician Carsten Meinert. Meinert recorded two albums on the label. He only joined the company in the beginning. Cindarellaistudiet The studio was destroyed august 6th 1972 by a major fire. And that was the end of Spectator Records. From 1969 to the end, the label recorded at least 23 lp albums and 9-11 singles\/EP's. The picture shows Henning Kragh Pedersen from Cinderella in Spectators studio. The great Danish rock band Gasolin recorded their first single – Silky Sally - on Spectator Records. It was no success and sold only 155 copies. Silky Sally is now one of the most sought after Gasolin singles among collectors and is of course very expensive.\nThe music from Spectator Records is mostly jazz, progressive rock and hippie free style. But they also made strange records for children, education etc. Most records were issued in very small numbers (300-500). Some of the best progressive rock in Northern Europe was recorded here.\nQuality of vinyl was often poor - even new looking records can have audible problems. Covers and labels are primitive and cheap. On the other hand the creativity could be outstanding - check the Furekaaben cover gallery or the artwork of William Skotte Olsen from Green Grass. Several record from the labels are cult today. A perfect copy of certain records costs a fortune.\nMaster tapes was never found after the fire in 1972. Unofficial reissues and bootlegs are therefore made on the base of the original records. Recordings that never made it to the vinyl got lost in the fire. Both Cinderella and The Copenhagen based band, Lines lyst, had material readdy for lp's which was never recorded. (Tony Higgins)\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245528154443,"sku":"2241429","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_0d955195_thumbnail_4096.jpg?v=1739224729"},{"product_id":"give-the-vibes-some","title":"Give The Vibes Some","description":"\u003cp\u003eDetails:\nBlack vinyl \/ 505mcn paper \/ 30 x 60 cm Insert with full interview to Khan Jamal II + extended liner notes printed on 300 gram Büttenpapierfabrik Gmund \"No Color No Bleach\" paper with exclusive pictures \u0026amp; much more!\nPersonnel:\nKhan Jamal - Vibraphone, Marimba\nClint Jackson III - Trumpet\nHassan Rashid - Drums\n\nNotes:\nIt's quite simple, if you have a good connection with music, to find things that should be reissued due to their exceptional quality, but, like a diviner, being able to unravel the problems related to the licensing of a record, well, that's much more difficult. Finding someone is Sherlock's job! After 4 years, Khan Jamal II (son of Khan Jamal) delighted us with a \"Let's go my guy\".\nKhan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the lands of the rising sun of Jamal and the composed trumpet of Clint Jackson III which anchor \"Give the vibes Some\" in a sort of Space Age Jazz era.\nIn the end, you know what? This album is a transcendent journey into yourself, like an intense session of meditation...even if \"35.007 Feet Up\" could easily be played by Jeff MiIls in his DJ Set!\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245530382667,"sku":"2241418","price":44.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_8aefbd5f_thumbnail_4096.jpg?v=1739224785"},{"product_id":"the-middle-east","title":"The Middle East","description":"\u003cp\u003eDetails:\nVinyl Only \/ Heavyweight Vinyl \/ Original Glued Prints tip-on by hand on Thick Cardboard 700 gram \/ 2 Separated parts handily gluing \/ PVC Outer Sleeve \/ Insert with exclusive pictures and interview about the serie with Lloyd Miller made in March 2022 printed on 300 gram Favini \"Remake\" paper \/ Oversleeve 30x70 cm with original alternative artwork printed on 150 gram DNS Paper.\nPersonnel:\nManucher Paydar - Tar Drum\nLloyd Miller- Drum (Zarb), Lute (Oud), Lute (Kamanche), Lute (Sehtar)\nMarilyn Miller -lute\nJan Otterstrom - Guitar\nStan Wood - Percussion\nAnna Claire Eastmond - Vocals\n\nNotes:\nThe second and last chapter of Dr Miller's journey between cultures and its uses, which began with \"The Far East\", dissected and looked into the root of the sound of distant Asia, continues with this new chapter dedicated instead to the countries bathed by the Mediterranean and contiguous to Central European history. From Spain to Arabic sounds, a new compendium that takes us back to other places and times, Dr Miller is once again able to dissect and encapsulate sounds and spices from distant places and spaces in a time machine. Thanks to these historical documents, we have the opportunity to discover feelings that are impossible to find 50 years later, sucked up and watered down by globalization and social capitalism.\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245531824459,"sku":"2241421","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_83f13ba5_thumbnail_4096.jpg?v=1739224804"},{"product_id":"ba-jazz","title":"B.A. Jazz","description":"\u003cp\u003eDetails:\nVinyl Only \/ Original artwork \/ Black Vinyl \/ 400 mcn paper \/ 30x30 cm insert with notes by Tony Higgins and graphic elaboration printed on 250 gram G.F. Smith Colorplan \/ PVC outers\n\n\nPersonnel:\nJorge Ruiz Lopez – Double Bass\nRoberto Fernandez Trumpet\nLeandro \"Gato\" Barbieri - Tenor Sax\nRuben Lopez Furst – Piano\nPichi Mazzei - Drums\n\nNotes:\nJorge López Ruiz is one of most versatile of musical talents to emerge from Argentina. As a bass player, composer, performer and arranger he has worked across many genres including jazz, pop as well as stage productions and feature films.\nBA Jazz was originally released in 1961 on Vik Records as the debut album from Lopez Ruiz featuring a mix of covers and original material. Alongside Ruiz Lopez are Roberto Fernandez on trumpet, Ruben Lopez Furst on piano, Pichi Mazzei on drums and a young musician called Leandro Barbieri on tenor sax. Leandro became better known at Gato Barbieri, who went on to build an international reputation working with Charlie Hayden, Don Cherry, Dollar Brand and Carla Bley and recording for Impulse! Records, Flying Dutchman and A\u0026amp;M Records.\nThe BA Jazz album has been a rarity for years and original pressings attract huge amounts from collectors. It's rarity is matched by the fantastic music contained with its grooves. It's a genuinely important record in the development of jazz in South America. (Tony Higgins)\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245535363403,"sku":"2241417","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_d8f9489c_thumbnail_4096.jpg?v=1739224842"},{"product_id":"christening-for-listening","title":"Christening For Listening","description":"\u003cp\u003eDetails:\nVinyl Only \/ Heavyweight Vinyl \/ Original Glued Prints tip-on by hand on Thick Cardboard 700 gram \/ 2 Separated parts handily gluing \/ PVC Outer Sleeve \/ Original Artwork\nPersonnel:\nSteven Halpern – Fender-Rhodes electric piano, bass, trumpet, guitars\nIasos – Eclectic electric flute\nEl Sito – Percussion\n\nNotes:\nGenerally regarded as the first true 'new age' record, Steve Halpern's 1975 private press LP has long been in demand by collectors. In particular, the very first pressing of the album included an extraordinary long-form jazz funk track called 'Something for Every Body Suite' that was removed from subsequent versions. Eating Standing is proud to reissue Halpern's classic long-lost original version of the album, officially licensed from Halpern himself that includes this heavy groove-laden masterpiece. This is the very first ever full reissue of the first press album with full reproduction of the artwork. Original copies cost over $700 (assuming you can even find one) but now this incredible landmark album is available once more to enjoy. \"Reissued for the very first time since 1975 in its original format and track listing, a legendary album that is considered a game-changer in music. Steve Halpern's landmark album 'Christening For Listening (A Soundtrack For Every Body)' is considered by many to be a crucial and defining album that pointed the way ahead. Predating the ambient\/experimental work of Brian Eno, Steve Hillage and even Mort Garson's 'Plantasia', Steve Halpern's 'Christening For Listening' was the first album to explore what became known as 'new age' or ambient music, exploring the effect of tones and rhythms on the human body and mind as well as plants and other organisms. Originally issued as a private pressing in 1975, the very first issue of this album had an extraordinary extended jazz funk track on the B side, a DJ\/Samplers delight – DJ Gaslamp Killer is a huge fan. This track, 'Something For Every Body Suite', was never included on any of the subsequent represses making the very first pressing incredibly rare and almost impossible to find. It's reissued here for the very first time, with full repro of the original artwork plus a Q\u0026amp;A by Tony Higgins with Steven Halpern himself.\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245538148683,"sku":"2241432","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_e66857df_thumbnail_4096.jpg?v=1739224902"},{"product_id":"did-you-tell-your-mother","title":"Did You Tell Your Mother","description":"\u003cp\u003eDetails:\nVinyl Only \/ Sleeve manufactured with 400 mcn Fedrigoni \"Shiro Eco\" paper \/ Original unreleased poster with alternative artwork insert with notes by Tony Higgins printed on schedography peach past color paper \/ PVC outers \/ original artwork \/\nPersonnel:\nTete Mbambisa - Piano\nBasil Coetzee - Tenor Sax and Flute \nZulu Bidi - Bass\nMonty Weber - Drums\nNotes:\nMbambisa first gained prominence as a pianist in 1961 as a member of the Jazz Giants, this time with Pukwana as saxophonist, bassist Martin Mgijima and drummer Makaya Mtoshoko, setting the sound and shape of a scene that became known as Cape Jazz. Following an introduction from Chris McGregor, Mbambisa formed a band, The Swinging City Six, with saxophonist Ronnie Beer before going on to play at the end of the 1960s in the groups The Soul Jazzmen and Spirits Rejoice with Duku Makasi. As a member of The Soul Jazzmen, Mbambisa recorded the breakthrough album 'Inhlupenko Distress' in 1969 for the City Special label. After a recording hiatus, Mbambisa returned in 1974 with an octet album, 'Tete's Big Sound' released on a newly formed label, As Shams or The Sun, established by South African record store owner and independent producer Rashid Vally. 'Tet's Big Sound' included tracks like 'Unity' and the 'Black Heroes Lamentation', now considered a classic in the South African jazz underground.\n\nThe sound that Mbambisa carved in this period was wholly acoustic, and is a style that now is often loosely labelled spiritual jazz, a sound that alludes to deep African textures and rhythms balanced with clear nods to American hard bop and modal jazz, sometimes edging toward free improvisation in echoes of John Coltrane and Pharaoh Sanders. The music is often centred around a fulcrum of trance like vamps with repeated motifs that allow for extended pieces that create a hypnotic effect. This clearly exemplified on Mbambisa's next album, 'Did You Tell Your Mother', released in 1979, once more for The Sun label. (Tony Higgins)\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245541163339,"sku":"2241411","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_1fec2c49_thumbnail_4096.jpg?v=1739224940"},{"product_id":"evil-season","title":"Evil Season","description":"\u003cp\u003eDetails:\nOriginal artwork \/ Black vinyl \/ 505 mcn paper \/ Lucid lamination \/ Greyscale 30 x 30 cm insert printed on 300 mcn DNS paper with condensed interview to Saheb Sarbib and exclusive pictures.\nPersonnel:\nDaunik Lazro - Alto Saxophone, Bass Clarinet, Percussion\nSaheb Sarbib - Double Bass, Reeds, Flute, Percussion\nJonathan Dickinson - Drums, Percussion\nManuel Resende - Electric Piano, Piano, Percussion\n\n\nNotes:\nThe bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitones between the first and second degree that also make the bass sparkling? In his records, Saheb elevates the bass to a mother instrument, gives it life as vibrant as the spring that is coming. Solos are on par with that of the reeds and stand up to listening without waiting for another antagonist to return to take back the scene. This is one of the most playful and entertaining records we have reissued to date. Take a tour of the world of Saheb!\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245551059275,"sku":"2241435","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_90975a40_thumbnail_4096.jpg?v=1739224978"},{"product_id":"swing-ensemble","title":"Swing Ensemble","description":"\u003cp\u003eDetails:\nBlack vinyl \/ 505mcn paper \/ 30 x 60 cm Insert with Liner Notes by Tony Higgins printed on 250 mcn Lenza Top Recycling Paper \/ Condensed interview to Spata Sisters and exclusive pictures.\nPersonnel:\nEnzo Randisi - Musser Percussion Keyboards\nRiccardo Randisi - Acoustic Piano, Rhodes, ARP \u0026amp; Korg Keyboards\nMarcello Pellitteri - Drums\nGiuseppe Costa - Acoustic Bass \u0026amp; Electric Bass Guitar\nMimmo Cafiero - Congas \u0026amp; Percussions\nSandro Palacino - Tenor and Soprano Saxes\nLoredana Spada - Vocalist\nCinzia Spata - Vocalist\nMary Lo Giudice - Vocalist\nMariella Gueli - Vocalist\n\nNotes:\nDid someone say Summer? Sicily is what Cuba is to the Caribbean, sun, sea, easy and friendly people with lots of troubles! You won't find anything better around that identifies the summer more than this album by Enzo Randisi who at the beginning of the 80s put together a Swing Ensemble as a tribute to that \"cheerful\" movement of Jazz music. But Enzo and his fellas just couldn't stay on track and put in the best that the alternative Palermo area could offer in that historical period, like the sisters Cinzia and Loredana Spata, who brought the production to a next level in the vocal version of All Blues or in Chic Corea's Spain. But what really struck us was Charles Cables' version of \"Quite Fire\" (here missspelled as \"Quite Fair\"), released a few months earlier only in Japan and which would only become famous in the 90s with the Acid Jazz movement, and this tells us a lot about how hungry Enzo and Riccardo were of musical knowle, to be able to find some pearls in a city with basically no record shops and isolated...well...it's on an island! For this re-press we enlisted Tony Higgins, who recently finished a very long commitment and greenlight to delight us with his polished English...Welcome back Tony!\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"Black LP","offer_id":51245554401611,"sku":"2241444","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_39c12b2c_thumbnail_4096.jpg?v=1739224998"},{"product_id":"live-at-the-swing-club-torino-italy","title":"Live At The Swing Club Torino Italy","description":"\u003cp\u003eAlthough alto saxophonist Noah Howard never quite managed to garner the reputation that several of his more well-known playing partners did, to those ‘in the know’, he was every bit as essential and extraordinary as Archie Shepp and Albert Ayler. A player and composer of direct and emotionally charged music, Howard’s career saw him bear witness to some of the most tumultuous periods in jazz, giving voice to the cry for freedom – both musical and political – that characterised the late 1960s and beyond.\u003c\/p\u003e\n\u003cp\u003eIt was in April 1974 that Howard cut the ‘Live at the Swing Club’ in Turin, for Calumet Records. The session features Howard alongside Michael Smith on piano, Noel McGhie on drums and Bob Reid on bass. This was a very busy period for Howard, and he cut a series of albums for a variety of labels including ‘Live in Europe’ (featuring a epic version of Trane’s ‘Olé’), ‘Berlin Concert’, ‘Red Star’ (featuring bebop legend Kenny Clarke), and ‘Schizophrenic Blues’. (\u003ci\u003eTony Higgins\u003c\/i\u003e)\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"LP - Black","offer_id":53332434321739,"sku":"R2777-3374","price":39.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53332434354507,"sku":"R2777-5171","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2871892318_16.jpg?v=1757252385"},{"product_id":"touching-your-feelings","title":"Touching Your Feelings","description":"\u003cp\u003eReissue of the most precious hidden gems of soul jazz \/ spoken word albums from a key era. Originally released in 1974 as a private pressing of fewer that 100 copies, \u003cem\u003eTouching Your Feelings\u003c\/em\u003e by Jim Marks is a crucial missing piece of the proto-rap era lying firmly between Gil Scott Heron and Amiri Baraka, with whom he made a strong friendship. Jym Marks' mix of deep, expressive poetry and solid jazz sits on the edge of works by The Last Poets and fellow West coast rhyme smiths, the Watts Prophets. Upon hearing Jym Marks for the first time, it will remind you of those other great strangers of music who suddenly returned to the fore; you will experience the same emotions as when first listening to Terry Callier or Darondo.\u003c\/p\u003e\n\u003cp\u003eNow 88, Jym (with y) has written 8 poetry books and recorded two albums. We found him, where he has always been, behind the windows of his barber shop in Palo Alto, where he worked for 50 years.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTouching Your Feelings\u003c\/em\u003e will take you on a musical journey of 11 poems written by Jym between 1968 and 1974 that talk about social and political issues, the human condition, our relationship with ourselves and each other, the inner self. In a wide ranging interview, Jym Marks told Tony Higgins about his life, musical inspirations, artistic motivations and much more. This is an opportunity to hear a truly remarkable record that sells for thousands of dollars on the collector circuit, and is unknown even to the most attentive!\u003c\/p\u003e\n\u003cp\u003eThe track \"Music and Song\" was sampled by Madlib \u0026amp; Sam Herring in \"Intro (Trouble Knows Me)\" - part of the \"Trouble Knows Me\" EP released on Madlib label MadlibInvazion back in 2015, did you dig it?\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"LP - Black","offer_id":56945328292171,"sku":"R6573-4272","price":44.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-2_4e935d23-6ce9-4e30-bf57-dc89df47bf6c.jpg?v=1775222713"},{"product_id":"electric-village-1","title":"Electric Village","description":"\u003cp\u003eNew York, the city that never sleeps, a relentless flow of information, bureaucratic, traversed by human knowledge, a crossroads of capital and the metaphysics of distant cultures and new technologies. This is how it must have appeared to those who traveled from the far East to live there.\u003c\/p\u003e\n\u003cp\u003eBut the shock worked both ways: while chaos can trigger physical discomfort, slow living in contact with nature generates a state of psychophysical wellbeing. This is what happened to those who ventured to India in the 1960s in search of their inner self. For many it was a temporary escape, a pause before lacing up their Converse and returning to the city. For others it was an epiphany.\u003c\/p\u003e\n\u003cp\u003eBill Buchen was one of them. He stayed. He kept going back. As he put it: \"My music connections in New York are mostly a couple older Jazz players who did Broadway and a lot of touring. My biggest connection is with the Indian music community. I spent two years in India, speak Hindi and played about 200 Indian weddings.\" Like many of the musicians we have presented to you, he changed his life. He devoted himself to art, and together with his wife invented the modern playground structures we now find all over the world.\u003c\/p\u003e\n\u003cp\u003eBut before all that, he left us something dark and precious, built on relentless rhythmic patterns and sensory elevations carried by the flute of the remarkably versatile Jose James.\u003c\/p\u003e\n\u003cp\u003eA dichotomy of two worlds, clearly expressed on two sides of the vinyl, Electric Village is pulsating energy on the A side, releasing into a cathartic latin driven jazz dance on the B side.\u003c\/p\u003e","brand":"Eating Standing Recordings","offers":[{"title":"LP - Black","offer_id":57074360549707,"sku":"R6364-7650","price":43.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_3c8f449d-4cf3-4841-b70e-d9e3a4a20ccf.jpg?v=1776694782"}],"url":"https:\/\/shop.roughtrade.com\/fr\/collections\/eating-standing-recordings.oembed","provider":"Rough Trade","version":"1.0","type":"link"}