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He re-defined the role of producer; pioneering the recording itself as an art form. This edition is testament to a elegant, fearless musical innovator.\u003c\/p\u003e\u003cp\u003eThe surrealistic, sometimes free-form recordings he created with comic geniuses Sellers, Milligan, Cribbins and Ustinov involved sound effects and collage. These madcap sonic adventures, allied to his understanding of the workings of an orchestra, his contacts within the classical fraternity, his love of the romantic and impressionist composers, and his fascination with studio experimentation made George Martin uniquely able to provide a particular objectivity and realise what the ever-curious Beatles, or any artist, would ask of him.\u003c\/p\u003e\u003cp\u003eAs head of Parlophone, determined to explode the label onto the scene, he sought artists of character; taking mobile recording units out to capture Flanders And Swann’s two-man show and the irreverent satirical revue, Beyond The Fringe. The Top Five was breached in 1960 both by Matt Monro and by Peter Sellers And Sophia Loren. George Martin’s first UK Number One single, and an exemplar, was ‘You’re Driving Me Crazy’ by The Temperance Seven who combined a revival of popular music from the 20s with styles from the Edwardian era.\u003c\/p\u003e\u003cp\u003eTrack Listing:\u003c\/p\u003e\u003cp\u003eDISC ONE\u003c\/p\u003e\u003cp\u003eIn All Directions\u003cbr\u003e1 Antonín Dvořák: Serenade for Winds in D minor, Op. 44 – Moderato quasi Marcia (London Baroque Ensemble \/ Karl Haas)\u003cbr\u003e2 Frank Chacksfield`s Tunesmiths – Little Red Monkey\u003cbr\u003e3 Kenneth McKellar – Corn Rigs Are Bonnie\u003cbr\u003e4 The Kirchin Band – Bandbox\u003cbr\u003e5 Cléö Laine with the Johnny Dankworth Seven\u003cbr\u003e– Honeysuckle Rose\u003cbr\u003e6 Sidney Torch and His Orchestra – Bicycle Belles\u003cbr\u003e7 Dick James – Robin Hood\u003cbr\u003e8 Eve Boswell – Became Mucho\u003cbr\u003e9 Bert Weedon – Theme from ITV’s 64,000 Question\u003cbr\u003e10 The Vipers Skiffle Group – Don’t You Rock Me Daddy-O\u003cbr\u003e11 Ron Goodwin \u0026amp; His Concert Orchestra – Skiffling Strings\u003cbr\u003e12 Jim Dale – Don’t Let Go\u003cbr\u003e13 Ron Goodwin and His Orchestra – Mercury Gets the Message\u003cbr\u003e14 Jack Parnell \u0026amp; His Orchestra – Trip to Mars\u003cbr\u003e15 Humphrey Lyttelton \u0026amp; His Band – Saturday Jump\u003cbr\u003e16 Humphrey Lyttelton \u0026amp; His Band – The House that Humph Built\u003cbr\u003e17 Christopher Logue – Lithe Girl, Brown Girl\u003cbr\u003e18 Ron Goodwin and his Concert Orchestra – Girl from Corsica\u003cbr\u003e19 Nadia Cattouse – Long Time Boy\u003cbr\u003e20 Johnny Dankworth \u0026amp;. His Orchestra – African Waltz\u003cbr\u003e21 The Temperance Seven – You’re Driving me Crazy\u003cbr\u003e22 The Temperance Seven – Pasadena\u003cbr\u003e23 The Temperance Seven – Everybody Loves My Baby\u003cbr\u003e24 Ray Cathode – Time Beat\u003cbr\u003e25 Ray Cathode – Waltz in Orbit\u003cbr\u003e26 The Fentones – Just for Jerry\u003cbr\u003e27 Ralph Vaughan Williams – The Lark Ascending (London Philharmonic Orchestra \/ Adrian Boult)\u003c\/p\u003e\u003cp\u003eDISC TWO\u003c\/p\u003e\u003cp\u003eExperiments With Pop\u003cbr\u003e1 Johnny Dankworth \u0026amp; His Orchestra – Experiments with Mice\u003cbr\u003e2 Flanders and Swann – The Gnu Song\u003cbr\u003e3 Ian Wallace – The Hippopotamus Song\u003cbr\u003e4 Humphrey Lyttelton \u0026amp; His Band – Bad Penny Blues\u003cbr\u003e5 Peter Sellers – I’m So Ashamed\u003cbr\u003e6 Fred Flange \u0026amp; Peter Sellers – You Keep Me Swingin’\u003cbr\u003e7 The Temperance Seven With vocal refrain by Peter Sellers – Ukulele Lady\u003cbr\u003e8 Irene Handl \u0026amp; Peter Sellers – Shadows On The Grass\u003cbr\u003e9 Peter Sellers \u0026amp; Sophia Loren – Goodness Gracious Me!\u003cbr\u003e10 Sophia Loren – Zoo be Zoo be Zoo\u003cbr\u003e11 Peter Sellers \u0026amp; Sophia Loren – Bangers \u0026amp; Mash\u003cbr\u003e12 Tommy Watt \u0026amp; His Orchestra – Victorian Plums\u003cbr\u003e13 Matt Monro – Portrait of Our Love\u003cbr\u003e14 Flanders and Swann – The Armadillo\u003cbr\u003e15 Flanders and Swann – The Spider in the Bath\u003cbr\u003e16 Matt Monro – My Kind of Girl\u003cbr\u003e17 Ron Goodwin \u0026amp; His Orchestra – Murder She Says\u003cbr\u003e18 Bernard Cribbins – The Hole In the Ground\u003cbr\u003e19 Bernard Cribbins – Right, Said Fred\u003cbr\u003e20 Ron Goodwin \u0026amp; His Orchestra – Barefoot Girl\u003cbr\u003e21 The Goons (Spike Milligan, Peter Sellers, Harry Secombe) – Tale of Men’s Shirts\u003c\/p\u003e\u003cp\u003eDISC THREE\u003c\/p\u003e\u003cp\u003eCOMEDY SURREALIST\u003cbr\u003e1 Peter Ustinov – Mock Mozart\u003cbr\u003e2 Peter Ustinov – Phoney Folk-Lore\u003cbr\u003e3 The Goons (Peter Sellers and Spike Milligan) – Unchained Melody\u003cbr\u003e4 Count Jim Moriarty with Gravely Stephens and the Massed Alberts – You Gotta Go Oww!\u003cbr\u003e5 Peter Sellers – Jakka and the Flying Saucers (Parts 1 \u0026amp; 2)\u003cbr\u003eFrom BEYOND THE FRINGE\u003cbr\u003e6 Alan Bennett – Take A Pew\u003cbr\u003e7 Dudley Moore – And the Same to You\u003cbr\u003e8 Peter Cook – Sitting on the Bench\u003cbr\u003e9 Spike Milligan – The Sewers of the Strand\u003cbr\u003e10 Michael Bentine – Train Commercial : The Astronauts\u003cbr\u003e11 The Alberts – Morse Code Melody\u003cbr\u003eBRIDGE ON THE RIVER WYE\u003cbr\u003e(Spike Milligan, Peter Sellers, Jonathan Miller, Peter Cook)\u003cbr\u003e12 Bridge Over the River Wye (Part One)\u003cbr\u003e13 Bridge Over the River Wye (Part Two)\u003c\/p\u003e\u003cp\u003eDISC FOUR\u003c\/p\u003e\u003cp\u003eCLASSICAL INFLUENCES\u003cbr\u003e1 Gustav Holst: The Planets, Op. 32 – Venus, the Bringer of Peace (Adagio) (BBC Symphony Orchestra \/ Malcolm Sargent)\u003cbr\u003e2 Maurice Ravel: Prélude in A Minor (Vlado Perlemuter; piano)\u003cbr\u003e3 Maurice Ravel: Daphnis et Chloé – Lever du jour \/ Daphnis \u0026amp; Chloe are Reunited (Boston Symphony Orchestra \u0026amp; New England Conservatory Chorus \/ Charles Munch)\u003cbr\u003e4 Maurice Ravel: Le Tombeau de Couperin – Fugue (Monique Haas: piano)\u003cbr\u003e5 Claude Debussy: Prélude à l’après-midi d’un faune (Philharmonia Orchestra \/ Guido Cantelli)\u003cbr\u003e6 Claude Debussy: L’isle joyeuse (Samson François: piano)\u003cbr\u003e7 Frederick Delius – The Walk to the Paradise Garden (from A Village Romeo and Juliet) (Halle Orchestra \/ John Barbirolli) 8 Frederick Delius – La Calinda (from Koanga) (London Philharmonic Orchestra \/ Thomas Beecham)\u003cbr\u003e9 Peter Pears and Benjamin Britten: Foggy, Foggy Dew (Peter Pears: tenor; Benjamin Britten: piano)\u003cbr\u003e10 Domenico Cimarosa: Oboe Concerto in C Minor: I. Introduzione. Larghetto (Evelyn Rothwell: oboe – Pro Arte Orchestra \/ John Barbirolli)\u003cbr\u003e11 Gershwin: Bess, You is My Woman (from Porgy \u0026amp; Bess) (Todd Duncan And Anne Brown – Decca Symphony Orchestra \/ Alexander Smallens)\u003cbr\u003e12 Johann Sebastian Bach: St Matthew Passion, BWV244 – No.1 Chorus: “Kommt, ihr Töchter, helft mir klagen” (Munich-Bach Orchestra and Chorus \/ Karl Richter)\u003cbr\u003e13 Sergei Rachmaninoff: Piano Concerto No. 2 in C minor, Op. 18 – Adagio sostenuto (William Kapell: piano – The Robin Hood Dell Orchestra of Philadelphia \/ William Steinberg)\u003cbr\u003e14 Frédéric Chopin – Preludes for Piano, Op. 28: No. 4 in E minor (Geza Anda: piano)\u003c\/p\u003e","brand":"EL","offers":[{"title":"CD | x4","offer_id":50452339654987,"sku":"1166419","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e50f839b-0cd5-4d7b-8c36-aefb5298018a_thumbnail_4096.jpg?v=1727147855"},{"product_id":"ban-the-bomb-music-of-the-aldermaston-anti-nuclear-marches","title":"Ban the Bomb: Music of the Aldermaston Anti-Nuclear Marches","description":"\u003cp\u003eHistoric 2CD set featuring the music of the Aldermaston Anti-Nuclear Marches. From folk and jazz to protest songs against the bomb.\u003c\/p\u003e\u003cp\u003eBritain in the late 1950s, a country boosted by a global economic boom, finally emerging from post-war austerity. Throughout the decade, however, Cold War tensions between the USA and the Soviet Union had escalated and Britain had entered the fray to become only the third nation to develop nuclear weapons. This led to the formation of the Campaign for Nuclear Disarmament (CND), a group headed by Anglican priest John Collins and the philosopher Bertrand Russell. Attracting support from across a broad spectrum of the public, a march was organised from London to the atomic weapons plant near the village of Aldermaston in Berkshire, a peaceful protest involving people of all ages; united in their horror at finding themselves living in the shadow of the bomb and in their fear for the future of mankind.\u003c\/p\u003e\u003cp\u003eSo, from Trafalgar Square on Good Friday 1958, in dismal weather, they marched to a soundtrack of folk songs and jazz; the protest songs of Ewan MacColl and Peggy Seeger, Fred and Betty Dallas and John Brunner, complemented by the revivalist New Orleans style of Ken Colyer’s Omega Brass Band and standards popularised by such British jazz giants of the era as Chris Barber, Ottilie Patterson, Humphrey Lyttelton, Kenny Ball and Acker Bilk.\u003c\/p\u003e\u003cp\u003eJeff Nuttall, in Bomb Culture: “The Aldermaston March numbers were vast, by far the largest ever for political \/ humanitarian aims. Teenagers among them created a carnival of optimism. It was this wild public festival spirit that spread the CND symbol through the jazz clubs and secondary schools in an incredibly short time. Protest was associated with festivity. There was a new feeling of license granted by the obvious humanitarian attitude of the ravers themselves.”\u003c\/p\u003e\u003cp\u003eTrack Listing:\u003c\/p\u003e\u003cp\u003eDISC ONE\u003c\/p\u003e\u003cp\u003eBERTRAND RUSSELL\u003cbr\u003e1 Interviewed at Ban the Bomb rally\u003cbr\u003eEWAN MACCOLL AND BETTY SEEGER\u003cbr\u003e2 March With Us Today\u003cbr\u003e3 Brother Won’t You Join In The Line?\u003cbr\u003e4 The Crooked Cross\u003cbr\u003e5 There’s Better Things For You\u003cbr\u003eJUDY COLLINS\u003cbr\u003e6 The Crow On The Cradle\u003cbr\u003eSONGS AGAINST THE BOMB\u003cbr\u003e7 Ewan MacColl, Peggy Seeger and Jack Elliott – Brother Won’t You Join in the Line?\u003cbr\u003e8 Ewan MacColl and Peggy Seeger – The Crooked Cross\u003cbr\u003e9 Fred and Betty Dallas – Strontium 90\u003cbr\u003e10 Fred and Betty Dallas – Hey Little Man\u003cbr\u003e11 Fred Dallas – Doomsday Blues (sung in the film, March to Aldermaston)\u003cbr\u003e12 Ewan MacColl and Peggy Seeger – The Ballad of the Five Fingers\u003cbr\u003e13 Peggy Seeger – There are Better Things to Do\u003cbr\u003e14 The London Youth Choir – The H-Bomb’s Thunder\u003cbr\u003e15 The London Youth Choir – Song of Hiroshima\u003cbr\u003e16 The London Youth Choir – Hoist the Window\u003cbr\u003e17 Ron Fielder, Ray Edwards and members of the Robin Hood Singers – That Bomb Has Got to Go\u003cbr\u003e18 Margaret McKeown – The Dove\u003cbr\u003e19 The London Youth Choir – The Family of Man CHRIS BARBER’S JAZZ BAND WITH OTTILIE PATTERSON\u003cbr\u003e20 When The Saints Go Marching In\u003cbr\u003eCHRIS BARBER’S JAZZ BAND\u003cbr\u003e21 Sweet Georgia Brown\u003cbr\u003e22 High Society\u003cbr\u003eCHRIS BARBER’S JAZZ BAND WITH OTTILIE PATTERSON\u003cbr\u003e23 Down By the Riverside\u003cbr\u003e24 Just A Closer Walk with Thee\u003cbr\u003eGEORGE MELLY WITH MICK MULLIGAN’S BAND\u003cbr\u003e25 Magnolia\u003cbr\u003eACKER BILK AND HIS PARAMOUNT JAZZ BAND\u003cbr\u003e26 Blaze Away\u003cbr\u003e27 Under The Double Eagle\u003cbr\u003e28 C.R.E. March\u003cbr\u003e29 El Abanico\u003c\/p\u003e\u003cp\u003eDISC TWO\u003c\/p\u003e\u003cp\u003eSHEILA HANCOCK AND SYDNEY CARTER\u003cbr\u003e1 Coming Down From Aldermaston\u003cbr\u003eKEN COLYER’S JAZZMEN\u003cbr\u003e2 Easter Parade\u003cbr\u003e3 The Original Tuxedo Rag\u003cbr\u003e4 Isle of Capri\u003cbr\u003eHUMPHREY LYTTELTON AND HIS BAND\u003cbr\u003e5 Ice Cream\u003cbr\u003e6 The Onions\u003cbr\u003e7 Christopher Columbus\u003cbr\u003eTHE ALBERTS\u003cbr\u003e8 Morse Code Melody\u003cbr\u003e9 Sleepy Valley\u003cbr\u003eKEN COLYER’S OMEGA BRASS BAND\u003cbr\u003e10 Isle Of Capri\u003cbr\u003e11 Panama Rag\u003cbr\u003e12 Tiger Rag\u003cbr\u003e13 Gettysburg March\u003cbr\u003e14 Over In Gloryland\u003cbr\u003e15 Just A Closer Walk With Thee\u003cbr\u003eKENNY BALL AND HIS JAZZMEN\u003cbr\u003e16 Breezin’ Along with the Breeze\u003cbr\u003e17 Riverboat Shuffle\u003cbr\u003e18 1919 Rag\u003cbr\u003eGEORGE MELLY WITH MICK MULLIGAN AND HIS BAND\u003cbr\u003e19 I’m A Ding Dong Daddy\u003cbr\u003eGEORGE MELLY WITH MICK MULLIGAN’S MAGNOLIA JAZZ BAND\u003cbr\u003e20 There’ll be Some Changes Made\u003cbr\u003e21 Mama Don’t Allow\u003cbr\u003eCHRIS BARBER’S JAZZ BAND\u003cbr\u003e22 Everybody Loves My Baby\u003cbr\u003e23 Didn’t He Ramble\u003cbr\u003eOTTILIE PATTERSON WITH CHRIS BARBER’S JAZZ BAND\u003cbr\u003e24 St Louis Blues\u003cbr\u003eCHRIS BARBER’S JAZZ AND BLUES BAND\u003cbr\u003e25 Just a Little While to Stay Here\u003c\/p\u003e","brand":"El","offers":[{"title":"CD | x2","offer_id":50458593329483,"sku":"1151675","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5d7d4f63-6830-4307-88a5-708aa08a0a4f_thumbnail_4096.jpg?v=1727212103"},{"product_id":"old-sequins-and-ancient-breastplates-historical-recordings-1926-1961","title":"Old Sequins and Ancient Breastplates Historical Recordings 1926-1961","description":"\u003cp\u003eA four disc Box set collection of historic Satie recordings, ranging from the 1920’s onwards. Including such rarities as Henri Sauguet’s ‘\u003cem\u003eSocrate\u003c\/em\u003e’ for solo voice and orchestra; piano sets by William Masselos and Aldo Ciccolini that have been out of print for decades; Serge Koussevitzky’s vintage recordings of the ‘Gymnopédies’, (arranged for orchestra by Claude Debussy), and Francis Poulenc and Georges Auric’s two pianos and four hands arrangement of ‘\u003cem\u003eParade\u003c\/em\u003e’, the Diaghilev-Picasso-Cocteau ballet which created a scandal in Paris and for the first time forced upon Satie the glare of publicity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSatie\u003c\/strong\u003e’s best known compositions, ‘\u003cem\u003eTrois Gymnopédies\u003c\/em\u003e’, composed in 1888 at the age of 22, and ‘\u003cem\u003eTrois Gnossiennes\u003c\/em\u003e’, which was written two years later, create the impression of being either very archaic or very modern; astonishing early expressions of the composer’s originality. 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Looking to strike a balance, George Martin contributed a more formal classical understanding which proved essential in creating such productions as ‘Yesterday’ and ‘Eleanor Rigby’. Literary enthusiasms also played a part – with Lewis Carroll a less than distant echo on ‘Lucy In The Sky With Diamonds’ and ‘I Am The Walrus’ – as did a certain playful irreverence derived from the anarchic humour of The Goons.\u003c\/p\u003e\u003cp\u003eWith psychedelia in its infancy and with everything possible, many other popular artists, brought up on blues or beat felt encouraged to embrace music from further afield. In 1965, live performances of David Bowie’s group, The Lower Third, came to a screaming conclusion with a feedback-laden interpretation of ‘Mars’ from ‘The Planets’. The fantasy quality of Syd Barrett’s songwriting for Pink Floyd’s debut \u003ci\u003ePiper At The Gates Of Dawn\u003c\/i\u003e, drew on the nonsense verse of Hilaire Belloc. Pete Townshend was introduced to the music of the 17th century English composer Henry Purcell by his manager Kit Lambert. The ‘Gordian Knot Untied’ uses a series of suspended chords. The sadness and sophistication of the chord suspensions made a strong impression on Townshend and he began incorporating the idea into his work, with the intro to ‘Pinball Wizard’ being the classic example. In America, Frank Zappa and the Mothers Of Invention’s revolutionary debut, ‘Freak Out!’, connected modernist composition to pop citing Stravinsky, Schoenberg, Boulez and Varèse under the heading “These People Have Contributed Materially in Many Ways to Make Our Music What it is”. The album was both without precedent and of great influence. Not for nothing did Paul McCartney reportedly call ‘Sgt Pepper’ “our ‘Freak Out!’.”\u003c\/p\u003e\u003cp\u003eDISC ONE:\u003c\/p\u003e\u003cp\u003eDAVID BOWIE \/ SYD BARRETT – PINK FLOYD\u003cbr\u003eGUSTAV HOLST\u003cbr\u003e1 Mars, the Bringer of War (Allegro), from The Planets, Op. 32\u003cbr\u003eBBC Symphony Orchestra \/ Conductor: Malcolm Sargent\u003cbr\u003eTHE BEATLES\u003cbr\u003eDYLAN THOMAS\u003cbr\u003e2 To Begin at the Beginning, from Under Milk Wood – A Play for Voices\u003cbr\u003eRead by Richard Burton\u003cbr\u003eTHE JOHN COLTRANE QUARTET\u003cbr\u003e3 Greensleeves\u003cbr\u003eDELIA DERBYSHIRE\u003cbr\u003e4 Time On Our Hands (Titles and City Music)\u003cbr\u003eALBERT AYLER QUARTET\u003cbr\u003e5 Spirits\u003cbr\u003eOSCAR WILDE\u003cbr\u003e6 The Picture of Dorian Gray – Scene One Read by Hurd Hatfield\u003cbr\u003eJOHN CAGE\u003cbr\u003e7 Aria with Fontana Mix Cathy Berberian: voice\u003cbr\u003eORNETTE COLEMAN DOUBLE QUARTET\u003cbr\u003eexcerpts from Free Jazz: A collective improvisation by the Ornette Coleman Double Quartet\u003cbr\u003e8 Ensemble Introduction to Charlie Haden \/ Charlie Haden – Bass Solo\u003cbr\u003e9 Ensemble introduction to Scott LaFaro \/ Scott LaFaro – Bass Solo\u003cbr\u003eSUN RA\u003cbr\u003e10 Advice to Medics\u003cbr\u003eEDGAR ALLAN POE\u003cbr\u003e11 The Raven\u003cbr\u003eRead by Basil Rathbone\u003cbr\u003ePIERRE SCHAEFFER\u003cbr\u003e12 Objets étendus from Étude aux Objets (Study of Objects)\u003cbr\u003eLEWIS CARROLL\u003cbr\u003e13 Tweedledum and Tweedledee from Alice Through The Looking Glass\u003cbr\u003eJane Asher as Alice PIERRE SCHAEFFER\u003cbr\u003e14 Variations Sur Une Flûte Mexicaine (excerpt)\u003cbr\u003eTHE GOONS\u003cbr\u003e15 I’m Walking Backwards for Christmas\u003c\/p\u003e\u003cp\u003eDISC TWO:\u003c\/p\u003e\u003cp\u003eJOHN CIPOLLINA – QUICKSILVER\u003cbr\u003eCARLOS MONTOYA\u003cbr\u003e1 Malaguena\u003cbr\u003eTHE DAVE BRUBECK QUARTET\u003cbr\u003e2 Take Five DAVID BOWIE IGOR STRAVINSKY\u003cbr\u003e3 Ragtime for Eleven Instruments – Columbia Chamber Ensemble\/Conductor: Igor Stravinsky RICHARD STRAUSS Four Last Songs\u003cbr\u003e4 Frühling (Spring)\u003cbr\u003e5 September\u003cbr\u003e6 Beim Schlafengehen (When Falling Asleep)\u003cbr\u003e7 Im Abendrot (At Sunset)\u003cbr\u003eSoprano: Elisabeth Schwarzkopf Horn solo: Dennis Brain\u003cbr\u003eThe Philharmonia Orchestra\/Otto Ackermann\u003cbr\u003eELGAR Selections from the Nursery Suite\u003cbr\u003e8 Aubade\u003cbr\u003e9 The Wagon Passes\u003cbr\u003ePETE TOWNSHEND – THE WHO\u003cbr\u003ePURCELL The Gordian Knot Untied, Z.597\u003cbr\u003e10 Overture\u003cbr\u003e11 Air (Moderato)\u003cbr\u003e12 Rondeau Minuet\u003cbr\u003e13 Air (Allegro)\u003cbr\u003e14 Jig\u003cbr\u003e15 Chaconne\u003cbr\u003e16 Air (Allegro)\u003cbr\u003e17 Minuet\u003cbr\u003eSTEELY DAN – TOMITA\u003cbr\u003eCLAUDE DEBUSSY\u003cbr\u003e18 La Cathédrale engloutie (The Sunken Cathedral) Walter Gieseking: piano\u003cbr\u003eRAY DAVIES – THE KINKS\u003cbr\u003ePERCY GRAINGER\u003cbr\u003e19 My Robin Is to the Greenwood Gone Eastman-Rochester “Pops” Orchestra \/ Conductor: Frederick Fennell\u003cbr\u003eDAVID CROSBY – THE BYRDS\u003cbr\u003eENSEMBLE OF THE BULGARIAN REPUBLIC\u003cbr\u003eselections from The Music of Bulgaria\u003cbr\u003e20 Vetcheryai Rado (Come to Supper Tonight, Rada)\u003cbr\u003e21 Polegnala E Todora (Theodora is Dozing) Conducted and arranged by Philip Koutev RALPH VAUGHAN WILLIAMS\u003cbr\u003e22 Fantasia on a Theme by Thomas Tallis The Boyd Neel String Orchestra\/Conductor: Boyd Neel. Gramophone première recording, made under the supervision of the composer\u003c\/p\u003e\u003cp\u003eDISC THREE:\u003c\/p\u003e\u003cp\u003eFRANK ZAPPA – THE MOTHERS OF INVENTION\u003cbr\u003eIGOR STRAVINSKY L`Histoire du Soldat (The Soldier’s Tale) – Suite de Concert\u003cbr\u003e1 Marche du Soldat – Airs de marche\u003cbr\u003e2 Premier Tableau: Airs by a Stream\u003cbr\u003e3 Deuxième Tableau: Pastorale\u003cbr\u003e4 Marche Royale\u003cbr\u003e5 Petit Concert\u003cbr\u003e6 Trois Danses: Tango, Valse, Ragtime\u003cbr\u003e7 Danse du diable\u003cbr\u003e8 Grand Choral\u003cbr\u003e9 Marche triomphale du diable\u003cbr\u003eColumbia Chamber Ensemble\/Conductor: Igor Stravinsky\u003cbr\u003eARNOLD SCHOENBERG Five Pieces for Orchestra, Op. 16\u003cbr\u003e10 Vorgefühle (Premonitions)\u003cbr\u003e11 Vergangenes (The Past)\u003cbr\u003e12 Sommermorgen an einem See (Summer Morning by a Lake: Chord-Colours)\u003cbr\u003e13 Peripetie (Peripeteia)\u003cbr\u003e14 Das obligate Rezitativ (The Obbligato Recitative)\u003cbr\u003eChicago Symphony Orchestra \/ Conductor: Rafael Kubelik\u003cbr\u003eSelections from MUSIC ON THE DESERT ROAD: A Sound Travelogue by Deben Bhattacharya\u003cbr\u003e15 Turkey: Automobile on mountain road – Central Anatolian Dance\u003cbr\u003e16 Iran: Rhythm of a Train\u003cbr\u003e17 India: Raga Zila from Varanasi\u003cbr\u003e18 India: Temple Bells And Drums of a Bengali Kali Temple\u003cbr\u003eROBERT FRIPP OF KING CRIMSON\u003cbr\u003eBELA BARTOK Selection from String Quartet No.4\u003cbr\u003e19 Allegretto pizzicato Végh Quartet\u003cbr\u003eJIM MORRISON – THE DOORS\u003cbr\u003eJACK KEROUAC\u003cbr\u003e20 San Francisco Scene (The Beat Generation)\u003cbr\u003eROBBY KRIEGER – THE DOORS\u003cbr\u003eSABICAS\u003cbr\u003e21 Bronce Gitano (Solaeres)\u003cbr\u003eGRACE SLICK – JEFFERSON AIRPLANE\u003cbr\u003eMAURICE RAVEL\u003cbr\u003e22 Bolero\u003cbr\u003eRoyal Concertgebouw Orchestra \/ Conductor: Eduard van Beinum\u003c\/p\u003e\u003cp\u003eDISC FOUR:\u003c\/p\u003e\u003cp\u003eROD ARGENT – THE ZOMBIES\u003cbr\u003eJOHANN SEBASTIAN BACH\u003cbr\u003e1 Osanna in excelsis from Sanctus from Mass in B Minor\u003cbr\u003eThe Münchener Bach Orchestra and Choir \/ Conductor: Karl Richter\u003cbr\u003eJON ANDERSON – YES\u003cbr\u003eJEAN SIBELIUS\u003cbr\u003e2 Symphony no.5 in E flat, Op.82\u003cbr\u003eFirst Movement: Tempo molto moderato – Largamente – Allegro moderato – Presto Philharmonia Orchestra \/ Conductor: Herbert von Karajan\u003cbr\u003eCARLOS SANTANA\u003cbr\u003eALI AKBAR KHAN\u003cbr\u003e3 Introduction by Yehudi Menuhin\u003cbr\u003e4 Rag Sindhi Bhairavi\u003cbr\u003eSYD BARRETT – PINK FLOYD\u003cbr\u003eHILAIRE BELLOC\u003cbr\u003e5 Matilda, from Four Cautionary Tales Read by Robert Speaight\u003cbr\u003eANDREW LOOG OLDHAM\u003cbr\u003eOSCAR PETERSON TRIO\u003cbr\u003e6 Jet Song from “West Side Story” PHIL LESH OF THE GRATEFUL DEAD\/ JOHN BARRY\u003cbr\u003eGUSTAV MAHLER\u003cbr\u003e7 Symphony No.9 in D major : First Movement: Andante Comodo\u003cbr\u003eColumbia Symphony Orchestra \/ Conductor: Bruno Walter\u003cbr\u003eMARIANNE FAITHFULL\u003cbr\u003eCOLE PORTER\u003cbr\u003e8 You’re The Top\u003c\/p\u003e","brand":"El","offers":[{"title":"CD | x4","offer_id":50459585085771,"sku":"1129421","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f1242d43-1b21-4333-83f4-6e5df752e152_thumbnail_4096.jpg?v=1727224855"},{"product_id":"the-mountains-the-sun-and-the-sea-the-art-of-antonio-carlos-jobim","title":"The Mountains, The Sun and the Sea – The Art of Antonio Carlos Jobim","description":"\u003cp\u003e\u003ci\u003eThe Mountains, The Sun and the Sea – The Art of Antonio Carlos Jobim\u003c\/i\u003e comprises the landmark early Brazilian recordings of the composer, spanning the first decade of his career; the historic albums Jobim participated in making and a quantity of his songs – 78s and singles – recorded by popular Brazilian singers of the day. 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The early British modernists were influenced by such black American masters as Charlie Parker, Thelonious Monk and Dizzy Gillespie, and they based their lives and art on similar premises as their heroes, affecting dark glasses and a hip stance. In contrast to the beer-swilling revivalists, pot and pep-pills were their chosen stimulants though such were the physical and psychological demands of touring, some suffered damaging encounters with hard drugs. The rise of the modernists marked an extraordinary era which saw the opening of the original Ronnie Scott's club in Gerrard Street, Soho, and the emergence of a golden generation of exceptional musicians who would create a musical identity for British jazz. Prominent among them, two prodigies, multi-instrumentalists, composers and school chums, Tubby Hayes, (who with Ronnie Scott would create the finest British be-bop group of all, The Jazz Couriers) and Victor Feldman, described by Benny Green as \"the most gifted jazz musician Britain has ever produced\". Stan Tracey (another authentic jazz composer who was resident pianist at Ronnie Scott's for seven years), also emerged along with the brilliant and much in demand Scottish arranger and trumpeter Jimmy Deuchar, the Jamaica-born saxophonist Joe Harriott, who abandoned the security of a successful quintet to devote himself to his revolutionary new 'abstract' music, Cleo Laine and Annie Ross, simply two of the greatest post-war female jazz vocalists in the world, and Johnny Dankworth and Dudley Moore, both leading composers of film music. \u003ci\u003eKeep It Light \u003c\/i\u003ecaptures the atmosphere of the late 50s, early 60s British jazz scene; a time of creativity, style and excitement. The sound is not American. 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The score of \u003ci\u003eThe Pleasure Seekers\u003c\/i\u003e was created by Lionel Newman and Alexander Courage (the latter destined to compose Star Trek's iconic music) and features four selections written by the Sammy Cahn - Jimmy Van Heusen song-writing team, each performed by Ann- Margret. Ann-Magret's film debut came in 1961 as Bette Davis' daughter in Frank Capra's \u003ci\u003eA Pocketful of Miracles\u003c\/i\u003e. Next, with her song and dance skills to the fore, she shone in George Sidney's delightful sun-filled musical \u003ci\u003eBye Bye Birdie\u003c\/i\u003e opposite Dick Van Dyke and then found herself cast as Elvis Presley's co-star in Viva Las Vegas, her presence as love interest Rusty Martin making the film one of The King's more enduring vehicles. 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In some cases, he had every intention of using these in the film, only to decide to replace them late on.\u003c\/p\u003e\n\n\u003cp\u003eIn \u003cem\u003e2001\u003c\/em\u003e, the scherzo from Felix Mendelssohn's \u003cem\u003eMidsummer Night's Dream\u003c\/em\u003e (used for scenes of weightlessness) and Vaughan Williams' \u003cem\u003eAntarctica Suite\u003c\/em\u003e (for the Stargate effects and scenes on the moon) were both used in preview showings of the film before being discarded. 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Thrillingly modern, yet full of the spirit of classical American cinema. His documentary, ‘Directed by John Ford’, and book of interviews, ‘This is Orson Welles’, evidence the influence of those directorial giants on Peter and reveal his own deep love of the craft of film-making.\u003c\/p\u003e\u003cp\u003eDiscs one and two comprise the soundtracks of Peter’s two eloquent film essays in Americana; ‘The Last Picture Show’ (1971) and ‘Paper Moon’ (1973), alongside a programme of vintage 78rpm recordings of Cole Porter songs featured in his musical, ‘At Long Last Love’ (1975). Discs three and four are devoted to music from the masterpieces of Orson Welles and John Ford that fired Peter’s imagination; ‘Citizen Kane’, ‘The Magnificent Ambersons’, ‘A Touch of Evil’ and ‘The Searchers’.\u003c\/p\u003e\u003cp\u003eSet in a small Texan town between November 1951 to October 1952, and made in black and white at Welles’ suggestion, ‘The Last Picture Show’ – nominated for eight Academy Awards and winning two – is regarded as one of the most poetic American films of the era. ‘Paper Moon’, another black and white feature, and another commercial and critical success, is an ingenious reinvention of the classic American road movie. It won a best supporting actress Oscar for 10 year-old Tatum O’Neal.\u003c\/p\u003e\u003cp\u003eContributing to the authenticity of both films, both have soundtracks comprising popular music of the era in which they are set.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eDISC ONE\u003cbr\u003eTHE LAST PICTURE SHOW (1971)\u003c\/p\u003e\u003cp\u003e1 Hank Williams – Why Don’t You Love Me (Like You Used To Do)\u003cbr\u003e2 Hank Williams – Cold, Cold Heart\u003cbr\u003e3 Eddy Arnold – Bouquet Of Roses\u003cbr\u003e4 Hank Williams – Hey, Good Looking\u003cbr\u003e5 Frankie Laine – Rose, Rose, I Love You\u003cbr\u003e6 Pee Wee King – Slow Poke\u003cbr\u003e7 Eddy Arnold – Anything That’s Part Of Love\u003cbr\u003e8 Hank Snow – A Fool Such As I\u003cbr\u003e9 Jo Stafford – Shrimp Boats\u003cbr\u003e10 Tony Bennett – Cold, Cold Heart\u003cbr\u003e11 Phil Harris – The Thing\u003cbr\u003e12 Hank Williams – Lovesick Blues\u003cbr\u003e13 Hank Thompson – The Wild Side Of LIfe\u003cbr\u003e14 Hank Williams – Kaw-Liga\u003cbr\u003e15 Johnnie Ray – Please Mr. Sun\u003cbr\u003e16 Lefty Frizzell – Give Me More, More Of Your Kisses\u003cbr\u003e17 Hank Williams – Half As Much\u003cbr\u003e18 Eddie Fisher – Wish You Were Here\u003cbr\u003e19 Tony Bennett – Solitaire\u003cbr\u003e20 Kay Starr – Wheel Of Fortune\u003cbr\u003e21 Tony Bennett – Blue Velvet\u003cbr\u003e22 Joe Stafford – You Belong To Me\u003cbr\u003e23 Hank Williams – My Son Calls Another Man Daddy\u003cbr\u003e24 Hank Williams – I Can’t Help It (If I’m Still In Love With You)\u003cbr\u003e25 Webb Pierce – Back Street Affair\u003cbr\u003e26 Bob Wills \u0026amp; His Texas Playboys – Faded Love\u003cbr\u003e27 Hank Williams – Jambalaya (On The Bayou)\u003cbr\u003e28 Johnny Standley – It’s In The Book (Part One)\u003c\/p\u003e\u003cp\u003eDISC TWO\u003cbr\u003ePAPER MOON (1973)\u003cbr\u003e1 Paul Whiteman \u0026amp; His Orchestra – It’s Only A Paper Moon\u003cbr\u003e2 Ozzie Nelson \u0026amp; His Orchestra – About A Quarter To Nine\u003cbr\u003e3 Leo Reisman \u0026amp; His Orchestra – (It Will Have To Do) Until The Real Thing Comes Along\u003cbr\u003e4 Dick Powell – Flirtation Walk\u003cbr\u003e5 Bing Crosby – Just One More Chance\u003cbr\u003e6 Jimmie Grier \u0026amp; His Orchestra – One Hour With You\u003cbr\u003e7 Victor Young \u0026amp; His Orchestra \u0026amp; The Boswell Sisters – I Found A Million Dollar Baby\u003cbr\u003e8 Jimmie Grier \u0026amp; His Orchestra – The Object Of My Affection\u003cbr\u003e9 Hoagy Carmichael \u0026amp; His Orchestra – Georgia On My Mind\u003cbr\u003e10 Paul Whiteman \u0026amp; His Orchestra – A Picture Of Me Without You\u003cbr\u003e11 The Blue Sky Boys – On The Banks Of The Ohio\u003cbr\u003e12 Jimmie Davis My Mary\u003cbr\u003e13 Tommy Dorsey \u0026amp; His Orchestra – After You’ve Gone\u003cbr\u003e14 Enric Madriguera \u0026amp; His Hotel Biltmore Orchestra – Let’s Have Another Cup Of Coffee\u003cbr\u003e15 Johnny Hamp’s Kentucky Serenaders – Sunnyside Up\u003c\/p\u003e\u003cp\u003eCOLE PORTER Vintage, 78rpm recordings featured in AT LONG LAST LOVE (1975)\u003cbr\u003e16 Irving Aaronson \u0026amp; His Commanders Vocal: Phil Saxe and Chorus – Let’s Misbehave (1928)\u003cbr\u003e17 Paul Whiteman and His Orchestra, vocal: Ramona Davies – I Get A Kick Out of You (1935)\u003cbr\u003e18 Richard Himber and His Ritz-Carlton Orchestra, vocal: Stuart Allen – Just One of Those Things (1935)\u003cbr\u003e19 Bea Wain with Larry Clinton and His Orchestra – Most Gentlemen Don’t Like Love (1938)\u003cbr\u003e20 Eddy Duchin \u0026amp; his Orchestra, vocal: Jerry Cooper – It’s De-Lovely (1936)\u003cbr\u003e21 Lee Wiley with Bunny Berigan’s Music – Find Me A Primitive Man (1940)\u003cbr\u003e22 Joseph Rines \u0026amp; His Hotel St Regis Orchestra, vocal: Joseph Rines – From Alpha to Omega (1938)\u003cbr\u003e23 Ruby Newman \u0026amp; His Orchestra, vocal: Florence Case – Down In The Depths On The 90th Floor (1936)\u003cbr\u003e24 Judy Garland and Johnny Mercer with Victor Young and His Orchestra – Friendship (1940)\u003cbr\u003e25 Ozzie Nelson \u0026amp; his Orchestra, vocal: Ozzie Nelson – At Long Last Love (1938)\u003cbr\u003e26 Paul Whiteman – You’re The Top (1935)\u003c\/p\u003e\u003cp\u003eDISC THREE\u003cbr\u003eORSON WELLES\u003cbr\u003eWELLES RAISES KANE – A Suite comprising themes from CITIZEN KANE (1941) and THE MAGNIFICENT\u003cbr\u003eAMBERSONS (1942) Composer; Bernard Herrmann The CBS Symphony Orchestra, Conducted by Bernard Herrmann. Original Live Broadcast of 3 July 1949\u003cbr\u003e1 Introduction\u003cbr\u003e2 Overture\u003cbr\u003e3 Theme And Variations 4 Ragtime\u003cbr\u003e5 Antimacassar\u003cbr\u003e6 Pursuit And Happiness\u003cbr\u003e7 ORSON WELLES ON CITIZEN KANE\u003cbr\u003eIn conversation with Huw Wheldon Monitor Arts programme, broadcast 13 March 1960\u003c\/p\u003e\u003cp\u003eSelections from TOUCH OF EVIL (1958) Composer: Henry Mancini – The Universal-International Orchestra conducted by Joseph Gershenson\u003cbr\u003e8 Main Title\u003cbr\u003e9 Orson Around\u003cbr\u003e10 Tana’s Theme\u003cbr\u003e11 Son Of Raunchy\u003cbr\u003e12 Strollin’ Blues\u003cbr\u003e13 Borderline Montuna\u003cbr\u003e14 Lease Breaker\u003cbr\u003e15 Background For Murder\u003cbr\u003e16 Rock Me To Sleep\u003cbr\u003e17 Ku Ku\u003cbr\u003e18 Reflection\u003cbr\u003e19 The Big Drag\u003cbr\u003e20 Susan\u003cbr\u003e21 The Boss\u003cbr\u003e22 Bar Room Rock\u003c\/p\u003e\u003cp\u003eSelections from HISTOIRE IMMORTELLE (The Immortal Story) (1968)\u003cbr\u003e23 Gnossiennes No. 3\u003cbr\u003e24 En plus from Trois morceaux en forme de poire (Three Pieces in the Shape of a Pear) Composer: Erik Satie. Piano: Aldo Ciccolini\u003cbr\u003e25 ORSON WELLES In the Courtroom Speech from COMPULSION (1959)\u003c\/p\u003e\u003cp\u003eDISC FOUR\u003cbr\u003eTHE SEARCHERS (1956)\u003cbr\u003eComposed and Conducted by Max Steiner\u003cbr\u003e1 Main Title \/ The Searchers\u003cbr\u003e2 Ethan Returns\u003cbr\u003e3 Meet Martin\u003cbr\u003e4 Locket For Debbie\u003cbr\u003e5 Ethan And Aaron \/ The Searchers\u003cbr\u003e6 Goodbye Ethan\u003cbr\u003e7 Posse Rides\u003cbr\u003e8 Comanches \/ Edwards’ Ranch At Sundown\u003cbr\u003e9 Debbie At The Tombstone\u003cbr\u003e10 Martin Dragging His Saddle \/ Burning Ranch\u003cbr\u003e11 The Searchers \/ Indian’s Grave\u003cbr\u003e12 Ethan Joins The Posse\u003cbr\u003e13 The Searchers \/ Indians Surround The Posse \/ Death Chant \/ Indians Charge Into The River\u003cbr\u003e14 Saddle Up \/ The Searchers\u003cbr\u003e15 No Bonfires 0:58\u003cbr\u003e16 Ethan Returns From Scouting\u003cbr\u003e17 Brad Dies \/ The Searchers\u003cbr\u003e18 Laurie And Martin\u003cbr\u003e19 Laurie And Martin Argue\u003cbr\u003e20 Ethan’s Dummy Ruse\u003cbr\u003e21 News Of Debbie\u003cbr\u003e22 Camp By The Lake\u003cbr\u003e23 Buffalo Herd \/ Buffalo Drums\u003cbr\u003e24 Assembly\u003cbr\u003e25 The Searchers \/ Cavalry Crosses The Snowfield\u003cbr\u003e26 Mose\u003cbr\u003e27 Cicatriz\u003cbr\u003e28 Scar’s Tepee\u003cbr\u003e29 Debbie Refuses To Leave\u003cbr\u003e30 Arrow Hits Ethan \/ The Searchers\u003cbr\u003e31 Laurie Warns Martin\u003cbr\u003e32 Martin To The Rescue\u003cbr\u003e33 The Searchers \/ Martin Shoots Scar\u003cbr\u003e34 Attack On The Indian Village\u003cbr\u003e35 Reunion Of Ethan And Debbie\u003cbr\u003e36 End Title \/ The Searchers\u003cbr\u003e37 The Searchers (The Sons of the Pioneers)\u003cbr\u003e38 The Searchers (Ride Away) (Danny Knight)\u003cbr\u003e39 Norman Luboff Choir – Sweet Lorena\u003cbr\u003e40 Johnny Cash – Lorena\u003cbr\u003eTHREE GODFATHERS (1948)\u003cbr\u003e41 Norman Luboff Choir – The Last Round-Up\u003cbr\u003eRIO GRANDE (1950)\u003cbr\u003eThe Sons of The Pioneers\u003cbr\u003e42 Down by the Glen Side\u003cbr\u003e43 I’ll Take You Home Again Kathleen\u003c\/p\u003e","brand":"EL","offers":[{"title":"CD | x4","offer_id":50486704996683,"sku":"1159200","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/65019ca1-3b19-4682-a1df-8fe4ffd77725_thumbnail_4096.jpg?v=1727614100"},{"product_id":"butterflies-are-free-the-original-recordings-1967-72","title":"Butterflies Are Free  The Original Recordings 1967-72","description":"\u003cp\u003eThe Free Design presents a 4CD collection of original material. The Dedrick children, Chris, his brother Bruce, their sister Sandra, and their younger sisters Ellen and Stefanie, were born into a world of music. Their father, Art, was a trombonist and arranger, their mother a music teacher who played French horn. Uncle Rusty, a jazz trumpeter with Red Norvo.\u003c\/p\u003e\n\n\u003cp\u003eUnder the influence of the Hi-Lo’s and Peter, Paul and Mary, \u003cstrong\u003eThe Free Design\u003c\/strong\u003e rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting \"\u003cem\u003eKites Are Fun\u003c\/em\u003e.\" They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension, and Harper’s Bizarre, but without quite matching their commercial success.\u003c\/p\u003e\n\n\u003cp\u003eRather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up, Project 3. While his label might not have been able to provide the resources of a Columbia or RCA, he believed in the group, gave them carte blanche, and hired some of the finest session musicians in New York to back them.\u003c\/p\u003e\n\n\u003cp\u003eThe decision to put their art first was justified by the extraordinary quality of the seven albums recorded between 1967 and 1972. We have Enoch Light’s vision and the group’s brave decision to stick to their guns to thank for the fact that this splendid music exists today.\u003c\/p\u003e\n\n\u003cp\u003eDuring the 1990’s, The Free Design enjoyed a renaissance. The enthusiastic reevaluation of their work by a new generation of international musicians; Cornelius, Beck, Stereolab, and the High Llamas, who insisted that The Free Design be placed among the all-time greats of vocal harmony; to be spoken of in the same sentence as The Beach Boys and The Carpenters.\u003c\/p\u003e\n\n\u003cp\u003eWith exceptions, The Free Design were at their most pure in recordings of their own compositions. \"\u003cem\u003eKites Are Fun\u003c\/em\u003e,\" \"\u003cem\u003eBubbles\u003c\/em\u003e,\" \"\u003cem\u003eKije’s Ouija\u003c\/em\u003e,\" \"\u003cem\u003eMy Brother Woody\u003c\/em\u003e,\" \"\u003cem\u003eIvy On A Windy Day\u003c\/em\u003e,\" \"\u003cem\u003eStarlight\u003c\/em\u003e,\" \"\u003cem\u003eDaniel Dolphin\u003c\/em\u003e,\" \"\u003cem\u003eI’m A Yogi\u003c\/em\u003e,\" \"\u003cem\u003eMy Very Own Angel\u003c\/em\u003e,\" and the \"\u003cem\u003eDorian Benediction\u003c\/em\u003e,\" each adorned by the baroque fantasy quality which is uniquely theirs.\u003c\/p\u003e\n\n\u003cp\u003eBreathtakingly original songs full of playful, nostalgic lyrical imagery; sometimes surprisingly dark; always enormously listenable. Whilst the arrangements reflected Chris Dedrick’s classical training and eclectic taste, the beautifully detailed sound must be attributed – at least in part – to the legendary sound engineer Phil Ramone, a magician whose emphasis on subtlety and nuance in performance conceived such creations as \"\u003cem\u003eThe Girl from Ipanema\u003c\/em\u003e\" by Astrud Gilberto, \"\u003cem\u003eMe And Julio Down By The Schoolyard\u003c\/em\u003e\" by Paul Simon, the Bob Dylan album, \"\u003cem\u003eBlood On the Tracks\u003c\/em\u003e,\" and, of course, \"\u003cem\u003eBubbles\u003c\/em\u003e\" by The Free Design.\u003c\/p\u003e","brand":"El","offers":[{"title":"CD | x4","offer_id":50487066132811,"sku":"1102281","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/bcaf069f-f55d-4798-8c63-1d0a32bc95aa_thumbnail_4096.png?v=1727620020"},{"product_id":"movie-goer-pop-cinema-and-the-classics","title":"Movie Goer - Pop Cinema and the Classics","description":"\u003cp\u003eAlthough by the mid '60s the use of pre-existing classical music in films had already been deployed with sensitivity and humour by such directors as Alexander Mackendrick, Jean-Luc Godard, Pier- Paolo Pasolini, Glauber Rocha, Richard Lester, Ken Russell and Ingmar Bergman, Stanley Kubrick was the first to give it a central role in an entire film. \u003ci\u003e2001: A Space Odyssey\u003c\/i\u003e and \u003ci\u003eA Clockwork Orange\u003c\/i\u003e used swathes of Also\u003ci\u003e Sprach Zarahustra, The Blue Danube Waltz, Ligeti's Lux Aeterna\u003c\/i\u003e and \u003ci\u003eBeethoven's Ninth Symphony\u003c\/i\u003e to famous dramatic effect, with Kubrick explaining, \"Unless you want a pop score, I don't see any reason not to avail yourself of the great orchestral music of the past and present\". \u003c\/p\u003e\u003cp\u003eComing into vogue after Kubrick, the system offered the director flexibility and control. It was a valid, stylish way of clarifying the underlying emotion of a scene or establish mood; a way to compliment the film narratively, theatrically, structurally and conceptually.  Instrumental classical works or traditional song are featured in \u003ci\u003eA Hard Day's Night, Help!, Privilege, Head, The Man Who Fell to Earth, Lisztomania\u003c\/i\u003e and \u003ci\u003eAbsolute Beginners\u003c\/i\u003e, and all say something of pop's relationship with the classics. Bowie actually performed the Holst piece live in 1966. Modest Mussorgsky's Pictures at an Exhibition was the subject of an adaptation by Emerson Lake and Palmer and was showcased in a fascinating live performance film of the group shot at the Lyceum Ballroom in 1970 (though the film was not given a cinematic release until 1973). ELP's contemporaries, Yes, drew inspiration from Igor Stravinsky and paid homage by using the final movement from The Firebird as introductory music at their concerts from 1972 and for decades on. \u003c\/p\u003e\u003cp\u003eDuring The Beatles' \u003ci\u003eHelp!\u003c\/i\u003e Paul McCartney is miniaturised to the strains of Wagner, while in a dank Chiswick pub cellar, the singing of Beethoven's \u003ci\u003eOde to Joy\u003c\/i\u003e saves Ringo from an escaped tiger. In Hal Ashby's black comedy \u003ci\u003eHarold and Maude\u003c\/i\u003e, Harold is obsessed by death, and likes to stage elaborate fake suicides to get the attention of his distracted mother, including an attempted drowning to Tchaikovsky's \u003ci\u003ePiano Concerto No. 1\u003c\/i\u003e. 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