{"title":"False Walls","description":null,"products":[{"product_id":"marconis-drift","title":"Marconi's Drift","description":"\u003cp\u003eEvan Parker and Matthew Wright's Trance Map project has included improvised live events across Europe and the US, involving other invited guest performers, with various Trance Map+ recordings released on psi, Intakt and FMR Records. Since 2020, Trance Map+ have undertaken ambitious streamed and networked performances, connecting with musicians around the world from The Hot Tin venue in Faversham, Kent, UK. In 2022, this resulted in Transatlantic Trance Map, a simultaneous performance between seven musicians in Kent and six musicians in Roulette, New York City, which is profiled on this album release. \u003c\/p\u003e\u003cp\u003eEvan Parker: \"The musicians involved in this piece are based either side of the Atlantic - essentially from the London and New York scenes. This grandiose scheme was inspired by the two venues: The Hot Tin in Faversham (UK) and Roulette in Brooklyn (USA). Matt and I had already had the experience of working with the SonoBus open-source software and its ability to virtually eliminate any latency problem. We had already used this for a concert between Hamburg and Faversham and were eager to test the limits with this grander plan. \u003c\/p\u003e\u003cp\u003eI made a simple scheme for the concert which set out a sequence of combinations - mostly duos and trios, with the option to accompany and interject as impulse and the evolving context suggested. The live webcast of the concert gave a first idea of the wealth of material generated during the hour-long concert. Repeated investigation of the 24 tracks which were simultaneously recorded revealed many subtleties which could not be registered in the live transmission. Here are the results of Matt Wright's refining and clarifying post-production of the live event recording.\"\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD.","offer_id":50380183667019,"sku":"2214648","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/image003_4_e72f8fa1_thumbnail_4096.jpg?v=1726210287"},{"product_id":"impossible-worlds","title":"Impossible Worlds","description":"\u003cp\u003eFalse Walls releases a solo album from Glasgow-born and London-based guitarist Kevin Daniel Cahill. Consisting of two long tracks, the album traces a steady progression as it moves through different environments - initially ambient and isolationist in tone, the work ultimately reaches a form of transcendence. Rooted in Kevin's guitar-playing, though not immediately identifiable as such due to the deployment of tape loops and effects, the album foregrounds feeling and atmosphere, and its duration and gradual development benefits close listening. Kevin Daniel Cahill is a classical guitarist from Scotland and graduate of the Royal Conservatoire of Scotland and Folkwang Üniversität Der Künst in Essen, Germany. During his studies, Cahill held a deep connection to romantic and impressionistic works of composers such as Federico Mompou, Toru Takemitsu, Frédéric Chopin and Alexandre Tansman. Cahill uses his training in the classical arena to merge and fuse contemporary and impressionistic musical languages together through adopted classical techniques and approaches. \u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD.","offer_id":50407073513803,"sku":"2218413","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_504f24c3_thumbnail_4096.jpg?v=1726594239"},{"product_id":"then-through-now","title":"Then Through Now","description":"\u003cp\u003eHenry Dagg is a composer, improvisor, sound sculptor and builder of experimental musical instruments who formerly worked as a sound engineer for the BBC. His works include the Sharpsichord, a pin barrel harp commissioned for the English Folk Dance and Song Society, and a pair of steel sculptural musical gates for Rochester Independent College. Evan Parker improvises on the tenor and soprano saxophone, and has performed live and recorded extensively across the UK and internationally. He has pioneered or substantially expanded an array of extended techniques for the saxophone. \u003cbr\u003e\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":50478005485899,"sku":"2218412","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_493af362_thumbnail_4096.jpg?v=1727479650"},{"product_id":"exploratorium","title":"Exploratorium","description":"\u003cp\u003e6-panel gatefold sleeve CD with 24 page booklet. Gene Coleman is a composer, musician and video director, who has created over 70 works for various instrumentation and media. Central to his work is the inventive use of sound, image and time, and the desire to create experiences that expand our understanding of the world. Since 2001 he has explored the global transformation of culture and music's relationship with video, science and architecture. Gene has been developing a series of works around concepts of Neuro Music and Transcultural Music, some of which are collected for the first time on \u003ci\u003eExploratorium\u003c\/i\u003e, which is also the first album exclusively dedicated to Gene's compositions. Gene defines Neuro Music as \"an area of research and creation based on the study and application of models and concepts from Auditory Neuroscience, as a form of musical composition. \u003cbr\u003e\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":50504168407371,"sku":"2218400","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_ac36e4f3_thumbnail_4096.jpg?v=1727802036"},{"product_id":"subterminal","title":"Subterminal","description":"\u003cp\u003eCinder has been Cindytalk's sole constant member since they started in the early 1980s. A series of band albums from Camouflage Heart (1984) to Wappinschaw (1995) saw the group develop an often uncompromisingly dark, intense and poetic body of work, with Cinder's vocals complemented by music which moved between industrial, post-punk, ambient and fully improvised, while directly connecting across disciplines to performance, film and other media. Since 1995, Cindytalk has continued in both group and solo form, across live performance and recordings. During this period, Cindytalk increasingly embraced improvisation in live settings and electronic work through recordings. A series of solo and predominantly electronic albums followed, then Of Ghosts and Buildings was released on the Japanese label Remodel in 2021, continuing Cinder's integration of electronics with field recordings. After periods in the USA and Japan, Cinder returned to Scotland, from where Cindytalk's Subterminal was developed across 2020-21, and the album continues and extends Cinder's interest in longer-form compositions. The album is organised across four parts, charting a progression or suggesting a poetic narrative development across its 48 minutes - moving from hope to collective delusion, then to hallucination, and finally to escape. A collaboration was struck between Cinder and visual artist Paul Tone on the selection and arrangement of images for the album packaging. \"Cindytalk is a beautifully dark enigma. Having started life as a full band in the goth heyday of the 1980s, they now centre on the figure of Gordon Sharp\/Cinder, who use the name to explore deep and mysterious electronic psycho-geography. On the surface, the music of Cindytalk could be described as \"industrial\" but scratch deeper and the breadth of their humanity becomes starkly real and inescapable.\" - Dusted Magazine \"Cindytalk are pushing the boundaries of what music can be, reinventing and pursuing sonic possibilities, combining the actuality of the world with the imaginary and hallucinatory to create a magical, intriguing four-part work.\" - International Times, review of Subterminal. \"Intelligently and intricately constructed..creating something magical, otherworldly and sometimes alien\" - Compulsion Online, review of Subterminal\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":50504175419723,"sku":"2218397","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_b7364cdb_thumbnail_4096.jpg?v=1727802062"},{"product_id":"music-for-counterflows","title":"Music For Counterflows","description":"\u003cp\u003eCD in gatefold sleeve, with 20 page booklet. For the 2021 online edition of the Counterflows festival, Glasgow-based Kay Logan (aka Helena Celle) created the hour-long electronic Music for Counterflows, accompanied by an interview with Stewart Smith. For the CD and digital release, the music has been mastered by Stephan Mathieu, and the interview along with visual artwork by Kay are included in a 20 page booklet. The first Helena Celle album, If I Can't Handle Me At My Best, You Don't Deserve You At Your Worst, was released on the Night School label in 2016. Since then, Kay has released work under an array of aliases, including Helena Celle's Haunted Mirror, Helena Celle's Mimetic Desire, Helena Celle's Correspondence Table, Otherworld and Time Binding Ensemble. Kay's Patreon supporters also  receive regular transmissions from Helena Celle's Observer Effect. \" ..an elongated and amorphous soundscape, fogged in reverb and scattered with unsettling percussive detritus..over the course of 60 minutes, feels like being swallowed into the belly of reverberant catacombs\".- Spenser Tomson, Wire magazine, on Music for Counterflows (July 2022). \"Quietly it fades in, making its origins almost imperceptible as it goes, but ratchets up the brain-throb drama in due course..It's been created in the service of something exciting and will improve your life, no questions asked.\" - Noel Gardner, The Quietus, on Music for Counterflows\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":50504180203851,"sku":"2218396","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_4cad335d_thumbnail_4096.jpg?v=1727802088"},{"product_id":"always-digging-the-same-hole","title":"Always Digging The Same Hole","description":"\u003cp\u003eFounded in 1997 by Cyril Secq and Yvan Ros as a guitar\/drums duo, Astrïd subsequently expanded and settled around the violin player Vanina Andreani (1998), followed by the clarinet player Guillaume Wickel (2005). The core of the group is based in Nantes, France. Astrïd's instrumental and expansive music has been inspired by improvised music, folk, post-rock and jazz, as well as by classical and contemporary composers, from Ravel to Arvo Pärt. Their work has been released across a number of albums on various labels, including Gizeh Records, Monotype Records and Rune Grammofon. Collaboration with other musicians informed Astrïd's joint release with Rachel Grimes, Through the Sparkle (2017), and Cyril Secq has released duo albums with Sylvain Chauveau and Orla Wren. Astrïd's album Always Digging The Same Hole includes five pieces, each of which patiently and delicately charts its course through different dynamics and moods. The album foregrounds the group's live performance, close listening and interplay, resulting in atmospheres which are hauntingly suspended and poetically suggestive. Band member Guillaume Wickel sadly died in 2022, and Always Digging The Same Hole is dedicated to him. \"The fact that their music hasn't reached more ears is yet another mind-boggling event. … A release heavy with emotive, sullen atmospheres and tempo shifts that echo the likes of Chris Abrahams and The Necks \" - Sun-13 review. \"An immersive experience that evokes deep emotions and invites listeners to get lost in an exceptional sound world.\" - Solenopole review. Vanina Andréani : Violin, piano Yvan Ros : Drums, percussions, harmonium, metallophone Cyril Secq : Guitars, piano, Juno, harmonium, percussions, metallophone Guillaume Wickel : Clarinets, percussions\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":50504190787915,"sku":"2218386","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_8a453b87_thumbnail_4096.jpg?v=1727802164"},{"product_id":"ark-hive-of-live","title":"Ark Hive Of Live","description":"\u003cp\u003eArk Hive of A Live is a 4 CD set of recordings by Andrew Poppy, along with a 128 page book, including writing by Andrew Poppy; an introduction by Paul Morley; other writing by Leah Kardos, Nik Bärtsch and Rose English; and archival photographs. Andrew Poppy developed Ark Hive of A Live as a place for unreleased music from the 80s 90s 00s and 10s. 'Live' in the title indicates these works originated in public performance as opposed to the recording studio - however, these live recordings have been processed, and while they remember their original acoustic vibration are now transformed, transplanted and almost the same. Ark Hive of A Live isn't a box set 'best of' or mini series. Each disc has been ordered to play like an album, with an indelible 'suite-like' order, even if many of the pieces were written at different times and with different production details. Volumes 1 to 4 are focused respectively on: the orchestra with a soloist; a collection of vocal pieces, for ensemble or orchestra; music written for independent ensembles; and the contrast between acoustic music and music which creatively exploits electrical and electronic technology. The Ark Hive is an ironic meditation on the archive. It brings together elements of biography and materials from a lifetime of creative endeavour in sonic, language and visual forms. Tracks, writings, performance photographs and scores: 1+1+1+1 = Ark Hive. The project holds it all together with some irony, because it is aware of the absurdity of the enterprise but plows ahead relentlessly anyway. \"The animating spirit is Poppy's protean musical imagination, as light as wings beating one moment, thunderous and dark the next....Poppy's music is like Madagascar - you discover species there you don't find anywhere else.\" - Brian Morton, Wire magazine, on Ark Hive of A Live\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":50504193376587,"sku":"2218385","price":33.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_13ebb1d1_thumbnail_4096.jpg?v=1727802187"},{"product_id":"the-heraclitean-two-step-etc","title":"The Heraclitean Two-Step, Etc.","description":"\u003cp\u003eHelping to mark Evan Parker's 80th birthday in 2024, False Walls is delighted to release a 4 CD set of solo, improvised recordings along with a 120 page book, including writing by John Corbett, Filipe Gomes, Richard Leigh, Stephen C. Middleton and Robert Stillman; an extended interview with Evan Parker by Martin Davidson; an email exchange between Evan Parker and Hans Falb; along with writing and visual artwork by Evan Parker. Evan Parker improvises on the tenor and soprano saxophone, and has performed live and recorded extensively across the UK and internationally. He has pioneered or substantially expanded an array of extended techniques for the saxophone. \"The UK's greatest exponent of free jazz.\" - Mike Hobart, Financial Times. Though he has worked extensively in both large and small ensembles, Evan Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as \"the illusion of polyphony\". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time. The book compiles both historical and contemporary perspectives on Evan’s work, by a range of contributors as well as Evan himself. It also includes a selection of Evan’s visual collages, which are shared publicly for the first time.\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CDx4","offer_id":50860210585931,"sku":"2227467","price":58.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_2868383b_thumbnail_4096.jpg?v=1732017733"},{"product_id":"cover-songs-originally-sung-by-women-singers-bu","title":"Cover Songs Originally Sung By Women Singers","description":"\u003cp\u003e\u003cstrong\u003eAstrïd\u003c\/strong\u003e and \u003cstrong\u003eSylvain Chauveau\u003c\/strong\u003e cover six iconic songs, originally performed by \u003cem\u003eLana Del Rey\u003c\/em\u003e, \u003cem\u003eBeth Gibbons\/Portishead\u003c\/em\u003e, \u003cem\u003eNina Simone\u003c\/em\u003e, \u003cem\u003eGillian Welch\u003c\/em\u003e, \u003cem\u003eNancy Sinatra\u003c\/em\u003e, and \u003cem\u003eKate Bush\u003c\/em\u003e. The lyrics from these songs have been retained, with radically new musical arrangements developed and performed by \u003cstrong\u003eAstrïd\u003c\/strong\u003e and \u003cstrong\u003eSylvain Chauveau\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe result is carefully balanced between fragility and strength, charting a patient and resonant course through a series of haunting moods. \u003cstrong\u003eAstrïd\u003c\/strong\u003e was founded in 1997 by Cyril Secq and Yvan Ros as a guitar\/drums duo. The group subsequently expanded and settled around the violin player Vanina Andreani (1998), followed by the clarinet player Guillaume Wickel (2005).\u003c\/p\u003e\n\n\u003cp\u003eWickel sadly died in 2022, and the record is dedicated to Guillaume. The core of the group is based in Nantes, France. \u003cstrong\u003eAstrïd\u003c\/strong\u003e's instrumental and expansive music has been inspired by improvised music, folk, post-rock, and jazz, as well as by classical and contemporary composers, from Ravel to Arvo Pärt.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSylvain Chauveau\u003c\/strong\u003e has released numerous records on labels such as FatCat, Sub Rosa, Type, Les Disques du Soleil et de l'Acier, Brocoli, Flau: minimal, quiet compositions for acoustic instruments, electronics, silences, and sometimes voice. The CD packaging was conceived by visual artists Alix Petit and Julien Nédélec across a 6-panel gatefold sleeve, 12-page CD booklet, and CD sleeve.\u003c\/p\u003e\n\n\u003cp\u003eTheir artwork references the artwork from the albums where the original songs appeared. Julien and Alix printed the original album sleeves, then used a wet paintbrush to isolate areas of the cover artwork, reversed the prints then quickly photographed the results. In some ways, these abstracted versions of the original album covers mirror the relationship between the original songs and the new cover versions.\u003c\/p\u003e\n\n\u003cp\u003eTracks:\u003c\/p\u003e\n\u003cp\u003e\"Video Games\" \u003cbr\u003e\n\"Machine Gun\" \u003cbr\u003e\n\"Dambala\" \u003cbr\u003e\n\"Everything Is Free\" \u003cbr\u003e\n\"Bang Bang\" \u003cbr\u003e\n\"Running Up That Hill\"\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":51778169995595,"sku":"R2858-1258","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/p_9118b51b-11d7-4849-a28e-6944e7ce5bb7.jpg?v=1746552679"},{"product_id":"may-spring-last-a-lifetime-th","title":"May Spring Last A Lifetime","description":"\u003cp\u003eMay Spring Last a Lifetime' is the first duo release from improvising tenor saxophonists Tom Challenger and Evan Parker. The album emerged after years of informal practice sessions; then, following two live performances, the duo recorded this session at Arco Barco in Ramsgate. The album is Evan Parker's fifth appearance on the False Walls label.\u003c\/p\u003e\n\u003cp\u003eExtracts from the CD booklet conversation between Tom and Evan: Evan: \"Duo is the simplest form of group playing. And so it's the simplest, the purest in a certain sense, and the most challenging. There's nowhere to hide, really. It's about the exchange. With two tenor saxophones, they have a shared language as instruments and I think we both have a relationship with the saxophone which is about: what does this thing do, what can it do? And then I've learned things from Tom that he has discovered: you can do this and can I approximate that? Can I incorporate that into my language or my relationship with the output of the instrument?\"\u003c\/p\u003e\n\u003cp\u003eTom: \"I mean, as much as there is just two of us and you can tell there's two of us, there are moments where there's no one [laughs], and then there's moments where there are four or five. This duo has challenged the way that I listen, or the way I don't listen sometimes. But there are these weird moments where there might be three perceivable, four perceivable things going on, you know, in terms of what you might call a voice.\"\u003c\/p\u003e\n\u003cp\u003e20 page CD booklet includes a 4,000 word conversation between Tom and Evan. Tom Challenger is a London-based saxophonist, composer, and educator known for his work in the British jazz and improvised music scenes. He leads several ensembles and has collaborated with a wide range of notable musicians and artists. Evan Parker improvises on the tenor and soprano saxophone, and has performed live and recorded extensively across the UK and internationally. He has pioneered or substantially expanded an array of extended techniques for the saxophone.\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":57379808575819,"sku":"R4805-2912","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/v5WOKaWM.jpg?v=1779206694"},{"product_id":"the-beating-of-wings","title":"The Beating of Wings","description":"\u003cp\u003e40th anniversary edition of Andrew Poppy's \u003cem\u003eThe Beating of Wings\u003c\/em\u003e, originally released on ZTT Records. \u003c\/p\u003e\n\u003cp\u003eComposed and produced by Andrew Poppy and performed by his bespoke ensembles, \u003cem\u003eThe Beating of Wings\u003c\/em\u003e contains four mesmeric tracks that mix acoustic orchestral instruments with electric piano, electric guitar, bass guitar, sampler, Fairlight Music Computer and drum machine. Each piece has its own narrative, perspective, musical world and colour held together by an infectious pulse. For this release, the album has been remastered by Stephan Mathieu, and an expanded booklet includes new writing by Andrew Poppy. 2-panel gatefold sleeve, 24 page CD booklet and CD sleeve.\u003c\/p\u003e\n\u003cp\u003eA gateway access to the world of contemporary classical music for fans of Brian Eno, Laurie Anderson and Kraftwerk, a generation of music fans discovered The Beating of Wings as it rubbed shoulders with ZTT's pop artists, The Art of Noise, Propaganda and Frankie Goes To Hollywood. ZTT co-founder Paul Morley wrote in The Quietus, \"ZTT needed Poppy as much as it needed Frankie\".\u003c\/p\u003e","brand":"False Walls","offers":[{"title":"CD","offer_id":57784328421707,"sku":"R0221-0328","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/image_aa09aea9-3acb-4016-a92a-770f12a3b1bc.png?v=1783427605"}],"url":"https:\/\/shop.roughtrade.com\/fr\/collections\/false-walls.oembed","provider":"Rough Trade","version":"1.0","type":"link"}