{"title":"God?","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGod? is a renowned music label based in the USA. With a diverse roster of talented artists, they have established themselves as a prominent force in the industry. Known for their innovative and boundary-pushing releases, God? has consistently delivered groundbreaking music across various genres.\u003c\/p\u003e\n\n\u003cp\u003eFounded with the aim of challenging conventional norms, God? has become synonymous with artistic freedom and experimentation. Their commitment to pushing boundaries has attracted some of the most visionary musicians and performers in the industry.\u003c\/p\u003e\n\n\u003cp\u003eWith an impressive catalog that spans multiple decades, God? continues to be at the forefront of shaping contemporary music. From *artist1* to *artist2*, their roster boasts an eclectic mix of talent that defies categorization. Whether it's avant-garde rock or experimental electronic sounds, God?'s releases never fail to captivate listeners and leave a lasting impression.\u003c\/p\u003e","products":[{"product_id":"antarctica","title":"Antarctica","description":"\u003cp\u003e2020, and the scene is now: world in flames, deserts in permafrost, everyone in their own corners, looking down into their hands. Nothing in common. We can all see that the way it’s happening isn’t working, and for a lot of us, that’s okay, as long as it doesn’t rock our boat, we’ll cope. But for people who are invested in the future, any future – like Flat Worms – they’re out there, full time living, playing to change minds. And they’re not alone.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAntarctica\u003c\/i\u003e is the third Flat Worms album in the past four years. It reflects a situation that’s dire, but not hopeless. Since the release of their 2017 debut LP — even since last year’s \u003ci\u003eInto the Iris\u003c\/i\u003e mini-LP — the sound of the trio has hardened, with the polarities of psych and post-punk smelted into a brutal cobalt alloy. No doubt they’re aided by the Steve Albini-engineered sound rendered at Electric Audio, where the album was recorded and mixed (in collaboration with Steve Albini and Ty Segall) in six days.\u003c\/p\u003e\u003cp\u003eThe rest of the evolution is down to Flat Worms, whose world view and musical viewpoint pulse with a remorseless drive and a sense of collaborative unity. Will Ivy’s cortex-scorching guitar leads are in united space with the full-body rhythm of Tim Hellman’s bass and Justin Sullivan’s drums. Their social comment, bleak, yet earnest, is leavened with bone dry humor (the title track’s isolation conundrums: “My dog is smiling as I drive her to the park \/ we sit together in the kitchen after dark \/ I ask her questions \/ She just barks”) and caustic pronouncements; a vision of the chaotic, dysfunctional contemporary landscape that recalls the tragicomic expressions of 100 Flowers and the indefatigable recitations of The Fall. Commitment. Intention. Collaboration. And a sense that we’re meant to enjoy what we’re doing. Even in the desert of Antarctica, Flat Worms are looking for the upside. 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All the elements are there: compassion for our collective fallibility, rebuke on the tip of the tongue, all rolled tight with hook-laden, high-energy construction.\u003c\/p\u003e","brand":"God?","offers":[{"title":"Black LP","offer_id":50429138567499,"sku":"2054651","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"Tape","offer_id":50429140402507,"sku":"2054652","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Blinded_by_Oblivion_bc131ced_thumbnail_4096.jpg?v=1726837845"},{"product_id":"motor-earth","title":"Motor Earth","description":"\u003cp\u003eAxis: Sova began as Brett Sova’s one-man operation, building up and stripping out parts from new and repurposed equipment, pitting meat against machine to find interplay, equilibrium. 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It is an enormous sound of rock, just what the world needs to hear right now. DMBQ are Shinji Masuko, Shinji Wada and Maki. In the time since their last record, Masuko has been a member of Boredoms, playing guitars, noise, tape machine and turntables, participating in the 77 and 88 Boadrum projects and organizing the principles of Eye’s Sevena (seven-necked) guitar.\u003c\/p\u003e\u003cp\u003eFor \u003ci\u003eKeeenly\u003c\/i\u003e the band recorded themselves, using vintage mics, analogue tech and lots of amps. In a tribute to the old-school hard rock that is their inspiration, they recorded live. This reflects the inspiration of nature as well - things like wind, water, sky, wild animals and human beings are all very influential to DMBQ. 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Inspired to jam by the sudden existence of a record, they’re bound to have an incalculable effect on Oogbogo. If you’re interested in the future of sound, or just want something to trip out to, try Oogbogo.\u003c\/p\u003e","brand":"God?","offers":[{"title":"Black | LP","offer_id":50498637332811,"sku":"1083154","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/255064e6-63fd-4d83-b82d-8897933bbb22_thumbnail_4096.jpg?v=1727751776"},{"product_id":"plastic","title":"Plastic","description":"\u003cp\u003eThe wiggy wanderings of Oog Bogo wind up on the same island of lost joys all at once, manufacturing a virtual jukebox of singles and side flips that won’t unplug, and just keeps reeling and raging on instead. A bright metallurgy of guitar pop, psych, post-punk and apocalypse disco embosses the sleek, multicoloured flash of \u003ci\u003ePlastic\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eOog Bogo are a four-piece rock band from Los Angeles and their new album is ‘Plastic’, an electrifying set of songs and sounds that just don’t stop, working like a machine that makes joy and endless flips and repetitions, whether in front of the turntable or out in the real world.\u003c\/p\u003e\u003cp\u003eIn the past several years, Oog Bogo dropped two records that previewed this explosion in wildly divergent ways: 2019’s ‘Oogbogo’ EP, with wigged-out production, its contorted fun house mirror images pulling punk, psych and new wave in and out of focus in a chaotic procession of mutant tunes. 2021’s ‘EP2’ radiates a starkly different vibe, as chilled-out guitar-pop tunes conjure a flowing medley of plaintive echoes and atmospheres in a mellow mist of hiss.\u003c\/p\u003e\u003cp\u003eKevin Boog recorded these records in a largely hermetic state: at home on 4-track, playing all the parts, slowly drawing out the sounds. 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There was no way possible but forward.\u003c\/p\u003e\u003cp\u003eThe direction was right on with the guys at Harmonizer - Ty Segall’s sense of imagination made him the ideal production counterpart to walk together with Kevin into this world, psyched to experiment and ready to get weird at any time. Ty and engineer Matt Littlejohn met all requests and requirements in the form of sounds, with gear and approaches that amazed and delighted, and an eternally ebullient spirit.\u003c\/p\u003e\u003cp\u003eAs this was Oog Bogo’s first time recording away from home, Kevin was a kid in a candy store - where the store owner turns out to be a Wonka-esque philanthropist. 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