{"title":"Kanine","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eKanine is an independent record label based in Brooklyn, New York. With a passion for discovering and promoting *talented artists*, Kanine has become a respected name in the music industry. Known for their diverse roster of musicians, the label prides itself on releasing high-quality music across various genres.\u003c\/p\u003e\n\n\u003cp\u003eEstablished in [year], Kanine has consistently delivered groundbreaking albums that have captivated audiences worldwide. Their dedication to nurturing emerging talent has resulted in a reputation for being at the forefront of cutting-edge music. From indie rock to dream pop, *Kanine's artists* continue to push boundaries and create unique sounds.\u003c\/p\u003e\n\n\u003cp\u003eAs an influential force within the industry, Kanine's releases have garnered critical acclaim and commercial success. 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This album is where the band get to explore their love for expanding genres, from Post-punk (Seafoam), Psych-gaze (Slyce), Grunge pop (Silver Teeth), Indie Pop (Tamagotchi), Slowcore (Sugarcoat) and beyond. A huge highlight when making the album was the ability to collaborate with Jeff Schroeder on the track “Seafoam”. The band had the opportunity to meet with him a few times over the years and asked him to see if he would be interested in lending lead guitar on the track as they were nearing the end of recording. He agreed right away and wrote a perfect accompanying lead while out on tour with the Smashing Pumpkins. 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Pinact’s brand of pop infused rock is an entity unto itself: “I purposefully didn’t listen to other music while writing and recording, I get lost in my own world”, Gillies says, and the lyricism makes this very clear: \u003ci\u003eRegrettable Thrill\u003c\/i\u003e for example lends more to a bleakly Scottish sense of humour and world-weariness that could only be Gillies. “We intentionally holed ourselves up in the Highlands to focus on bringing out the melodies, and I think that shows,” Gillies explains. The fruits of their labour are evident in anthemic efforts like \u003ci\u003eOh\u003c\/i\u003e, an immediate sing-along, and \u003ci\u003eSeams\u003c\/i\u003e, which sees the singer take on challenging vocal parts with consummate ease. \u003ci\u003eSeparate Ways\u003c\/i\u003e has an unmistakably Pinact chorus, but with Arbuthnott’s rock-steady bass work, Gillies’ is allowed to play a snaking guitar line over drumming so determined that threatens to burst out of the speaker. 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An LA Native, Pearl embodied California rock and roll cool even before she took her natural position as a figure in the local music scene (and beyond). Pearl started logging miles on the road with her first band, old-timey Americana duo The Driftwood Singers, at age 18, followed by a lengthy stint drumming and singing in garage-pop band, The Blank Tapes. Along the way, Pearl collaborated with artists such as Conor Oberst (Bright Eyes), Father John Misty, Jonathan Wilson, Stephen McBean (Black Mountain), Farmer Dave Scher (Beachwood Sparks), Johnathan Rice and toured extensively internationally supporting diverse artists such as Father John Misty, Bright Eyes, Thee Oh Sees, Kim Deal, The Growlers, and Allah Las to name a few. \u003c\/p\u003e\u003cp\u003ePearl Charles lives in the moment. Seeking excitement whether it leads her down a dark, dusty road or into the arms of a trouble-making lover. 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The songs started pouring out-- pep rallies for total failure, hymns to binary code, love songs to walls-- most recorded in one take, sometimes as she was channeling them in order to capture that primordial electricity of creation, a feeling of “making out under the bleachers with infinity.” Her pals Ryan Sciaino (Spank Rock, Prince Rama, Win Win) and Tim Koh (Gang Gang Dance, Conan Mockasin, Haunted Graffiti) later helped flesh them out, pimp them up, and eventually Welcome to Paradise Lost took form like the intricate layers of a fucked up Bosch painting, or collaged jingles for a lost 1970s cult-children’s TV show that split off via the mandela effect.\u003c\/p\u003e\u003cp\u003eTaraka realized perhaps paradise is nothing but another empty societal construction-- a mirage-like prison of perfection-- and the moment it is lost, we are left with the glow of some inner forgotten freedom. 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Some of the first lines of the album begin with the fall of humankind: “I ate forbidden fruits and with their seeds I grew a silhouette…” and maybe this is where the magic of Welcome to Paradise Lost truly begins; not some shallow resurrection of past nostalgia, but a dangerous and sometimes absurd spiritual quest for freedom, rebellion, and that awkwardly honest place within us all that defies logic and authority so urgently needed right now.\u003c\/p\u003e","brand":"Kanine","offers":[{"title":"Red | LP","offer_id":50463852986699,"sku":"1130122","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fe4692ad-d303-4956-8c17-555f7d4e1533_thumbnail_4096.png?v=1727267463"},{"product_id":"nice-boys-miata","title":"Nice Boys \/ Miata","description":"\u003cp\u003eSecond single from Typical Girls who are much loved at Rough Trade shops. 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