{"title":"Klanggalerie","description":"\u003cp\u003e\u003cstrong\u003eKlanggalerie\u003c\/strong\u003e is an Austrian record label founded in 1997 as a follow-on from Syntactic. Its catalogue leans towards the experimental and the overlooked, pairing new work with reissues and rescuing music that had gone unavailable digitally. Releases by \u003cstrong\u003eSevered Heads\u003c\/strong\u003e, \u003cstrong\u003eThe Legendary Pink Dots\u003c\/strong\u003e and \u003cstrong\u003eFred Frith\u003c\/strong\u003e give a fair sense of its range.\u003c\/p\u003e","products":[{"product_id":"moka24","title":"Moka24","description":"\u003cp\u003eFounded in 1992 after Robin Storey left \u003cstrong\u003eZoviet France\u003c\/strong\u003e, \u003cstrong\u003eRapoon\u003c\/strong\u003e soon became an outstanding ethno-dark ambient project that has gained a cult following all over the world. More than 80 albums have been released over those nearly 30 years, some more beat driven, others more playful and with ambient sounds and ethnic influences.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRapoon\u003c\/strong\u003e has never stopped evolving - think of \u003cem\u003eCultural Forgeries\u003c\/em\u003e, an album full of unplugged acoustic music. Or \u003cem\u003eDowngliding\u003c\/em\u003e, full of compositions on the piano. Recent \u003cem\u003eKlanggalerie\u003c\/em\u003e albums include \u003cem\u003eWaiting by the River\u003c\/em\u003e, an album that introduced vocals to the \u003cstrong\u003eRapoon\u003c\/strong\u003e sound, or \u003cem\u003eLittle Rocket Man\u003c\/em\u003e which was inspired by the political situation in 2018 with Trump as president in the United States.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eMoka Efti\u003c\/em\u003e is the fictional name of a night club in the series Babylon Berlin. Set in the decadence and turmoil of the 1920's, the series incorporates real historical events into an imaginary narrative. This set of recordings is a modern take on that era set in the declining West of 2024. Tracks vary wildly but are all unified within the same setting. An aural cabaret of sounds that depict and define a certain moment. A moment that has already existed in the past, exists in the present and will exist in the future, varying only slightly in time and space, the expressions are the same in intent and purpose.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eMoka 24\u003c\/em\u003e is an escapist world existing outside of the prevailing social clamour. Not in rebellion against the contemporary moire, but rather ignoring it. \"\u003cem\u003eTime is a flat circle. Everything we've ever done or will do, we're gonna do over and over and over again….for ever.\u003c\/em\u003e\" - Rust Cohle\/Nietzsche.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50380177408331,"sku":"2213554","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a3339029127_10_a7cfc3bd_thumbnail_4096.jpg?v=1726210070"},{"product_id":"rmx-1","title":"RMX","description":"\u003cp\u003eThe Residents are fiddlers. Not fiddle players, just fiddlers. They like to play around and see different ways their songs could sound. They call this \u003ci\u003eRMX\u003c\/i\u003e. Some say RMX stands for \"remix\" but with The Residents, who knows? While the \u003ci\u003eRMX\u003c\/i\u003e concept is mostly associated with two album projects (The King and Eye RMX and WB:RMX), The Residents had also tinkered with individual songs. These were released as free streaming tracks on the band's official MySpace page (yes, they had one). In 2007 most of these tracks were collected in a compilation simply titled \u003ci\u003eRMX\u003c\/i\u003e, first made available on iTunes. Never before have this tunes been available on a physical release, so Klanggalerie are now glad to present you \u003ci\u003eRMX \u003c\/i\u003eas a CD including two previously unreleased rmx's! New cover artwork by Pore Know Graphics.\u003cbr\u003e \u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD.","offer_id":50384042721611,"sku":"1035561","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dd595c56-3e59-4cb6-8b44-d45c3b9a670c_thumbnail_4096.jpg?v=1726284305"},{"product_id":"objet-when-a-cap-is-raising","title":"Objet: When A Cap is Raising","description":"\u003cp\u003eJean-Luc André, Sylvie Martineau-Fee and Jean-Philippe Fee started DDAA (Deficit Des Annees Anterieures) in 1977. They are pioneers of the French experimental and indie scene, also connected with Industrial 80s music and audiovisual projects. Approaching music in a completely unique way, and brilliantly produced by their own Illusion Production label (with more 40 published items), DDAA was and is undoubtedly one of the most legendary groups of the French underground for the past 30 years. Their early albums are classics - the self-titled debut, Action and Japanese Demonstration or Les Ambulants (re-issued and still available on Klanggalerie) are a must-have for every connoisseur of usual music. They appeared on the compilation album of music by outsider artist Adolf Wölfli alongside Nurse With Wound and Graeme Revell of SPK. The 10\" album \u003ci\u003eWhen A Cap Is Raising \u003c\/i\u003ecame out originally in 1988 on UK label Big Noise in Archgate. For this re-issue, the band has remastered the music and added bonus tracks from the compilation album Objet, and other sources, some previously unavailable. \u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD.","offer_id":50389210267979,"sku":"1144277","price":13.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"fulufulu-paupepa-paupapa","title":"Fulufulu Paupepa Paupapa","description":"\u003cp\u003eGBK are an Austrian free jazz trio that isn't afraid of being groovy. The band was founded in 2007 after a first meeting the year before, being thrown together in an improvised music session. They performed many years under the name of KGB before changing their name recently due to Russian war against Ukraine. All three musicians are happy to swap roles in their trio, therefore abstract experimental sounds have the same place in their repertoire as groove and melody. Drummer Didi Kern works both in jazz and in alternative rock music. His best known band is Bul Bul, and he also played a long time in Industrial performance outfit Fuckhead.He recently released an album on Klanggalerie with Elisabeth Harnik and Jaap Block. Susanna Gartmayer is a bass clarinet player, but also composer and graphic designer. She started her career in the early 2000s in an art rock band. She is a permanent member of The Vegetable Orchestra, a group that performs exclusively on vegetables, as the name suggests. Recently she released an album on Klanggalerie with Christof Kurzmann. Thomas Berghammer studied the trumpet in Linz and Graz and resides in Vienna. He has performed in all kinds of genres, playing amongst others with Wolfgang Mitterer, Oskar Aichinger, Georg Graewe, Ken Vandermark, Mats Gustafson and Mars Williams.The three members of KGB also run a weekly improvisers' session in Vienna.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50393463849291,"sku":"2048075","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG438_52e59041_thumbnail_4096.jpg?v=1726417769"},{"product_id":"drainage-in-six-parts-2","title":"Drainage, In Six Parts","description":"\u003cp\u003eFrancisco Meirino is a sound artist based in Switzerland. His music explores the tension between  programmable material and the potential for its failure. His interest lies primarily in what is not supposed to be recorded : the end of life of electronic devices, electrostatic noise, magnetic fields and the unconventional use of music hardware and sound  systems and how to exploit these sonic failures in radically different ways in his sound pieces. His music combines intricate textures, sonic precision, wide spatial panning and is fascinating by its physical intensity and detail precision. Born April 1966,  in Marseille, Jérôme Noetinger discovered experimental music under the influence of the Déficit Des Années Antérieures in Caen. He is a composer\/improviser\/sound artist working with electroacoustic devices. Composing sometimes musique concrete in the studio, and performing improvised music using electroacoustic devices such as: the reel  to reel tape recorder Revox A77 and magnetic tape, analogue synthesisers, mixing desks, speakers, microphones, various electronic household objects and home-made electronica. Performing both solo and in ensembles, and collaborating often, and touring extensively  internationally. Jerome is also the director of Metamkine, a non-profit organisation dedicated to the distribution of improvised and electroacoustic music, which operates with an on-line mail order catalogue. The music on this CD was recorded by the  duo in 2019 in Switzerland.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50393465127243,"sku":"2051264","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG443_7e36f100_thumbnail_4096.jpg?v=1726417792"},{"product_id":"never-existed-before-consequently-it-will-never-ex","title":"Never Existed Before Consequently It Will Never Ex","description":"\u003cp\u003eMaurizio Bianchi is an Italian pioneer of industrial music and dark ambient, originating from Milan. Bianchi was inspired by the music of Tangerine Dream, Conrad Schnitzler and Throbbing Gristle. He wrote about music for Italian magazines before beginning to release his own cassettes under the name of Sacher-Pelz in August 1979. He released four cassettes as Sacher-Pelz before switching to his own name or simply \"MB\" in 1980. Bianchi corresponded with many of the key players in the industrial music and noise music scenes including Merzbow, GX Jupitter-Larsen, SPK, Nigel Ayers of Nocturnal Emissions and William Bennett of Whitehouse. After this exchange of letters and music, his first LPs were released in 1981. Symphony For A Genocide was released on Nigel Ayers' Sterile Records label after Bianchi had sent Ayers the money to press it. Each track on the LP was named after a Nazi extermination camp. The cover featured photographs of the Auschwitz Orchestra, a group of concentration camp prisoners who were forced to play classical music as people were herded into the gas chambers. The back cover included the text \"The moral of this work: the past punishment is the inevitable blindness of the present\". By 1983 and the release of the Plain Truth LP on U.K. power electronics label Broken Flag, Bianchi had become a Jehovah's Witness. At the end of 1983 Bianchi announced his withdrawal from music. In 1998, encouraged by Alga Marghen label head Emanuele Carcano, who offered him a label of his own, Maurizio Bianchi resumed making music. The label was EEs'T Records, through which he released new editions of old MB albums and many new recordings. Never Existed Before Consequently It Will Never Exist After is credited to MB \u0026amp; Nisi Quieris, with the latter being another pseudonym for Maurizio Bianchi himself. The album introduces him on vocals next to the electronics this opening a new chapter for MB.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50393473122635,"sku":"2048079","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG436_94db1125_thumbnail_4096.jpg?v=1726418141"},{"product_id":"at-tilos-budapest","title":"At Tilos, Budapest","description":"\u003cp\u003eBlurt was founded in Stroud, UK, in 1979 as part of the post-punk movement by poet, saxophonist und puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos and Bang Bang Machine. Shortly thereafter Jake Milton left to be replaced by Nic Murcott, who was subsequently replaced by Paul Wigens. \u003c\/p\u003e\u003cp\u003eMost of Blurt's compositions feature simple, repetitive, minimalistic guitar and\/or saxophone phrases, but they can also explore more abstract musical territories, often serving as an atmospheric backdrop for Ted Milton's existentialist poetry. The music has been described as Dada-Avantgarde-Jazz or Paranoid Jazz-Mutant Funk. Practically impossible to pigeonhole. In the early 1990s, Ted Milton released a small run of self-made lyrics books, amongst them Pagan Strings. The first two volumes contained the lyrics to the Blurt album of the same name. The first edition of this came as an art edition with card backing and plastic sleeve, the standard edition was released on the band's own Toeblock label in 1992. The year after, Blurt took the album on the road. At Tilos brings you a formerly unavailable recording of a fantastic show in Budapest in 1993. It shows the band in full form.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50393721864523,"sku":"2050805","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG442_6c15ae3e_thumbnail_4096.jpg?v=1726424492"},{"product_id":"better-than-life","title":"Better Than Life","description":"\u003cp\u003eMX-80 Sound is an eclectic American art-rock band founded in 1974 in Bloomington, USA, by guitarist Bruce Anderson. Considered one of the most out of step but prescient bands of its time, MX-80's signature sound consists of breakneck metallic guitar combined with atonal chord structure, cross-rhythmic percussion and dispassionate vocals. Notoriously difficult to categorize—the band has been labeled noise rock, post-punk, acid punk, and heavy-metal—MX-80's sonic melange set the stage for bands such as Swans, Sonic Youth, Codeine, and Shellac. After a musical journey spanning five decades, MX-80 Sound announces the release of their final opus, \"Better Than Life,\" featuring MX-80's dense, extra-beefy sound, emotional guitar work, and free-associative vocals.\u003c\/p\u003e\u003cp\u003e For the album Bruce Anderson merged his rock trio, Rattletrap, with the talents of MX-80 Sound resulting in big bang sonics including two drummers (Nico Sophiea and John Morman), two bassists (Dale Sophiea and Chris Xefos), and two guitars (Bruce Anderson and Jim Hrabetin), along with vocals and horn by Rich Stim. In a remarkable feat, \"Better Than Life\" was recorded amidst the COVID-19 lockdown at 25th Street Recording in Oakland with Matt Boudreau engineering. The album was mixed by Steve Albini, in collaboration with MX-80 Sound, at Electrical Studios in Chicago. Sadly, Bruce Anderson, MX-80 Sound's founder, died in 2022\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50393723797835,"sku":"2050799","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG445_822dd11f_thumbnail_4096.jpg?v=1726424565"},{"product_id":"grosse-statik","title":"Grosse Statik","description":"\u003cp\u003eOriginal release: 1985. Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by series of albums of electronic pop music for the Sky label, home of many Krautrock bands. Tietchens often uses special source materials for his compositions such as water (Seuchengebiete), human voices (Von Mund zu Mund), paper (Papier ist geduldig). He is associated with the Industrial music scene through his collaborations and releases on labels such as United Dairies, Esplendor Geometrico or Dom Records. Tietchens never studied composition, he has no academic background, everything he does is self taught or learning by doing. Nevertheless, he was professor for sound design in Hamburg in recent years. Club of Rome was a pseudonym for Asmus Tietchens used on this cassette only release on ADN Records, 1985.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50394301301067,"sku":"2053466","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6nmgmuzk_28985336_thumbnail_4096.jpg?v=1726435987"},{"product_id":"underneath-the-underneath","title":"Underneath the Underneath","description":"\u003cp\u003ePhilip Sanderson first started releasing music as part of Storm Bugs in the late 1970s as captured on the\u003ci\u003e A Safe Substitute\u003c\/i\u003e CD. He also set up his own Snatch Tapes cassette label releasing music by David Jackman and Alien Brains amongst others. Reviews in the Wire magazine of the instrumental tracks described them as being akin to “a boiling vat of electronic music that occasionally sounds like the work of a mad scientist”, whilst the songs have a “flavour of what Kevin Ayers might cook up if he were alive and forced to work with the Residents”. Philip has also released music under the names of Claire Thomas and Susan Vezey, Ice Yacht, Maids Of The Marsh and Vote Police. In summer 2023, Philip played one of his very rare concerts at the Klang 30 festival in Vienna, Austria. This album presents you the music played at the gig, plus music that was influenced by or created in Vienna while his stay.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50394309984587,"sku":"2053422","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/vgKOVQZ4_a14ce650_thumbnail_4096.jpg?v=1726436138"},{"product_id":"density-dots","title":"Density Dots","description":"\u003cp\u003eImpetus Group is Dirk Serries’ big band formation. The band name naturally refers to the Latin meaning: urgency, driving force, but even more spiritually to the moving language and strength of each musician in the ensemble to realize this free improvisational music. Impetus group is also a tribute to the improvisation scene of the sixties and seventies, more specifically the London scene led by guitarist Derek Bailey with his Company group. The group has a fluctuating line-up, depending on the availability of the musicians, the geographical location and, as described above, the specific musical role required for that version of the orchestra at the time of its realization. The Impetus Group is a full-fledged ensemble with a full orchestral sound, but based on the free improvisation principle. An ensemble in which the democratic creative process is central, every musician is equal, there are no leaders, but a group of like-minded artistic musicians who jointly build group culture. The band has performed live in Belgium and the UK but \u003ci\u003eDensity Dots\u003c\/i\u003e is the band’s official debut studio album. Performed, recorded at the excellent live room of the Sunny Side Inc. Studio in Anderlecht (Belgium) on February 26th, 2022, the band consisted of Coljn Webster on alto sax, Dirk Serries on archtop guitar, Martina Verhoeven on piano, Teun Verbruggen on drums and Tom Jackson on clarinet. The album title describes exactly what the music brings to the listener. Intense pointillism in sound - moving rapidly or introspectively from one theme to another, musicians challenging themselves and each other. Music on the edge of everything outward while capturing at other moments in this live studio session the strength of single notes ringing out and creating the space for the next chapter to build. Free music in its purest form. London based saxophonist Colin Webster is known for working from extreme sonic palettes – from minimal to maximal, constantly pushing boundaries. Equipped with a razor-sharp, punk spirit, and ferocious technique, Webster has established himself as a unique voice on the European avant-garde scene, regularly collaborating with many of the key figures in improvised and experimental music. DirkSerries is hardly your average improvising musician. He is a master of texture, a skill which he’s been able to forge and refine for more than 30 years (as vidnaObmana, Fear Falls Burning, Microphonics). Martina Verhoeven has been working on the development of her own abstract photographic style for more than 15 years now. Now she’s fully dedicated to the piano, establishing herself as an unique and fierceful performer on the keys. Teun Verbruggen first picked up the drums by the age of eight. His search for a personal touch and wanting to explore all possibilities of playing drums, his lack of boundaries and trying to find fresh sounds in collective improvisation made him work with countless bands and musicians. Tom Jackson is a proficient clarinetist active in modern classical music and free improvisation, being part of highly regarded ensembles such as Apartment House, Lontano and orchestras such as the New London Sinfonia, British Sinfonietta and National Chamber Orchestra of Wales.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50394310443339,"sku":"2053421","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fT8JPi2o_11a10419_thumbnail_4096.jpg?v=1726436160"},{"product_id":"live-in-vienna-3","title":"Live in Vienna","description":"\u003cp\u003eOriginally, Hastings of Malawi were Heman Pathak, David Hodes and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. They played drums, clarinet, synthesiser and piano but also made use of things that they found lying around the studio - old records, cookery books, telephone directories and a telephone. The recordings were played down the phone to randomly dialled numbers and the reactions added to the recording. All three had been involved in the recording of the first Nurse with Wound album Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella and had contributed metal scrapings, piano, effects, clarinet and guitar during the session. The band split up after the first album but reformed 35 years later with a string of new albums. In June 2023, Hastings Of Malawi were invited to play the Klang 30 festival in Vienna, Austria. This was only the second time the band graced a stage, 38 years after the first performance. This outstanding rare opportunity was recorded and is now presented on CD. Maybe your only ever chance to find out what they sound like live!\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50396076114251,"sku":"2165759","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG461_950d7bba_thumbnail_4096.jpg?v=1726478067"},{"product_id":"her-favourite-distance","title":"Her Favourite Distance","description":"\u003cp\u003eFull title: Her Favourite Distance Was That Between A Cough And A Dying Horse. Kevin Tomkins is best known for his work in Whitehouse and his own group Sutcliffe Jugend, now called Sutcliffe No More. He also worked with Bodychoke, Inertia and Patient K. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with screamed and distorted vocals. The genre is noted for its influence from industrial. It is generally atonal, like most noise music and also features a lack of conventional melodies or rhythms. To match its sonic excess, power electronics relies heavily upon extreme thematic and visual content: whether in lyrics, album art, or live performance actions. For his solo work, Kevin sometimes uses a very different style to his group work. An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. In summer 2023, Kevin played a rare solo show in Vienna at Klanggalerie's 30th birthday bash. It was based on his autoharp album using that very instrument plus voice and an arrangement of gimmicks and tools. A week later, he created an album based on the performance and his time in Vienna.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50396154364235,"sku":"2165763","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG459_e7dbbf60_thumbnail_4096.jpg?v=1726478960"},{"product_id":"submerged","title":"Submerged","description":"\u003cp\u003ePaul Taylor is one half of Sutcliffe No More, formerly Sutcliffe Jugend. He is and was also a member of Inertia, Bodychoke and Slaves No More. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with screamed and distorted vocals. The genre is noted for its influence from industrial. It is generally atonal, like most noise music and also features a lack of conventional melodies or rhythms. To match its sonic excess, power electronics relies heavily upon extreme thematic and visual content: whether in lyrics, album art, or live performance actions. For Submerged, a very private and introspective album, Paul lets the psyche dive deep into the depths of the ocean. The music is dark, droney and meditative.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50396188475723,"sku":"2165780","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG453_76451f5d_thumbnail_4096.jpg?v=1726479415"},{"product_id":"sun-comes-2","title":"Sun Comes","description":"\u003cp\u003eSorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avangarde, songwriting and free jazz. In 1986 Gordon H. Whitlow released a cassette under the name Sorry For Laughing: \"The compositions stem from my beginning days with the avant-garde recording ensemble Biota, shortly after completion of the Bellowing Room LP.\" The album was re-issued on CD by Klanggalerie in 2018 and is still available. Recently, Gordon reactivated the project and changed it from a solo effort into a new supergroup: it now consist of himself, Edward Ka-Spel of Legendary Pink Dots fame, and Martyn Bates of Eyeless In Gaza.Also contributing is Denver guitarist Janet Feder and the Dots' Patrick Q.Wright. For its fourth release on Klanggalerie – Sun Comes – Sorry For Laughing delves ever deeper into a journey through time, space, and the unexpected with a set that may best be heard as a metaphor for “a life in a day”. Following a three decades’ layoff, SFL reinvented itself as a diverse cross-section of like-minded cohorts working as a group in their own geographically displaced corners of the world, coming together with a resplendent sonic chemistry that coalesces the best of each member’s considerable musical oeuvre while moving towards a new chamber music for the current age, often paying homage to tales of old (and new). This marvelous group consists of producer Gordon H. Whitlow (Biota), Martyn Bates (Eyeless in Gaza, Kodax Strophes), Edward Ka-Spel (Legendary Pink Dots), Patrick Q Wright (Legendary Pink Dots, Officer!), and Janet Feder, with mastering by Randy Miotke (Biota) and other notable guests.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50398531486027,"sku":"2171059","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG456_b4a6b404_thumbnail_4096.jpg?v=1726496693"},{"product_id":"just-another-day-at-home-2","title":"Just Another Day At Home","description":"\u003cp\u003eJohn Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, John Butcher and many others. Edwards studied art and knew from very early on that his future wouldn't be a desk job. From inheritance money he bought his first double bass at the age of 22. From that moment on, he learns, exercises his passion and begins to gain a reputation in the London community. He has a completely intuitive approach and only learns to read notes at a much later time. Maybe this is the secret to his unique technique, a result of years of hard work and a very creative imagination. In 1987 Edwards founded The Pointy Birds, his early music is a mix of avantgarde and an anarchic punk spirit. Soon he becomes a key player in the improvisers' scene of which he is now one of the most important representatives. Just Another Day At Home was recorded during a covid lockdown in 2020 and originally released as a digital download only.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50398551638347,"sku":"2171050","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG452_53690bfe_thumbnail_4096.jpg?v=1726496799"},{"product_id":"gets-2","title":"Get‘s","description":"\u003cp\u003eGeins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-industrial collages, adding guitars, piano, and classical instruments. Geins't Naït and Laurent Petitgand sharpen sounds, giving them a kind of balance and density and ensuring that the musical language evokes a deep experience. Their music is raw and fascinating, and largely influenced by Surrealists and Situationists. Their early albums were released by French label Permis De Construire, with Get's being the band's third album, originally released on cassette in 1988. It features 17 tracks that have been carefully remastered for CD by Martin Bowes.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50398555537739,"sku":"2171047","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDGG451_dd416a76_thumbnail_4096.jpg?v=1726496825"},{"product_id":"traumstadt-2","title":"Traumstadt 2","description":"\u003cp\u003e\u003cstrong\u003eThe Legendary Pink Dots\u003c\/strong\u003e are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984, the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer\/songwriter\/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman.\u003c\/p\u003e\n\n\u003cp\u003eThe band was originally called \"\u003cem\u003eOne Day...\u003c\/em\u003e\" but subsequently changed the name to \u003cem\u003eThe Legendary Pink Dots\u003c\/em\u003e, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s, the band released albums on Mirrodot and In Phaze; in 1985, they signed with Play It Again Sam for the release of \"\u003cem\u003eThe Lovers\u003c\/em\u003e\".\u003c\/p\u003e\n\n\u003cp\u003eTheir music touches on elements of neo-psychedelia, ambient music, electronic music, tape music, industrial, psychedelic folk, synthpop, post-punk, progressive, jazz, noise, pop, and goth rock, with a distinctly experimental\/avant-garde bent. Their sound has evolved over time and remains distinctive, making it difficult to place the group into a concise style or genre.\u003c\/p\u003e\n\n\u003cp\u003eThe group's overall sound combined with Ka-Spel's distinct lyrics and singing have earned comparisons to Pink Floyd and Syd Barrett; the group also has links to the sounds of krautrock bands such as Can, Faust, Brainticket, Magma, or Neu!\u003c\/p\u003e\n\n\u003cp\u003eThe first cassette \"\u003cem\u003eOnly Dreaming\u003c\/em\u003e\" was an edition of 9 copies, two of which had beautiful three-dimensional handmade covers. \"\u003cem\u003eOnly Dreaming\u003c\/em\u003e\" was abandoned rather than deleted as the recorded output by The Dots expanded massively within months of the band’s inception.\u003c\/p\u003e\n\n\u003cp\u003eThe Traumstadt series collects compilation appearances by the group, with \u003cem\u003eTraumstadt 2\u003c\/em\u003e maybe being the best of these collections. It focuses on rare tracks from 1984 to 1988 and was originally released on cassette by the band's own Mirrordot label. For this CD re-issue, it has been remastered once again and this much-loved album now sounds better than ever before.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50398973264203,"sku":"2174084","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/IM-S6_yV_18963155_thumbnail_4096.jpg?v=1726500224"},{"product_id":"chewing-hides-the-sound-deluxe","title":"Chewing Hides the Sound (Deluxe)","description":"\u003cp\u003eOriginally released in 1979.\nSnakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British\nblues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which\nhis finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers.\nAfter the lack of success of the second album, he returned to the states and work on his first solo album began. \u003ci\u003eChewing Hides The Sound\u003c\/i\u003e came out in 1979 on\nRalph Records. It includes classics such as his Kraftwerk cover \"The Model\", \"What Wilbur?\" and \"Picnic In The Jungle\". The songs on the album were co-written\nwith The Residents. The music showcased Lithman's distinctive slide guitar playing and often surreal imagery. At the same time, a string of singles was released.\nAll tracks that were exclusive to these releases are added as bonus tracks here. Very recently, a so far unknown remix of the whole album was discovered in the\nResidents' archive. It was made in 1987 in preparation for the \u003ci\u003eSnakey Wake\u003c\/i\u003e by The Residents and has never been published in any form. Klanggalerie are now\nproud to present you this lost gem for the first time ever on this double CD.\n\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50398988435787,"sku":"2173977","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/QgrDPOUe_ac618832_thumbnail_4096.jpg?v=1726500342"},{"product_id":"zarathustra-der-grosse-mittag-2","title":"Zarathustra – Der Grosse Mittag","description":"\u003cp\u003eThis project started four years ago with the intention of rediscovering the messages behind a book that seems never to be truly understood but somehow appears as an evergreen source of purity, a message of hope for humanity that seems to forget its real motivations. Even during his lifetime Zarathustra himself, as written in the Avesta, was always opposed by the mediocrity of the common thought of his contemporaries, fighting against ritualism, respecting animal life and nature especially in a period in which non-violence was not even idealistic. Four different languages to give a multicultural vision of the Nietzsche's text from four important old and new cultures, somehow connected to that book: the German, the English, the Iranian and the Russian one. For Nietzsche \"Der Grosse Mittag\" was a secondary option for the title „Also Sprach Zarathustra“ as achievement of awareness of the non-existence of any form of dualism of reality. \u003c\/p\u003e\u003cp\u003eThe main person behind \u003ci\u003eZarathustra\u003c\/i\u003e is Mirco Magnani, a Berlin based italian composer and producer, co- founder of the bands Minox, Technophonic Chamber Orchestra and 4DKiller. Mirco has performed onstage with Steven Brown, Blaine L. Reininger, Luc Van Lieshout of Tuxedomoon, Lydia Lunch, Krisma, Mad Professor and been remixed by Murcof, Nobukazu Takemura, The Gentle People, Daedelus. Recent important publications has been the collaborative improvisation sessions with Polish-Berlin friend Lukasz Trzcinski. Guest vocals come from Steven Brown and Nikolas Klau (Tuxedomoon), Sainkho Namtchylak and Paganland.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD.","offer_id":50399305007435,"sku":"2175574","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/image007_093acf55_thumbnail_4096.jpg?v=1726504255"},{"product_id":"curieuse-quiietude","title":"Curieuse Quietude","description":"\u003cp\u003eThierry Müller is a multi-instrumentalist and composer who is best known for his projects Ilitch and Ruth. He uses unconventional guitars as well as keyboards and other electronic devices to create unusual textures and sounds. A Parisian graphic designer, he began making recordings in the early 1970s using prepared guitars, harmonium and tape recorders as instruments. Since 1978, his albums with multiple and unclassifiable universes (Periodik Mindtrouble, 10 Suicides) have been erected as Cult by people like Lee Ranaldo, Steven Stapleton, Edward Ka-Spel. He has collaborated with, among others, Valentina Fanigliulo (Mushy), Nick Littlemore (Empire Of The Sun), Aaron Moore (Volcano The Bear), Jac Berrocal and Quentin Rollet. Pepe Wismeer is a duo living in the Ardennes led by Anne-Laure Therme and Damien Van Lede. Since 1999 they have released about twenty albums, all relatively unclassifiable and deep, on the borders of experimental, industrial, dark-folk and ambient. In their icy or hot universe where a subtle mixture of anguish and melancholy crouches, emerging from a multitude of organic and analog sounds, the languid voice, the piano and the sometimes epic effects breathe melodies and frames of a irresistible beauty. Steven Stapleton of Nurse With Wound chose them for his compilation of versions of Two Shaves And A Shine. Thierry Müller and Pepe Wismeer met during a showcase in a Paris record shop and started chatting. They soon decided to work together and have previously released one collaborative album.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD.","offer_id":50399692915019,"sku":"2176912","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Outlook-TR531LTD.j_b164d5f1_thumbnail_4096.jpg?v=1726507363"},{"product_id":"l-etoile-au-front","title":"L'Etoile Au Front","description":"\u003cp\u003eEtant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: \"Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressing their voices. Each event is a scream - indeed even the glissando - of the strength of the word that sometimes abruptly becomes a rock, a solid surface, not in the least fluvial, as is the narrative of a tale, novel or poetic epic. With both of them, there is no more trace of ancient prosodies, no more trace of the incomprehensible Sainte-Beuve who could claim: \"I have to collect a volume of prose\". The word, the voice, the volume take shape with each other, unveiling a theatre that theatre usually ignores, which has given it such things as a Samuel Beckett's Fin de Partie.\" Over the years Etant Donnes have collaborated with people like Lydia Lunch, Michael Gira, Alan Vega and Genesis P-Orridge. L'Etoile du Front was the band's third album, dating back to 1982 and originally issued on French Bain Total label (run by Philippe Fichot of Die Form). For this CD re-issue they have added a long bonus track not on the original album.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD.","offer_id":50403612492107,"sku":"1114182","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d362dbad-44b0-409a-8377-ec4c2ae2833e_thumbnail_4096.jpg?v=1726562235"},{"product_id":"ghost-festival-2","title":"Ghost Festival","description":"\u003cp\u003eBlaine L. Reininger needs no special introduction. He is an American post-punk, new-wave and alternative pop singer, songwriter, musician, multi-instrumentalist (particularly violin), writer and performer. He is known for being a member of the group Tuxedomoon since 1977 after co-founding it with Steven Brown and, latterly, for a notable music and theatre career, both as a soloist and contributor to other artists' recordings, including The Durutti Column, Snakefinger, Anna Domino, Savage Republic or Paul Haig. After learning the violin and guitar during childhood and studying music theory in San Francisco, Reininger formed with the band Tuxedomoon with composer, singer, musician and college-mate Steven Brown and appeared on early albums such as \u003ci\u003eHalf Mute, Desire\u003c\/i\u003e and \u003ci\u003eSuite En Sous-Sol\u003c\/i\u003e before departing early in 1983 to pursue a solo career. He permanently rejoined Tuxedomoon in 1988 and has subsequently appeared on more recent recordings such as \u003ci\u003eVapour Trails\u003c\/i\u003e, issued in 2007 by independent label Crammed Discs. \u003ci\u003eGhost Festival\u003c\/i\u003e is Blaine's all-new album, following up last year's \u003ci\u003eOcean Planet\u003c\/i\u003e on Italian label Dark Companion. Like its predecessor, it is a mix of classic Reininger songs and pieces of a more experimental nature.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50407752401227,"sku":"2193193","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CS997462-01A-BIG_77d2ea77_thumbnail_4096.jpg?v=1726600508"},{"product_id":"the-pelican-2","title":"The Pelican","description":"\u003cp\u003eInitially founded in 2015, after a period of shuffling members and names, Halcyon Daze settled on its final lineup by early 2016 of then-high schoolers Ivan Cunningham (saxophones), George Adzick (woodwinds), Nicholas Christenson (guitars), and Samuel Stroup (drums). At this point, the band entered its peak of activity within the Twin Cities jazz scene of the time, performing at many of its most prominent venues and DIY spaces while building up an extensive songbook of original compositions and idiosyncratic covers. Though the members of the band have continued to collaborate frequently on various other projects, as they eventually spread between Chicago, Los Angeles, and Paris, the band’s activity as a quartet slowed until their final public performance in 2018. \u003c\/p\u003e\u003cp\u003eIn the summer of 2016, after Adzick’s and Stroup’s graduation, the band also recorded eight songs, seven originals by Cunningham, Stroup, and Christenson along with one Senegalese psychedelia cover, to 8-track tape which, due largely to financial constraints, was never released until now. \u003ci\u003eThe Pelican\u003c\/i\u003e combines simple tunefulness, distorted aggression, and careful exploration of musical space, showing a group full of youthful energy and fearlessness. Following most obviously in the footsteps of jazz-punk bands like The Lounge Lizards and Last Exit, the group also reflects diverse influences from La Monte Young to Louis Moholo-Moholo and, most importantly, 2010s Twin Cities jazz bands like Vector Families and Cory Healey’s Beautiful Sunshine Band.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50407965098315,"sku":"2193194","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CS997464-01A-BIG_6587586f_thumbnail_4096.jpg?v=1726601488"},{"product_id":"extra-weapons-double-dog-dare","title":"Extra Weapons  \/ Double Dog Dare","description":"\u003cp\u003eThe Lo Yo Yo was founded by Family Fodder frontman John Pearce, aka Alig, in 1984. They were active for 2 years and released one cassette, one split cassette with Look De Bouk, one full-length LP and appeared on the Local International 15-26 compilation cassette on Recommended. The band's name comes from a Captain Beefheart song titled Low Yo Yo Stuff on the 1972 \u003ci\u003eClear Spot\u003c\/i\u003e LP. The Lo Yo Yo's line-up was very varied and included, along 10 or so other musicians, various Family Fodder members like Mick Hobbs, Felix Fiedorowicz and Rick Wilson. All three also played in The Work and Officer!, sometimes with Pearce himself. Charles Bullen of This Heat occasionally played drums with Family Fodder and co-produced The Lo Yo Yo's unique LP, \u003ci\u003eExtra Weapons\u003c\/i\u003e, in 1985. Alig says \"It was impossible not to get together. In this era it was compulsory to get a band together with your mates. It was normal to be left-wing, inclusive, anti racist, anti-sexist, anti-homophobic and in opposition. And to form a band. With or without experience).\" Pearce's punchy bass playing and Carrie Brooks' post-punk drumming form the backbone of The Lo Yo Yo sound, complete with singer Annie Hunt and Mick Hobbs' guitar. This CD collects all tracks from the \u003ci\u003eExtra Weapons\u003c\/i\u003e LP and the Lo Yo Yo side of the split cassette with Look De Bouk. \u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50414088126795,"sku":"1147347","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b616676d-4d04-4003-a744-aa56e5f1886e_thumbnail_4096.jpg?v=1726681635"},{"product_id":"abundant-shores-2","title":"Abundant Shores","description":"\u003cp\u003eMark Holub’s (Led Bib, Blueblut) new band Anthropods returns with their second album. This follow-up to the warmly received self-titled debut album, described by Jazzwise as a, “richly eclectic set of enjoyable and unclassifiable music celebrating the joy of collectivity”, brings the band into new directions, exploring the spaces between composition and improvisation. The composition of the suite began at the culmination of two years of working together, Holub elaborates: Anthropods for me was always more about finding out what these five people sounded like together, rather than coming in with a clear direction in mind. With Corona restrictions lifting, we were finally able to tour again, allowing me to delve further into an understanding of what this band is. This understanding led me to the composition of the suite. The idea was to create a whole through composed set, where we could move between composition and improvisation freely. The composition works as a tool to give us areas to explore as improvisers. The album was conceived as one single piece and travels between all different extremes. There are moments of folk-like pastoral beauty, honking free jazz, heavy grooves, and soaring melodies. This may sound contradictory, or like diversity for its own sake, but Anthropods move through these zones completely smoothly, and the album is a journey from start to finish.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50415576121675,"sku":"2189565","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/GyjsciRO_7c2a6a16_thumbnail_4096.jpg?v=1726691334"},{"product_id":"the-clear-observatory-eyepiece-musique-2","title":"The Clear Observatory -  Eyepiece Musique","description":"\u003cp\u003eMassimo Toniutti is an Italian sound designer and experimental musician. He is the brother of Giancarlo Toniutti who is best known for his electroacoustic masterpiece La Mutazione which was originally released on the Broken Flag label in the UK and later re-issued by Klanggalerie. Massimo started working with sound when he was a teenager, collecting and playing recordings of all kinds. In the 1980s he released four cassettes on his own label, all heavily influenced by the experimental music scene of that time. He soon developed a strong relation to electroacoustic structures, space\/environment and silence. In the 1990s, he began investigating radio, creating his own sound archive and producing unusual broadcasts. He released an album entitled Il Museo Selvatico, which was re-issued in Australia in 2018 on Oren Ambarchi's label Black Truffle. A documentation of his radio work can be heard on the CD Le Gabbiette Di Faraday, collecting radio pieces from 1996 to 1998. On his new album, Toniutti deals once more with space and silence with an immersive, spacious long track. A loose-knit sound structure moves in a cyclic but unpredictable way embracing macro shapes, empty spaces and sound dust. While running crystal clear it invites you to observe it in depth and focus on distances. Details\/events are spread along the piece like in a landscape, still and changing at the same time. A deep listening that can easily become “my personal musique d’ameublement”, to quote the composer himself. A model of this work has been part of a permanent installation in a museum since 2013. The Clear Observatory is a sort of never ending piece, the enlargement\/development of a bunch of seeds. Sound sources (acoustic material and field recordings) are treated in a specific configuration of reverbs and delays to create this roomy “eyepiece musique”.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50415583854923,"sku":"2189606","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0TqHii0__74a9c0ed_thumbnail_4096.jpg?v=1726691397"},{"product_id":"voice-2","title":"Voice","description":"\u003cp\u003eHula were founded in Sheffield in 1981. Three members (Mark Albrow, Alan Fish and Ron Wright) lived with Stephen Mallinder (Cabaret Voltaire) and Paul Widger (They must be Russians, Clock DVA, The Box) in a villa called Hula Kula. After trying the bass players Alan Watt and Chris Brain (Tense, NOS) Hula recorded the impressive debut album \u003ci\u003eCut From Inside\u003c\/i\u003e with Mark Brydon (Chakk, Moloko). Ingredients like cut ups, steady rhythms, and paranoia vocals were blended together into a unique white funky sound. \u003ci\u003eMurmur \u003c\/i\u003ewas the band's second album and came out on Red Rhino in 1984. This was also the time of Hula's great singles - \u003ci\u003eFever Car, Get the Habit\u003c\/i\u003e and \u003ci\u003eWalk on Stalks of Shattered Glass\u003c\/i\u003e were all released around that time. These two long players were followed by an ambient album called \u003ci\u003eShadowland\u003c\/i\u003e and a live double LP entitled \u003ci\u003e1000 Hours\u003c\/i\u003e. \u003ci\u003eVoice\u003c\/i\u003e was to be the band's last album and came out on Red Rhino in 1987. It is a much bigger and cleaner production than its predecessors and was produced and engineered by the creme de la creme of its time: Daniel Miller, Robert Gordon, John Fryer, Paul Kendall and others. Two singles were lifted off the album, \u003ci\u003eCut Me Loose\u003c\/i\u003e and \u003ci\u003ePoison,\u003c\/i\u003e both perfect examples of Electronic Industrial Pop. A year earlier, another 12\" was released entitled \u003ci\u003eFreeze Out\u003c\/i\u003e, it is also included in this first time on CD re-issue. After the album,. Hula recorded one more 12\" for Wax Trax and then fell silent. Let's hope for new Hula material to come out in the near future. \u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50418772771147,"sku":"1063749","price":13.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"frank-gratkowskis-entrainment","title":"Frank Gratkowski's Entrainment","description":"\u003cp\u003eFrank Gratkowski studied woodwind instruments at Hamburg University. He constantly works on extending the repertoire of his instruments: solo and in various groups, large or small. He uses unusual techniques to play his instruments and sees himself as working in contemporary improvised music. Composition and improvisation are both equally important. In 1995 he founded the first FrankGratkowski trio with Gerry Hemingway on drums and Dieter Manderscheid on bass. Since then, he is part of various groups and enjoys working with young musicians, for example the quartet The Resonators. Gratkowski played as soloist, bandleader or sideman at the world's most important festivals, ie The Donaueschinger Musiktage. In 2014 he composed music for the ensemble Zeitkratzer, in 2021 he was artist in residence at New Music Festival Klangspure in Austria. On Klanggalerie, he released CDs with his ensemble Skein, as well as a duo CD with pianist Elisabeth Harnik. He considers his new group Frank Gratkowski's Entrainment his strongest effort yet, working with Kazuhisa Uchihashi, a Japanese guitarist who used to be a member of Otomo Yoshihide's group Ground Zero. Also participating is Steve Heather, a freelance drummer, composer, performance and installation maker based in Berlin. Dan Peter Sundland is a unique electric bass player and composer active in the jazz and improvising scenes in Norway and Berlin. His playing is set apart by his expressive, wide ranging playing techniques, including cello-like bowing and a varied palette of percussive colours. This is their first album as a quartet and an absolute must-have for every fan of powerful improvised music.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50422117859659,"sku":"2194198","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5f75d509_thumbnail_4096.jpg?v=1726762630"},{"product_id":"maschine","title":"Maschine","description":"\u003cp\u003eMozo Mozo was founded in 2018. \u003cstrong\u003eMoritz Haberkorn\u003c\/strong\u003e (guitar, FX), \u003cstrong\u003eMichael Masen\u003c\/strong\u003e (sax), \u003cstrong\u003eChristoph Kirmaier\u003c\/strong\u003e (bass, FX) and \u003cstrong\u003eLukas Wöber\u003c\/strong\u003e (drums) played many intense sessions before forming the group. Their aim was to bring original free jazz to a young audience.\u003c\/p\u003e\n\n\u003cp\u003eTheir live shows are legendary - their gigs are complex, performative, and combine elements of jazz and rock. In 2021, Felix Linhart took \u003cstrong\u003eMoritz Haberkorn\u003c\/strong\u003e's place, with the former concentrating more on his solo projects like \u003cem\u003eMorast\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe name Mozo Mozo is open to many interpretations. In Japanese, mozo means cozy or cuddly, while in Spanish it means waiter or young man. 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Next to his long standing collaborations such as duo Bagg*Fish with drummer Marcos Baggiani, Michael Fischer launched the Vienna Improvisers Orchestra in 2004. Since then he has elaborated an individual hand-sign practice \/ instant composition conducting, similar to Butch Morris conductions. As instant composition conductor he works for international improvising orchestras, temporarily large ensembles and choirs. Since 1999 he has been connecting the electro-acoustic phenomenon feedback with his sax playing thus developping the feedback saxophone. Crowd reactions at his solo shows are enthusiastic so we are proud to finally present you a solo album by this unique composer and performer.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50425925927243,"sku":"2198541","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_4b26824d_thumbnail_4096.jpg?v=1726796153"},{"product_id":"synergetic-matches-2","title":"Synergetic Matches","description":"\u003cp\u003eElisabeth Harnik, an Austrian based pianist and composer has created a multi-faceted body of work by blurring genre boundaries through various collaborations in the field of improvised music, interdisciplinary projects and contemporary compositional works. She studied classical piano and later - with Beat Furrer - composition at the University of Music and Performing Arts, Graz. As an improviser she works within an electro-acoustic inspired sound-world, using specific preparations and extended techniques while pushing the limitations of the piano. Amongst others she has collaborated with Frank Gratkowski, Sainkho Namtchylak, Dave Rempis \u0026amp; Michael Zerang, Joelle Leandre and Ken Vandermark. Udo Schindler is a German musician in the improv scene playing bass clarinet, sax, flute, cornet, accordion, guitar and drums. In the 1970s he first appeared as a rock and rock-jazz musician before studying flute Nuremberg conservatory. Afterwards, he studied architecture in Munich and worked as an architect. In the 1990s he began playing an important role in New Music and Improvised Music. Next to his musical activities he also worked as a director, actor and composes soundtrack music for the theatre. In Munich, he also initiated a series of improvised music concerts. 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They are an English musical duo active since the late 1970s, consisting of a pathologist (David Janssen or Ted the Loaf) and an architect (Brian Poole or Renaldo Malpractice). By their own assertion, they achieved their unique sound in part by striving to get unnatural synthesizer-like sounds using only what instruments they had available (acoustic ones). To that end they routinely used muffled and de-tuned instruments, and, often to striking effect, tape loops and manipulation. In 2018 they played their first ever live show at Klang 25 in Vienna, documented on the album \u003ci\u003eLong Time Coming\u003c\/i\u003e. In 2016 the group recorded a brand new album entitled \u003ci\u003eGurdy Hurding\u003c\/i\u003e. David Janssen aka Ted the Loaf has released some solo albums under the name The Darkening Scale and as a duo called The Tapeworm Vessel. Renaldo M. has so far contributed vocals to many songs by other artists, but this is his first album as a solo artist. 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In all his music he explores how motion-clusters can be perceived as one agglomerated sound in motion by using spectralistic fields of tones. Meinrad Kneer is a double bass player, composer, improviser, band-leader and label owner. \u003c\/p\u003e\u003cp\u003eHis music moves along the musical boundaries of jazz, improvised, contemporary-composed and ethnic music. He studied double bass and music in the Netherlands (conservatories of Hilversum and Amsterdam), where he quickly entered the Dutch jazz- and subsequently the international scene of free improvisation. Rudi Fischerlehner plays drums in various different musical projects that fall between improvised and experimental music, jazz and post-rock. He also composes and produces music for bands, film and performances. Born in 1977 in Austria he was introduced to the drums in his childhood and started playing in bands as a teenager around Linz. 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However there were a few well developed nuggets that Frans wanted to be given special attention. They were the works he had\ncreated together with Johan Nÿland. The attention granted was prompt, lavish and delivered with love and Dynasti was born. Projects as enjoyable as that\ndeserve a future. It’s also a collective that’s rich in history. Edward goes back 42 years with The Dots, releasing countless albums including many solo outings.\nAdd to that numerous collaborations (The Tear Garden, Mimir, Sorry For Laughing, Amanda Palmer, Patrick Q. Wright) and it becomes clear that listening to all\nthat music may need a second lifetime. Frans launched his label and first musical project Kapotte Muziek on the same day in 1984. Since then, he worked with a\ndiverse set of projects, including Beequeen, Goem, Shifts, The Tobacconists, Ezdanitoff, Tech Riders, Quest, QST, THU20, and, most recently, his latest solo\nproject, Modelbau. He has also collaborated with Pan Sonic, Asmus Tietchens, Steven Wilson in a rich and varied career. Peter was half of the synthesizer duo\nDistel and the driving behind the avant-garde collective, Hadewych. Currently his main output comes through the apocalyptic electronic dreams of Norn and he\nfeatures as a writer and percussionist in both O Saala Sakraal and Swedish death industrial combo Trepaneringsritualen. Next to these involvements he does the\nodd audio engineering job and until recently worked as a composer for television documentaries and film - most notably for the Oscar-nominated animated short\nMind My Mind (2019) and Dutch documentary series Zembla (2012-2021).\n\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50435463414091,"sku":"2012085","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9dwWth-g_6d7ebd10_thumbnail_4096.jpg?v=1726903982"},{"product_id":"cinq-portes-soudees","title":"Cinq Portes Soudees","description":"\u003cp\u003eEtant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: \"Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressing their voices. Each event is a scream - indeed even the glissando - of the strength of the word that sometimes abruptly becomes a rock, a solid surface, not in the least fluvial, as is the narrative of a tale, novel or poetic epic. With both of them, there is no more trace of ancient prosodies, no more trace of the incomprehensible Sainte-Beuve who could claim: \"I have to collect a volume of prose\". The word, the voice, the volume take shape with each other, unveiling a theatre that theatre usually ignores, which has given it such things as a Samuel Beckett's Fin de Partie.\" Over the years Etant Donnes have collaborated with people like Lydia Lunch, Michael Gira, Alan Vega and Genesis P-Orridge. Cinq Portes Soudées was the band's fifth album, originally released on Die Form's Bain Total label in 1984 on cassette only. For this CD re-issue we have added a long bonus track not on the original album.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50443457331531,"sku":"2198522","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_605a36f8_thumbnail_4096.jpg?v=1727014827"},{"product_id":"lumieres-2","title":"Lumieres","description":"\u003cp\u003eAsmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album \u003ci\u003eNachtstücke\u003c\/i\u003e was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sky label, home of many Krautrock bands. Tietchens often uses special source materials for his compositions such as water (Seuchengebiete), human voices (Von Mund zu Mund), paper (Papier ist geduldig). He is associated with the Industrial music scene through his collaborations and releases on labels such as United Dairies, Esplendor Geometrico or Dom Records. Tietchens never studied composition, he has no academic background, everything he does is self taught or learning by doing. Nevertheless, he was professor for sound design in Hamburg in recent years. Alice Freshmouth is an anagram project by Tom Fleischhauer. Tom plays guitar and bass and has worked as producer, live sound engineer, booker, promoter and composer. Him and Asmus have been friends for over 40 years, they regularly meet in Hamburg, either as musicians or attending concerts. When Tom played Asmus his most recent musical compositions, the two decided that their work was not completely compatible, but shows enough similar approach to start a spontaneous collaboration. Soon afterwards first ideas were exchanged and half a year later an album was born. Both musicians think that there is equal measure of each of them to be heard on this CD.  \u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50445149110603,"sku":"2208688","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/image003_bd675ec0_thumbnail_4096.jpg?v=1727033322"},{"product_id":"reflection-and-passage","title":"Reflection and Passage","description":"\u003cp\u003e-\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50445941047627,"sku":"2046304","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/25186_c071a921_thumbnail_4096.jpg?v=1727050085"},{"product_id":"paragraphs-and-principles","title":"Paragraphs And Principles","description":"\u003cp\u003eOfficer! was founded by Londoner Mick Hobbs. His roots were in the Rock In Opposition scene of the late 70s and early 80s. Initially he worked as guitarist in The Work, subsequently he became closely associated with This Heat and their Cold Storage Studio in Brixton, working with artists like Family Fodder, Catherine Jauniaux or Zeena Parkins. \u003c\/p\u003e\u003cp\u003eThe band's first album \u003ci\u003e8 New Songs By Mick Hobbs\u003c\/i\u003e came out in 1982 on cassette only. It was followed by the second album, \u003ci\u003eOssification\u003c\/i\u003e. \u003ci\u003eParagraphs And Principles\u003c\/i\u003e is the most ambitious album yet by the experimental, maverick pop group Officer.! The band has surprised itself with this dazzling yet almost dangerous collection of pieces that keep alive the glorious memory of composer Cornelius Cardew - comrade and champion. His work, while of its time, remains strangely contemporary. \u003c\/p\u003e\u003cp\u003eIt is difficult music - mystifying perhaps, idealistic certainly, and contentious without doubt. That said, Cardew was also drawn to rousing, goose-bump melodies that wear their politics on their sleeves. Since his untimely and sinister death in 1981, the world has come full circle and Cardew's desire for rebellion, democratisation, rejection of crass popularism, and a revolution in politics, thought and approach have all become relevant once more. \u003c\/p\u003e\u003cp\u003eOfficer!'s tribute to Cardew features several dynamic re-interpretations of his key works, as well as new music that draws inspiration from his principles and philosophy. For this outing, Officer! is Mick Hobbs, Felix Fiedorowicz and Bill Gilonis alongside a stunning line-up of 30 performers from 8 countries. No one knows quite how this project came about - it's almost an international conspiracy, and certainly a closely guarded secret. We hope only that upon their unleashing, these fierce new sounds may be heard by as many ears as possible.\u003c\/p\u003e\u003cp\u003eLP on Jelodanti Records.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"Black | LP | x2","offer_id":50457832161611,"sku":"1137612","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50457830588747,"sku":"1137135","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c083e14f-3310-45a8-a792-84cb9169e9d9_thumbnail_4096.jpg?v=1727208441"},{"product_id":"erstens","title":"Erstens","description":"\u003cp\u003eChristian Reiner works as speaker for poetry, prose and experimental texts. He works solo and in collaboration with others on theatre projects, book readings, live concerts and music recordings. His work can be seen somewhere between language and music. He presents his texts with various collaborators at festivals, in various music ensembles and has a special programme for children. He is a classically trained singer and expert for the art of declamation. \u003c\/p\u003e\u003cp\u003eMartin Siewert plays guitar, lap and pedal steel and electronics. He is a member of experimental rock group Radian and has a duo project with Katharina Ernst named Also. Over the years he has worked with a very diverse range of musicians including Otomo Yoshihide, Tony Buck, Oren Ambarchi, Jamaaladeen Tacuma, Paul Lovens, Ken Vandermark and Fennesz. Siewert both composes and improvises in both acoustic and electronic contexts. He has worked for theatre, film and dance as well as various remix and soundinstallation commissions. \u003c\/p\u003e\u003cp\u003eFor this first collaboration between Reiner and Siewert the duo have recorded eleven songs with Siewert putting Reiner's words to music, using guitar and electronics. The result is something unique, rough, noisy, but at the same time poetic.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50462790943051,"sku":"1154915","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9b86344a-31c5-4c63-a465-f8ba4df9bab1_thumbnail_4096.jpg?v=1727259697"},{"product_id":"visceral-underskinning","title":"Visceral Underskinning","description":"\u003cp\u003eHastings of Malawi are Heman Pathak, David Hodes and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. They played drums, clarinet, synthesiser and piano but also made use of things that they found lying around the studio – old records, cookery books, telephone directories and a telephone. The recordings were played down the phone to randomly dialled numbers and the reactions added to the recording. All three had been involved in the recording of the first Nurse with Wound album Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella and had contributed metal scrapings, piano, effects, clarinet and guitar during the session. Their debut album, Vibrant Stapler Obscures Characteristic Growth, is a masterpiece from 1981, re-issued on vinyl by Sub Rosa and on CD by Klanggalerie. Originally 1000 copies pressed on orange\/red vinyl. 120 copies were sold through Rough Trade and Virgin Records. 800 copies were bought and later destroyed by the United Dairies label, making this record even more rare. 35 years later, the British dadaist group Hastings of Malawi have released a new album - an epic sound poem entitled \u003ci\u003eVisceral Underskinnings\u003c\/i\u003e. It is a 40 minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers. It is a sound collage of diverse elements including the voices of George Washington Johnson (First African American star of the phonograph 1846-1914) and Dr Hastings Banda - the first president of Malawi. It includes randomly generated computer music, voice synthesis, recordings of cold war number stations, American military sound weaponry and recordings of the some of the many sound sculptures produced by Hastings of Malawi over the last 30 years. Hastings of Malawi produce sounds that sit in that grey area where sound art and music meet but they reject both labels and cannot be comfortably placed in either camp. This is not an easy album to listen to but persevere and you may or may not be able to decipher its meaning.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50469057331531,"sku":"2024918","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0578006037_10_5f069d6b_thumbnail_4096.jpg?v=1727355737"},{"product_id":"locum-windsock","title":"Locum Windsock","description":"\u003cp\u003eThe Darkening Scale is the solo project of David Janssen aka Ted The Loaf of Renaldo \u0026amp; The Loaf. A purely digital affair, DS started in 2006 when RATL was on hold. The Entomology of Sound was the first album and came out as digital file and a very limited CDr. David says about it: \"Back in 2006, much to my surprise, I found myself making music again after a long gap. Starting at the bottom of a steep learning curve, The Entomology of Sound was the first result\". Several albums followed, one of them being a radical re-working of Duck Stab by The Residents, Stuck Bad. After concentrating on reissuing the back catalogue, David started making music again during the Covid lockdowns. He says: “On 10the April 2020, early in the first UK Lockdown, I started collecting sound samples and began to make a kind of diary\/sketchbook of musical ideas. Within about a week I’d accumulated a number of pieces and, at the suggestion of Walter from Klanggalerie, I started a Bandcamp page. The pieces were made available at £1 per track and eventually there were 28 of them! All of the money raised was split between NHS Charities Together and UNICEF. Just as suddenly as the pieces started to flow they stopped. There were a couple more pieces that were started but never finished. Late in 2021 I decided that it was time to dust off the Lockdown Music files and, in the time-honoured fashion of Darkening Scale releases on Klanggalerie, reasses them. Unlike previous releases these pieces have been heavily reworked, remixed, edited and arranged into four suites of pieces. Not all of the pieces have been used, the fourth piece includes some material from 2018 and the final section is from late 2021.\"\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50469971427659,"sku":"2024937","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/88FSWONA_311d4c81_thumbnail_4096.jpg?v=1727370358"},{"product_id":"demand-full-automation","title":"Demand Full Automation","description":"\u003cp\u003eSimon Crab has a long history in music. He is anti-capitalist, a practicing anarchist and strongly against material acquisition. Many years ago, he offered the complete back catalogue by his former band Bourbonese Qualk as free downloads. Nevertheless, people like product, so the Qualk catalogue will be-reissued physically, and Klanggalerie are happy to release his second solo album on Compact Disc. Crab considers himself a non-musician, yet is oddly quite good at playing instruments like the guitar, clarinet, gamelan-percussion and especially electronics. In fact, his favourite musical instrument is the computer. Whereas classically trained musicians often assert that there is no artistry in computers, Crab asserts there is no artistry required to play a musical instrument well. Crab's 'music career' spans nearly four decades and continues until this very day. Demand Full Automation presents our society's choice of either liberating the working class through automation, or further subduing them with it. Enter this rich, and meticulously crafted mostly electro-acoustic narrative with some instrumental excursions, that emphasizes more synthetic than natural textures, and on occasion, a sublime melding of the two. Demand Full Automation continues the narrative; ambient-atmospherically pensive some moments, but mostly energetic and upbeat, and relentlessly marching towards progress. But what kind of progress? Says Crab \"At the moment, the proletariat is being replaced by the precariat. It is a really interesting time, apart from all the kind of 'rise of fascism' and globalization. The big issue that nobody is looking at is automation and it seems to me that it can go one of either two ways; that can be the neo-liberal way in which corporates are going to use automation as a way of enriching themselves even further, irrespective of the workforce. The workforce is going to become completely irrelevant. That is the neo-liberal take on it which is a dystopian view of the world and it is clearly not going to end very well. The other view is that if you take more of a Marxist approach, taking control of the means of production, if the workers themselves control automation for the good of themselves, then there is a better future. Automation doesn't have to be a dystopian horror. It can easily be a liberating future.\" Track list: \u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50471556677963,"sku":"1032457","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/435d90c1-8118-4069-8c04-fdf8b64a4602_thumbnail_4096.jpg?v=1727407593"},{"product_id":"khamu","title":"Khamu","description":"\u003cp\u003eSecond installment in a reissue programme for this excellent UK band. C Cat Trance were formed by multi instrumentalist John Rees Lewis after his departure from Medium Medium, taking the band's drummer Nigel Kingston Stone with him. The band are seen as members of the post-punk movement, but that's not all that is to say about their sound. C Cat Trance incorporated ethnic music into their compositions before world music became a popular genre. Their influences come mainly from Northern Africa and the Middle East. A lot of people have played with the band, creating a unique mix of pop, new wave, club and world music.\u003ci\u003e Khamu (She Sleep Walks)\u003c\/i\u003e was released on Ink Records in 1985 as a vinyl LP with 8 tracks, followed the next year by the \u003ci\u003eShake The Mind\u003c\/i\u003e 12\" single.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50472232091979,"sku":"1092301","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ad9742ff-e2f6-4a3f-a13c-ff569b9b8f5c_thumbnail_4096.jpg?v=1727420491"},{"product_id":"duette-live-in-vienna","title":"Duette (Live in Vienna)","description":"\u003cp\u003eSection 25 formed in Blackpool, in November 1977. Initially they were a duo, consisting of brothers Larry Cassidy and Vincent Cassidy. In June 1978 they made their live debut with Phil Denton on guitar. Their first 7\", \u003ci\u003eGirls Don't Count\u003c\/i\u003e, was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division fame. Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction from 1983 onwards, a process which culminated in the album From the Hip and remix single \u003ci\u003eLooking From A Hilltop\u003c\/i\u003e, both released in 1984 and produced by Bernard Sumner of New Order. This second iteration of the band also featured the Cassidy brothers' sister Angela Flowers and Larry Cassidy's wife Jenny Ross. In 1986 Section 25 fell silent for more than a decade, and reemerged with the album \u003ci\u003ePart Primitiv\u003c\/i\u003e in 2006. On 27 February 2010, it was announced that founding member, singer, and bass player for the group, Larry Cassidy, had died at the age of 56. After an expanded line-up consisting of Vincent Cassidy, Bethany Cassidy, Steven Stringer, Jo Cassidy and Michael Cassidy which recorded the latest studio album \u003ci\u003eElektra\u003c\/i\u003e, the band are now down to being a duo again - just like they started. Consisting of Vincent Cassidy and Steven Stringer, Section 25 performed a fantastic show in Vienna in October 2019 where this album was recorded.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50472233369931,"sku":"1092296","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/50050ffb-871b-4915-bf16-1b23a3641f4b_thumbnail_4096.jpg?v=1727420514"},{"product_id":"moravian-meeting","title":"Moravian Meeting","description":"\u003cp\u003eThe show on this album was performed in Olomouc, Czech Republic, at the Moravian Theatre, in the year 2010. The Caesar gallery organized a retrospective exhibition called \"The Residents Residence\" in Olomouc. The exhibition contained art, costumes, masks and other artefacts of The Residents and Už JsmeDoma were asked if they could create their own versions of The Residents' songs, and play them to support the exhibition. As Randy, the Residents' singer, was invited for the opening and staying in Olomouc for a couple of days, it was a good opportunity to have him on one stage with Už Jsme Doma. 13 songs werechosen, partly by Miroslav Wanek and partly by Randy. Miroslav turned the original arrangements into the UJD sound with full respect to The Residents style and mood. He was able to use his own experience with this kind of work - in 1981, during the communist regime in Czechoslovakia, he discovered recordings of The Residents and covered them with the punk band he was then involved with. \u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50472878965067,"sku":"1094794","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7b7a99d1-74af-49b1-89e3-0f1fba944a54_thumbnail_4096.jpg?v=1727424451"},{"product_id":"kleine-krieg","title":"Kleine Krieg","description":"\u003cp\u003eThe Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer\/songwriter\/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called \"One Day...\" but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s the band released albums on Mirrodot and In Phaze; in 1985 they signed with Play It Again Sam for the release of \u003ci\u003eThe Lovers.\u003c\/i\u003e Their music touches on elements of neo-psychedelia, ambient music, electronic music, tape music, industrial, psychedelic folk, synthpop, post-punk, progressive, jazz, noise, pop, and goth rock, with a distinctly experimental\/avant-garde bent; their sound has evolved over time and remains distinctive, making it difficult to place the group into a concise style or genre. The group's overall sound combined with Ka-Spel's distinct lyrics and singing have earned comparisons to Pink Floyd and Syd Barrett; the group also has links to the sounds of krautrock bands such as Can, Faust, Brainticket, Magma or Neu! \u003c\/p\u003e\u003cp\u003eThe first cassette \u003ci\u003eOnly Dreaming\u003c\/i\u003e was an edition of 9 copies, two of which had beautiful three-dimensional handmade covers. \u003ci\u003eOnly Dreaming\u003c\/i\u003e was abandoned rather than deleted as the recorded output by The Dots expanded massively within months of the band's inception. This increased activity led to the beautifully packaged Chemical Playschool Volumes 1 and 2. 32 copies were made of this, and the hugely supportive Eurock magazine and mail-order service bought 30 of them in an exchange deal for exotic goodies in their catalogue. It wasn't meant to end there but the 2 track masters were largely erased by accident - and\u003ci\u003e Kleine Krieg\u003c\/i\u003e represents the music that survived plus a lot of fresh material that just had to be unleashed. This edition has all tracks of both editions\/versions of \u003ci\u003eKleine Krieg\u003c\/i\u003e, plus a couple of bonus tracks, and is the first time this is being released on double CD. It is a new and much better re-master than what was used on the CDR edition some time ago.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD | x2","offer_id":50473053552971,"sku":"1091025","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f859de57-f71f-4f5d-aecb-8da8932a3022_thumbnail_4096.jpg?v=1727426097"},{"product_id":"french-gigs","title":"French Gigs","description":"\u003cp\u003eGeorge Lowen Coxhill, generally known as Lol Coxhill, was an English free improvising saxophonist and raconteur. He played the soprano or sopranino saxophone. In the late 1960s and early 1970s, he was a member of Canterbury scene bands Carol Grimes and Delivery and then Kevin Ayers and the Whole World. He became known for his solo playing and for work in duets with pianist Steve Miller and guitarist G. F. Fitzgerald. Coxhill collaborated with other musicians including Mike Oldfield, Morgan Fisher, Chris McGregor's Brotherhood of Breath and its musical descendant The Dedication Orchestra, Django Bates, The Damned, Derek Bailey and many others. Jeremy Webster \"Fred\" Frith is an English multi-instrumentalist, composer, and improvisor. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, The Residents, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová and Jad Fair. The duets between Coxhill and Frith were recorded from the late 70's to the early 90's. They were originally released on AAA in 1983 on LP and on Ayaa Records in France in 1991 on CD. This re-issue was re-mastered by Myles Boison and features previously unreleased music recorded in 1999, the last time Coxhill and Frith performed together. Full tracklist: 1. Reims 2. Limoges 1 3. Poitiers 4. Limoges 2 5. München\/London 6. Aubervilliers. Price: € 17,-\/copy incl. worldwide shipping\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50473353969995,"sku":"1104544","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b9feb0e5-42b5-4f58-9326-5f6f9d994b32_thumbnail_4096.jpg?v=1727428382"},{"product_id":"cult-of-europa","title":"Cult of Europa","description":"\u003cp\u003eTheir club night was called Nag Nag Nag after a Cabaret Voltaire song. They were remixed by Pet Shop Boys. If you like both, then you will like Atomizer as well. Atomizer was the synth duo project of musicians and DJ's Jonny Slut and Fil OK. Formed in South London in 2001 their first single produced by KLF's Jimmy Cauty. \"Hooked on Radiation\" was picked up by DJ Hell's International DJ Gigolos label. The following year they launched their own club night Nag Nag Nag in a sleazy Soho basement which was soon crammed to capacity with beautiful misfits, fashionistas and outsider celebrities. Boy George, Kate Moss, Bjork and The Pet Shop Boys were all regulars. The club also attracted guest DJ's and performers including Yoko Ono, Vitalic, Miss Kittin, Chris and Cosey and The Virgin Prunes. \u003c\/p\u003e\u003cp\u003eIn 2003 the Nag Nag Nag compilation album appeared on React Records, featuring tracks that reflected the clubs genre defying music policy, with Tiga, Chicks on Speed and DJT rubbing shoulders with the 80's new wave influences of Fad Gadget, Bauhaus and Cabaret Voltaire. Nag Nag Nag soon became an international phenomenon, and in their 10 year career together Atomizer toured live and DJ'ed across Europe, Scandi-navia, The US, South America and Russia. Between 2003 and 2011 they released numerous singles and EP's on their own Nag Nag Nag label, as well as 3 full length albums. \"Hooked On Radiation\" was remixed by Pet Shop Boys and has become a dancefloor classic. \u003ci\u003eCult Of Europa\u003c\/i\u003e came out in 2009 as a download only release and was produced by Atomizer themselves. It features 11 electro-pop songs, amongst them gems like \"Beauty Smashed Forever\" or \"Je Suis Lesbien\". For this first CD release, Klanggalerie add bonus tracks not on the original album. The first five come off two EPs, the rest are from a project that took the band's music into a more dance floor direction.\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":50473999860043,"sku":"1115595","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e648568a-e5b8-4c66-8e36-0486754e147b_thumbnail_4096.jpg?v=1727432836"},{"product_id":"el-ano-del-muerto","title":"El Ano Del Muerto","description":"\u003cp\u003eThe Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and ten DVDs. Working as an anonymous collective, their identitites were kept secret until in 2017 Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform. Recently, several new albums have been released, among them the brilliant Intruders and Ghost of Hope. Early in 2020, the group was invited to perform their seminal album\u003ci\u003e God in 3 Persons\u003c\/i\u003e at the MOMA in New York. \u003ci\u003eEl Año del Muerto\u003c\/i\u003e is a compilation of mostly previously released material spanning The Residents' entire career up to 2009. It opens with a new track, \"I Can't Get No (Spot)\", a mash-up of \"The Cry Of The Crow\" (from the 1993 EP Prelude To \"The Teds\") with the lyrics from Snakefinger's 1979 single \"The Spot\". Due to the album's similarities with the Talking Light setlist, the album has retroactively acted as a sort of teaser for the tour. It is also theorized that the album showcases an early planned setlist for the show. 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