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But if there’s a nit to pick, it's with the question mark–because there’s really no question about it: you like Slippers. The songs are short but lasting, the sound is raw but punchy, the melodies seem to be precisely calibrated to immediately stick in your brain and stay there, but it all feels fun and effortless in the way that good guitar pop should. This is some of the most downright likable music you will hear this year. So maybe you don’t even know it yet, but you like Slippers.\u003cbr\u003e\u003cbr\u003eIn addition to being a longtime drummer who also performs in Le Pain and has previously played in Yucky Duster, BB’s other passion is animation, and the start of Slippers coincides with her time studying that trade in grad school at California Institute of the Arts. 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And growing up in Atlanta, I would see a lot of bands, like Balkans, Black Lips, and Carbonas, that were kind of blending punk and garage–music that had this very compulsive, quick approach.” The city’s connection to cartooning stuck with her too and it was this pursuit that inadvertently kicked off Slippers. “I was trying to make these jokey kid’s songs, sort of like They Might Be Giants, to go along with my animations, I had this song called ‘Monkey Over There’ that I’d written ages ago and then over the pandemic my boyfriend and I were doing this experiment where we’d try to just write as many songs as we could in a day. So I ended up with all these primitive songs and felt really compelled to try and record them quickly and roughly. 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There’s an endearing looseness throughout So You Like Slippers? that belies the impressive songcraft at play, it’s even found in the lyrics where BB builds incisive observations into all of the indelible hooks.\u003cbr\u003e\u003cbr\u003eThe record often explores the idea that so many of the things in life that are supposed to feel natural and enriching can often become complicated and overwrought: friend group dynamics, romantic relationships, even making art. “I felt really adrift when I got out of art school,” BB says. “I was just kind of blocked about making art because everything was stuck in that intellectual setting. So a lot of my songs are sort of about feeling lost, feeling sad about losing the connection to making art.” Tracks like the swooning “Crowd Source,” speedy “Why Do It Well, “ and jangly “Nice Weather,” address these doubts and frustrations, the moments where life isn’t turning out how you expected. 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