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Through his radical arts collective La Creole, Sylvere has been an essential figure in championing marginalized sounds and communities, creating an inclusive space on the dancefloor for consciousness-raising, “partying as a form of campaigning” as they put it. The collective’s parties and Rinse radio show have quickly made ripples through the global underground, cited as one of Dazed and Confused’s “best new parties” and with work from the collective featured in The New York Times. Sylvere’s EP3 combines that same uncompromising, global outlook with the raucous energy of his earlier releases to create his most daring and sophisticated work to date - music for the soul as well as the body.\u003c\/p\u003e\u003cp\u003eThe third and final installment of a three-part EP series for Monkeytown, EP3 refines the incendiary sound palette and boisterous rhythms of its predecessors into something even more potent. 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The EP reaches its apex in “Epiphanie”, Sylvere’s glassy synthesizers elevated by the silken flow of fellow Parisian Le Diouck, a glistening follow-up to the latter’s acclaimed collaboration with Low Jack and Lala \u0026amp;ce on PAN experimental theater piece and album Baiser Mortel. “What is This?” and “6am” push the EP’s tectonic rhythms into driving techno mutations, recalling Sylvere’s unique radio selections.\u003c\/p\u003e\u003cp\u003eRaised in Paris with roots in the French West Indies, Sylvere combines an immersion in the history of soundsystem music with a keen eye on the future of the music. Through both his own shapeshifting productions and his work with La Creole, Sylvere celebrates Caribbean culture and identity through highlighting its indelible influence on modern dance music. 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Contributing to the album is an exciting palette of guest vocalists and musicians, including Thom Yorke, Busdriver, PVT, Anti Pop Consortium, Miss Platnum, Sascha Ring (aka Apparat), Pillow Talk, Gordon Boerger, Siriusmo and Otto von Schirach.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eMonkeytown\u003c\/i\u003e immediately sets the stage on a higher level with intro track “Blue Clouds,” which loosens limbs from the start with a deep and sparkling hook. “Pretentious Friends” is a full-throttle experience whose beats bump like elephants between Busdriver’s scratched-up, screwed-down vocals. Thom Yorke collaborates on two tracks, contributing his production finesse and haunting falsetto to the dark tension of “Shipwreck” and to the psychedelic caverns of “This,” where pixelated vocals echo from the shadows with ominous overtones.\u003cbr\u003e\u003cbr\u003eTrashy dance floor rocker “Evil Twin” is drenched in metal and concrete, like the demented industrial offspring “Kill Bill Vol. 4” and “The Black Book.” Modeselektor pulls out hidden drawers of bass in the funky “German Clap,” a steaming monster that grabs with gasping urgency. Miss Platnum rides low and slow into “Berlin,” smoothly spreading vocals over the chunk-ridden rhythm, a luscious R\u0026amp;B offering to lap up like cream. The album breaks open entirely and monkeys run wild in “Grillwalker,” a slamming club behemoth fashioned from mutilated 8-bits and a delirious bassline. PVT shines on “Green Light Go,” a poignant, off-kilter track that shuffles forward between loose drums before lifting off into the ether.\u003cbr\u003e\u003cbr\u003eBeneath \u003ci\u003eMonkeytown’s\u003c\/i\u003e exquisite orchestration and eclectic sound, pure energy is at the core of the release, vibrating with an emotional vivacity that dares to escape its sonic cage and fling itself upon the world. 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Although the trio’s hiatus was absolutely real - exhausted after years of touring, Apparat (a.k.a. Sascha Ring) and Modeselektor (a.k.a. Gernot Bronsert and Sebastian Szary) spent two years away from one another, focusing instead on their own respective projects - once they decided to resume working together, the music (eventually) started flowing again.\u003c\/p\u003e\u003cp\u003eAfter spending the better part of two decades making music together, they’ve carved out a sound and aesthetic that are all their own, and \u003ci\u003eMore D4TA\u003c\/i\u003e showcases a group that’s creatively recharged and fully dedicated to its craft. 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A collaboration with Argentinian artist (and Monkeytown regular) Catnapp, it’s also the title track of the third EP released in Extended’s aftermath, following on from \u003ci\u003eMean Friend\u003c\/i\u003e and \u003ci\u003eSocial Distancing\u003c\/i\u003e.\u003cbr\u003e \u003cbr\u003eThere’s something uniquely pure and honest about Catnapp’s performance, and \u003ci\u003eDating Is In China\u003c\/i\u003e in general, but there’s no denying that the song’s hearton-sleeve pop makes it something of an outlier in the Modeselektor catalog. Two alternative versions were created by the Berlin duo themselves: Crunchy synths jab the Speed Dating Version, whereas \u003ci\u003eDated In China\u003c\/i\u003e is a bath of meditative, drawn-out tones. Additional remixes are provided by Jersey club queen Uniiqu3, Swedish duo Asthma (a.k.a. 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