{"title":"Moshi Moshi Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMoshi Moshi Records was founded in 1998 by three friends who were working for major record labels. Originally started as a hobby, the label aimed to collaborate with bands they loved but didn't fit into the mainstream agenda. With an independent spirit and passion for music, Moshi Moshi Records has become a respected name in the industry.\u003c\/p\u003e","products":[{"product_id":"good-time-hard-time","title":"Good Time \/ Hard Time","description":"\u003cp\u003eA tree may lose its leaves but will continue to grow. For Teleman, the band’s fourth album \u003ci\u003eGood Time \/ Hard Time \u003c\/i\u003eis their first as a trio and sees them evolve as a force\n of nature as they navigate new beginnings despite a wealth of experience behind them. Music and lyrical stream of consciousness entwined, the album makes sense of a world in chaos and its words of wisdom are a vital reminder that even when things seem heavy,\n life is precious. \u003c\/p\u003e\u003cp\u003e\n“Nature can teach us so much about patience and how you can’t control everything - you just have to let things happen as it intends… it’s great therapy,” tells the band’s\n singer and guitarist, Thomas Sanders whose garden-dwelling and park strolls to the studio have inevitably wormed their way into Teleman’s songwriting. “I was reading about forests and how trees help each other, they don’t survive on their own, they grow together…\n as a band we’ve now grown into each other as a triangle shape after having been a square for so long.” \u003c\/p\u003e\u003cp\u003e\nWith classic Teleman style, \u003ci\u003eGood Time \/ Hard Time \u003c\/i\u003eis their most dancefloor-friendly record to date. Following the departure of the band’s long-time keyboard player Jonny\n Sanders to focus on his film and design work,  Peter Cattermoul now leads on keyboard duties and Hiro Amamiya slides seamlessly between drum machine, live drums and even the odd keyboard solo as it captures the bounce of choice cuts from their own DJ sets\n such as Metronomy or the classic disco of Boney M, Giorgio Moroder, early house music and 80s vibes - all the while doused in their trademark blend of uplifting melancholy. “You’ve got to experience the hard times to appreciate the good times in life,” Tom\n explains. “Most of the songs are about universal things everyone can relate to, the small and simple details about difficult connections and overcoming them.” \u003c\/p\u003e","brand":"Moshi Moshi Records","offers":[{"title":"Black LP | Signed Copy","offer_id":50383314387275,"sku":"2000072","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Clear LP | Signed Copy","offer_id":50383315272011,"sku":"2000069","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"CD | Signed Copy","offer_id":50383312322891,"sku":"2000070","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Teleman_Indies_Mockup_Front_948b6430_thumbnail_4096.jpg?v=1726267173"},{"product_id":"peachy","title":"Peachy","description":"\u003cp\u003eThe Rhythm Method release \u003ci\u003ePeachy \u003c\/i\u003eon Moshi Moshi Records. The duo, comprised of Joey Bradbury and Rowan Martin, admit the perception of the band has at times been \"Marmite. Earnest to the point of cringe\" - but the band's 2019 debut left an indelible mark on the UK independent scene and their influence can be traced across London. \u003c\/p\u003e\u003cp\u003eThe Rhythm Method return with a vastly different sound, and in their words a \"cohesive masterpiece\". The new album, produced by Bill Ryder-Jones and featuring Aoife Power of Whenyoung, is the first time they have recorded music in a proper studio, and is influenced by a \"desire to live up to one’s potential, making sure there’s no regrets on the deathbed\". The Rhythm Method have been hailed by everyone from Mike Skinner to Michaela Coel.\u003c\/p\u003e","brand":"Moshi Moshi Records","offers":[{"title":"Orange LP","offer_id":50383975383371,"sku":"2166197","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50383975219531,"sku":"2166196","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/preview_4d833ae4_thumbnail_4096.jpg?v=1726281249"},{"product_id":"if-you-see-something-that-doesnt-look-right","title":"If You See Something That Doesnt Look Right","description":"\u003cp\u003eThree part album. All albums totally different. It’s one thing to take the drone rock of your debut album in an entirely new direction but quite another when the result is an ambitious 30 track three-part album. But that’s what London collective Moderate Rebels have done on their biggest project to date, the opus\u003ci\u003e If You See Something That Doesn’t Look Right.\u003c\/i\u003e Fearless in their refusal to be pigeonholed, they touch on everything from driving rhythmic repetition, discordant guitar fuzz and hazy psychedelia, to late 60s-indebted folk and lilting melodic hooks, via twinkling piano ballads, drum machine rigidity and playful synth pop. \u003cbr\u003e \u003cbr\u003e\u003ci\u003eIf You See Something That Doesn’t Look Right\u003c\/i\u003e is released in three ten track parts in 2021. The album touches on the progressive works of Phil Spector, Fripp and Eno and Syd Barrett, the transcendental pop of Spiritualized, St Etienne and Stereolab, and the wry humour of 80s Pet Shop Boys. 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Across these varied releases, accommodating Dave’s free flowing fountain of songwriting, The Wave Pictures have shown their deep affection for rock and roll, blues, jazz, classic rock, and of course Dave’s legendary love of good guitar solo.\u003c\/p\u003e\u003cp\u003eLead track from the album 'This Heart Of Mine’ references time and space travel and memory all rolled into one. Musically inspired by classic Neil Young, ‘This Heart Of Mine’ witnesses The Wave Pictures going full-on country and features cowboy harmonica from Dominic ‘Hotdog’ Brider, Franic Rozycki on mandolin, alongside Dave Tattersall’s gentle acoustic guitar strum.\u003c\/p\u003e","brand":"Moshi Moshi Records","offers":[{"title":"Purple | LP | x2","offer_id":50387991789899,"sku":"1138428","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"CD | x2","offer_id":50387990511947,"sku":"1138427","price":8.99,"currency_code":"GBP","in_stock":false},{"title":"LP | x2","offer_id":50387993461067,"sku":"1138448","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/198a8608-3fcd-4d84-81c9-5e5589d8860a_thumbnail_4096.jpg?v=1726338944"},{"product_id":"fibs","title":"FIBS","description":"\u003cp\u003eAnna Meredith releases her eagerly anticipated second studio album, \u003ci\u003eFIBS \u003c\/i\u003evia Moshi Moshi. 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Despite Meredith’s background and skills these tracks are no academic exercise, the world of \u003ci\u003eFIBS\u003c\/i\u003e is at both overwhelming and intimate, a journey of intense energy and joyful irreverence.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eFIBS\u003c\/i\u003e, says Meredith, are “lies — but nice friendly lies, little stories and constructions and daydreams and narratives that you make for yourself or you tell yourself”. Entirely internally generated and perfectly balanced, they can be a source of comfort and excitement, intrigue and endless entertainment. The eleven fibs contained on Anna Meredith’s second record will do all that, and more besides.\u003c\/p\u003e","brand":"Moshi Moshi Records","offers":[{"title":"White | LP","offer_id":50389983428939,"sku":"1069329","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Blue | LP","offer_id":50389983068491,"sku":"1098882","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50389983265099,"sku":"1069326","price":6.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/72c510f2-8459-4c77-8dd8-6778837136b9_thumbnail_4096.jpg?v=1726377845"},{"product_id":"prestige","title":"Prestige","description":"\u003cp\u003eThe essential album for summer 2023. Girl Ray, the three-piece comprising Poppy Hankin, Iris McConnell and Sophie Moss, release their much anticipated third album, \u003ci\u003ePrestige\u003c\/i\u003e via Moshi Moshi.\u003c\/p\u003e\u003cp\u003eCo-produced by Grammy Award-winning producer, Ben H. 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In their stead - lyrics of joy, minor keys, and a direct, stripped back approach Watson had always shied away from. “I think it’s about having the confidence to be myself,” he says. “The confidence to simplify things, to strip back where I would have added more, to be more direct.”\u003c\/p\u003e\u003cp\u003eIn addition, Watson was buoyed by the positivity directed at certain songs from \u003ci\u003eNow That I’m a River \u003c\/i\u003e- the title track, particularly. “I felt like I had been hiding for so long, behind reverb, behind certain effects and tricks, and that was a hang-up from when I was in Slow Club,” he explains. “And now, I’ve arrived at a place of not wanting to carry my insecurities on to a record. I want to project the purest form of what I want to say. I feel like I’ve come so far in the space of two albums and can already see I’m not the person I was when I was writing this album, just as I’m no longer the person I was when I made the first album. 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Charles has also recently composed the score for 'Youngstown', the forthcoming indie feature film from director Pete Ohs (Everything Beautiful is Far Away) due for release in late 2021. \u003c\/p\u003e","brand":"Moshi Moshi Records","offers":[{"title":"Clear | LP","offer_id":50402360394059,"sku":"1141770","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50402360557899,"sku":"1141958","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5779c5fb-6851-4e63-bfbd-34dd4e140061_thumbnail_4096.jpg?v=1726542657"},{"product_id":"coming-on-strong","title":"Coming On Strong","description":"\u003cp\u003eTasty offbeat debut from bedroom dwelling electro-funk fanatics Hot Chip. It's a melting pot of ideas and sounds that tastes a bit weird at first, then you'll get hooked. 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The record is the follow up to last year’s critically acclaimed\u003ci\u003e Appalling Human\u003c\/i\u003e and finds the indie stalwart delivering his most personal album to date, via a collection of 12 irresistible pop songs. \u003c\/p\u003e\u003cp\u003eWith its truly eclectic range of musical influences drawing on Gonzalez’s ever developing sonic palette, the album’s uplifting sound juxtaposes its themes, documenting the end of a long-term relationship and the overwhelming experience of dealing with a family member’s cancer diagnosis and subsequent treatment. \u003ci\u003eWax Limousine\u003c\/i\u003e navigates these hurdles with a razor-sharp wit and often brutally perceptive self-awareness, nowhere more so than on the new single. 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In all of indie-rock there is no force like Jeffrey Lewis. Although mostly recognized for his lyrical skills (as well as his illustration \/ comic book skills), the secret weapon in Lewis’s arsenal has been his slow evolution from DIY folkie in the late 90s to barn-burning indie-rock live sensation. New band name The Voltage is a bit of a slight-of-hand, as the musicians are the same bassist, Mem Pahl, and same drummer, Brent Cole (also of the Moldy Peaches), that Jeffrey has been touring the world with for the past four years as Jeffrey Lewis and Los Bolts. But Jeffrey continues his tradition of using a new band name for each release… and as Jeffrey says, “everybody knows most good bands have a ‘v’ in their name… Velvets, Nirvana, Pavement, Vaselines, Violent Femmes, Camper Van Beethoven, Modern Lovers, etc!” Recent Jeffrey Lewis band names like “The Rain”, “Los Bolts” and “The Voltage” are also in reference to the fact that Jeffrey’s middle name is Lightning, the result of being born on the Lower East Side in the 1970s to hippie parents. It was almost his first name but got moved to the middle name when he was born!\u003c\/p\u003e\u003cp\u003eThe album was recorded and produced in Nashville by Roger Moutenot, the man responsible for producing all of the classic Yo La Tengo albums. Moutenot, who also worked on Lou Reed’s \u003ci\u003eMagic and Loss\u003c\/i\u003e album, and Sleater Kinney’s \u003ci\u003eHot Rock\u003c\/i\u003e album was definitely the right man to capture these twelve new Lewis songs in the studio. 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Keep an eye out for a couple other interesting Jeffrey Lewis projects to be released in 2019: Jeffrey’s new giant-size comic book issue (Fuff #12) and Jeffrey’s first book Revelations in the Wink of an Eye: My Insane Musings on Watchmen from Conspiracies to Stupidities. \u003c\/p\u003e","brand":"Blang","offers":[{"title":"Black | LP","offer_id":50424754962763,"sku":"1075241","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50424754372939,"sku":"1075240","price":8.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":56637475881291,"sku":"R0618-7873","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/JeffreyLewis_TheVoltage-BadWiring-1.jpg?v=1772117478"},{"product_id":"supershapes-volume-1","title":"supershapes volume 1","description":"\u003cp\u003eMike Lindsay – Mercury Prize-winning producer, co-founder of UK acid folktronica band Tunng, and one half of electronic alt-psych duo Lump with Laura Marling – with his debut solo album \u003ci\u003esupershapes volume 1\u003c\/i\u003e, out on Moshi Moshi Records.  The first instalment in a series of records that explore “the miraculous in the mundane”, volume 1 looks widely at “everyday domestic objects, especially tables, coffee table books, and the daily rituals that shape us, heavily focusing on the majestic in the domestic”.\u003c\/p\u003e\u003cp\u003eAt first, Lindsay had thought this first solo project of his would be purely instrumental. Then he brought in multi-instrumentalist Ross Blake, bringing breathy woodwind and soft saxophones which weaved through the analogue polyrhythmic shapes.  “I had also just worked with Robert Stillman on the Nick Drake cover of Saturday Sun I did with Guy Garvey,” he recalls. “Robert is an incredible saxophone player and musician. He has this beautiful thick and warm wild tone. I asked him to come in for a couple of days to bring his magic to the shapes.”  “As time went on though, I felt the songs were still missing a voice. 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With this new set of songs, Girl Ray have been brave enough to completely change their sound rather than play it safe, yet still remain unmistakably themselves - it’s Girl Ray, but with added synths. \u003c\/p\u003e\u003cp\u003eIf their debut, \u003ci\u003eEarl Grey\u003c\/i\u003e, was a hot cup of tea and a cuddle on the sofa,\u003ci\u003e Girl \u003c\/i\u003eis being in a cab with the windows down on the way to a beach bar for sundowners. It’s the excitement of Rihanna’s \u003ci\u003eIf It’s Lovin’ That You Want,\u003c\/i\u003e combined with the eye-rolling, impenetrable sardonic humour of a girl gang. 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