{"title":"Moshi Moshi","description":null,"products":[{"product_id":"western-spaghetti","title":"Western Spaghetti","description":"\u003cp\u003eFrontman of Nottingham punk band Kagoule, Cai Burns, returns as Blood Wizard. Arriving with no fixed direction, Blood Wizard is a project that sees Burns explore himself as a brand new entity, an artist beyond boundaries and preconceptions.\u003c\/p\u003e\u003cp\u003eFilled with crisp hooks, it is an album that has a predominant folk undertone that also expertedly navigates through various textures and dark melodies. There was not an album in mind when Burns first started recording with Tom Towle at Random Recording Studio - just fragments of songs that all came together when the world paused in the spring and Burns realised that what he had been working on over the last few months could become a full record. The structure of the album follows suit, chopping and changing between harder-edged sounds and acoustic meanderings. There is a forward honesty and a witty wryness to Blood Wizard. \u003cbr\u003e\u003c\/p\u003e","brand":"Moshi Moshi","offers":[{"title":"Red | LP","offer_id":50419052839243,"sku":"1113789","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/bcea0229-bfe9-4505-b576-e54848ebd5e9_thumbnail_4096.jpg?v=1726745371"},{"product_id":"bad-wiring","title":"Bad Wiring","description":"\u003cp\u003eJeffrey has received jaw-dropping praise from practically every major news and music outlet over the years, as well as awed testimonials from the likes of David (Silver Jews) Berman, Jarvis (Pulp) Cocker, Ben (Death Cab For Cutie) Gibbard, Will Oldham and others… and this new album \u003ci\u003eBad Wiring\u003c\/i\u003e makes it completely clear why. In all of indie-rock there is no force like Jeffrey Lewis. Although mostly recognized for his lyrical skills (as well as his illustration \/ comic book skills), the secret weapon in Lewis’s arsenal has been his slow evolution from DIY folkie in the late 90s to barn-burning indie-rock live sensation. New band name The Voltage is a bit of a slight-of-hand, as the musicians are the same bassist, Mem Pahl, and same drummer, Brent Cole (also of the Moldy Peaches), that Jeffrey has been touring the world with for the past four years as Jeffrey Lewis and Los Bolts. But Jeffrey continues his tradition of using a new band name for each release… and as Jeffrey says, “everybody knows most good bands have a ‘v’ in their name… Velvets, Nirvana, Pavement, Vaselines, Violent Femmes, Camper Van Beethoven, Modern Lovers, etc!” Recent Jeffrey Lewis band names like “The Rain”, “Los Bolts” and “The Voltage” are also in reference to the fact that Jeffrey’s middle name is Lightning, the result of being born on the Lower East Side in the 1970s to hippie parents. It was almost his first name but got moved to the middle name when he was born!\u003c\/p\u003e\u003cp\u003eThe album was recorded and produced in Nashville by Roger Moutenot, the man responsible for producing all of the classic Yo La Tengo albums. Moutenot, who also worked on Lou Reed’s \u003ci\u003eMagic and Loss\u003c\/i\u003e album, and Sleater Kinney’s \u003ci\u003eHot Rock\u003c\/i\u003e album was definitely the right man to capture these twelve new Lewis songs in the studio. As Lewis explains, “As an experience of working with a producer, it was a dream come true. I obviously worship a number of the records Roger had produced in the past, so I specifically sought him out. The fact that he’s in Nashville was just accidental, we would have traveled to record with him anywhere. Now when people hear we made our album in Nashville, everybody’s like, oh, I guess this is your country album…”\u003c\/p\u003e\u003cp\u003eWith the endlessly creative musical variety on display from Jeffrey Lewis and The Voltage, and Lewis’s writing as sharp as ever, \u003ci\u003eBad Wiring\u003c\/i\u003e could be the greatest album of Jeffrey’s 18-year career. Having one solid band line up for a few years in a row has certainly helped. Keep an eye out for a couple other interesting Jeffrey Lewis projects to be released in 2019: Jeffrey’s new giant-size comic book issue (Fuff #12) and Jeffrey’s first book Revelations in the Wink of an Eye: My Insane Musings on Watchmen from Conspiracies to Stupidities. \u003c\/p\u003e","brand":"Blang","offers":[{"title":"Black | LP","offer_id":50424754962763,"sku":"1075241","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50424754372939,"sku":"1075240","price":8.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":56637475881291,"sku":"R0618-7873","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/JeffreyLewis_TheVoltage-BadWiring-1.jpg?v=1772117478"},{"product_id":"derevaun-seraun","title":"Derevaun Seraun","description":"\u003cp\u003eIn 2014 I was invited to perform at a residency commemorating the re-opening of Manchester Central Library. I wrote a piece in five movements for voice, piano and string trio and called it Derevaun Seraun. Each movement is written about a different piece of literature, exploring the value I see in each work and the impression it has made on me, and there is nothing more to it than that. The pleasure of books – of good verse and stories and ideas – is a very simple thing, and I felt that some lofty unifying theme for the entire piece would be a betrayal of that belief. I think that when a work resonates with you it is an instinctive response to something. You can be taught to understand a challenging book, but not to feel affection for it; I think a lot of conversation around art, especially around literature, sometimes forgets this. In my experience, the art I like the most, irrespective of its 'difficulty', is the art I can advocate most directly and plainly, and about which I can say: “I read this piece and now I do not read or think in the same way that I did before”, or: “This is a story that I could not explain to someone; I do not understand it word-for-word, yet I feel like innately I understand the whole, and that the whole spoke to me”. This is a piece about five books that I like and why I like them\u003c\/p\u003e","brand":"Moshi Moshi","offers":[{"title":"CD","offer_id":50449647370571,"sku":"1014756","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/58f34323-3bb1-43f9-8e5b-fe91c0fb86fb_thumbnail_4096.jpg?v=1727105493"},{"product_id":"luck-1","title":"Luck","description":"\u003cp\u003eOver the course of his decade-long career Tom Vek has forged a reputation as one of London's most enigmatic and exciting musicians. Breaking on to the scene with the attitude-spiked 'We Have Sound' (2005), Vek channelled his homegrown musical prowess into a bastion of mid-noughties electronic punk rock rebellion. His long awaited follow-up, 'Leisure Seizure' (2011), was less raw but no less impactful. Now mixing the expertise learned from both, his newest offering, 'Luck' is set to be Vek's biggest and most daring album release to date. Drawing on the modern anxiety of finding your place in a world saturated by information, 'Luck' plunges the personal to deliver tracks that are sincere, angry and poignant. 'Sherman (Animals in the Jungle)' - a searing comment on our state of moral ambivalence inspired by Tom Wolfe's novel, 'The Bonfire of the Vanities' - delivers a bold chord sequence and a bass-line of such grandiose proportions as to rival Kanye, spliced with synth motifs reminiscent of the opening to 'Kiss' by Prince. Angry funk, for the lost generation compelled to head bang in unison to its intoxicating repetition. 'Elsewhere Broke' is a rebel rousing march led by a more melodic vocal from Vek and the album's undisputed pop forerunner; while 'Trying to Do Better' delivers a dreamlike cacophony of cymbal crashes and electronic accents of the likes of Sonic Youth. Perhaps the most quintessential offering comes in the shape of Vek's open message to the Internet age, Pushing your Luck - a droning, moody, repetitive track that delivers that dead-pan vocal over a bass-line that builds to dance-floor proportions. As ever, Vek delivers an album that eludes straightforward definition. The 'garage rock for the pro-tools generation' as he puts it, is alive and well, only now it is met with the most ostentatious production and some of the biggest beats of Vek's career. Just as you want to describe 'Luck' as the sardonic outpouring of a man articulating the disillusionment of a generation, he throws the curve ball of 'The Girl You Wouldn't Leave for any Girl' - an unwieldy title that sits gloriously at odds with the rest of the album. Consisting of one repeated sentence, a vocal and a guitar, the pared down, minimalist achievement artfully encapsulates an age-old story of love. 'There's noise everywhere', Vek tells us, but with enough force we might return to a place of truth. 'Luck' is the magnificent offering from an artist who has achieved the rare feat of preserving the seduction of youthful rebellion and marrying it with experience. It's big, angry and impossible to ignore.The LP format includes a download card specially designed by Tom Vek himself.\u003c\/p\u003e","brand":"Moshi Moshi","offers":[{"title":"CD","offer_id":50451495092555,"sku":"375466","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0023d4db-b149-449d-9d08-93c095a27642_thumbnail_4096.jpg?v=1727127298"},{"product_id":"christmas-thanks-for-nothing-ep","title":"Christmas, Thanks For Nothing EP","description":"\u003cp\u003eIt is often the case with popular music that those recordings which have the most profound impact and long-term appeal are often the ones which are produced in a moment without much deliberation or agenda. 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The show was a huge success and quickly became a much-loved Christmas institution which endured right up to 2016 when the band played their last one before taking a hiatus to pursue solo projects. Of the EP songs it’s \u003ci\u003eChristmas TV \u003c\/i\u003emore than any other that has seeped into the cultural Christmas soundtrack and has taken on a life beyond the context of the E.P and its creators.\u003c\/p\u003e\u003cp\u003eIt seems a little remiss that the EP had never been available on vinyl before now. So Moshi Moshi have finally remedied that and put it on a format which does justice to the enduring appeal of these songs and that magical creative moment that gave birth to them.\u003c\/p\u003e","brand":"Moshi Moshi","offers":[{"title":"Black | LP","offer_id":50453087224139,"sku":"1106796","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e2218c29-4e59-4e43-9b2c-8385299b2c49_thumbnail_4096.jpg?v=1727167744"},{"product_id":"2013","title":"2013","description":"\u003cp\u003eRace Horses spent the best part of a decade delivering curious, whimsical and - at times - devastating music. Parting company in the opening weeks of 2013, the various members have been scattered to the winds. Meilyr Jones picked himself up in London, opting to pursue something quite different. Adopting a distinctly new approach, the songwriter began assembling a much larger ensemble. Phoning friends, family, colleagues and admirers, Jones soon found himself with a 30 piece orchestra at his disposal. Debut album \u003ci\u003e'2013'\u003c\/i\u003e is the result. Brave, daring and enormously ambitious, it's released via Moshi Moshi Records. Over the 13 songs - joy and rapture are tempered by wit and keen-eyed humour, by jubilant pop melody and rock and roll muscularity. It is the sound of a young man discovering just who he is.\u003c\/p\u003e","brand":"Moshi Moshi","offers":[{"title":"LP","offer_id":50457306726731,"sku":"396570","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3725fd44-dc74-4341-9be9-ba790dc6c70f_thumbnail_4096.jpg?v=1727204527"},{"product_id":"great-big-flamingo-burning-moon","title":"Great Big Flamingo Burning Moon","description":"\u003cp\u003eLimited copies come with a bonus 13 track CD - 'I Thought Of You Again: Outtakes and Alternative Versions'. The Wave Pictures release their brand new album, 'Great Big Flamingo Burning Moon', which was created in collaboration with one of their all time heroes, Billy Childish. Bursting with energy and ignited with a garage-rock spark, the album rings loud and bold, showcasing Dave Tattersall's searing guitar solos and sharp lyrical wit. 'Great Big Flamingo Burning Moon' was recorded entirely using Billy Childish's equipment, including his 60s Selmer amps, a 60s drum kit and his rocket-ship shaped guitars. Billy helped to bring out a different side to The Wave Pictures and inject a renewed enthusiasm to the recording process. 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The record is called \u003ci\u003eVarmints \u003c\/i\u003ebecause these songs represent ideas she could not shake off, a welcome infestation of \"musical pests.\" Varmints is grand in its own way, a record of unusual scope and power, perfectly blending Meredith's love of big brush strokes with her eye for the devastating detail. Meredith manages to cloak high-minded experimentalism in playful pop sensibilty. 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Roxy Girls have gone from strength-to-strength at an astonishing rate and with a vast array of critical acclaim, renowned live shows and their recent signing to Moshi Moshi Records, the new mini-album is a thrilling prospect and a huge statement of intent, which is not to be ignored.\u003c\/p\u003e\u003cp\u003eRecorded with David Brewis of Field Music their new record sees the band expand on previous material, stripping down the post-punk format and remodelling it for current generation. Whilst their vernacular might make The Futureheads an easy (albeit apt) comparison, there is an added breathless intensity and intricacy to their instrumentation that calls to mind the likes of Omni or Gang of Four. This is interwoven with indie-pop sensibilities and hooks that are reminiscent of XTC, Television and Modern Lovers, which is driven largely by the surreal and often dry humour that permeate frontman Tom Hawick’s vocals with lyrics that centre around the tropes of modern living.\u003c\/p\u003e","brand":"Moshi Moshi","offers":[{"title":"Black | LP","offer_id":50478485373259,"sku":"1065932","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/08e19950-d1aa-4583-b55a-4bb6e4804917_thumbnail_4096.png?v=1727485119"},{"product_id":"brilliant-sanity","title":"Brilliant Sanity","description":"\u003cp\u003eTeleman return with their second album on Moshi Moshi which was recorded by Dan Carey at his South London studio. The art of songwriting has been the driving force behind Teleman's second album 'Brilliant Sanity': the process of crafting of the immaculate pop song, the dogged pursuit of the perfect hook. The result is an album that appears fastidiously and impeccably made, but also charged with joy. 'Brilliant Sanity' shows Sanders as an accomplished and distinctive lyricist, with a passion for the music of words themselves and an eye for the singular image. You can see this preoccupation with strong imagery throughout 'Brilliant Sanity' - in the deftness of its song titles - 'Tangerine', for instance, or 'Canvas Shoe', in its recurrent references to devilry and fire, and in its most lingering lines - a reference to a 'Chinese burn' in 'Glory Hallelujah', for instance, or in the declaration \"Every time I'm alone with you \/ The air gets heavy and drips like glue\" of first single, 'Fall in Time'. 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