{"title":"Nyahh Records","description":null,"products":[{"product_id":"dancing-the-line-4","title":"Dancing The Line","description":"\u003cp\u003eUltan O’Brien is a fiddle player and composer from the wilds of County Clare in the West of Ireland. Ultan is a performer as well as a regular at sessions all of Ireland and can be found by chance in any pub in Dublin, Cork or some remote village on the edge of nowhere, flying jigs and reels around the room. Ultan was reared in the rich tradition of Irish music which is so 15 commonly found and heard in Co Clare, but he also delves deep into sound art and experimental music. He has often been heard in the back of a car after a few pints quoting lines from Alvin Lucier or speaking at length about improvisation and its place in modern Irish music. Ulatn O’Brien is a fresh and vital player who has much to offer with his unique approach and technique to a tradition so old and ever ready for a subtle change every 100 years or so. Ultan has played and recorded with people and bands such as Skipper’s Alley, Eoghan Ó Ceannabháin, John Francis Flynn, Slow Moving Clouds, Cuar, Laura Jurd, Martin Green, Natalia Beylis, Paul Roe and Nic Gareiss. ‘in its [Ultan’s fiddle playing] sincerity of tone it reminds me somewhat of those great caoineadh which were played with such elusive grandeur by Denis Murphy and Pádraig O’Keefe’ Adrian Scahill ‘lets the heart brighten and the feet tap’\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"Black LP","offer_id":51197254500683,"sku":"2242843","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51197254795595,"sku":"2242846","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Ultan_OBrien_-_Dancing_The_Line_bcb311b0_thumbnail_4096.jpg?v=1739225470"},{"product_id":"a-collection-of-slow-airs-by-some-very-fine-fiddlers","title":"A Collection of Slow Airs By Some Very Fine Fiddlers","description":"\u003cp\u003eNyahh Records is delighted to share with you it’s second instalment of our Trad Series. This time we bring you a collection of traditional fiddle tunes called Slow Airs. Slow Airs differ from other Irish trad tunes as Airs are more contemplative, melancholy and the style is based more on the singing style of Sean-nos. Other traditional tunes like jigs, reels, hornpipes and marches are meant for dancing. Much like the sean-nos singing, slow airs are for listening and are prone to evoke many emotions, either reflective or sad and give the listener a chance to sit quietly listening, almost in a meditative state. It would not be uncommon in a pub during an air to see some fella or other having a little cry in to his pint during the playing on an air. Much like ‘A Collection of songs in the traditional and sean-nos style’, where the singers mostly recorded the songs themselves on phones or digital recorders, the musicians have done the same. This has produced a very warm and roomy set of recordings. No effects or too much mixing. Just the raw sound of the playing in a room. Nyahh is honoured to be able to present this collection of airs to you from some of Ireland’s best fiddlers.\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"CD","offer_id":51245478740299,"sku":"2240306","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/A_Collection_of_Slow_Airs_By_Some_Very_Fine_Fiddlers_59dbf8d3_thumbnail_4096.jpg?v=1739224198"},{"product_id":"i-am-kurdish","title":"I am Kurdish","description":"\u003cp\u003eMohammad Syfkhan is a Kurdish\/Syrian Singer and Bouzouki player. He began playing music in 1980 while he was in college studying nursing. When he got his degree in 1983, Mohammad moved to the city of Raqqa, Syria where he began working as a professional singer and started his own band, The Al-Rabie Band which played concerts, parties, weddings and festivals all over Syria. The AlRabie Band were a much sought-after group. Their live sets included Kurdish, Arabic, Turkish and some Western songs as well as Mohammad’s own original material. Mohammad continued to play with his band while also working as a surgical nurse until the war broke out in 2011. This unfortunately brought tragedy to Mohammad’s family when one of his sons was killed by Isis thus threatening the lives of the rest of his family. His family had no choice but to leave their home and seek safety in Europe. Three of Mohammad’s sons were resettled in Germany while Mohammad, his young daughter and wife were taken in by Ireland. Mohammad has spoken at length of his confusion and despair with fundamentalists and how their message is a far cry from the teachings of love and understanding that he considers the true message of Islam. Since arriving in Ireland, Mohammad has used the language of music to integrate into the local community by playing at private parties and concerts. He regularly plays at weddings and events for the Kurdish and Syrian communities all over Ireland and in Germany. He has collaborated with such Irish artists as Martin Hayes, Cormac Begley, Eimear Reidy, Cathal Roche and Vincent Woods. In 2023 he opened for Lankum at the Cork Opera House and received huge applause from the packed out room. Mohammad’s own brand of ecstatic music takes elements from Middle Eastern and North African music to create an atmosphere of joy, love and happiness. The songs on ‘I am Kurdish’ have been recorded and mixed with the view to make them to suitable for listening to at a small get together or to be played on a big rig at night clubs. Either way, it is a record that will make people dance. Three of the tracks on the album feature accompaniment by two fellow Leitrim-based musicians: composer, improviser, sound artist and saxophonist Cathal Roche and composer, improviser and cellist Eimear Reidy. Mohammad plans to tour this new album extensively across the UK, mainland Europe and beyond. “I thank everyone who has stood with me and supported me. And I especially thank the Irish people who have engaged with my music in such a wonderful way. I consider myself lucky to have come to this wonderful country that has welcomed me and all refugees. I thank God for everything, and now, thanks to this wonderful country, I am a musician and have a safe home. Thank you to the Irish government and people for giving me the honour of calling this country my home.” Mohammad Syfkhan\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"Black LP","offer_id":51245504233803,"sku":"2240277","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Mohammad_Syfkhan__I_am_Kurdish_fe1e9d7e_thumbnail_4096.jpg?v=1739224349"},{"product_id":"music-language-and-environment-environmental-sound-works-1973-1985","title":"Music, Language and Environment. Environmental Sound Works 1973  1985","description":"\u003cp\u003eOriginally released by Innova Recordings in 1996, Nyahh Records is delighted to reissue this groundbreaking and pioneering work of electronic and acoustic work in a deluxe 2 disc set with a booklet containing new essays and never seen before photos. This collection includes recordings made between 1973 and 1985 including some of David Dunn’s work which he considers his ‘Environmental Sounds Works’, which include large scale pieces recorded in the Grand Canyon with up to 26 musicians spread out over half a mile. Each musician playing off a graphic score, with the sound of the musicians stretching as far as two miles through the canyon. “The score specified sound gestures which the trumpets could articulate interactively with the canyon environment. The interaction primarily focused upon 1) the extended reverberation and extraordinary spatial acoustics of the rock formations and 2) the non-human life forms such as the crows heard throughout the performance recording.” Other recordings were done in the Cuyamaca Mountains of California and other National Parks. The focus always being on how the sound of humans and instruments interact with the natural environment. About David Dunn: Composer and sound artist David Dunn was born in 1953 in San Diego (California, USA). From 1970 to 1974 he was assistant to the American composer Harry Partch and remained active as a performer in the Harry Partch Ensemble for over a decade. He has worked in a wide variety of audio media inclusive of traditional and experimental music, installations for public exhibitions, video and film soundtracks, radio broadcasts, and bioacoustic research. His compositions and wildlife sound recordings have appeared in hundreds of international forums, concerts, broadcasts, and exhibitions. He was director of the Electronic Music Studio at San Diego State University and has taught and lectured at numerous schools and universities. From 1984 to 1988 he was Vice-President of International Synergy Institute, a media think tank centered in Hollywood, California. In 1989 he co-founded the Independent Media Labs in Santa Fe, New Mexico. Currently he is a Professor in the College of Santa Fe's Contemporary Music Program and President of the Art and Science Laboratory in Santa Fe.\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"CD","offer_id":51245524779339,"sku":"2240282","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/David_Dunn__Music_Language_and_Environment._Environme_912f8bfa_thumbnail_409.jpg?v=1739224653"},{"product_id":"and-take-the-black-worm-with-me-yl","title":"...And Take The Black Worm With Me","description":"\u003cp\u003eAs a founding member of Dublin experimental folk group Lankum, Ian Lynch explores submerged leylines of music and song. Forging a musical path that is all at once dark, mysterious and foreboding, but ultimately transcendental. His new solo project One Leg One Eye sees him taking a fresh approach to musical arrangement culminating in a sound that is more rooted in the raw aesthetics of second wave black metal than contemporary folk.\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"Black LP","offer_id":51293316088139,"sku":"R8175-6329","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/OneLegOneEye.jpg?v=1739900365"},{"product_id":"we-who-live-under-heaven-yh","title":"We Who Live Under Heaven","description":"\u003cp\u003eRoger Doyle’s new album will be released on Nyahh Records on the 13th March, entitled 'We Who Live Under Heaven’ - it is a phrase from James Joyce's Finnegans Wake. Through software transformations, the music freezes and in some cases fossilises some mostly old recordings. The text for the track 'The Clouds Are Not Inaccessible' is from a letter written by James Joyce's daughter Lucia in the 1930's to her psychiatrist. Spoken by Mary Costelloe. The album consists of 8 immersive ambient tracks played solo by Roger on keyboards in his home studio in Co Wicklow, Ireland. Roger Doyle’s 50 year career started in 1975 with the release of his debut album ‘Ozzio No’, a collection of Musique Concrete and audio cut ups. To date he has over 30 releases ranging from compositional work, sound art, soundtracks and opera. An early pioneer of electronica, he has often been named ‘The Godfather of Irish Electronica’. His New Wave\/performance group Operating Theatre started up in the 80s and has enjoyed a resurgence with reissues with the pop artist Caroline Polacheck recently covering their song Spring is coming with a Strawberry in the Mouth. Operating Theatre’s album, Rapid Eye Movement was released by Steve Stapelton’s United Daires label in 1980. In recent years Doyle has been reappraised by a younger generation of Irish based sound artists and composers. Much of his works is still in press and has enjoyed multiple re-issues. ‘We Who Live Under Heaven’ is his most recent collection of recordings.\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"CD","offer_id":51293316350283,"sku":"R4548-2113","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/rogerdoylesleeveimage.jpg?v=1739900690"},{"product_id":"the-alien-territory-archives-a-collection-of-radical-experimental-and-irrelevant-music-from-1970s-san-diego","title":"The Alien Territory Archives: A Collection of Radical, Experimental and Irrelevant Music from 1970's San Diego","description":"\u003cp\u003eIn the early 1970s San Diego was a sleepy Southern California Navy town on the Mexican border and a seemingly unlikely gathering point for some of the most innovative, unclassifiable American artists of their era. Yet the presence of Harry Partch - hobo composer, iconoclast and inventor of instruments such as the Harmonic Canon and Quadrangularis Reversum - and a newly established and highly experimental music department at the University of California San Diego (UCSD) ushered in a revolution that was as much social as it was musical. Drawing from the occult, self-realization and radical political movements of 70s Southern California, these artists sought to dismantle the established control systems of American life, looking to the future even as they sometimes referenced a distant, idyllically imagined past. In their pursuit of “Irrelevant Music” - Kenneth Gaburo’s term for an untainted music free of constraint and compromise - these disparate artists constitute a shadow history of American experimental music far removed from the European and East Coast models of the time. Sonic Meditations, compositional linguistics, microtonality, invented instruments, cutting edge electronics, underwater synthesizers, Tibetan throat singing, environmental sound and pure noise were their tools. My 2023 book, Alien Territory: Radical, Experimental and Irrelevant Music in 1970s San Diego, presents the story. In this collection are the sounds. It’s a lot of ground to cover and in an attempt to ever so slightly smooth out the listener experience and impose a little structure on to a decade of far-reaching experimentation each disc from this set is devoted to a particular musical style, strategy or genre. These are useful but admittedly porous distinctions that the artists themselves may or may not recognize. With the exception of “Noyse” by Kenneth Gaburo, which was released on a Musicworks compilation in 1999, as well as a couple Warren Burt tracks available for purchase directly from the artist, all tracks in this set are previously unreleased. Thanks to all the artists who contributed their work, as well as Philip Blackburn, Gavin Bryars, Lia Gaburo, Pea Hix, Ione, Al Margolis, John McCaughey, Grace Bell Parsons, Pat Strange, Jon Szanto and the other fine people I’ve forgotten to thank because I left this section to the last minute. An extra round of applause to Warren Burt for his archival efforts on behalf of Ernie Morgan; likewise to David Dunn for his work on the Kenneth Gaburo pieces.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING:\u003cbr\u003eDisc 1 - Drones \u0026amp; Tape\u003cbr\u003e1. Robert Turman – Relay (circa 1977)\u003cbr\u003e2. David Dunn – Arroyo (1975)\u003cbr\u003e3. Warren Burt – for Charlemagne Palestine (1973)\u003cbr\u003e4. Ernie Morgan – Remains (undated)\u003cbr\u003e5. Robert Turman – Insecta (circa 1977)\u003cbr\u003e6. David Dunn – Oracles (paragraph 6) (1975)\u003cbr\u003e7. Warren Burt – French Fried Minds of Walruses and Caterpillars (1974)\u003cbr\u003eDisc 2 - Ensembles\u003cbr\u003e1. Harry Partch – Two Studies on Ancient Greek Scales (1968)\u003cbr\u003e2. Harry Partch – Two Duets from And on the Seventh Day Petals Fell in\u003cbr\u003ePetaluma (1968)\u003cbr\u003e3. Allen Strange – Switchcraft (1970)\u003cbr\u003e4. Warren Burt, with Pauline Oliveros \u0026amp; Reinhard Berg – Phrases Please,\u003cbr\u003eOr My Name is Country and Western Oatmeal, Boys and Girls (1972)\u003cbr\u003e5. Citizen’s Band – Untitled Music from Citizen’s Band (1978)\u003cbr\u003e6. Joseph Julian – Windows and Clouds (1973)\u003cbr\u003e7. KIVA – Excerpt from Pure Intellect, Serpent Power, Inner Frames (1976)\u003cbr\u003eDisc 3 - Synthesizers\u003cbr\u003e1. Dary John Mizelle – Polyphonies II (circa 1973)\u003cbr\u003e2. Diamanda Galás – Scalatron Music (1981)\u003cbr\u003e3. Joji Yuasa – My Blue Sky in Southern California (1976)\u003cbr\u003e4. Ernie Morgan – Mono-Melodies 1 (undated)\u003cbr\u003e5. Ernie Morgan – Buchla Bounce (undated)\u003cbr\u003eDisc 4 - Vocals\u003cbr\u003e1. Alexina Louie – Molly (1972)\u003cbr\u003e2. Kenneth Gaburo – Ringings (1976)\u003cbr\u003e3. Peter Gordon (featuring Kathy Acker) – Greetings from the SLA (1974)\u003cbr\u003e4. Dary John Mizelle, David Gamper, Robert MacDougall, Frank McCarty –\u003cbr\u003eWinter Voices (1970)\u003cbr\u003e5. Kenneth Gaburo – Noyse (1975)\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"4CD","offer_id":52498748703051,"sku":"R6943-4721","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Alien-Archive-Digital_V01.jpg?v=1750746550"},{"product_id":"sum-variations-zt","title":"Sum Variations","description":"\u003cp\u003eSum Variations is an e.p featuring two long form studies of Josephine’s song ‘The Sum Of Us All’ from 2013. These were recorded in Spain and Morocco, respectively, in collaboration with two different ensembles. These two variations offer a glimpse into the early exploration of the song, which became later embedded in Foster’s song cycle, ‘Godmother’ (made into an electric solo album released by Fire Records in 2021). Side A recorded live in the village of Joujouka, Ahl-Srif mountains, Morocco, 2012 Side B recorded and mixed by Gyda Valtysdottir, Vejer de la Frontera, Spain, 2012\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"10\" - Black","offer_id":53547925832011,"sku":"R5705-6699","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/josephenecovermockupfront.jpg?v=1759832950"},{"product_id":"an-irish-almanac-of-noise-and-experimental-music-from","title":"An Irish Almanac of Noise and Experimental Music from 2025","description":"\u003cp\u003eNyahh Records is finally ready and very delighted to announce a collection of contemporary noise and experimental musicians from all across the island of Ireland. All crammed into this two disc set with wonderful artwork by Alan Doyle. This significant collection covers multiple generations of artists in the field of audio experimentation, including Danny McCarthy (turned 75 in 2025) and some new heads on the block like Francesca O and Enola Christ Metalizer. Also includes a track from Ian Lynch from Lankum. These 32 tracks cover noise, acoustic, electroacoustic, electronics, Musique Concrete, tape music, and drone. Some with academic backgrounds and some total bedroom studio weirdos who don’t get out much. We hope you enjoy this compilation and it brings you some kind of joy and\/or discomfort. All tracks recorded by the artists- Mastered by Rian Trench - Cover art by Alan Doyle - Design by David Hand\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eDISC 1\u003cbr\u003e1. Dressing – Tearing Out The Comms\u003cbr\u003e2. The Quiet Club – Telepathic Listening\u003cbr\u003e3. Ailbhe Nic Oireachtaigh – Snow Learning\u003cbr\u003e4. 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Irene Murphy \u0026amp; Mick O’Shea – The Green Beach\u003cbr\u003e8. Luxury Mollusc – House Without Windows Homes Without Doors\u003cbr\u003e9. Feral Torch – Jackdaw Trap\u003cbr\u003e10. David lacey – Two Spools\u003cbr\u003e11. Francesca O – Indaco\u003cbr\u003e12. Enola Christ Metalizer – Full Body Transplant\u003cbr\u003e13. Fergus Kelly – Strange Attractor\u003cbr\u003e14. Jonathan Deasy – Meditation For Bataille\u003cbr\u003e15. Neil P Quigley – Opening Five Minutes of A Solo Improvisation From A\u003cbr\u003eSummer Tour – Late Summer\u003cbr\u003e16. Diarmuid MacDiarmada – Drowning In A Whale’s Warmth\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"2CD","offer_id":56121404883275,"sku":"R0172-2015","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CargoRecords_242115711252949_6412795520509060942_IrishAlmanacOfNoise.png?v=1765819739"},{"product_id":"six-2","title":"SIX","description":"\u003cp\u003eE The Artist presents \u003cem\u003eSix,\u003c\/em\u003e his debut album for Nyahh Records; an incendiary opus of blown-out electronics and daring sonic abstractions, inspired by the seven seals, that posits E as a daring force within the Irish underground. Garnering a fierce reputation both in Ireland and abroad despite minimal recorded output, the artist known as E instead boasts his infamy on the live circuit. The Nigerian-born, Dublin-based musician impressed over the years with a slew of memorable performances inspired by AfroPunkism, recontextualising contemporary black club genres into their loudest and most intense iterations. Following a brief side quest to Vienna early in 2025, E returned to Dublin relieved by the tangibility in familiarity of his surroundings. This inspired a period of personal reflection on self, mortality and religion in his cramped studio; from these sessions emerged his most substantial body of work to date in \u003cem\u003eSix.\u003c\/em\u003e Inspired by the opening of the seven seals in the Book of Revelation, \u003cem\u003eSix\u003c\/em\u003e acts as a radical departure for E. Opener IDTYEK signals this change, a freak folk oddity that ill-prepares you for the road ahead. From MANTRAS’ obtuse techno through to RISE’s power electronics, E fulfils a listening experience intent on submission rather than interpretation. Dynamic contrasts temper the parameters of its sonic catharsis, a crescendo of geometric flow that challenges convention. \u003cem\u003eSix\u003c\/em\u003e also extends the artist’s circle of collaborators. Ruby Eastwood and Mel Keane lend BRIDGE their poetry and creative instability respectively, frequent live collaborator Julia Louise Knifefist douses BLACKOUT with his signature guttural cries while KRAF’s obscured lyrics gives LINT a wayward edge. Bulgarian Umbrella offers the record its most substantial contribution on DROGO, a twenty minute meditation on life and death which forms the core inspiration for the album as a whole. \u003cem\u003eSix\u003c\/em\u003e exists as a world obsessed with rationalising finality, a disorienting space between certainty and myth that stands as E The Artist’s most ambitious and strangely beautiful work to date\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"LP - Black","offer_id":56493063045451,"sku":"R8852-0850","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CargoRecords_242115711252949_6462044247424419994_Etheartist.png?v=1770720058"},{"product_id":"adormidera-josephine-foster-sings-the-songs-of-victor-herrero","title":"Adormidera (Josephine Foster Sings The Songs of Víctor Herrero)","description":"\u003cp\u003eJosephine Foster is a Colorado-born singer, composer, and lyric poet. A former opera student turned visionary folk experimentalist, she breathes new life into archaic forms. Her music channels the spectral glow the cultural archaeology of Harry Smith's old weird America while conjuring a scrambled past that exists only in her vision. Across 25 years of singular work, Foster plays at the boundaries of psych-folk hymnody, country blues, lieder and avant-song, lending her characteristic mezzo-soprano and interpretive wit to collaborations with fellow underground musicians around the globe. As homage to her longtime collaborator, Josephine invited Spanish composer Víctor Herrero to curate a selection of his own songs for her voice. Herrero's classical guitar accompanies Josephine's gossamer singing, in compositions that reanimate the lineage of Amancio Prada and Victor Jara. “If stained glass windows could sing they would sound like Josephine Foster, and her interpretations of the songs of Víctor Herrero are as artful and finely detailed as motes of dust falling through shafts of light in the libraries of your childhood, engrossing in their restraint. Josephine's naked voice an echoing truth in repose against the existential question mark of Víctor’s guitar. In a world that can feel bewildering and relentless, this music is shelter. \u003cem\u003eAdormidera\u003c\/em\u003e is the sound of a hypnotised mind; the shadow-dance of old souls.”~ Alex Neilson\u003c\/p\u003e","brand":"Nyahh Records","offers":[{"title":"LP - Black","offer_id":56922549748043,"sku":"R7386-9444","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56922549780811,"sku":"R7386-0660","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/calapintura.jpg?v=1774947642"}],"url":"https:\/\/shop.roughtrade.com\/fr\/collections\/nyahh-records.oembed","provider":"Rough Trade","version":"1.0","type":"link"}