{"title":"Old Technology","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eJan Liefhebber has been an important element of the Dutch techno scene since the early 90’s. In 1995, he set up the record label Highland Beats to provide a platform for the acid and techno that he played in his DJ sets. Highland Beats became one of the most successful techno labels of the 90’s, inspiring many labels and artists over the years.\u003c\/p\u003e\n\n\u003cp\u003eJan's DJ career started off in the underground techno scene, organizing parties in unique industrial locations like abandoned farm houses, fields, tunnels, and warehouses. His musical diversity and refreshingly different sets quickly made him stand out. The popularity of Highland Beats fueled his success and led to international bookings.\u003c\/p\u003e\n\n\u003cp\u003eIn 2003, Jan released his first co-production which resulted in numerous remix requests. He has since (co-)produced on many prolific labels. Jan remains a sought-after DJ because he doesn't let trends dictate what he plays while still evolving and progressing.\u003c\/p\u003e\n\n\u003cp\u003eAfter releasing multiple records on Highland Beats and its sub-labels HBLTD, Body: Art: Form, and Klirfactor, Jan decided to start a new project reflecting his current sound. In 2008, Eterno Records was launched as a joint venture with partner Jenny Rose.\u003c\/p\u003e","products":[{"product_id":"colour","title":"Colour","description":"\u003cp\u003eMaterial Object is the main production alias of veteran Australian producer Andre Ruello. His focus is on the most psychedelic forms of techno and ambient. As well as his own productions he has collaborated extensively with Uwe Schmidt (Atom™) and the late Pete Namlook, including releasing on Namlook's Fax label. Ruello has performed and DJed live all over the world, including a number of appearances at Japan's Labyrinth festival. The summer of 2024 sees him give his debut live performance in the UK.\n\nMastered by Uwe Schmidt, Colour is a set of six single take studio improvisations that explore the boundaries of what can be achieved with a single instrument in the hands of a skilled musician.\nOld Technology Records is Surgeon and Dan Bean's record label, focussing of psychedelia in all its varied forms.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Tape","offer_id":50426011287883,"sku":"2201432","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_54733162_thumbnail_4096.jpg?v=1726798603"},{"product_id":"dreams-waking-thoughts-and-incidents","title":"Dreams, Waking Thoughts and Incidents","description":"\u003cp\u003eAnthony Child (Surgeon) and Daniel Bean reconvene The Transcendence Orchestra for a first new full-length since the untimely passing of Peter Rehberg, on whose Editions Mego the duo released most of their work. Arcing from classic kosmische to new age ambient and more spiky modular steez, the duo unfurl layers of atmosphere and immersive diversions through an hour-long session that might just be their most impressive work to date - recommended listening if yr into anything from classic Roedelius\/Cluster to Pete Namlook, Alessandro Cortini or even the spectralism of Iancu Dumitrescu.\u003c\/p\u003e\u003cp\u003eNow that the longform ambient\/modular template has been crushed under the weight of its own stiffness, it’s perhaps harder than ever to add anything new to the Kosmische songbook. And while ‘Dreams, Waking Thoughts and Incidents’ certainly treads around familiar motifs, The Transcendence Orchestra manage to poke the blueprint with enough force to jolt us from our apathy. \u003c\/p\u003e\u003cp\u003eDeployed over an hour-long, 10-track session that plays like a continuous fever-dream, there’s a gnarly psychedelia to proceedings that suggests the duo have moved away from pastiche and into something altogether more divergent. It starts with growling bass notes on the opening ‘The sleep of reason’ before submerging into a very FAX\/Namlook-esque New Age mode on ‘Leave it Terry, it’s not worth it!’, and before long’ 170 is greater than 260’ starts to glitch the matrix with cascading Terry Riley-ish arpeggios woven into gloriously disjointed sounds from the room, wafts of conversations that may or may not have anything to do with the things at hand.\u003c\/p\u003e\u003cp\u003e‘The hills are alive’ taps into the sound of Yoshi Wada’s atonal bagpipes before melting into a blissed state, while the brass and woodwind flares of ‘An ancient city and several nuclear explosions’ reminds us of Jóhann Jóhannsson’s gorgeous ‘Virðulegu Forsetar’ or perhaps even Gavin Bryars’ totemic ‘The Sinking Of The Titanic’ with its quietly dejected mysticism.\u003c\/p\u003e\u003cp\u003eSo, an ambient travelog of sorts that’s well aware of its forbears, but one executed with enough of a rogue spirit to wake us from, rather than send us to, a deep slumber. Recommended!\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"LP","offer_id":50530657403211,"sku":"2003019","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/unnamed_12_bc1402de_thumbnail_4096.jpg?v=1728082497"},{"product_id":"the-light-moves-between","title":"The Light Moves Between","description":"\u003cp\u003eWilliam Selman is an artist based in Portland, Oregon who has previously released work on Mysteries of the Deep, Hausu Mountain, Digitalis, and his own Critique of Everyday Life label (co-managed with Chris Miller aka Gunnar Haslam).\n\nThis album is a response to a combination of influences including Selman's own film works, urban Portland and the wildernesses of the Pacific Northwest. Using collages of field recordings, synthesisers and acoustic instruments, this release may appeal to fans of Bernard Parmigiani and Drew McDowall era Coil.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"CD","offer_id":50782832492875,"sku":"2228269","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_160513ef_thumbnail_4096.jpg?v=1731045013"},{"product_id":"if-we-land-on-water","title":"If We Land on Water","description":"\u003cp\u003eIf We Land On Water' is the first album from Spiral Wrack, a duo of Ali Wade (Frequency Domain) and Ralph Cumbers (Bass Clef \/ Myriad Myriads). Although the two have been good friends for decades and appeared on some of the same labels, this album marks their first musical collaboration, following a one-off appearance on Frequency Domain's 2023 compilation, 'Partials III'. Previous solo work from Ralph and Ali has appeared onPunch Drunk, Idle Hands, Pan, Trilogy Tapes and Werk Discs.\r\n\r\nHere they present a full-length work of woozy, heavily processed guitar and synth duets, where beachcombed melodies wash up on unknown shores and strange flowers bloom at the high water line. Robin Guthrie meets Laurie Spiegel with Neptune at the controls. Rum and reverb, if you will.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Tape","offer_id":50857273000267,"sku":"2233187","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5a278dc5_thumbnail_4096.jpg?v=1731949818"},{"product_id":"two-neat-geometries","title":"Two Neat Geometries","description":"\u003cp\u003eHoch Ma Toch is a solo project from Scottish singer and producer Drew Wright. Previously a member of Macca-Talla Nan Creag, he played a central role in creating both their critically acclaimed and sold out albums. Devised in collaboration with Firecracker Records and Forestry Commission Scotland, their project brought to life the shamanic spirit of pre-historic sites through improvised vocals, electronics, ancient instruments and drones. Wright has also released music as Wounded Knee, collaborating with National Galleries of Scotland, Benbecula Records, Distance Records and others.\n\nTwo Neat Geometries is Wright's first release on Old Technology Records and marks a turn from the processed vocals that marked his previous work to a sound based on electronics that takes inspiration from Scottish Poet Norman MacCaig, the wild Scottish outdoors and the spirit of improvisation, among other sources. The album can certainly be described as psychedelic and bewitching, with repeated listens offering layer upon layer of new textures and deeply hidden changes.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Tape","offer_id":50903646175563,"sku":"2234633","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_bb664957_thumbnail_4096.jpg?v=1732808596"},{"product_id":"nothing-left-to-dissolve","title":"Nothing Left to Dissolve","description":"\u003cp\u003eA local to Pittsburgh, Pennsylvania, Nick has been involved in the electronic music scene since the mid-90s. Known mostly for live hardware techno sets, Nick spent years making broken beats as Vasculator, spaced-out techno as 1\/2 of Untethered, and gutter-dipped \"dub\" as 1\/2 of Gnarled Horse Throat.\u003c\/p\u003e\n\u003cp\u003eIn 2022, a virus of some sort made percussive transients and loud sounds difficult to tolerate. This resulted in a shift to deeper listening music not aimed at the dancefloor. A trip to Asia served as the catalyst for the recordings found on this album. Characterised by incredibly detailed and thoughtful sound design, the tracks nod as much to the emotional heatseekers of Steve Roach as the tangential mash ups of SAWII era Aphex.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Tape","offer_id":52956051505483,"sku":"R5950-6655","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_821a77cb-92bc-4cac-9c3f-87c4161048d7.jpg?v=1752947989"},{"product_id":"convex-umbra","title":"Convex Umbra","description":"\u003cp\u003eC. Lavender (Lavender Suarez) is an interdisciplinary sound artist, sound healing practitioner, and educator based in New York City. Bandcamp asserted that \"C. Lavender makes music with curative powers, but it's also confrontational, primed to change you whether or not you want it to.\" She is the author of the insightful book \u003cem\u003eTranscendent Waves: How Listening Shapes Our Creative Lives.\u003c\/em\u003e C. Lavender has albums and recordings featured on Editions Mego, iDEAL Recordings, Ecstatic Peace!, and RVNG Intl.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConvex Umbra \u003c\/em\u003eis a reworking of a live performance featuring a swirling mass of gongs and synthesizers. Originally recorded live during a two hour sunset performance at Nowadays club in Queens, NY, it goes beyond being a straightforward \"live album\" and is more analogous to a ceremonial spell. Opening with a collaborative track by C. Lavender and Old Technology co-founder Anthony Child, it marks the recorded debut of a live performance methodology that C. Lavender has cultivated with care over many years as a synthesist and a meditative percussionist.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Tape","offer_id":53332159267147,"sku":"R5080-3366","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover-2.ki_0ec13b64-8ed0-47a5-861c-65e13d00f6d1.jpg?v=1757245299"},{"product_id":"bassduets","title":"Bassduets","description":"\u003cp\u003eDan Bean is one half of The Transcendence Orchestra, alongside Anthony Child (aka Surgeon). Together they've released three albums on Editions Mego as well as an album on their own Old Technology imprint. Dan has also previously released a solo EP on Eyeless Records.\u003c\/p\u003e\n\u003cp\u003eThis debut solo album is deliberately composed and performed using only two instruments: a Roland TB-303 and a bass guitar. The point of this constraint was to try to force the creation of unexpected sounds from two very familiar bass instruments. The eight pieces gathered here succeed in doing so, featuring searing textures, unexpected melodic progressions and trance inducing repetitions. At times tender, these tracks remind us that even the most familiar or even overused instruments and ideas can be subverted and refreshed.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Tape","offer_id":53674684350795,"sku":"R0451-6369","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-2_0f0bacb3-6f61-4c31-aa93-0379d2f3f251.jpg?v=1760871633"},{"product_id":"sphere-to-sphere","title":"Sphere to Sphere","description":"\u003cp\u003eZyggurat is Pete Grimshaw's experimental jazz project, in this iteration featuring him on synths and Nathan England-Jones on percussion. Formed in Birmingham, Zuggurat has over 8 years of cosmic electronic wrangling under it's belt. Releases and live shows have featured a charmingly eclectic range of collaborators ranging from tap dancers to sax\/flute players, taking in the accordion along the way, with the lyrical drumming of England-Jones the constant and steady accompaniment.\u003c\/p\u003e\n\u003cp\u003eRecorded over two sweltering hot days in and around a small tin chapel deep in the woods in Shropshire, the seven tracks represent a significant step up in Zyggurat's game. Ranging from found harmonium sounds and the chirping of the woods, through to extended jams, the overall approach remains psychedelic improvisation, but the fluidity and openness are breathtaking - stretching but not quite breaking the definition of jazz.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Tape","offer_id":56879057895755,"sku":"R1599-6778","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-1_de6b0060-1f6c-4874-820b-b44952167d8b.jpg?v=1774447234"},{"product_id":"fose","title":"Fose","description":"\u003cp\u003eF~M is a joint project between veteran IDM producers Roel Funken (Funckarma, Cane, Shadow Huntaz) and Jeroen Bax (Exm). Individually, Roel and Jeroen have been releasing their own material and remixes since the late 90s on a dizzyingly wide set of labels including Móatún 7, Touched, Arcola, neo Ouija, n5MD, Shipwrex, Skam, !K7, Merck to name just a few.\u003c\/p\u003e\n\u003cp\u003eBeing based in two entirely different locations, Roel and Jeroen have developed asynchronous collaboration methods based on transforming each others' entire tracks. For their third album together and their first on Surgeon and Dan Bean's Old Technology Records they've taken their back and forth method a step further. Starting with brief gestures and ending up with the four epic tracks that make this album. Each track lasts around 15 minutes or longer and maintains a coherent identity while continually transforming, flipping and evolving into new modes.\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"CD","offer_id":57041217192267,"sku":"R2070-4111","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-8_2f96e599-e634-4de7-a57a-628e603f836c.jpg?v=1776269759"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_e07559df_thumbnail_4096_2f91d777-a67b-4291-9d59-042876bd3b1e.jpg?v=1726798583","url":"https:\/\/shop.roughtrade.com\/fr\/collections\/old-technology.oembed","provider":"Rough Trade","version":"1.0","type":"link"}