{"title":"Reissues of the Year 2022","description":"","products":[{"product_id":"tone-capsule","title":"Tone Capsule","description":"\u003cp\u003e'The story of IDM in the USA begins in Miami’ - Fact Mag\u003c\/p\u003e\u003cp\u003eControl Freak Recordings are thrilled to be launching its new reissue sub-label with Soul Oddity’s Tone Capsule - a seminal electro\/IDM classic from mid-90s Miami. Originally released as a series of 3 EPs, the reissue compiles these into an album, newly remastered by Keith Tenniswood (Radioactive Man) - available digitally and, for the first time, on 2x12\" LP album.\u003c\/p\u003e\u003cp\u003eSoul Oddity marked the first outing for a pair of musicians who were instrumental in bringing the UK's post-rave IDM scene to the US. Having bonded over a love for the Warp output at the time, the pair fused this influence with the sound of their native Miami, where hip-hop, breaks and bass soundtracked a lively party scene. A masterpiece of machine-driven, emotionally abstract storytelling, Tone Capsule rivals some of the best of 90s leftfield electronica. Twitchy beats and gloopy synth-funk are melded into jams that make for a seriously otherworldly listen - as forward-thinking now as it was in 1996.\u003c\/p\u003e","brand":"Capsule Freak","offers":[{"title":"Black LPx2.","offer_id":50384645882187,"sku":"2000387","price":30.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/unnamed_919ff86a_thumbnail_4096.png?v=1726302099"},{"product_id":"past-imperfect-the-best-of-tindersticks-92-21","title":"Past Imperfect: The Best of Tindersticks 92  21","description":"\u003cp\u003eAs the band celebrate their thirtieth year, \u003ci\u003ePast Imperfect…\u003c\/i\u003e showcases collected works throughout their rich history, with the addition of one new track. It is in chronological order and split in to 4 sections \/ 2 halves – the first half being the original line up of the band with Al Macaulay (drums), Mark Colwill (bass) and Dickon Hinchliffe (violin, guitar, string arrangements). The second half is the present-day line up with Earl Harvin (drums) and Dan McKinna (Bass, piano, string arrangements). Stuart. A. Staples, Neil Fraser (guitar) and David Boulter (various instruments) are always present.\u003c\/p\u003e\u003cp\u003eThere are two songs from Claire Denis films – ‘Tiny tears’ from ‘Nanette et Boni’ (’96) and ‘Both Sides of the Blade’ from her latest film ‘Avec amour et acharnament’ (’21). There is also the version of ‘Willow’ sung by Stuart, rather than Robert Pattison who sang the version in ‘High life’ (’19).\u003c\/p\u003e\u003cp\u003e’92 – ’96 – City Sickness, Her (‘92), Tiny Tears, Travelling Light (duet with Carla Torgerson), My Sister.\u003c\/p\u003e\u003cp\u003e’97 – ’03 – Rented Rooms, Can We Start Again?, Dying Slowly, Sometimes it Hurts (duet with Lhasa de Sela), My Oblivion.\u003c\/p\u003e\u003cp\u003e’08 – ’14 – Harmony Around My Table, Show Me Everything, This Fire of Autumn, Medicine, What Are You Fighting For?\u003c\/p\u003e\u003cp\u003e’16 – ’21 – How He Entered, Were We Once Lovers?, Willow (New), Pinky in the Daylight, Both sides of the blade.\u003c\/p\u003e\u003cp\u003e“Nobody was between us and the records that we made,” says Tindersticks frontman Stuart Staples. Mavens of intimate and expansive mood-song, Tindersticks have forged paths of their own unobstructed making over three decades, avidly trend-averse in their dusky and far-reaching explorations of the heart. Released through City Slang, \u003ci\u003ePast Imperfect: The Best of Tindersticks ’92-’21\u003c\/i\u003e maps the band’s 30-year journey across a peerless 20-track chronology. “Each step a story,” as Staples said on “How He Entered”. And every song a fresh twist in a winding tale. It is the sound of an uncommonly ambitious band always seeking new ways to connect with their songs, rediscovering themselves as a unit at every turn so that everything familiar about their music sounds fresh again. Always, of course, by nobody’s measure but their own.\u003c\/p\u003e\u003cp\u003eStandard 2CD and 2LP formats contain Past Imperfect: The Best of Tindersticks ’92 – ’21. \u003c\/p\u003e\u003cp\u003eDeluxe 3CD and Box Set also contain Live At Glasgow City Hall 5th October 2008.\u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Clear | LP | x4","offer_id":50384709124427,"sku":"1142311","price":64.99,"currency_code":"GBP","in_stock":false},{"title":"Black | LP | x2","offer_id":50384713154891,"sku":"1142309","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Orange LPx4","offer_id":50384714072395,"sku":"1142310","price":37.99,"currency_code":"GBP","in_stock":true},{"title":"CD | x3","offer_id":50384708272459,"sku":"1142308","price":8.99,"currency_code":"GBP","in_stock":true},{"title":"CD | x2","offer_id":50384711385419,"sku":"1142307","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cb426c26-5f74-4259-8013-47572468fafb_thumbnail_4096.jpg?v=1726302659"},{"product_id":"if-i-die-i-die-40th-anniversary-edition","title":"If I Die, I Die (40th Anniversary Edition)","description":"\u003cp\u003e\u003ci\u003e…If I Die, I Die was\u003c\/i\u003e released only weeks before the Heresie box set. 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Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music – from punk to art-rock and everything in between. 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The 2002 Sam Jones film \u003ci\u003eI Am Trying to Break Your Heart \u003c\/i\u003edocumented the fraught recording and mixing process, personnel changes, and label issues.\u003c\/p\u003e\u003cp\u003eExploring questions, while weaving in strands of Eastern philosophy and bits of autobiography – Yankee lyrics would be loaded with the pained imagery of someone suffering from migraines and mental health issues – Tweedy would conjure a deep examination of both country and self.\u003c\/p\u003e\u003cp\u003e11LP - The Super Deluxe version comprises eleven vinyl LPs and one CD – including demos, drafts, and instrumentals, charting the making of Yankee Hotel Foxtrot – plus a live 2002 concert recording and a September 2001 radio performance and interview. 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Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut.\u003c\/p\u003e\n\n\u003cp\u003eThe belief, talent, and fervor that Doherty spoke of in their earliest manifesto has stood them in good stead. \u003cem\u003eUp The Bracket\u003c\/em\u003e, justly considered one of the greatest albums of the noughties, was originally released on October 21st, 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub, and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eUp The Bracket\u003c\/em\u003e, which was produced by Mick Jones of The Clash, takes you on a wondrously poetic journey into the band’s mythical world and their fevered dreams of Albion, a land of squalid glamour, liberty, equality, fraternity, gin palaces, and chip shops. 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A cushion of a bassline nudging along a hushed cadence unspooling impressionistic poeticism one halting line at a time; the sparse snap of a snare providing punctuation. This is how Boston’s \u003cstrong\u003eKarate\u003c\/strong\u003e opened their third full-length, 1998’s \u003cem\u003eThe Bed Is In The Ocean\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003ePerhaps this was a reaction to the aggressive punk tones that marked their previous album, or maybe they hoped to capture the somnambulant dusk on one of those pristine fall days that make living in a town whose population swells when colleges welcome back students all worthwhile. Then again, Karate never made a point of chasing the same idea twice, and \"\u003cem\u003eThere Are Ghosts\u003c\/em\u003e\" remains in line with the band’s stylistic intrepidness and unpredictability.\u003c\/p\u003e\n\n\u003cp\u003eEven the group’s lineup appeared constantly in flux. 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Their exacting precision and emotive interplay helped recombine the DNA of the dignified grace of slowcore, the hot-and-sweaty atmospherics of the blues, and the high-wire tension of post-hardcore to deliver drawling instrumental curveballs and a furtive riptide climax with a controlled grace on \"\u003cem\u003eOutside Is The Drama\u003c\/em\u003e\".\u003c\/p\u003e\n\n\u003cp\u003eSinger-guitarist Geoff Farina frequently teased out the emotional nuances of each song, his worn-in voice shading in the complexities of his enigmatic lyrics; no matter how difficult it may be to parse his snatched-from-daily-life wisdoms, on \u003cem\u003eThe Bed Is In The Ocean\u003c\/em\u003e Farina sounded like a guy who knew exactly the right thing to tell whoever may be listening. 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Stepney’s signature “baroque soul” sound is known to many as it’s heard in his prismatic orchestral arrangements for Rotary Connection, Minnie Riperton, Howlin Wolf, Terry Callier, Earth, Wind and Fire, and many more. His sound has been used by countless samplers in the hip-hop world including Kanye West, The Fugees, and MF Doom. But in comparison to the post-mortem renown of his sound, or the artists he supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eStep on Step\u003c\/i\u003e is Stepney’s eponymous debut album, featuring 23 bare-bones, demo-style home recordings, most of which are Stepney originals that were never again recorded by him or any other artist. 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