{"title":"Scissor Tail Editions","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eScissor Tail Editions is an American independent label founded in 2010 by artist and musician Dylan Aycock. With a focus on folk, psychedelic, and experimental music, the label has gained recognition for its unique and diverse roster of artists.\u003c\/p\u003e\n\u003cp\u003eDistributed worldwide by Midheaven Revolver, Scissor Tail Editions specializes in vinyl, cassette, and other unique formats. Their commitment to quality extends beyond the music itself as they also run a private letterpress studio. This allows them to create most of the art and record packaging in-house, ensuring a truly immersive visual experience for their listeners.\u003c\/p\u003e\n\u003cp\u003eWhether you're a fan of *Dylan Aycock* or simply appreciate boundary-pushing music, Scissor Tail Editions offers an unparalleled selection that will satisfy even the most discerning ears. Explore their catalog today and discover the cutting-edge sounds that define this innovative label.\u003c\/p\u003e","products":[{"product_id":"beginnings-collected-pedal-steel-guitar-works","title":"Beginnings: Collected Pedal Steel Guitar Works","description":"\u003cp\u003e\u003ci\u003eBeginnings: Collected Pedal Steel Guitar Works\u003c\/i\u003e, is the first full length album by UK-based pedal steel guitarist and improviser Gary Peters. As there seems to be a slew of pedal steel guitar albums coming out in the last five years, this one is unlike any one has heard. There’s no use of reverb pedals or ambient swells, yet it still has so much atmosphere and emotion. The majority of the compositions and improvisations are solo pedal steel guitar, but there are a couple tracks with accompaniment by upright bassist Christopher Williams and pianist Veryan Weston. Gary Peters has been quietly and prolifically releasing recordings over the years. This grouping of songs Scissor Tail Editions spent about a year working towards narrowing down and mixing and are very honored to present this album of collected pedal steel guitar works. “The ambient country cabinet is filling up pretty quickly these days and we’re in a golden age of pedal steel, but there’s always room for one more. RSTB faves Scissor Tail offer up a new record from UK steel slinger Gary Peters and while not as overtly awash in the trappings of ambient country, the record still hovers in the humid space between waking and dreams. A halfway hitch between the jazz steel of Dave Easley and the more cosmically aligned works of SUSS, the record promises to carve out its own corner of the genre.” —Raven Sings The Blues\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"Black LP","offer_id":50395953660235,"sku":"2162706","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_46_20fa17f3_thumbnail_4096.jpg?v=1726476132"},{"product_id":"two-improvisations","title":"Two Improvisations","description":"\u003cp\u003e“The first full length LP by Joshua Massad and Dylan Aycock. Massad is a tabla player living in India and studying under Zakir Hussain. Massad and Aycock came together in Tulsa to record live at the legendary Church Studio which was founded by Leon Russell in the ’70s. Over a few nights they captured some moments in the studio before it came under new ownership and just before Joshua moved to India. “Aycock improvising on 12-string with Massad accompanying tabla and sitar. A flowing river of sound, a meeting of the minds. The little touches that Dylan’s brother Jesse Aycock adds (bits of synth) really sweeten the deal as well. Track two recorded in Leon Russell’s legendary Church Studio.” —Aquarium Drunkyard “Track one is an improvisation recorded at the home of Joshua Massad’s friend who he was house sitting for and invited me to come play. When I showed up the door was open and he was deep in practice so no words were spoken. I set up a mic and just started playing. We played for fortyfive minutes straight and the twenty mins of the first track was culled from that moment. We clicked immediately and that was the first time we ever played together. Joshua is studying and teaching in India now where he’s been since 2019.” —Dylan Golden Aycock\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"Black LP.","offer_id":50405105336651,"sku":"2184546","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_65_be75dd34_thumbnail_4096.jpg?v=1726573740"},{"product_id":"black-coral-sprig","title":"Black Coral Sprig","description":"\u003cp\u003e“Talk West is the project of Dylan Aycock. Aycock has forged a small series of intriguing and beautiful missives through the cassette underground with his explorations on guitar and pedal steel. On \u003ci\u003eBlack Coral Sprig\u003c\/i\u003e, Aycock negotiates the terrain between stately and homely by stretching a ringing country tone into an all-encompassing atmosphere, much like the ambient realms of Stars Of The Lid. His unhurried, gentle playing style comes to reveal understated textures that weave into a whole alternately spirited, warming and often haunting.” —Preservation\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"LP","offer_id":50457596723531,"sku":"2024290","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c0281971-7b02-4ba0-8ad9-b07262562a35_thumbnail_4096.jpg?v=1727206800"},{"product_id":"the-hired-hand","title":"The Hired Hand","description":"\u003cp\u003eClassic 1971 Peter Fonda film soundtrack from Dylan side-man and folk scene impresario. Beautifully melancholy score performed with guitars, tonal effects, fiddle, banjo, sitar, and more that evokes high plains drifting, lonesome cowpokes. “It’s The West seen as Purgatory, its characters endlessly moving on, but Langhorne conjures beauty from the pain.”\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"Black LP","offer_id":50490098221387,"sku":"1001883","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The_Hired_Hand_Original_Motion_Picture_Soundtrack_2cc7aa70_thumbnail_4096.jpg?v=1727651833"},{"product_id":"horses","title":"Horses","description":"\u003cp\u003eTobacco City is a Chicago-based band that blends cosmic country with a mix of psychedelic rock and honky-tonk soul. Their sound captures the essence of small-town nostalgia while embracing modern-day themes, exploring heartache, longing, and the bittersweet nature of life. With their uplifting energy and authentic songwriting, Tobacco City continues to carve out a unique space in the countrytinged Americana scene. On \u003ci\u003eHorses\u003c\/i\u003e, the highly anticipated follow-up to their critically acclaimed debut, Tobacco City, USA, the band takes listeners on a nostalgic journey through the haze of youth, where time feels suspended and plans are nonexistent. The album’s lyrics conjure vivid images of small-town life—smoking schwag behind the grocery store, drinking cream from a gas station with your first love—capturing that carefree, uncertain time when the future felt distant. The music channels the spirit of ’70s country with influences from legends like Gram Parsons and Emmylou Harris, bringing a timeless, uplifting energy to each track. At the same time, the lyrics intersect with modern-day themes, blending the beauty and innocence of youth with the harsh realities of life. Horses feels like a contemporary take on classic country, merging a nostalgic past with the complex world of today, all while remaining undeniably authentic and heartfelt. \u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"Black LP","offer_id":51118005256523,"sku":"2240004","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Horses_34f26b62_thumbnail_4096.jpg?v=1737135821"},{"product_id":"treasure-man","title":"Treasure Man","description":"\u003cp\u003eBarely saved from obscurity by a series of chance events, John Fizer’s only recorded album \u003ci\u003eTreasure Man\u003c\/i\u003e finally sees the light of day. Forty-five years in the making, while for the last twenty-nine years Fizer has been “living rough” couch surfing, sleeping in play structures, friend’s backyards and more recently his old Volvo station wagon. Fizer is currently residing in a nursing facility in Northern California. Below is the story of how this never before heard album came to Scissor Tail’s attention. “I used to walk my daughter to school and passed the original Peet’s coffee every day. Across the street was Berkeley’s beloved John ‘Treasure Man’ Fizer playing chess, doing crosswords and waiting next to the treasure tree which he had filled with gemstones and various magical trinkets. To this day any child passing by is welcome to choose a treasure. Over many stops with my daughter I got to know John, a fountain of love, intelligence and humor and as quirky and feisty as can be. We became friends. Eventually he showed me a few old cassettes of cassettes of cassettes in poor condition of him performing and asked if I could make them sound better. I agreed to take a listen. Such amazing songs! “So I proceeded to remaster the cassettes while continuing to ask John at least four times over several months if he had the original master studio recordings. The answer was always no. About the time I finally had his cassette sourced recordings sounding as good as they could be and he popped up with a 15 inches per second 1\/4’ half track, state of the art analog master reel-to-reel recorded at the legendary Mountain Ears recording studio in 1977 with some very fine studio musicians including Ray Bonneville, Brad ‘Honeyboy’ Hayes, Erik ‘Bobo’ Johnson and Brian ‘Sluggo’ Brown. John had found the original reel! “It had been residing for decades in the bowels of John’s old 1980 Volvo station wagon, which also serves as his home, and was covered in strangely beautiful mold but that was the day I knew the world would hear John’s music the way it was meant to be be...big, fat, analog. The next few years were spent cleaning and remastering the album with some of the worlds finest restoration specialists.” – James Johnson (producer).\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"Black | LP","offer_id":51246042022219,"sku":"2003497","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Treasure_Man_cb8f8928_thumbnail_4096.jpg?v=1739231234"},{"product_id":"old-time-fantasias","title":"Old Time Fantasias","description":"\u003cp\u003eThe songwriter Joseph Allred is always prolific, but breaks up their string of solo releases for one of the most orchestrated offerings since the excellent Branches And Trees. Allred’s often monastic guitar works are fleshed out here on Old Time Fantasias, turning them towards ensemble visions of country, Americana, and Appalachia. Album opener, “The Groundhog,” features the distinctive piano of Hans Chew, with bass from Daniel Kimbro and brass from Mikey Allred. Elsewhere the new album features Kelby Clark, Courtney Werner (Magic Tuber String Band), Evan Morgan (Magic Tuber String Band), Lydian Bramblia, and Jack Bird in the mix. “I started recording this album in Spring ‘23, thinking I might be making a mostly solo acoustic album with a couple of duets thrown in for good measure. I met Hans Chew at a Nashville show a few months earlier and sent him a few tracks to see if he wanted to add anything to them. Before long the ‘solo acoustic album’ had given way to what’s probably the most involved and densely orchestrated album I’ve made to date. “I enjoyed following some threads of influence that aren’t as easily discernible in my solo playing—I hear some classic country and psychedelic flourishes, baroque pop glockenspiel and horns, percussion ideas that may be cribbed from Danny Elfman and Tom Waits albums, nods to post-rock-filtered western guitar twang, and a little Cocteau Twins dreaminess. “All in all this was a satisfying record to make. I’m especially grateful to the collaborators for adding their touches and making it a less solipsistic affair than it would have been otherwise. The political climate has changed so much over the last two years that I find it hard to imagine I could make a record with this kind of fantastic mood if I started now. I hope that it can maybe re-enchant those of us who are felling disillusioned.” —Joseph Allred\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"LP - Black","offer_id":51776958955851,"sku":"R8995-6662","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_4.jpg?v=1746533574"},{"product_id":"escape-from-l-a","title":"Escape From L.A.","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKurt Vile once sang that he had a freeway in mind, but Matt Kivel (Vile’s former Woodsist labelmate) literally has a freeway mind. Kivel grew up in Santa Monica, California, getting shuttled up and down the 10, the 101, PCH, and all the other freeways Angelenos lovingly affix definite articles to. He started out in music as part of the buzzy, Eagle Rock-based indie band Princeton, toured the country relentlessly, burned out, and then resurfaced with a series of bleak, hauntingly spare solo albums that garnered widespread critical acclaim.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOver the ensuing decade, Kivel collaborated closely with a growing set of brilliant, and varied musicians from across the globe, including Bonnie “Prince” Billy, Alasdair Roberts, Madi Diaz, Robin Pecknold of Fleet Foxes, Jana Horn, and Satomimagae. He moved to Austin, Texas then left for New York City for a spell and then returned to Austin where he settled down. In 2017, he started writing the songs for what would become his eighth solo album, \u003cem\u003eEscape From L.A\u003c\/em\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eEscape From L.A.\u003c\/em\u003e is an autobiographical song cycle that chronicles the first thirty-three years of Kivel’s life in the City of Angels. The material was labored over, rewritten, rearranged, and rerecorded numerous times, between LA, New York, and Austin. Kivel self-effacingly refers to it as his “bootleg as hell Blood On The Tracks” with myriad alternate sequences, tempos and arrangements that will never see the light of day. It involved over twenty collaborators, a string section, pedal steel guitars, and a renewed lyrical and vocal clarity that allows the narrative vignettes to unspool in vivid detail. It’s a beautiful, grounded statement and one of Kivel’s best.\u003c\/span\u003e\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"LP - Black","offer_id":55855348154699,"sku":"R3422-5311","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2000x2000bb_b0ff9079-9b7c-468f-91c3-0710c5fe0739.jpg?v=1762515742"},{"product_id":"talking-to-the-dog","title":"Talking To The Dog","description":"\u003cp\u003e\u003cstrong\u003eAlex Dupree\u003c\/strong\u003e takes his latest LP title from a line often attributed to \u003cstrong\u003eHank Williams\u003c\/strong\u003e: writing a song is “just talking to the dog.” What starts as a strange bit of country wisdom opens into something vivid, intuitive and deeply felt here.\u003c\/p\u003e\n\u003cp\u003eMore than 20 years into his career, \u003cstrong\u003eDupree\u003c\/strong\u003e sounds fully locked in, with the band, chords and arrangements to match his lyrical depth. \u003cem\u003eTalking to the Dog\u003c\/em\u003e feels spontaneous and alive, like a room full of players catching fire in real time.\u003c\/p\u003e\n\u003cp\u003eThere are echoes of \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e, \u003cstrong\u003eGene Clark\u003c\/strong\u003e and \u003cstrong\u003eDavid Crosby\u003c\/strong\u003e throughout, with nods to \u003cem\u003eU.F.O.\u003c\/em\u003e, \u003cem\u003eNo Other\u003c\/em\u003e and \u003cem\u003eIf I Could Only Remember My Name\u003c\/em\u003e. \u003cem\u003eVoyager Blues\u003c\/em\u003e, \u003cem\u003eNew Meaning\u003c\/em\u003e and \u003cem\u003eZodiac\u003c\/em\u003e each point toward the album’s rich, expansive songwriting.\u003c\/p\u003e\n\u003cp\u003eFor fans of \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e, \u003cstrong\u003eGene Clark\u003c\/strong\u003e, and \u003cstrong\u003eDavid Crosby\u003c\/strong\u003e’s \u003cem\u003eIf I Could Only Remember My Name\u003c\/em\u003e.\u003c\/p\u003e","brand":"Scissor Tail Editions","offers":[{"title":"LP - Black","offer_id":57975345152331,"sku":"R5326-8880","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f67cfbbb-6bda-7c4d-e150-8c86e4dcba46.jpg?v=1785321676"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_ab5b3093_thumbnail_4096_180a22ac-ed45-40cf-ac20-9e7fe95294ef.jpg?v=1726476111","url":"https:\/\/shop.roughtrade.com\/fr\/collections\/scissor-tail-editions.oembed","provider":"Rough Trade","version":"1.0","type":"link"}