{"title":"Stax","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eStax Records, originally known as Satellite, is a legendary music label that was founded in 1959 by Jim Stewart and Estelle Axton. The name Stax was derived from the first two letters of their last names. Known for its association with Southern soul music, Stax Records became home to numerous talented artists who achieved great success during the 1960s and beyond. Some of these iconic artists include Rufus Thomas, Carla Thomas, Booker T \u0026amp; The MG's, Mable John, Sam \u0026amp; Dave, Johnnie Taylor, Albert King, Bar-Kays, and Otis Redding.\u003c\/p\u003e\n\n\u003cp\u003eFollowing the tragic death of Otis Redding in 1967, Stax Records entered a new era with hitmakers like Isaac Hayes, Staples Singers, Soul Children, The Emotions,\nRance Allen Group,\nShirley Brown,\nLuther Ingram,\nand The Dramatics. In 1968,\nParamount Pictures Corporation acquired the company but later sold it back to Jim Stewart and Al Bell in 1970. Despite facing financial troubles and eventually going bankrupt in 1975,\nFantasy Inc.\nacquired the masters and assets of Stax at an auction in June 1977.\u003c\/p\u003e\n\n\u003cp\u003eIn 2008,\nConcord Music Group revived Stax as an active label with new artist signings such as Jill Scott,\nLeela James,\nAngie Stone,\nand Nikka Costa.\nToday,\n\nStax continues to be a respected label\u003c\/p\u003e","products":[{"product_id":"shaft-2","title":"Shaft","description":"\u003cp\u003eOne of the many wonderful Blaxploitation soundtracks to emerge during the early '70s, \u003ci\u003eShaft\u003c\/i\u003e certainly deserves mention as not only one of the most lasting but also one of the most successful. Isaac Hayes was undoubtedly one of the era's most accomplished soul artists with \"The Theme From Shaft\", Hayes delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of its release. \u003c\/p\u003e\u003cp\u003e\"Soulsville\" operates effectively as the sort of down-tempo ballad Hayes was most known for, just as the almost 20-minute \"Do Your Thing\" showcased just how impressive the Bar-Kays had become, stretching the song to unseen limits with their inventive, funky jamming. This album features cinematic moments of instrumentation, composed and produced by Hayes while being performed by the Bar-Kays - some down-tempo, others quite jazzy.\u003c\/p\u003e","brand":"Stax","offers":[{"title":"LP","offer_id":50437703172427,"sku":"288177","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Shaft_Music_From_the_Soundtrack_4cf169cc_thumbnail_4096.jpg?v=1726933979"},{"product_id":"hot-buttered-soul-1","title":"Hot Buttered Soul","description":"\u003cp\u003eOriginally released at the end of the '60s, \u003ci\u003eHot Buttered Soul \u003c\/i\u003eset the precedent for how soul would evolve in the 70's - simultaneously establishing Isaac Hayes as a major music force. Although the tracks were lengthy, there was no sense of self-indulgence, each one evolving over sensual rhythms and taut arrangements. \u003c\/p\u003e\u003cp\u003eHayes' vocal anticipated the 'rap' genre of Barry White and Millie Jackson without slipping into self-parody, lending an air of sophistication to a highly influential collection.\u003c\/p\u003e","brand":"Stax","offers":[{"title":"CD","offer_id":50437906563403,"sku":"295635","price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50437907775819,"sku":"400673","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Hot_Buttered_Soul_29281bef_thumbnail_4096.jpg?v=1726936323"},{"product_id":"the-future","title":"The Future","description":"\u003cp\u003eNathaniel Rateliff and the Night Sweats present their 3rd studio album, \u003ci\u003eThe Future\u003c\/i\u003e. Nathaniel once again demonstrates that he is a writer and performer of the highest order, who seems to be smack dab in the middle of what we all hope is an extended creative peak. The album showcases Nathaniel's unique observations of our world and people's ongoing struggle in learning how to better understand each other. \u003ci\u003eThe Future\u003c\/i\u003e was produced by Brad Cook (Bon Iver, Kevin Morby, Waxahatchee, Hiss Golden Messenger) and R.M.B. The latter being the production team of Nathaniel himself, Patrick Meese, and James Barone (Beach House). The same team that both produced and were the core musicians behind Nathaniel's latest and greatest solo effort, \u003ci\u003eAnd It's Still Alright.\u003c\/i\u003e Additional production was added by multifaceted musician, engineer, producer, Elijah Thomson (Father John Misty, Richard Swift). Other notable contributions came from Jenny Lewis and Jess Wolfe (Lucius), whom both added backing vocals to the stunning track, \"What IF I\". And Amelia Meath (Sylvan Esso) who sang on \"Face Down In The Moment\". 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Rateliff’s warm baritone, ranging from gently hushed to a guttural howl, imbues these superbly drawn character studies with raw, naked emotion.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAnd It’s Still Alright\u003c\/i\u003e was produced by Rateliff, Night Sweats’ drummer Patrick Meese and James Barone of the indie band, Beach House and primarily recorded at National Freedom in Cottage Grove, Oregon, the studio formerly owned by the late Richard Swift (who produced both Night Sweats recordings). While Rateliff, Meese and Barone handled much of the album’s instrumentation, several friends make contributions including Night Sweats’ guitarist Luke Mossman; bassist Elijah Thomson (of the indie band Everest); keyboardist Daniel Creamer (of The Texas Gentlemen); steel guitarist Eric Swanson (touring musician for Israel Nash) and renowned string arranger Tom Hagerman (of the instrumental vocal ensemble DeVotchKa), whose delicate orchestrations beautifully complement the album’s deep emotional terrain.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAnd It’s Still Alright’s\u003c\/i\u003e many highlights include album opener \u003ci\u003eWhat A Drag\u003c\/i\u003e, which sketches a vivid portrait of a disconnected relationship, \u003ci\u003eTonight #2\u003c\/i\u003e, a haunting, end-of-the-world waltz, \u003ci\u003eTime Stands,\u003c\/i\u003e detailing an epic, desperate struggle for love and the elegiac \u003ci\u003eRush On\u003c\/i\u003e, a heart-breaking requiem for Swift.\u003c\/p\u003e\u003cp\u003eUnguarded and unflinchingly real, Nathaniel Rateliff’s \u003ci\u003eAnd It’s Still Alright\u003c\/i\u003e expands on the sounds and styles he’s used to great affect across both his band and solo careers.\u003c\/p\u003e","brand":"Stax","offers":[{"title":"Clear | LP","offer_id":50462459068747,"sku":"1084186","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/84efea2f-b0a2-4c0d-9216-430b849551bb_thumbnail_4096.jpg?v=1727257435"},{"product_id":"shaft-expanded-edition","title":"Shaft - Expanded Edition","description":"\u003cp\u003eA primary reason for the enduring significance of the ultimate \u003ci\u003eBlaxploitation\u003c\/i\u003e film \u003ci\u003eShaft\u003c\/i\u003e is the film's score, Composed by the legendary Isaac Hayes. He created music that sounded like nothing else of its day - making this album truly one of the most pivotal and influential soundtracks of all-time. \u003c\/p\u003e\u003cp\u003eCD - Stax Records proudly presents this phenomenal piece of music in an all-new digitally remastered deluxe edition featuring a special bonus track!\u003c\/p\u003e\u003cp\u003eLP - 180 Gram Vinyl with Download.\u003c\/p\u003e\u003cp\u003e2CD - Limited to 5,000 copies on Craft Recordings. 2-CD collection with newly-remastered, classic soundtrack—as originally released in 1971, plus all of the original music from the film which did not appear on the best-selling LP. In-depth liner notes from Ahmir “Questlove” Thompson round out the set.\u003c\/p\u003e","brand":"Stax","offers":[{"title":"CD | x2","offer_id":50480462102859,"sku":"1073830","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"LP | x2","offer_id":50480462954827,"sku":"1003171","price":11.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50480462496075,"sku":"322097","price":7.99,"currency_code":"GBP","in_stock":false},{"title":"2LP","offer_id":50480463249739,"sku":"2171438","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/396e00d9-db8c-4ea2-b28b-8b3fedc6c489_thumbnail_4096.jpg?v=1727521387"},{"product_id":"unisex-t-shirt-logo-10","title":"Unisex T-Shirt Logo","description":"\u003cp\u003e\n            This officially licensed Unisex T-Shirt Logo from Stax Records is available to order now. \u003cbr\u003e\u003cbr\u003e\n            This high quality Tee Shirts is available in a White colourway.\n        \u003c\/p\u003e","brand":"Rock Off Retail Limited","offers":[{"title":"Small","offer_id":50487347446091,"sku":"2041005","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Large","offer_id":50487347970379,"sku":"2041002","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Medium","offer_id":50487347675467,"sku":"2041007","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_1982421b_thumbnail_4096.jpg?v=1727623539"},{"product_id":"the-funkiest-man-2","title":"The Funkiest Man - The Stax Funk Sessions 1967-1975","description":"\u003cp\u003eThink about music and Memphis - who do you think of first? Rock'n'roll? Gotta be Elvis, of course. Deep Soul? Messrs Carr and Redding surely have that market cornered. Country Music? Hard to get beyond Charlie Rich, really. But when it comes to funk, few have ever put the beat over with more conviction than the late, undeniably great Rufus Thomas. \"The Godfather Of Memphis Funk\" - that's what the strap line on the back of this album says, and that's just about right, too.\u003c\/p\u003e\u003cp\u003eWe still can't believe he's gone, you know. It really did feel like \"The World's Oldest Teenager\" had a shot at becoming \"The World's First Hundred-Year-Old Teenager\". After all, Rufus was still out there, putting the 'fun' in funk, when he was in his mid-80s, and doing the Funky Chicken at an age when doing the Times crossword would be the day's major exertion for most of us. As an entertainer, the man had precious few equals. And as a purveyor of undiluted late 60s\/early 70s Memphis funk, he had even fewer. Don't believe me? Then take a listen to this.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Funkiest Man\u003c\/i\u003e is Ace's affectionate tribute to one of the true legends of Memphis Soul, and a man whose Stax career ran for over a decade and a half, from the label's earliest days to its closing weeks. It's not a \"Singles As And Bs\", nor is it a \"Best Of\" - other Ace\/Stax releases have already taken care of business in those departments. What it is, though, is a full-on farrago of funk, with Rufus and a batch of the best musicians Memphis ever produced - I'm talking Bar-Kays, MGs, Isaac Hayes Movement and Memphis Horns here, people! - working up a full head of dancefloor steam on 18 funky sides that, beat for beat, are a match for anything and everything that others from the Golden Age Of Funk could offer in retaliation, James Brown included.\u003c\/p\u003e\u003cp\u003eOK, so the lyrics and tunes ain't necessarily going to give Bacharach and David any serious competition in the 'works of art' department. That wasn't what Rufus was about, though, and he'd doubtless be the first to point this out, were he still with us today. But they are what they are, and what they are above all is funky beyond belief.\u003c\/p\u003e\u003cp\u003eWhat made Rufus Thomas one of the undisputed dancefloor kings of his time was his ability to keep things simple and to the point, and to let the funk do the talking. Here the funk is talking so loud it's almost screaming. Most of you will need no introduction to rampant \"Yellow Stax\" club classics like Push And Pull, Breakdown and Itch And Scratch, not to mention some of Rufus' slightly earlier floorfillers like Sophisticated Sissy and Funky Mississippi. And it won't take you long to grow to know and love the quintet of tracks that were originally destined to be part of Rufus' 1975 Stax album that got shelved when the company went under in that same year. \"I ain't getting older, I'm getting better\" barks Rufus over the relentless, spartan funk of one of them, I'm Getting Better. Quite so - and much the same can be said for the contents of this album.\u003c\/p\u003e\u003cp\u003eRufus Thomas. No longer the \"Funkiest Man Alive\", that's true. But forever The Funkiest Man as far as Memphis music is concerned. You want proof? 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