{"title":"Suicide Squeeze","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eFounded in 1996 by David Dickenson, Suicide Squeeze is a Seattle-based music label that has made its mark on the industry. With a focus on indie rock and alternative music, the label has consistently released high-quality albums from both established and emerging artists. Known for their commitment to supporting unique and innovative sounds, Suicide Squeeze continues to be a driving force in the music scene.\u003c\/p\u003e\n\u003cp\u003eOver the years, Suicide Squeeze has built a reputation for discovering and nurturing talented musicians. Their roster includes notable acts such as Modest Mouse, The Black Keys, and Elliott Smith. With an impressive catalog of releases spanning various genres, the label prides itself on offering diverse musical experiences to its listeners.\u003c\/p\u003e\n\u003cp\u003eAs an e-commerce website dedicated to showcasing the best of Suicide Squeeze's discography, we are proud to bring you an extensive collection of albums from this influential label. Whether you're a fan of indie rock or looking to discover new sounds, our platform offers easy access to some of the most exciting music being produced today. Explore our selection and immerse yourself in the world of Suicide Squeeze.\u003c\/p\u003e","products":[{"product_id":"islands-in-the-sky","title":"Islands in the Sky","description":"\u003cp\u003eFor the better part of a decade, LA’s scrappy rock n’ roll mystics Death Valley Girls have used their music as a means of tapping into a communal cosmic energy. On albums like \u003ci\u003eGlow In The Dark\u003c\/i\u003e (2016), \u003ci\u003eDarkness Rains\u003c\/i\u003e (2018), and \u003ci\u003eUnder the Spell of Joy \u003c\/i\u003e(2020) the band challenged the soul-crushing banality of modern society and celebrated “true magical in­nite potential” through a collage of scorching proto-punk riffs, earworm melodies, far-out lyrics, and lysergic auxiliary instrumentation. But on their latest album \u003ci\u003eIslands in the Sky\u003c\/i\u003e, Death Valley Girls’ songwriting mastermind Bonnie Bloomgarden uses the band’s anthemic revelries as a guidebook to spiritual healing and a roadmap for future incarnations of the self. And while these may be the loftiest aims of Death Valley Girls to date, the resulting music is also by far their most infectious and celebratory.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Silver LP","offer_id":50383694922059,"sku":"2002530","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Black CD","offer_id":50383693283659,"sku":"2002528","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"Pink LP","offer_id":50383696757067,"sku":"2002531","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Death_Valley_Girls_-_Islands_in_the_Sky_622b6144_thumbnail_4096.jpg?v=1726276060"},{"product_id":"no-regerts-10th-anniversary-edition-2","title":"No Regrets (10th Anniversary Edition)","description":"\u003cp\u003eOn December 29, 2012, three songs into Chastity Belt's first KEXP in-studio, something extraordinary happened: they shared \"Black Sail\" with the world. That year, I'd seen Chastity Belt play countless basement, bar, and DIY shows all over Seattle, but nothing could've prepared me for how my friends turned patience and quiet observation into something so affecting and effortlessly cool. Ten years later, \"Black Sail\" isn't just a fan favorite–it's practically a statement of purpose for the great albums that followed. But before those records, there was No Regerts: the sound of four friends evolving from a party band into a \"real\" one (whatever that means) in real-time. They're above it all on \"Seattle Party,\" \"Happiness,\" and \"Evil,\" but remain the sirens of Whitman College's cursed frat houses–see the explosive choruses of \"James Dean,\" \"Healthy Punk,\" and \"Pussy Weed Beer.\" When No Regerts came out in the summer of 2013, Seattle–and the world at large–took notice. I still hear these songs in surprising places, and they still surprise me–just as they did a decade ago. If you missed out the first time, this is your second chance. “No Regerts sounds young and callow and smart and horny all at the same time. Playing it feels like a night out.” PITCHFORK \/\/ “No Regerts often centered around a riot grrrl ethos of female empowerment and rebellion…” PASTE MAGAZINE \/\/ “With complex interlocking guitar lines, slower tempos, and a consistently tumultuous musical atmosphere, No Regerts recalls the work of early-'90s bands...” ALL MUSIC\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Green LP","offer_id":50393834455371,"sku":"2051301","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Chastity_Belt_-_No_Regerts_10th_Anniversary_Edition_028a7932_thumbnail_4096.jpg?v=1726428235"},{"product_id":"the-river-strumming","title":"The River Strumming","description":"\u003cp\u003eLP package comes with black polylined dust jacket. The American singer-songwriter tradition has always been tethered to a rustic austerity, the sort of front-porch authenticity that suggests an age where home electronics are still considered luxury items. But there's also the ongoing influence of Bob Dylan and The Band's Basement Tapes that strange and beloved document of the magic that happens when private experiments with the folk template flourish into layered and lush songs and its genesis through informal recording sessions. In our modern age, these kinds of casual DIY constructions are perhaps the more honest contribution to the Americana lineage the true homespun artform. When Michael Nau and Whitney McGraw struck out on their own in the wake of the dissolution of their beloved indie-folk outfit Page France, they continued their songwriting practice with a new project called Cotton Jones Basket Ride. As legend has it, Nau and McGraw were working on the material for their debut full-length Paranoid Cocoon (2009) when they realized they had an entire album's worth of odds-and-ends from various recording sessions. The resultant album—The River Strumming—was released in 2008 on St. Ives in a batch of 300 unique hand-packaged LPs. As the label advertised it back in the day, the band \"initially set out to make a cohesive record, and made just the opposite.\" Like The Basement Tapes, The River Strumming is a document of a band exploring possibilities without the weight of expectation. The band would eventually condense their name to Cotton Jones and make a name for themselves in the indie world for their fusion of dreamy folk and psychedelic baroque pop. But in the beginning, there was this weird and wonderful collection of songs made by musicians who were enjoying the private process of finding their path. Suicide Squeeze is proud to present a 15th-anniversary vinyl reissue of this long out-of-print classic with updated artwork by Kayleigh Montgomery-Morris.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Black LP","offer_id":50396271837515,"sku":"2166158","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Cotton_Jones_-_The_River_Strumming_5bd6fb33_thumbnail_4096.jpg?v=1726480372"},{"product_id":"kissing-distance","title":"Kissing Distance","description":"\u003cp\u003eIt was winter. Six Parts Seven had returned to Ohio after touring out to Washington State, to record Casually Smashed to Pieces. There was down time between the recording and the actual release of that album in January 2007, and we were rehearsing, playing local shows, and collaborating, with most of us involved in other projects to keep the momentum going (Mike w\/ Talons, Al w\/ Beaten Awake), but the one we all came together over was recording an album with Joey Beltram, the songwriter behind Goodmorning Valentine, a local band we shared players with, a band we deeply admired. The music on Kissing Distance came together over two weekend days. There were a lot of people around; 6P7 and GMV players coming and going from the Saint Ledger House. There were handles of whiskey, there was weed, stacks of Marlboro Reds for the ones still dragging butts. We all went 'dancing' at Thursday's, in Akron, Ohio, on Saturday night. Not sure how we were productive the following day. Chalk that one up to relative youth. Over those two days, songs were cut without any prior rehearsal time. None of us remember how the idea came up. In hindsight, it seems inevitable.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Black LP","offer_id":50398845796683,"sku":"2174072","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Six_Parts_Seven__Goodmorning_Valentine_-_Kissing_Dista_1cc0ba1a_thumbnail_40.jpg?v=1726498955"},{"product_id":"live-laugh-love","title":"Live Laugh Love","description":"\u003cp\u003eIn their decade-plus together, the four-piece Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals)—have created a resonant body of work. \u003ci\u003eLive Laugh Love\u003c\/i\u003e is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eLive Laugh Love\u003c\/i\u003e finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there’s room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It’s never been more apparent that they are creative siblings, cut from the same belt. “We’ve been playing music with each other for over a decade,” says Shapiro, “so it really does feel like we’re all fluent in the same language, and a lot of it just happens naturally.”\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Blue LP | Signed Copy","offer_id":50401419329867,"sku":"2167388","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"Blue LP","offer_id":50401418903883,"sku":"2167386","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50401418772811,"sku":"2167384","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Chastity_Belt_-_Live_Laugh_Love_a867c680_thumbnail_4096.jpg?v=1726522141"},{"product_id":"these-are-not-fall-colors-5","title":"These Are Not Fall Colors","description":"\u003cp\u003eDeluxe edition of These Are Not Fall Colors comes pressed on 180g vinyl and packaged in a gatefold cover with printed inner sleeves and expanded artwork by Jesse LeDoux. Also features an 18x24 poster with extensive liner notes by Brian Cook. Side C has a locked groove + DL card included. Altogether, this new version not only brings this celebrated classic back into analog libraries of old fans, it also provides new context and appreciation for Lync’s ongoing impact on both a local and international level. When the grunge explosion of the early ‘90s elevated Seattle’s flannel-clad misfits out of the divey clubs of downtown and into the mainstream, a new generation of restless artists filled the void left in the Pacific Northwest’s underground music scene. The under-21 crowd making music in the wake of Nevermind seemed even less enamored with the slick production values, classic rock nods, and testosterone-fueled moshing culture that came with the Zeitgeist, favoring their own kind of Revolution Summerstyle pivot away from the popular sounds of the era towards a more emotionally nuanced, melodic, and inclusive style of punk. The Puget Sound trio Lync perfectly captured the spirit of that era, blending the passionate chaos of the DC and San Diego scenes with the rough-hewn DIY pop sensibilities of Olympia’s thriving indie community into one unified sound. Though they were only a band for two years, they helped define the next era of the Northwest underground, inspiring countless other artists and instigating the creation of beloved records from the region. After being out of print for over a decade, the band’s sole LP These Are Not Fall Colors has been remastered and expanded into a 2xLP with the inclusion of “Can’t Tie Yet” a compilation track from the album’s recording session into a deluxe edition available courtesy of Suicide Squeeze Records. Originally released on K Records in the summer of ’94 just a few months before the band called it quits, These Are Not Fall Colors is a boisterous collection of scrappy basement-show anthems played on duct-taped-together gear. Led by the off-kilter melodies of late singer\/guitarist Sam Jayne and hammered into place by the driving bass of James Bertram and drum battery of David Schneider, the album’s eleven songs channel that undefinable sound of the early ‘90s before descriptors like “post-hardcore” and “emo” became pejorative terms. Sure, you get a sense of the more sophisticated midtempo punk approach on songs like “B” and “Silverspoon Glasses,” and maybe catch wind of wistful songwriting on “Pennies to Save” and “Cue Cards,” but Lync seemed to cull their ideas from whatever bits of inspiration they could find in the gray gloom and geographic isolation of western Washington, absorbing it all and churning it together into a style uniquely their own. Despite Lync’s short existence, modest aspirations, and DIY approach, their work had a ripple effect. Jayne would go on to make music under the moniker of Love As Laughter. Built to Spill’s Doug Martsch was so enamored by the album that he enlisted Bertram and Schneider to serve as his rhythm section on the There’s Nothing Wrong with Love tour. These Are Not Fall Colors engineer Phil Ek would go on to help record and produce records by Fleet Foxes, Band of Horses, and The Shins. Early bassist Isaac Brock and These Are Not Fall Colors album art contributor Jeremiah Green would go on to form Modest Mouse. Bertram and Green would also go on to form the revered indie rock group Red Stars Theory. At times it feels like you could pick any major Northwest indie rock group from the ‘90s and ‘00s and trace their DNA back to Lync\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Black LP","offer_id":50402117583179,"sku":"2182364","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Lync_-_These_Are_Not_Fall_Colors_1a61aeb3_thumbnail_4096.jpg?v=1726532719"},{"product_id":"voids-2","title":"Voids","description":"\u003cp\u003eOn their sixth album \u003ci\u003eVoids\u003c\/i\u003e, Minus the Bear started with a blank slate, and inadvertently found\u003cbr\u003ethemselves applying the same starting-from-scratch strategies that fueled their initial creative\u003cbr\u003eprocess. Album opener \u003ci\u003eLast Kiss\u003c\/i\u003e immediately establishes the band’s renewed fervor. An\u003cbr\u003eappropriately dizzying guitar line plunges into a propulsive groove before the chorus unfolds into\u003cbr\u003ea multi-tiered pop chorus. From there the album flows into \u003ci\u003eGive and Take\u003c\/i\u003e, a tightly wound\u003cbr\u003eexercise in syncopation that recalls the celebratory pulse of early Bear classics like \u003ci\u003eFine + 2 Pts\u003c\/i\u003e\u003cbr\u003ewhile exploring new textures and timbres. \u003ci\u003eInvisible\u003c\/i\u003e is arguably the catchiest song of the band’s\u003cbr\u003ecareer, with Jake Snider’s vocal melodies and Knudson’s imaginative guitar work battling for the\u003cbr\u003estrongest hooks. What About the Boat? reminds us of the math-rock tag that followed the\u003cbr\u003eband in their early years, with understated instrumentation disguising an odd-time beat. \u003ci\u003eErase\u003c\/i\u003e,\u003cbr\u003erecalls the merging of forlorn indie pop and electronica that the band dabbled with on their early\u003cbr\u003eEPs, but demonstrates the Bear’s ongoing melodic sophistication and tonal exploration. By the\u003cbr\u003etime the band reaches album closer \u003ci\u003eLighthouse\u003c\/i\u003e, they’ve traversed so much sonic territory that\u003cbr\u003ethe only appropriate tactic left at their disposal is a climactic crescendo, driven at its peak by\u003cbr\u003eCory Murchy’s thunderous bass. Not since Planet of Ice’s \u003ci\u003eLotus\u003c\/i\u003e has the Bear achieved such an\u003cbr\u003eepic finale. All in all, it’s an album that reminds us of everything that made us fall in love with\u003cbr\u003eMinus the Bear in the first place, and a big part of that appeal is the sense that the band is\u003cbr\u003eheading into uncharted territories.\u003c\/p\u003e\u003cp\u003eLP - Black Vinyl housed in die cut Jacket with inner sleeve plus Download.\u003c\/p\u003e\u003cp\u003eLP+ - Limited splattered Coloured Vinyl housed in die cut Jacket with inner sleeve plus Download.\u003c\/p\u003e\u003cp\u003eTape - With Download.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Black | LP","offer_id":50402397028683,"sku":"1004584","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"Tape","offer_id":50402397258059,"sku":"1004586","price":5.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50402397389131,"sku":"1004583","price":7.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50402397487435,"sku":"1004585","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f91de786-b476-4cd2-b666-5d5b0cec32db_thumbnail_4096.jpg?v=1726544221"},{"product_id":"menos-el-oso-2","title":"Menos El Oso","description":"\u003cp\u003e\u003cstrong\u003eMenos el Oso\u003c\/strong\u003e is the second studio album from \u003cstrong\u003eMinus the Bear\u003c\/strong\u003e and was released in 2005 by Suicide Squeeze Records. The album title is a Spanish translation of \"\u003cem\u003eMinus the Bear\u003c\/em\u003e.\"\u003c\/p\u003e\n\n\u003cp\u003e“There are some albums that no matter what happens, or how your music taste might change over time, they stick with you. They remind you of a time in your life, and give you a warm, nostalgic feeling. If you have followed Seattle natives \u003cstrong\u003eMinus The Bear\u003c\/strong\u003e, the chances are that their 2005 album ‘\u003cem\u003eMenos El Oso\u003c\/em\u003e’ will do just that. It is an album laden with glorious production, infectious hooks, relatable lyrics, and one that has stood the test of time in a way few albums can.” - Punktastic\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Green LP.","offer_id":50406543294795,"sku":"2178182","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Minus_The_Bear_-_Menos_El_Oso_a27e03a6_thumbnail_4096.jpg?v=1726587218"},{"product_id":"pretty-ugly-before","title":"Pretty (Ugly Before)","description":"\u003cp\u003e\u003cstrong\u003eElliott Smith\u003c\/strong\u003e's \u003cem\u003ePretty (Ugly Before)\u003c\/em\u003e b\/w \u003cem\u003eA Distorted Reality Is Now A Necessity To Be Free\u003c\/em\u003e holds the distinction of being the last recording by \u003cstrong\u003eElliott Smith\u003c\/strong\u003e to be released while he was still alive.\u003c\/p\u003e\n\n\u003cp\u003eOriginally released as a single in August 2003, the songs were a part of the recording sessions that would ultimately yield the acclaimed posthumous album \u003cem\u003eFrom A Basement On The Hill\u003c\/em\u003e. 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Recorded with John Congleton (Black Mountain, Bill Callahan, Modest Mouse), Tunnel Blanket delivers the epic-in-scope soundscapes that followers of its makers’ previous recordings are accustomed to, but presents them in new lights – where once the sun shone down bright upon immediate tropes and traits, now their work is better suited to distant starlight, casting changeable shadows across vistas of inspired, ambitious amplification. This is not an album to pick through in search of bold hooks and instant melodies. It is an ever-shifting, always moving work, which seems to evolve before the listener – spidery guitar lines feeling their way forth like vines scrambling up trunks in time-lapse photography. Tunnel Blanket’s eight tracks can be heard as movements in a single work – each constituent as important to the overall ebb and flow of proceedings as any other. Within each a certain beauty is manifested, one born of a desire to step free from common pigeonholes and into a realm where parallels are, at best, fleeting: a glimpse of Fennesz here, of Stars of the Lid in the record’s more serene passages. Brian Eno’s Apollo album may come to mind on a couple of occasions.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Black LP","offer_id":50430618534219,"sku":"2200034","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/This_Will_Destroy_You_-_Tunnel_Blanket_3d1de59e_thumbnail_4096.jpg?v=1726850003"},{"product_id":"highly-refined-pirates","title":"Highly Refined Pirates","description":"\u003cp\u003eTo celebrate Minus the Bear’s 10th anniversary, Suicide Squeeze will issue the band’s earliest recordings on vinyl. “Highly Refined Pirates,” is Minus the Bear’s first proper album. Originally released in 2002, this edition is being remastered from the original tapes, for vinyl, by the legendary Bernie Grundman, the Hollywood-based legend behind many of the industry’s landmark recordings\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"LP","offer_id":50431192596811,"sku":"2170969","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Minus_The_Bear_-_Highly_Refined_Pirates_dd7f3e1c_thumbnail_4096.jpg?v=1726856296"},{"product_id":"no-regerts-10th-anniversary-edition","title":"No Regerts (10th Anniversary Edition)","description":"\u003cp\u003eOn December 29, 2012, three songs into Chastity Belt's first KEXP in-studio, something extraordinary happened: they shared \"Black Sail\" with the world. That year, I'd seen Chastity Belt play countless basement, bar, and DIY shows all over Seattle, but nothing could've prepared me for how my friends turned patience and quiet observation into something so affecting and effortlessly cool. Ten years later, \"Black Sail\" isn't just a fan favorite–it's practically a statement of purpose for the great albums that followed. But before those records, there was No Regerts: the sound of four friends evolving from a party band into a \"real\" one (whatever that means) in real-time. They're above it all on \"Seattle Party,\" \"Happiness,\" and \"Evil,\" but remain the sirens of Whitman College's cursed frat houses–see the explosive choruses of \"James Dean,\" \"Healthy Punk,\" and \"Pussy Weed Beer.\" When No Regerts came out in the summer of 2013, Seattle–and the world at large–took notice. I still hear these songs in surprising places, and they still surprise me–just as they did a decade ago. 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With their final EP, \u003ci\u003eFair Enough\u003c\/i\u003e, Minus the Bear closes the book on their hybrid of art-rock, indie pop, and warehouse party appeal. The opening track \u003ci\u003eFair Enough\u003c\/i\u003e went through a variety of permutations before the band found new meaning in its lyrical lament of lost passions and finding “the exact moment we turned it off”. The other songs of\u003ci\u003e Fair Enough\u003c\/i\u003e are a continuation and culmination of Minus the Bear’s diverse sounds. The up-tempo drumbeats, lush electronics, and nimble guitar work that initially set them apart are on full display during \u003ci\u003eViaduct\u003c\/i\u003e. \u003ci\u003eDinosaur\u003c\/i\u003e has the groove of early hits of \u003ci\u003eFine + 2 PTS\u003c\/i\u003e, but crafted with the understated Steely Dan-eque delivery of their more current slow jams. 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Yet their ability to conjure a specific time and place through their sound does suggest a kind of magic. On their eponymous debut album, L.A. Witch’s reverb-drenched guitar jangle and sultry vocals conjure the analog sound of a collector’s prized 45 from some short-lived footnote cult band. The melodies forgo the bubblegum pop for a druggy haze that straddles the line between seedy glory and ominous balladry; the production can’t afford Phil Spector’s wall-of-sound, but the instruments’ simple beauty provides an economic grace that renders studio trickery unnecessary; the lyrics seem more descendent of Johnny Cash’s first-person morality tales than the vacuous empty gestures of pre-fab pop bands. This isn’t music for the masses; it’s music for miscreants, burnouts, down-and-out dreamers, and obsessive historians. \u003c\/p\u003e\u003cp\u003eAlbum opener \u003ci\u003eKill My Baby Tonight\u003c\/i\u003e is the perfect introduction to the band’s marriage of ‘60s girls-in-the-garage charm and David Lynch’s surreal exposés of Southern California’s underbelly. Sade Sanchez’s black velvet vocals disguise the malicious intent of this murder ballad, with the thumping pulse of bassist Irita Pai, the slow-burn build of drummer Ellie English, and Sanchez’s desert guitar twang helping beguile the listener into becoming a willing accomplice to the narrator’s crimes. \u003ci\u003eBrian \u003c\/i\u003efollows the opening track with a similarly graceful, if not somewhat ominous, slow-mo take on a well-worn jukebox 7”. It’s a vibe that permeates the entire album, from the early psychedelic hue of 13th Floor Elevators on tracks like \u003ci\u003eYou Love Nothing\u003c\/i\u003e, through the motorik beat and fuzzed-out licks of \u003ci\u003eDrive Your Car,\u003c\/i\u003e to the grittier permutation of Mazzy Star’s sleepy beauty on \u003ci\u003eBaby In Blue Jeans\u003c\/i\u003e.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Green | LP","offer_id":50445494485323,"sku":"2005197","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Blue | LP","offer_id":50445493698891,"sku":"1142758","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50445494059339,"sku":"1014063","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f7c40988-0d68-4a87-b97a-aff3a9a5a6cc_thumbnail_4096.jpg?v=1727039491"},{"product_id":"this-time-of-night-different-now","title":"This Time Of Night \/ Different Now","description":"\u003cp\u003eSuicide Squeeze celebrates Chastity Belt with the latest in its split 7\" single series–a pair of covers by Friends of the Band and tourmates Kurt Vile and Courtney Barnett. 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Flip the record to Side C for Courtney's take on \"Different Now,\" where she pulls the song from its Pacific Northwest haze, leaves it out to dry in the middle of the desert, and wrings something almost joyous from the original's ambiguity. \"This Time of Night\" \/ \"Different Now\" is a one-time retail vinyl pressing limited to 1000 copies on heavyweight aqua blue vinyl.    \u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"7\"","offer_id":50446158332235,"sku":"2049967","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Kurt_Vile__Courtney_Barnett_7_Courtney_Cover_97ad3b8a_thumbnail_4096.jpg?v=1727053733"},{"product_id":"another-language","title":"Another Language","description":"\u003cp\u003eSince 2004, This Will Destroy You has been forging some of the world's most brutal, dynamic, and precariously visceral instrumental rock. 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Expanded artwork by Bradford Cox (Deerhunter, Atlas Sound). \u003c\/p\u003e\u003cp\u003eFourteen years ago, four young Atlanta women picked up instruments without any prior musical experience or lofty aspirations and decided that they were going to start a band so that they could play a friend’s party. The house-show begat more shows around town, and the feisty and fi­ery live sets begat an album. Recorded during a single graveyard shift at a local studio and mixed the following night, the self-titled debut album by The Coathangers was a raw, rowdy, and revelrous affair. What it lacked in polish it made up for in its undeniable energy and charisma. \u003c\/p\u003e\u003cp\u003eThe eponymous debut album by The Coathangers is a whirlwind ride of a band at the most frenzied, celebratory, and free moment of their existence. As a standalone record, it’s a brash and bawdy rocker sure to please anyone who likes their rock n’ roll sweaty and messy. As a piece in the band’s legacy, it’s an exhilarating reminder of the band’s youthful care-free beginnings. Suicide Squeeze Records is proud to offer up the deluxe remastered version of The Coathangers. This latest version of the album includes the bonus tracks \u003ci\u003eWife Eyes \u003c\/i\u003efrom the\u003ci\u003e Hard Candy EP \u003c\/i\u003eand the title track from the \u003ci\u003eNever Wanted You\u003c\/i\u003e EP. \u003cbr\u003e\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Pink | LP","offer_id":50452634730827,"sku":"1105823","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/42ea5c61-026a-4fd3-893b-f5c21d1d631e_thumbnail_4096.jpg?v=1727159055"},{"product_id":"play-with-fire","title":"Play With Fire","description":"\u003cp\u003eWhere L.A. 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From there, the album segues into the similarly bodacious rocker \u003ci\u003eMotorcycle Boy\u003c\/i\u003e a feisty love song inspired by classic cinema outlaws like Mickey Rourke, Marlon Brando, and Steve McQueen. At track three, we hear L.A. Witch expand into new territories as \u003ci\u003eDark Horse\u003c\/i\u003e unfurls a mixture of dustbowl folk, psychedelic breakdowns, and fire-and-brimstone organ lines. And from there, the band only gets more adventurous.\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePlay With Fire\u003c\/i\u003e is a bold new journey that retains L.A. Witch’s siren-song mystique, nostalgic spirit, and contemporary cool. Despite the stylistic breadth of the record, there is a unifying timbre across the album’s nine tracks, as if the trio of young musicians is bound together as a collective of old souls tapping into the sounds of their previous youth.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Black | LP","offer_id":50455993352523,"sku":"1101917","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Red | LP","offer_id":50455992402251,"sku":"1101918","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50455992074571,"sku":"1095699","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4de612d0-614b-4551-ae6c-a1bc0f9877df_thumbnail_4096.jpg?v=1727195590"},{"product_id":"under-the-spell-of-joy","title":"Under the Spell of Joy","description":"\u003cp\u003e\u003ci\u003eUnder the Spell of Joy \u003c\/i\u003eis a space-gospel record. While singer and multi-instrumentalist Bonnie Bloomgarden and guitarist Larry Schemel knew their intention for the album before a single note was written, the actual nature and direction of the music was a mystery. The initial inspiration for the record came from the jubilant spirit of Ethiopian funk records the band had been listening to on tour, but once they began to channel the songs it seemed like the music came from somewhere not in the past but in the future. In the weeks leading up to recording, Death Valley Girls relied on their subconscious and effortlessly conjured \u003ci\u003eUnder the Spell of Joy’s\u003c\/i\u003e eleven tracks as if they’d tapped into the Akashic Chronicle and pulled the music from the ether.\u003cbr\u003e\u003cbr\u003eThe album opens with \u003ci\u003eHypnagogia\u003c\/i\u003e, an ode to the space between sleep and wakefulness where we are open to other realms of consciousness. The song slowly builds along a steady pulse provided by bassist Pickle (Nicole Smith) and drummer Rikki Styxx. Tripped out saxophone bleats from guest player Gabe Flores swirl on top of the organ drones laid out by guest keyboardist Gregg Foreman. The band’s choral objectives for \u003ci\u003eUnder the Spell of Joy\u003c\/i\u003e are established right off the bat, with Bloomgarden’s melodic invocations bolstered by a choir, giving the album a rich and vibrant wall-of-sound aesthetic. The song ominously builds on its hypnotic foundation until it opens up into a raucous revelry at the four-minute mark. The portentous simmer of the opening track yields to the ecstatic rocker \u003ci\u003eHold My Hand,\u003c\/i\u003e where verses reminiscent of Velvet Underground’s \u003ci\u003eI’m Waiting For The Man\u003c\/i\u003e explode into big triumphant choruses. From there the band launches into the title track, which marries the griminess of The Stooges with an innocence provided by a children’s choir chanting the album’s primary mantra “under the spell of joy \/ under the spell of love.” Death Valley Girls have always vacillated between lightness and darkness, and on \u003ci\u003eBliss Out\u003c\/i\u003e they demonstrate their current exuberant focus with a patina-hued pop song driven by an irrepressibly buoyant organ line laid down by keyboardist The Kid (Laura Kelsey). A similar cosmic euphoria is obtained on \u003ci\u003eThe Universe,\u003c\/i\u003e where alternating chords on the organ help elevate soaring saxophone and keyboard lines out beyond the stratosphere. 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And Julia Shapiro, of Chastity Belt, Childbirth, and Who Is She? much like everyone on this earth with a pulse was zorked on more than one occasion in 2020. In March, she packed up her things and traded Seattle’s late-winter gloom for the perennial sunshine and seemingly endless opportunity of Los Angeles only to be forced into near-total isolation. With nowhere to go and nothing to do, she began working on her second solo album,\u003ci\u003e Zorked\u003c\/i\u003e. On the resulting batch of songs, we’re given Julia’s vision of Los Angeles: a wasteland melting in slow-motion, a place to commune with ghosts and warped legacies.\u003c\/p\u003e\u003cp\u003eLiving within earshot of a man who spent his entire 2020 singing karaoke for over 10 hours a day, Julia could write, record, and play an album’s worth of instruments without fear of noise complaints. Her roommate Melina Duterte (Jay Som) transformed their house into a viable home studio, making it easy to fully realize the sound in her head, even at the height of a global lockdown. Taking things a step further, Melina agreed to co-produce the record, pushing Julia to make these new songs sound less like Perfect Version, her ­rst solo album, or like the songs she performs in Chastity Belt. At the peak of her uncertainty and discomfort, she jumped into the deep end in search of something new and found power in heavy sounds.\u003c\/p\u003e\u003cp\u003eThis is evident in the fi­rst few seconds of album opener “Death (XIII).” Taking newfound inspiration from the namesake Tarot card, drone metal, and shoegaze, Julia layers walls of guitars, bass chords, and programmed drums. “Come With Me,” the album’s lead single, takes inspiration from a mushroom trip gone bad. “Take me to awful places now,” she sings, envisioning heat death as her own eyes stare directly into the sun. On “Wrong Time,” shimmering guitars smolder and levitate, yet she fi­nds herself “stuck inside this hole I’ve dug.” That said, these songs aren’t unbearably sad, nor has Julia become any less of a merciless observer of human behavior. By album closer “Hall of Mirrors,” she’s come full circle. Over ­fingerpicked guitar, the sense of lost identity becomes all-encompassing.\u003c\/p\u003e\u003cp\u003eIt’s the sound of a life lived in servitude to digital screens and the psychic damage invisibly done along the way. Though Julia Shapiro found herself in a near hermit-like existence, writing and recording almost all of the album’s instruments herself and struggling to navigate her place in a city and world rendered nearly comatose, she maintains a sense of humor about all of it. At the very least, “It’s funny to force people to have to say\u003ci\u003e Zorked \u003c\/i\u003eout loud. 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On their third album \u003ci\u003eDarkness Rains\u003c\/i\u003e, Death Valley Girls churn out the hypercharged scuzzy rock every generation yearns for, but there is a more subversive force percolating beneath the surface that imbues the band with an exhilarating cosmic energy. \u003c\/p\u003e\u003cp\u003eAlbum opener \u003ci\u003eMore Dead\u003c\/i\u003e is a rousing wake up call, with a hypnotic guitar riff and an intoxicating blown-out solo underscoring Bloomgarden’s proclamation that you’re “more dead than alive.” The pace builds with \u003ci\u003e(One Less Thing) Before I Die\u003c\/i\u003e, a distillate of Detroit’s proto-punk sound. 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The title alone conjures images of Yes's Relayer album art, and the influence of the elder statesmen's symphonic scope can be felt throughout Planet of Ice's lush and intricate arrangements. You can also hear the band channel the ominous instrumental interplay of Lamb-era Genesis on \"Dr. L'Ling,\" the deceptively savvy musicianship and pristine production of Steely Dan on \"White Mystery,\" and the tightrope walk between ethereal space and pre-metal riffage of Pink Floyd's \"Echoes\" on \"Lotus.\" Not that Minus the Bear completely abandoned their earlier style elements of Menos el Oso's sample-driven technique can be heard on the lead single \"Knights.\" But the heart of the song ultimately belongs to the haunting Fripp-esque guitar lines spliced between verses. 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Holy Wave’s lysergic textural palette is immediately apparent in the song’s woozy synth lead and anti-gravity guitar jangle, but the atypical chord progressions and vocal melody steers the music away from anodyne escapism into a pensive grappling between self-determination and defeatism. Holy Wave continue to ride the wistful and phantasmic train on “Bog Song,” where the members vacillate between swells of austere minor chords and layered electric orchestration. From there, the previously released digital single “Chaparral” plays with the band’s own sense of nostalgia, weaving references of their El Paso past into a tapestry of transcendental triumph.\u003c\/p\u003e\u003cp\u003eLike so much classic album-oriented rock music, the real magic begins to unfold in the latter half of \u003ci\u003eFive of Cups\u003c\/i\u003e. 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Side C Has A Locked Groove and Download Card Included. Altogether, this new version not only brings this celebrated classic back into analog libraries of old fans, it also provides new context and appreciation for Lync’s ongoing impact on both a local and international level.\u003c\/p\u003e\u003cp\u003eWhen the grunge explosion of the early ‘90s elevated Seattle’s flannel-clad misfits out of the divey clubs of downtown and into the mainstream, a new generation of restless artists filled the void left in the Pacific Northwest’s underground music scene. The under-21 crowd making music in the wake of Nevermind seemed even less enamored with the slick production values, classic rock nods, and testosterone-fueled moshing culture that came with the Zeitgeist, favoring their own kind of Revolution Summer-style pivot away from the popular sounds of the era towards a more emotionally nuanced, melodic, and inclusive style of punk. The Puget Sound trio Lync perfectly captured the spirit of that era, blending the passionate chaos of the DC and San Diego scenes with the rough-hewn DIY pop sensibilities of Olympia’s thriving indie community into one unified sound. Though they were only a band for two years, they helped define the next era of the Northwest underground, inspiring countless other artists and instigating the creation of beloved records from the region. After being out of print for over a decade, the band’s sole LP \u003ci\u003eThese Are Not Fall Colors\u003c\/i\u003e has been remastered and expanded into a 2xLP with the inclusion of “Can’t Tie Yet” a compilation track from the album’s recording session into a deluxe edition available courtesy of Suicide Squeeze Records.\u003c\/p\u003e\u003cp\u003eOriginally released on K Records in the summer of ’94 just a few months before the band called it quits, \u003ci\u003eThese Are Not Fall Colors\u003c\/i\u003e is a boisterous collection of scrappy basement-show anthems played on duct-taped-together gear. Led by the off-kilter melodies of late singer\/guitarist Sam Jayne and hammered into place by the driving bass of James Bertram and drum battery of David Schneider, the album’s eleven songs channel that undefinable sound of the early ‘90s before descriptors like “post-hardcore” and “emo” became pejorative terms. Sure, you get a sense of the more sophisticated mid-tempo punk approach on songs like “B” and “Silverspoon Glasses,” and maybe catch wind of wistful songwriting on “Pennies to Save” and “Cue Cards,” but Lync seemed to cull their ideas from whatever bits of inspiration they could find in the gray gloom and geographic isolation of western Washington, absorbing it all and churning it together into a style uniquely their own. \u003c\/p\u003e\u003cp\u003eDespite Lync’s short existence, modest aspirations, and DIY approach, their work had a ripple effect. Jayne would go on to make music under the moniker of Love As Laughter. Built to Spill’s Doug Martsch was so enamored by the album that he enlisted Bertram and Schneider to serve as his rhythm section on the \u003ci\u003eThere’s Nothing Wrong with Love\u003c\/i\u003e tour. \u003ci\u003eThese Are Not Fall Colors\u003c\/i\u003e engineer Phil Ek would go on to help record and produce records by Fleet Foxes, Band of Horses, and The Shins. Early bassist Isaac Brock and \u003ci\u003eThese Are Not Fall Colors\u003c\/i\u003e album art contributor Jeremiah Green would go on to form Modest Mouse. Bertram and Green would also go on to form the revered indie rock group Red Stars Theory. At times it feels like you could pick any major Northwest indie rock group from the ‘90s and ‘00s and trace their DNA back to Lync.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Yellow LPx2","offer_id":50486789439819,"sku":"2051819","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Lync_-_These_Are_Not_Fall_Colors_623ae9f4_thumbnail_4096.jpg?v=1727615476"},{"product_id":"parasite","title":"Parasite","description":"\u003cp\u003e\u003ci\u003eParasite\u003c\/i\u003e kicks off with the title track, a rowdy throwback to a younger, angrier incarnation of the band. 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And that’s not even taking his cassettes, splits, and EPs into consideration. Fortunately, Segall’s bottomless well of creativity, production savvy, and boundless fascination with the various niches of the rock world makes every new release an occasion to celebrate. Suicide Squeeze Records is proud to offer the latest entry in Ty’s impressive canon with the \u003ci\u003eSentimental Goblin\u003c\/i\u003e 7”. Side A features \u003ci\u003ePan\u003c\/i\u003e, a fuzz-soaked proto-metal jam that links Beatles’ pioneering guitar dirge \u003ci\u003eI Want You (She’s So Heavy)\u003c\/i\u003e to later lurch classics by Sir Lord Baltimore and Pentagram. In true Segall fashion, he switches gears on side B and conjures the erudite pop appeal of T. 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When I'm there, it’s like a dream – all familiar sound and light, where the factories and birds sing the same song.” The duo settled fast after the move, halted their incessant touring and festival appearances, and began the process of selecting a new cycle of songs to follow their acclaimed Suicide Squeeze debut, Paranoid Cocoon. Cotton Jones, as always, rests in arms of Nau and McGraw. Tall Hours In The Glowstream, is the title of their new album. Some of the songs that made the final cut were tracked in northern States, while the majority were recorded and mixed in Winterville, Georgia, as a revolving cast of players, thinkers, and singers were invited to hang in the band’s living-room studio. The resulting sounds are both rich and charmingly lo-fi, full of vivid imagery and more gorgeous vocal harmony. 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Their identity - a band fueled by campy horror movies and garage rock - is more evident than ever on this seven-inch, beginning with the organ-fueled opening of A-side \u003ci\u003ePet Cemetery\u003c\/i\u003e. Featuring the sounds of off-kilter keys alongside a chugging guitar line, and expansive experiments, \u003ci\u003ePet Cemetery \u003c\/i\u003ehas become a staple of the band's live performances, resulting in a sea of zombie-fied headbang every time it's played. Despite the obvious heaviness that surrounds a track entirely centered on undead lovers partaking in PDA, there's an undeniable undercurrent of fun. Previously recorded during sessions for the band's full length-debut, this unofficial anthem for underworld romance was being saved for a special moment. On the record's B-side, is \u003ci\u003eHotel Celebrity\u003c\/i\u003e, a single that's darkness isn't quite so overt. An examination of aging, and the fruitless celebrity pursuit of superficial perfection, The Paranoyds share in a not so sincere toast to Hollywood. The single was among the last sessions at the famed Tiny Telephone, a San Francisco-based recording studio. 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Yet as was so often the case for many of us during the shelter-in-place stretches of 2020, geographic proximity wound up being a non-issue as our socializations became almost exclusively online endeavors. In this era of isolation and uncertainty, Faruolo and Blackwell invented their own private escape to Latin rhythms, colorful vistas, and smoky revelries under the project name of Abraxas. Combining their shared love of Wendy Renee, Los Destellos, doo-wop and R\u0026amp;B, they crafted their debut album Monte Carlo by bouncing ideas across the Atlantic.\u003c\/p\u003e\u003cp\u003e“Planet Abraxas is a world ­lled with jungles, mist-covered rivers, panthers lurking in the night, desolate shopping malls, Neolithic citadels and sand-worn walls,” Blackwell says of the muse behind Monte Carlo. “The nights are usually dense with fog and the air is ­lled with the sounds of cicadas and faraway drumming.” This visual manifestation of their sound stands in stark contrast to the environment in which the songs were written. “I remember the feeling I got the ­rst time Danny added vocals to one of my tracks,” Faruolo recalls. “I was sitting on my sofa in rainy Manchester in the middle of winter. I pressed play and the song just made my heart jump. It instantly felt special and, more importantly, it felt like a perfect portrait of both of us.”\u003c\/p\u003e\u003cp\u003eUruguayan-born Faruolo grew up with the tropical beats of cumbia and the psychedelic ‑avor of classic chicha artists, and it became her mission to infuse those sunny in‑uences in her work as a UK musician. Blackwell’s work under the Night Beats handle involves the fusion of outlaw soul and R\u0026amp;B with a resourceful DIY spirit. Despite the apparent contrast in their styles, the two musicians bonded over their reverence for Selena and Sade, exemplars of the humid pulse and sultry spirit of their respective approaches. As Abraxas, their distinctive musical perspectives created a sound that encompassed the tropicalia of Os Mutantes, the scrappy songwriting of Cleaners From Venus, and the trippy production of Lee “Scratch” Perry, though the duo is quick to assert that they were ­nding their own distinctive voices rather than adhering to pre-existing stylistic codes and constraints. And indeed, Monte Carlo feels rooted in tradition but blossoms into its own unique timbres and vibrations.\u003c\/p\u003e\u003cp\u003eMonte Carlo opens with “Sunrise State (of Mind),” where a hypnotic cumbia beat serves as the bedrock for cosmic guitar leads, hazy choral melodies, and Blackwell’s seductive vocals. From there, the album continues its steady Latin pulse on “Mañana,” a perfect soundtrack to feverish nights in dancehalls, sipping on caipirinhas and sharing cigarettes with strangers on the dance‑oor. Across its twelve tracks, Monte Carlo unfurls a myriad of exotic in‑uences, from the Eastern melodies and guitar trills on “Sultan,” through the dub-in‑ected stomp and scorching fuzz of “La Estampida,” and on to the Anatolian psych-funk of album closer “Göbekli Tepe.”\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Pink | LP","offer_id":50507158094155,"sku":"1163488","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50507157864779,"sku":"1163487","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/655bef0e-7851-4e77-94a0-9bc80827aec0_thumbnail_4096.jpg?v=1727839867"},{"product_id":"freaks-of-nurture-4","title":"Freaks of Nurture","description":"\u003cp\u003eSuicide Squeeze is thrilled to announce a reissue of Holy Wave's Freaks of Nurture! 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With the recent release of their latest album, Five of Cups, this is the perfect time to revisit this crucial LP.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Pink LP","offer_id":50521328812363,"sku":"2170964","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Holy_Wave_-_Freaks_of_Nurture_bfae7769_thumbnail_4096.jpg?v=1727990726"},{"product_id":"interloper-4","title":"Interloper","description":"\u003cp\u003eSuicide Squeeze is thrilled to deliver a reissue of Interloper, the 2020 album from Holy Wave. Interloper sees Holy Wave adding new layers to their lush and mesmerizing songwriting style. Written about the duality between life at home and life on the road, it sees the band expanding on its most esoteric and thought-provoking themes. \"I'm Not Living in the Past Anymore\" is a mantra about breaking the cycle of the mundane, and \"Escapism\" is a dream-like meditation. \"Interloper\" serves as the centerpiece for this self-expanding record, asking, what happens when the world beneath your feet changes so much that you feel like a stranger in your own shoes? The band turns inward to blissed-out moments on album opener \"Schmetterling,\" the saccharine haze of \"R\u0026amp;B,\" and the freak-out catharsis of live favorite \"Buddhist Pete.\" With Interloper Holy Wave weaves together a contemplative tapestry that can serve as a road map for the diffident, a soundtrack to self-realization, or simply an invitation to escape\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Blue LP","offer_id":50521367904587,"sku":"2170965","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Holy_Wave__Interloper_bf25dac8_thumbnail_4096.jpg?v=1727991117"},{"product_id":"live-24","title":"Live","description":"\u003cp\u003eLimited Edition LP Pressing On Tri-Color (Black, White, Red) Vinyl, 1500 Copies with Download. In their thirteen years of existence, Atlanta’s garage punks The Coathangers have cranked out five full-lengths and over a dozen singles, splits, and EPs. And while every Coathangers record has captured their buoyant turbulence and jagged euphoria, there’s always some degree of magic that gets lost when bands go into the studio. Whatever the source of that magic, The Coathangers have always wrangled a replication of that sweaty and sticky live feeling, but the time had come to properly document it. \u003ci\u003eLive\u003c\/i\u003e captures the playful fervor of The Coathangers at their finest. \u003cbr\u003e\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"LP","offer_id":50521734316363,"sku":"1034489","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0e70fa5b-c154-41f5-b474-3b1bad15b83e_thumbnail_4096.jpg?v=1727994394"},{"product_id":"they-make-beer-commercials-like-this","title":"They Make Beer Commercials Like This","description":"\u003cp\u003e“Pop” is a tag that’s been assigned to Minus the Bear throughout their career. It’s been used to set a distinction between the unique brand of complex indie rock they introduced on their first EP, and the more angular and aggravated sounds of their previous bands Botch, Kill Sadie, and Sharks Keep Moving. It’s also a tag that was thrown around frequently in the wake of their streamlined fourth album, OMNI. And it’s a descriptor that immediately comes to mind within the first few seconds of their classic second formal EP, They Make Beer Commercials Like This. Beer Commercials is the evolutionary step between Minus The Bear’s first two landmark albums, Highly Refined Pirates and Menos El Oso. Opening track “Fine + 2 Points” remains one of the band’s strongest opening tracks in their discography, charging out of the gates with a syncopated stomp that comes across as a more agitated take on Kylie Minogue’s “Can’t Get You Outta My Head.” If Minus The Bear were looking to make pop music without any of its majorscale bubblegum trappings, they nailed it here. The band follows it with “Let’s Play Clowns” and “Dog Park”—nods to Highly Refined Pirates’ formula of frenetic clean guitar work, bombastic choruses, and Jake Snider’s lyrics of detached romantic nostalgia. These tracks may represent Minus the Bear’s original trademark version of pop but on songs like “I’m Totally Not Down With Rob’s Alien,” the band eschews its restless energy for atmosphere and dynamics, creating a sound that’s inspired more than a handful of contemporary melodic post-rock bands. By the time the band belts out “Pony Up!” the listener has watched the three-year sonic transition between Minus the Bear’s first two full-lengths transpire within under half an hour, with their earlier math rock predilections yielding to the tightly wound club-banging pedalboard trickery that defined their sophomore album. Even if Beer Commercials doesn’t fit within your definition of pop music, the unorthodox energetic charm of this relatively low-profile release serves as an exciting reminder of why Minus the Bear became one of the most important and influential indie rock bands of the new century\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"LP","offer_id":50541992542539,"sku":"2170970","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Minus_The_Bear_-_They_Make_Beer_Commercials_Like_This_dd1742bd_thumbnail_409.jpg?v=1728293338"},{"product_id":"this-is-what-i-know-about-being-gigantic","title":"This Is What I Know About Being Gigantic","description":"\u003cp\u003eTo celebrate Minus the Bear’s 20th anniversary, Suicide Squeeze is issuing the band’s earliest recordings on color vinyl. 'This Is What I Know About Being Gigantic' is the starting point, Minus the Bear’s debut. 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If you have followed Seattle natives Minus The Bear, the chances are that their 2005 album ‘Menos El Oso’ will do just that. It is an album laden with glorious production, infectious hooks, relatable lyrics, and one that has stood the test of time in a way few albums can.”\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Clear LP","offer_id":50545408246091,"sku":"2222556","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Menos_el_Oso_9cf6dacd_thumbnail_4096.jpg?v=1728344586"},{"product_id":"whenever-you-see-fit-3","title":"Whenever You See Fit","description":"\u003cp\u003e As part of their 20th anniversary celebratory series, Suicide Squeeze is proud to offer a vinyl repress of \u003ci\u003eWhenever You See Fit\u003c\/i\u003e with updated artwork by esteemed designer Jesse LeDoux.\u003c\/p\u003e\u003cp\u003e \u003cbr\u003eIt's the first time the record has been available on coloured vinyl.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Green LP","offer_id":50788604870987,"sku":"2020618","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Modest_Mouse_764-Hero_-_Whenever_You_See_Fit_7c1b5bd9_thumbnail_4096.jpg?v=1731152009"},{"product_id":"farewell","title":"Farewell","description":"\u003cp\u003eFirst and only official live release from Minus The Bear. 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Further bolstered by the mix of Matt Bayles and master job by Ed Brooks at Resonant Mastering, the album sounds like a fully immersive live experience.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Grey | LP | x3","offer_id":50904526061899,"sku":"1131317","price":42.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4a3c853b-4bb3-4fff-85ff-4870a8184db9_thumbnail_4096.jpg?v=1732819921"},{"product_id":"b-3","title":"B","description":"\u003cp\u003ePedro The Lion Covers “B” By Lync. Lync “B” Original Version On The Flip Side. The early ‘90s Olympia trio Lync harnessed the same raw energy and passionate discord of the era’s San Diego and DC chapters of post-hardcore while building their songs on the foundation of the Pacific Northwest indie rock scene’s clever hooks and sophisticated melodies. In celebration of the recent reissue of Lync’s sole LP, These Are Not Fall Colors, singer-songwriter David Bazan has re-envisioned the album opener “B” under his Pedro the Lion moniker, stripping away the celebratory distortion and riotous clamor of the original for a hushed acoustic rendition in line with Bazan’s most austere slow- core moments. Paired together as a 7” single on Suicide Squeeze Records, these two versions of “B” highlight the multifaceted power of the original song, with Pedro the Lion’s version elevating its fundamental melodic weight, idiosyncratic chord structure, and poetic power, and the original Lync version reminding us how their distinctive brand of expressive dissonance and adrenalized execution transformed their cerebral pop songs into jagged masterpieces of the post-Nevermind punk underground.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Purple 7\"","offer_id":50971645641035,"sku":"2231262","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Pedro_The_Lion__Lync_-_B_7_e0a3b7f4_thumbnail_4096.jpg?v=1734104930"},{"product_id":"that-guy-bw-time-crisis-too-2","title":"That Guy b\/w Time Crisis Too","description":"\u003cp\u003eSeattle's Chastity Belt and Austin's Holy Wave split a dreamy 7-inch for Suicide Squeeze Records. Chastity Belt's offering, 'That Guy,' rings with the band's signature laid-back-yet-precise style. Jangly, intricate guitarwork plays off easy rhythms; an upbeat tranquillity buoys wistful riffs. The lyrics are honest and introspective as Julia Shapiro admits to being \"that kind of guy\"—the type who just wants to feel alive, despite the pull of screentime, and the tendency to hold onto something until the life has been sucked out of it. \"Maybe quitting is okay, but I don't like giving things away,\" she sings, backed by warm vocal harmonies. \"I'd rather hold on for too long, until all the feeling's gone.\" For their side, Holy Wave contribute the lush and hypnotic slow burner 'Time Crisis Too.' Smears of warped synth over meticulous percussion and guitar form a dense tapestry of sound; melodic vibraphone perfects the cinematic nostalgia while the lyrics lament the too-hurried passage of time. Microdoses of experimentation tucked into the layers—seaside waves, swells of distortion, a disembodied second vocal—add intrigue and enhance the vibe.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Yellow 7\"","offer_id":51049343320395,"sku":"2237877","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Chastity_Belt__Holy_Wave_-_That_Guy_7_3bd4e999_thumbnail_4096.jpg?v=1736177085"},{"product_id":"cue-cards-2","title":"Cue Cards","description":"\u003cp\u003eLike so many bands that cut their teeth playing basements, rental halls, and teen centers around the Puget Sound in the early ‘90s, the Olympia trio \u003cstrong\u003eLync\u003c\/strong\u003e may have had similar roots to the local rock heroes of the era but were conscientiously averse to the trappings of mainstream success.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLync\u003c\/strong\u003e kept the grit, the shouted vocals, and the rough hewn choruses, but eschewed the machismo and metal swagger. 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On their latest 7”, \u003cstrong\u003eLync\u003c\/strong\u003e’s original version of \u003cem\u003e“Cue Cards”\u003c\/em\u003e is paired with a cover by Julia and The Squeezettes—a Suicide Squeeze-centric all-star line-up featuring Julia Kugel of The Coathangers and Julia, Julia, Staz Lindes of The Paranoyds, Bonnie Bloomgarden of Death Valley Girls, and Rikki Styxx.\u003c\/p\u003e\n\n\u003cp\u003eOn their rendition, Julia and The Squeezettes excise the half-time distorted bombast of the original in favor of up-tempo minimalism. Guitars are reduced to a few choice phrases, putting the song’s luring vocals and lyrical charms at the forefront. 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Suicide Squeeze is proud to release these two versions of \u003cem\u003e“Cue Cards”\u003c\/em\u003e to the world on a pressing of 500 Ocean Blue-colored vinyl.\u003c\/p\u003e","brand":"Suicide Squeeze","offers":[{"title":"Blue 7\"","offer_id":51164659712331,"sku":"2241346","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Julia__The_Squeezettes__Lync_-_Cue_Cards_7_c0e09c3c_thumbnail_4096.jpg?v=1737979641"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_4befec0a_thumbnail_4096_134c1761-97c7-41a3-8bb3-93b48e3d6969.jpg?v=1726009372","url":"https:\/\/shop.roughtrade.com\/fr\/collections\/suicide-squeeze.oembed?page=3","provider":"Rough Trade","version":"1.0","type":"link"}