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This design appeared in various shades of blues and greens throughout the '70s.\u003c\/p\u003e\n\n\u003cp\u003eAround 1981, UK releases of Vertigo started using a more plain design with an orange background while other European markets continued to use the spaceship design. With its rich history and diverse range of artists, Vertigo remains an influential force in the music industry today.\u003c\/p\u003e","products":[{"product_id":"vulture-culture","title":"Vulture Culture","description":"\u003cp\u003eSo much of the best art, the best music, is exorcism, primal scream, raw and brutal honesty. The act of gathering up all of your fear, paranoia, addiction, love and despair and hurling it into a microphone, ripping it out of a guitar. 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However, in 1981, a couple of young men from Leeds went to New York, discovered the drug in its infancy, fused its’ gritty synth pop to acid house’s squelchy 303 groove and recorded an album: Soft Cell’s \u003ci\u003eNon-Stop Erotic Cabaret\u003c\/i\u003e.  The rest, as they say, is history. \u003c\/p\u003e\u003cp\u003eShortly before that Soft Cell’s debut single Memorabilia was born. Originally recorded a decade before the explosion of acid house and rooted in predominantly black NYC, Chicago and Detroit gay clubs, Memorabilia is a seminal early prelude to rave culture.  Merging a strutting disco bass line with a futuristic proto acid-techno beat, Marc Almond has past described Memorabilia as “the first acid house techno record ever”. \u003c\/p\u003e\u003cp\u003eDave Ball remembers: “Memorabilia got to about number 99 in the charts, but the clubs picked up on it. In NME or Sounds they had a chart for the Danceteria in New York, and we were in it. Our label Phonogram saw this and thought: ‘why is this weird little duo from Leeds that no one’s heard of suddenly getting played in one of the hippest clubs in New York?’ So I think they thought: ‘we’ll give them another chance’.” \u003c\/p\u003e\u003cp\u003eFast forward to 2023 and Soft Cell’s first producer, Mute Records’ \nsupremo Daniel Miller, has reworked his original 1981 version of \nMemorabilia into a throbbing techno workout. 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