{"product_id":"layers-6","title":"Layers","description":"\u003cp\u003eStarting in the late 60s, jazz music started to take an interesting, and very soulful turn. Influenced by the funk of the day – from James Brown to Sly \u0026amp; The Family Stone – the art form, generally not considered a funky musical genre, started to stretch out and fit into the times. It was a fertile era, and to reciprocate, funk, soul and groovy rock fans started to discover accomplished, open-minded jazz artists like Les McCann, whose tunes made sense to their ears, even if bebop hadn’t grabbed them. This incredible album – long a favourite of forward-thinking hip-hop producers and DJs – washes over listeners from the first chords of the incredible album opener, “Sometimes I Cry,” led by McCann’s array of analogue synthesizers and backed by an excellent rhythm section (Donald Dean on drums; Ralph McDonald on percussion and Jimmy Rowser on bass). Truth be told, highlights are hard to pick out, but fans never go long without returning to the fuzzed-out funk of “The Harlem Buck Strut Dance,” “Let’s Play (Til Mom Calls)” and “It Never Stopped In My Hometown.” These keyboard-drenched grooves sat alongside record stacks brimming with Stevie Wonder, Funkadelic, Marvin Gaye’s 70s soul and, of course, Miles Davis’ space funk experiments of the era (like Bitches Brew).\u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Red LP","offer_id":51197262627147,"sku":"2242827","price":31.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Layers_a0ed378d_thumbnail_4096.jpg?v=1738599498","url":"https:\/\/shop.roughtrade.com\/products\/layers-6","provider":"Rough Trade","version":"1.0","type":"link"}