{"product_id":"soultrane-qa","title":"Soultrane","description":"\u003cp\u003eThe year 1958 represented a transitional period in \u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e's musical career. He had first joined the \u003cstrong\u003eMiles Davis Quintet\u003c\/strong\u003e in 1955 and would form his own celebrated quartet with \u003cstrong\u003eMcCoy Tyner\u003c\/strong\u003e, \u003cstrong\u003eJimmy Garrison\u003c\/strong\u003e, and \u003cstrong\u003eElvin Jones\u003c\/strong\u003e in 1960.\u003c\/p\u003e\n\n\u003cp\u003eIn the intervening years, he began to expand on his own musical ideas while experimenting with both the \u003cstrong\u003eThelonious Monk Quartet\u003c\/strong\u003e and the \u003cstrong\u003eMiles Davis Sextet\u003c\/strong\u003e (featuring \u003cstrong\u003eBill Evans\u003c\/strong\u003e and \u003cstrong\u003eCannonball Adderley\u003c\/strong\u003e). He also recorded studio sessions with other musicians and presented his own albums during this period.\u003c\/p\u003e\n\n\u003cp\u003eAmong them were quartet sides, all of them featuring \u003cstrong\u003eRed Garland\u003c\/strong\u003e on piano and \u003cstrong\u003ePaul Chambers\u003c\/strong\u003e on bass. These quartets were, in many ways, the predecessors of the 1960 \u003cstrong\u003eJohn Coltrane Quartet\u003c\/strong\u003e, and \u003cem\u003eSoultrane\u003c\/em\u003e, is a good example of this.\u003c\/p\u003e","brand":"20Th Century Masterworks","offers":[{"title":"LP - Red","offer_id":51529805529419,"sku":"R2054-0638","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8436563186134_ce4cbc1c-8839-4764-80d5-5e817d912b94.jpg?v=1743006409","url":"https:\/\/shop.roughtrade.com\/products\/soultrane-qa","provider":"Rough Trade","version":"1.0","type":"link"}