Let Night Come On Bells End The Day

Davachi’s fifth album, originally released in 2018. Number 6 in The Wire magazine Top 50 releases of that year. Comprising a collection of hours for the evening with mellotron, electric organ, piano, and synthesizer. O beautiful was the werewolf in his evil forest. Electric green and red tears.

The work of Sarah Davachi is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures that emphasize subtle variations in texture, overtone complexity, psychoacoustic phenomena, temperament and intonation. Influenced by minimalist tenets, baroque chordal suspensions, and experimental production practices, her sound creates an experience that blurs the lines between consonance and dissonance. Late Music is pleased to offer a triad of official vinyl reissues for Davachi’s seminal albums originally released between 2015 and 2018. The records included are Barons Court (2015), All My Circles Run (2017), and Let Night Come On Bells End The Day (2018).
 
Sarah Davachi is a composer and performer whose work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and tuning and intonation. Her work is entrancing and physical, often leading to states of "where am I, and what is happening?".
 
Her compositions span chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation.