All My Circles Run

The acclaimed 2017 LP, originally released in a small run of vinyl on the Cincinnati-based Students Of Decay label. Featuring a suite of extended pieces for strings, voice, organ, and piano, it is said to hover “somewhere between the conscious and the unconscious, barely there and indisputably present” - Pitchfork. Recorded at Godspeed You! Black Emperor’s analogue recording studio in Montreal, Hotel2Tango, the album sees Davachi’s Keyboards supplemented by Camille Hesketh’s soprano vocals, Jessica Holmes on cello and Jessica Mosson violin.

The work of Sarah Davachi is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures that emphasize subtle variations in texture, overtone complexity, psychoacoustic phenomena, temperament and intonation. Influenced by minimalist tenets, baroque chordal suspensions, and experimental production practices, her sound creates an experience that blurs the lines between consonance and dissonance. Late Music is pleased to offer a triad of official vinyl reissues for Davachi’s seminal albums originally released between 2015 and 2018. The records included are Barons Court (2015), All My Circles Run (2017), and Let Night Come On Bells End The Day (2018).
 
Sarah Davachi is a composer and performer whose work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and tuning and intonation. Her work is entrancing and physical, often leading to states of "where am I, and what is happening?".
 
Her compositions span chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation.