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From hollowed-out corridors and whispering tunnels to soundsystem pressure in darkened rooms lit by a single intermittent light, Long Gone’s fifth release maps the contours of Miles J Paralysis’ mind.
Dub elements drift through the fog of post-punk disintegration, while echoing percussion and solemn vocals appear and fade like distant signals. It’s heavy with bassweight and foreboding, but never overwhelmed by its own density.
This is a record that finds a rare balance between dread, depth and breathing room, holding tension and space in equal measure.
