Hollow Ground

Despite a 300 batting average and a 63 mph curveball from the mound, Cut Worms’ Max Clarke was the black sheep of his baseball-centric, Midwestern family. And now Clarke releases his debut album as Cut Worms, Hollow Ground. Clarke was drawn to the creative shadows, drawn to the basement 4-track and late nights in the art studio as much as he was the dugout. He had a born knack for conjuring warm sounds and fine images. His songs in particular crackle with the heat of a love-struck nostalgia: golden threads of storytelling, like visceral memories, woven together with a palpable Everly Brothers’ influence and 50s / 60s naiveté. But the kid still has a pretty mean curve. Like one of his creative pillars David Lynch, Clarke’s songs and artwork are also curveballs with a curious underbelly. A Cut Worms song may impress an innocent summer stroll across fields of tall grass and lavender - but there’s undoubtedly a severed ear out in there in the grass. Some unseen dark forces are always lurking at the edges of songs’ sunbursts. Bright, beautiful lap steel or a cheery harmonica accompaniment often belie an impending doom or crestfallen narrator.

LP - Black Vinyl with Download.

LP+ - Red Vinyl with Download.