The emergence of Felice Rosser’s FaithNYC reveals another facet of the seemingly infinite diamond of Black American music. Born in Detroit, she experienced Motown, the 1967 riots, Funkadelic, The MC5, The Stooges and The New York Dolls before moving to New York City for college. Blown away by Television at CBGB’s, she became part of the scene, befriending Samo— Jean Michel Basquiat’s tag at that time—and starting to write songs and play bass. Inspired by punk’s DIY attitude, Rock and Roll, Funk, Free Jazz, Dub, Reggae and the new Hip Hop scene all became part of her musical language.
