Thought Crime

The original mix of Thought Crime opens the package with murky atmospheric textures, skippy hat patterns and shuffled organic drums grooves driving the composition before the focal stages see the introduction of eerie piano chords, spoken word vocal samples and acid tinged bass which ebbs and flows within the depths. No Fear follows next, laying focus on a bumpy drum groove, modulating synth swells, ethereal tension building pads and a snaking sub bass groove to create a dynamically unfolding, hypnotic cut. Perlon’s Wareika step up to rework Thought Crime opens the flip-side, as always from this trio shining light on chuggy bass grooves and jazz tinged ever-unfolding drums whilst stirring in the original’s eerie voices and choppy pianos to create a frenzied, dynamic feel throughout. Since 1984 next to round out the release, an interlude of sorts featuring a bubbling arpeggio, dreamy piano melodies and an amalgamation of swirling, dubbed out echoes spiralling amongst muted kicks.