Yes Indeed! The Singles As & Bs 1952-1957

A rock 'n' roll hero who didn't actually like rock 'n' roll, Merrill Moore reached a bigger audience in the late 60s than he ever did in his early 50s heyday, after the 1968 Rock 'n' Roll Revival brought his exhilarating, up-tempo hillbilly boogies to the attention of a much wider audience than it had enjoyed the first time round - many of whom were too young to have caught the handful of 78s that his label Capitol had issued here as new releases.

The records Moore made in the first half of the 1950s may not have sounded like rock 'n' roll to him. However their boisterous nature, compounded by his relentlessly pounding Jerry Lee Lewis-style piano and Bill Haley-esque vocals pegged them as part of the rockin' root from which everything sprang.